233 résultats
192786715Miramar Saint-Raphaël: S. n. 1927. Fine. S. n. Miramar Saint-Raphaël s. d. ca 1927 13 x 20.50 cm 1 page Autograph letter signed and dated by Henri Barbusse addressed to a friend 23 lines written in blue ink very probably addressed to his wife Hélyonne Mendès. Fold marks inherent to being placed in an envelope. Letter entirely imbued with the admiration that Henri Barbusse professed for his wife Hélyonne Mendès daughter of writer Catulle Mendès and musician and composer Augusta Holmès: ""J'ai lu avec joie ta lettre rayonnante de vie comme toi. Je t'entends aussi donnant du souffle à l'américaine pacifiste et aux corprs paralys de la Ligue. Mais quel grand effort infatigable il faut pour refouler toujours toutes les espèces de morts."" ""I read with joy your letter radiant with life like you. I also hear you breathing life into the American pacifist and the paralyzed bodies of the League. But what a great untiring effort is needed to always push back all kinds of death."" His enthusiasm for his wife matches that which he generally has for women: ""Pourtant je crois aux femmes : en principe elles te ressemblent un peu."" ""Yet I believe in women: in principle they resemble you a little."" The 1916 Goncourt Prize winner reveals his program for the coming days: ""J'ai bouclé ce matin les épreuves de mon livre de nouvelles. Je vais me remettre au livre sur les Balkans qu'il me faut unifier avec les morceaux que j'ai et dont j'extrais de temps en temps un article pour l'envoyer de ci de là."" ""I finished the proofs of my book of short stories this morning. I'm going to get back to the book on the Balkans which I need to unify with the pieces I have and from which I extract an article from time to time to send here and there."" and ends his missive with this cutting remark: ""Tu fais bien de ne pas aller à Genève ville froide à tous les égards."" ""You do well not to go to Geneva a city cold in every respect."" S. n. unknown
199232549Ed. Caro Raccio 1921 1992. unbound. Bueno. Ed. Caro Raccio 1921. Rustica. 24x16. 98 pp. Ilustrado con 24 grabados en madera de Frans Masereel. Cubiertas deslucidas. Marcas de oxido. Ed. Caro Raccio 1921 unknown
192843962983743530Moscow–Leningrad: Gosizdat 1928. Paperback. Good. true. Ð‘Ð°Ñ€Ð±ÑŽÑ Ðнри. ИиÑÑƒÑ Ð¿Ñ€Ð¾Ñ‚Ð¸Ð² ХриÑта. Перевод Ñ Ñ„Ñ€Ð°Ð½Ñ†ÑƒÐ·Ñкого под редакцией К. Ðрберга; предиÑловие М. РейÑнера. МоÑква–Ленинград: ГоÑударÑтвенное издательÑтво ГоÑиздат 1928. 296 Ñ. МÑÐ³ÐºÐ°Ñ Ð¸Ð·Ð´Ð°Ñ‚ÐµÐ»ÑŒÑÐºÐ°Ñ Ð¾Ð±Ð»Ð¾Ð¶ÐºÐ° уменьшенный формат. . Barbusse Henri. Jesus against Christ Iisus protiv Khrista. Translated from French edited by K. Erberg; preface by M. Reisner. Moscow–Leningrad: State Publishing House Gosizdat 1928. 296 p. Publisher's softcover reduced format. This is the rare and only lifetime Russian edition of the controversial work by the French writer journalist and communist Henri Barbusse 1873–1935. Originally published in France in 1926 as Jésus the book presents a radical left-wing reinterpretation of Jesus Christ as a social revolutionary and proto-communist framed as an attempt to reclaim his figure from institutional Christianity. The Russian translation edited by K. Erberg and prefaced by the Marxist legal scholar Mikhail Reisner was published by the Soviet state publisher Gosizdat in 1928. Appearing during the intense anti-religious campaigns of the 1920s this edition served as ideological support for the Soviet critique of religion. Its provocative content and status as an unreprinted early translation make it a significant bibliographic rarity reflecting the era's complex interplay between political ideology historical revisionism and publishing. Gosizdat paperback
193543962966212650МоÑква-Ленинград: Academia 1935. Hardcover. Good. A.A. Deineka. Ð‘Ð°Ñ€Ð±ÑŽÑ Ðнри. Ð’ огне. ПредиÑловие М. Горького; Ñуперобложка переплет фронтиÑÐ¿Ð¸Ñ Ñ€Ð¸Ñунки заÑтавка и концовка работы художника Ð. Ð. Дейнеки. МоÑква Ленинград: ACADEMIA 1935. 343 Ñ. 11 л. ил. фронт.; 20 Ñм. Твердый переплет. Примечание: Ñуперобложка чаÑтично Ñохранена. Тираж: 20 300 Ñкз. . Barbusse Henri. Under Fire V ogne. Preface by Maxim Gorky; dust jacket binding frontispiece drawings headpieces and tailpieces by artist A. A. Deineka. Moscow Leningrad: ACADEMIA 1935. 343 p. 11 leaves of ill. front.; 20 cm. Hardcover. Note: dust jacket partially preserved. Print run: 20300 copies. A striking Soviet edition of Henri Barbusse's iconic World War I novel Under Fire notable for its powerful anti-war narrative. Published in 1935 by Academia this volume includes a preface by Maxim Gorky and is distinguished by its complete artistic design by Alexander Deineka one of the most important Soviet painters and graphic artists. Deineka's dynamic illustrations and cover design masterfully complement the novel's grim and heroic themes. The substantial print run and partial preservation of the original dust jacket make this a particularly notable example of 1930s Soviet book art and political publishing. Academia hardcover
192586356s. l.: S. n. 1925. Fine. S. n. s. l. 25 Novembre 1925 14.50 x 19.50 cm 2 pages sur un feuillet Autograph letter dated and signed by Henri Barbusse addressed to a female friend 32 lines written in black ink from the steamship Vaporul Regele Caroli. Folds inherent to mailing letterhead paper of the Romanian maritime services and the Vaporul Regele Caroli. While on a cruise from Constanza to Constantinople Henri Barbusse languishes in the absence of the woman he loves: ""Pendant tout le voyage qui en est à peu près à la moitié je n'ai cessé de penser à toi ma belle et je viens à toi en ce moment à travers les distances et les préoccupations de toutes sortes comme à ma vérité essentielle et suprême comme partout et comme toujours."" Throughout the entire journey which is about halfway through I have not stopped thinking of you my beautiful one and I come to you at this moment across distances and preoccupations of all kinds as to my essential and supreme truth as everywhere and as always. He lists the stages of his return journey from Constantinople through the Balkans then Europe: ""Je resterai deux trois jours à Constantinople puis quatre jours à Sofia et quatre jours à Belgrade. puis deux jours à Budapest Vienne et Paris."" I will stay two or three days in Constantinople then four days in Sofia and four days in Belgrade. then two days in Budapest Vienna and Paris. and worries about not having received news from his love: ""Je n'ai pas reçu de lettre de toi par le canal que je t'avais indiqué. Adresse moi un mot pour me dire comment tu vas."" I have not received a letter from you through the channel I had indicated to you. Send me a word to tell me how you are. He shows himself very satisfied with the time he spent in Romania politically speaking: ""Mon séjour en Roumanie a été extrêmement rempli et a eu une très grande répercussion : campagnes de journaux incidents à la chambre mainfestations populaires et qq criailleries fascistes etc. je te raconterai tout cela en détail."" My stay in Romania was extremely full and had a very great impact: newspaper campaigns incidents in the chamber popular demonstrations and some fascist squawking etc. I will tell you all this in detail. S. n. unknown
1925554429New York: International Publishers 1925. Hardcover. Near Fine/Very Good. First American edition. Two volumes. Translated by Stephen Haden Guest. About fine in very good or better pictorial dust jackets each with very slight toning and a small chip on each spine. Scarce in jackets. International Publishers hardcover
19308329London : Martin Lawrence Limited 1930. 1st Single Volume Edition. Hardback. Fine cloth copy in a good if slightly edge-torn and dust-dulled dw with splash mark to front now mylar-sleeved. Internally crisp & fine. Remains particularly and surprisingly well-preserved; tight bright clean and strong; 2 pages; Description: 2 v. ; 20 cm. Complete edition two vols. bound in one. Genre: Fiction London : Martin Lawrence Limited hardcover
1925946London: Jonathan Cape 1925. Hardcover. Very Good/Very Good. 8vo - over 7¾ - 9¾" tall. Both volumes with gilt lettered red cloth boards in original dust jackets. Offsetting from jackets to front endpapers. Volume 1 with a small rip to upper edge of spine. Books otherwise in very good condition clean through bindings tight ans square. Dust jackets are not price clipped with some light wear worst of which is at head and heel of jacket spine rubbed and chipped. Jacket spines are also darkened. 2 very nice volumes nonetheless. Translated by Stephen Haden Guest. Jonathan Cape hardcover
19322080302106803225Shun'yo-do 1932. Soft Cover. Fine. Size: 02020 Volume: 1 volume Shun'yo-do paperback
19322092902140602440Shun'yo-do 1932. Soft Cover. Fine. Number of pages: 405p Size: Paperback Shun'yo-do paperback
1160342075.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1167607139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1919234784107Paris: Flammarion Paris 1919 1919. Red linnen hardcover with golden imprint. Gilt on edges. Paper yellowed/browned. No notes/underlining. Spine sunned. Binding tight. 290 pp Flammarion Paris 1919 hardcover
0483218219.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191981000Paris: Flammarion 1919. Fine. Flammarion Paris 1919 12 x 18.50 cm broché First edition one of 250 numbered copies on Holland paper the only deluxe copies. A small tear to the upper left corner of the front cover and a restoration to its verso handsome full-margined copy. Flammarion unknown
191918034Paris: Flammarion 1919. Fine. Flammarion Paris 1919 13.50 x 20.50 cm broché First edition one of 250 numbered copies on Holland paper the only deluxe copies. Title page and final endpaper shaded otherwise handsome copy with full margins. Flammarion unknown
31736Paris Ernest Flammarion janvier 1919. 1 vol. 120 x 190 mm de 290 p. 1 f. 4 f. de cat. Broché. . Édition originale et premier tirage. Ex-libris manuscrit de Maurice Genevoix au faux-titre daté du 5 février 1919. . Trois ans après Le Feu auréolé du Goncourt et encore imprégné des blessures physiques et morales de la guerre Barbusse publie ce second grand roman militant. Clarté se veut un cri : celui de Simon Paulin jeune villageois revenu du front changé réveillé prêt à crier non plus pour la France mais contre les structures mêmes qui ont permis la guerre. Ce récit de métamorphose — d’un homme timide à un tribun de la Révolution — déborde le cadre littéraire pour porter un message politique. Barbusse y formule un violent réquisitoire contre le capitalisme le militarisme les forces de l’argent et les hypocrisies des États-nations. Refusant le simple pacifisme il appelle à un nouvel internationalisme révolutionnaire. Le roman donnera son nom à un mouvement : Clarté sous forme de journal hebdomadaire tiré à 40 000 exemplaires est fondé officiellement en mai 1919 par Barbusse Paul Vaillant-Couturier et Raymond Lefebvre. Le journal se veut la voix des « citoyens du monde » unissant les intellectuels combattants décidés à mettre leur plume au service d’un nouvel ordre. Genevoix encore occupé du cycle de ses récits de guerre se procure ce livre dans les premières semaines de sa parution. La confrontation entre son humanisme mesuré et le messianisme révolutionnaire de Barbusse souligne les tensions idéologiques de l’après-guerre. Paris, Ernest Flammarion, (janvier) 1919. 1 vol. (120 x 190 mm) de 290 p., [1] f. + [4] f. de cat. Broché. unknown
0483249106.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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68904Zürich Max Rascher Verlag A.-G. 1918 Auflage: 1. 1.-12. Tausend. kartoniert gebunden; grüner schwarz geprägter illustrierter Einband Farbkopfschnitt / Anz. Seiten: 408 / 125 x 185 cm / Zustand: gut leichte Gebrauchsspuren; Einband etwas berieben und lichtrandig Kapitale geringfügig lädiert Oberkante etwas bestossen Papier leicht gebräunt Schnitt mässig gebräunt und etwas fleckig Zürich, Max Rascher Verlag A.-G., 1918, Auflage: 1., 1.-12. Tausend unknown
3847840339.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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