227 résultats
19-7719Paris: Maison Martinet 1850. 14.75 x 10.25 inches. Unbound sheet good with marginal tearing and residual adhesive on upper corners. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “513 Cham.†Additional text on bottom reads: “Maison Martinet 172 r. Rivoli et 41 r. Vivienne†and “Lith. Destouches 28 r. Paradis Pre. Paris.†Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1850]. unknown
19-7740Paris: Maison Martinet 1862. 11.5 x 11.5 inches. Unbound sheet. Good with light staining on upper right corner. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “Cham 56.†Additional text on bottom reads: “Maison Martinet 172 r Rivoli et 41 r. Vivienne†and “Lith. Destouches 28 r. Paradis Pre.â€Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1862]. unknown
19-7721Paris: Maison Martinet 1850. 14.5 x 9.75 inches. Unbound sheet. Very good with residual adhesive on upper corners. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom left: “569 Cham.†Additional text on bottom reads: “Maison Martinet 172 r. Rivoli et 41 r. Vivienne†and “Lith. Destouches 28 r. Paradis Pre. Paris.â€Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1850]. unknown
19-7718Paris: Maison Martinet 1849. 14.5 x 10.5 inches. Unbound sheet good with marginal tearing. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “Cham 512.†Additional text on bottom reads: “M.on Martinet 172 r. Rivoli et 41 r. Vivienne†and “Lith. Destouches 28 r. Paradis Pre. Paris.†Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1849]. unknown
19-7739Paris: Maison Martinet 1858. 9.75 x 14.75 inches. Unbound sheet. Good with light staining on upper right corner. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom left: “Cham 605.†Additional text on bottom reads: “Maison Martinet 172 r Rivoli et 41 r. Vivienne†and “Lith. Destouches 28 r. Paradis Pre. Paris.†Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1858]. unknown
19-7733Paris: Maison Martinet 1858. 14.75 x 10.75 inches. Unbound sheet mounted on black construction paper good with marginal tearing on edges. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “600 Cham.†Additional text on bottom reads: “M.on Martinet 172 r Rivoli et 172 r. Vivienne†and “Lith. Destouches 28 r. Paradis Pre. Paris.†Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1858]. unknown
19-7723Paris: Maison Martinet 1862. 14.75 x 10.25 inches. Unbound sheet. Very good with residual adhesive on upper corners. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom left: “Cham 626.†Additional text on bottom reads: “Maison Martinet 172 r. Rivoli et 41 r. Vivienne†and “Lith. Destouches 28 r. Paradis Pre. Paris.â€Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1862]. unknown
19-7708Paris: Maison Martinel 1854. . 9.75 x 13.75 inches. Unbound sheet. Good with staining and edge wear. Original hand colored 19th century lithograph by Cham published in Le Charivari. Includes signature on bottom left: “377 Cham.†Additional text on bottom reads: “maison Martinel 116 r. Rivoli et 41 r. Vivienne.†En Francais. Paris: Maison Martinel, [1854]. unknown
19-7710Paris: Le Charivari 1855. . 11.25 x 16.75 inches. Unbound sheet good with slight creasing and marginal tearing. Original black and white 19th century lithograph by Cham published in Le Charivari. Verso is newspaper page from Le Charivari. En Francais. Paris: [Le Charivari], [1855]. unknown
19-7724Paris: Maison Martinet 1840. 8 x 10.25 inches. 11 x 14 inches mat. Unbound sheet. Mounted on blue mat board. Very good. Original black and white 19th century lithograph by Cham published in Le Charivari. Contains signature on bottom right: “50 “Cham.†Additional text on bottom reads: “M.on Martinet Paris†and “Lith. Destouches Paris.†Verso is newspaper page from Le Charivari. En Francais. Paris: Maison Martinet, [1840]. unknown
1810047156Paris: Vente 1810. Hardcover Full Leather. Very Good Condition. Contemporary leather worn hinges cracked fist few pages chipped at edges long note to endpaer a few other marks internally but generally quite clean. 9 plays bound as one each with a separate title. Published 1808-1810. Cendrillon Opéra-Féerie with a frontispiece of Cinderella by fireplace it is the third edition same year as the first. This and a few others are scarce. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Theatre & Plays; Inventory No: 047156. Vente hardcover
1757896F50Paris; Yverdon: Duchesne; Francois le Breton; 1757-1765 . Leather. Very Good. 8.5" by 5.5". None. A smart sammelband of seven mid-eighteenth century theatrical works largely comedic in tone but with a vanishingly scarce tragedy titled 'Marcellus ou Les Persecutions' also present. In the original French.A sammelband of seven French theatrical works the majority being comedies from popular playwrights.The first work is a 1757 edition of 'La Coquette Corrigee' by 'Delanoue' the pseudonym of Jean-Baptiste Simon Sauvé de La Noue.The second work is a very 1763 edition of 'Le Droit du Seigneur' by Voltaire published in the same year as the unauthorised first single volume edition of the five act play.The third play is Charles Simon Favart's popular comedy 'L'Anglois a Bordeaux'. A very scarce copy published in the same year as the play was first performed.The fourth comedy is a scarce 1765 early edition of Charles Simon Favart's comedy 'Isabelle et Gertrude ou Les Sylphes Supposes'. Published in the same year as the first edition but with different pagination and lacking the six sheets of music present in the first edition.The fifth work is a posthumously published 1758 edition of playwright Philippe Nericault Destouches's 'Le Philosophe Marie' which was first produced in 1927.The sixth work is a 1765 edition of Jean-Francois Regnard's 'Le Joueur' first performed in 1696.The final work is the very scarce tragic drama 'Marcellus ou Les Persecutions: Tragedie Chretienne' by Ponce Dehaye-Polet. The first edition of this vanishingly scarce work from a writer about whom little is known.With the loosely inserted bookplate of Irish philosopher Rev. Francis Hutcheson known as one of the founding fathers of the Scottish Enlightenment.A fascinating collection of French dramas and comedies. In a full calf binding. Small loss of leather to back strip head. Joint heads starting with boards firmly held. Loosely inserted bookplate. Internally firmly bound. Pages age toned due to paper type with light handling marks throughout. Very Good Duchesne; Francois le Breton; hardcover
036478511X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366376004.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
133496923X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
51-1241Paris: Maison Martinet circa 1860. Handcolored lithograph with gum arabic. 34 x 26 cm. Paris: Maison Martinet , circa 1860 unknown
1166171922.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104859904.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9401035229.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
187319620München: s.n. 1873.- 60 p.; 4º menor; Texto en alemán; Tela Ed. con cruz estampada en negro. Las cubiertas algo manchadas. GENEALOGÃA HERÃLDICA NOBILIARIA ÓRDENES MILITARES MEDALLAS BANDERAS. Buch auf deutsch Sin editorial hardcover
172439464Paris: L'Imprimerie De Jean-Baptiste-Christophe Ballard Seul Imprimeur du Roy pour la Musique & Noteur de la Chapelle de Sa Majesté. . Avec Privilege Du Roy 1724. Folio 37.5 x 24.5 cms. Full modern dark brown leather with raised bands on spine red speckled edges. 1f. blank 1f. recto half-title verso printer's note 1f. recto title. verso blank 5 dedication to the King dated 17. December 1697 6 "Airs a Jouer" 7 "Airs a Chanter" 8 cast list 300 pp. 1f. blank. <br /> <br /> With fine large woodcut device to title incorporating figures playing musical instruments; fine woodcut head- and tailpieces; occasional decorative woodcut initials.<br /> <br /> Binding slightly worn rubbed and bumped; minor wear and browning to pastedowns; free endpapers lacking. Minor internal wear; first leaf partially detached and browned and stained at margins; light uniform browning; minor foxing; browning and foxing slightly heavier to margins of last several leaves. A very good copy overall crisp and wide-margined. Third edition of the work first published in 1697 with a second heavily revised edition published in 1708. BUC p. 268. Hirsch II 196. Lesure p. 168. Sonneck p. 42. RISM D1832. <br /> <br /> Issé in a prologue and three acts by Destouches to a libretto by Antoine Houdar de Lamotte received its first concert performances at Fontainebleau on 7 October 1697 and at Versailles at the Trianon on 17 December 1697; its first stage performance was in Paris at the Opéra on 30 December 1697.<br /> <br /> The work "was an immediate success and Destouches's future was secured. Louis XIV gave him 200 louis with the comment that 'since Lully no music had given him so much pleasure' Titon du Tillet. . Destouches and his librettists dealt with the conventional genres of their time in an original manner. Issé is a pastorale but has heroic characters; Le Carnaval et la Folie is one of the first examples of a lyric comedy in France; Les élémens an opéra-ballet is clearly a prototype for the later ballet-héroïque; and Les stratagèmes de l'Amour is perhaps the only ballet-héroïque with a comic intrigue although we are assured that it is a 'noble Comedy and one that has the character of Antiquity' libretto." James R. Anthony in Grove Music Online<br /> <br /> A "remarkable figure in French musical life during the first half of the 18th century. Destouches was of aristocratic stock entitling him to entrée in circles usually closed to musicians. As a boy he was educated by the Jesuits and under their protection traveled to Siam 1687-8. Before becoming known as a composer and gaining acclaim as a musical administrator Destouches served in the king's musketeers. He left the army in 1694 to pursue a career in music studying for a time with Campra. He collaborated with his cousin the librettist Antoine Houdar de la Mott on a series of tragedies of which the pastorale-héroïque Issé 1697 and Omphale 1701 were particularly successful. When the directorship of the Académie Royale de Musique became vacant in 1712 Destouches served in the interim before being appointed inspecteur gènsmallèral in 1713. In 1728 he was finally made director." Sadie: Companion to Baroque Music p. 117. L'Imprimerie De Jean-Baptiste-Christophe Ballard, Seul Imprimeur du Roy pour la Musique, & Noteur de la Chapelle de Sa Majesté. unknown
1702-22Wien Jean Pierre Van Ghelen 1752-1753. 3 Werke in 1 Bd. 8°.173 S 1 Bl; 104 v. 112 S. 146 S. jew. mit Holzschnitt-Titelvign. Ldr. d. Zeit mit reicher Rückengoldprägung u. goldgeprägten Rückenschildchen. Oberes Kapital mit Fehlstelle Kanten u. Deckel berieben. Innen etwas gebräunt bzw. stockfleckig. Gelenke locker. Wien, Jean Pierre Van Ghelen 1752-1753. unknown
1736AQ21594Paris: Chez Prault Pere 1736. 4 137pp 3. Bound with: DESTOUCHES Nericault Philippe. Le tambour nocturne ou le mari devin comedie angloise. Paris. Chez Prault Pere 1736. 10 116pp 4. And: DESTOUCHES Nericault Philippe. Le dissipateur ou l'honneste-friponne comedie. Paris. Chez Prault Pere 1736. 2 xii 127pp 3. 8vo. Contemporary speckled calf morocco lettering-piece spine richly gilt. Extremities worn joints split. Typed booksellers description pasted to FEP. Armorial bookplate of Elden Hall home of the Viscounts Keppel to FEP blind-stamp of John Fowles to FFEP. A sammelband of three comedies by dramatist Philippe Nericault Destouches 1680- 1754 noted for bringing to the tradition of French classical comedy influences derived from the English Restoration theatre. John Fowles 1926-2005 English novelist whose notable works include The Magus 1965 and The French Lieutenant's Woman 1969. . Chez Prault Pere unknown
171140469Paris: Pierre Ribou 1711. Small 8vo 16x10 cm. 18th century limp vellum. xii96 pp. - First edition in nice condition "Jouée la première fois le 7 novembre 1710 cette comédie eut 13 représentations dans les deux mois". La Gazette de Rotterdam la qualifie de pièce "la plus parfaite" parue depuis l'époque de Molière! Selon J. Haskins "avant d'être représentée à Paris elle fut d'abord jouée à Souleure chez la Marquise de Tibergeau et dans différentes villes de Suisse où son premier succès fut confrmé par plusieurs représentations". Pierre Ribou hardcover
133482021X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
