130 résultats
17102811Paris: A l’Entrée de la Porte de l'Academie Royale de Musique …: Henry de Baussen 1710. The first illustrated and the first edition engraved full score of Lully’s Persée. Engraved music. Folio. In somewhat later green half maroquin. Spine and front panel gilt. Supra ex-libris: M.me Adolp. de Lanneau - Partitions. With six engravings by Scotin and Deplaces after Duplessis. Binding rubbed at the extremities. Water stain to the lower edge of the first and last leaves. Sporadic foxing pages toned due to aging. Otherwise in fine condition. The first illustrated and the first edition engraved full score of Lully’s Persée. Engraved music. Folio. In somewhat later green half maroquin. Spine and front panel gilt. Supra ex-libris: M.me Adolp. de Lanneau - Partitions. With six engravings by Scotin and Deplaces after Duplessis. 4 229 1 p. The first illustrated and the first edition engraved full score of Lully’s Persée.<br /> Full score of Lully’s tragédie en musique with Philippe Quinault libretto. The opera premiered on 7 April 1682. This is the Persée’s first engraved edition adorned with six engravings illustrating scenes from the opera the first for the prologue and one for each of the five acts.<br /> Provenance: Madame Adolphe de Lanneau wife of A. de Lanneau 1796–1881 a French school director and politician to whom George Onslow dedicated his Violin Sonata No. 6 Opus 31.<br /> RISM L 2993. A l’Entrée de la Porte de l'Academie Royale de Musique […]: [Henry de Baussen] unknown
167539689Paris: Christophe Ballard seul Imprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Small quarto. Modern marbled boards with paper title label to upper and spine. 1f. recto title verso blank 1f. "Acteurs du Prologue" 4ff. "Prologue" 1f. "Acteurs de la Tragedie" 76 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; exceptionally fine woodcut headpiece to Prologue and additional headpieces to each act; decorative woodcut initials and tailpieces throughout.<br /> <br /> Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie."<br /> <br /> Small holes to blank inner margins from previous sewing; slightly worn; very occasional minor foxing soiling and stains; minor loss to blank upper outer corner of pp. 31/32. First Edition fourth issue. Sonneck Librettos p. 1069. Schmidt LLC3-2.3. <br /> <br /> Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675.<br /> <br /> "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Imprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown
174791802n. l.: s. n. 1747. Fine. s. n. n. l. 1747 10 x 16.8 cm Relié First edition of this work published by the Société du Bout-du-Banc the celebrated literary salon presided over by Mademoiselle Jeanne-Françoise Quinault and the Comte de Caylus. This intimate circle originally comprising eight members would gather on Mondays at dinner to exchange ideas and to write; at the close of each meal every distinguished guest was required to set down a few lines whether in the coarse poissard style or in a more refined vein on paper. It was in this context that Les Fêtes roulantes ou les regrets des petites rues came into being in the wake of the celebrations held in Paris in honour of the Dauphin's second marriage to Marie-Josèphe de Saxe. Pastiche binding in plum half-shagreen spine with five raised bands framed by gilt dotted fillets and six compartments decorated with gilt fillets and fleurons marbled paper boards gilt top edge pastedowns and endpapers in shell-pattern marbled paper. Some minor rubbing to the paper of the lower board corners slightly bumped. ""In his youth the Comte de Caylus had paid considerable tribute to the literature of fairy tales which the translations from Arabic and Persian by Galland and Pétis de la Croix had brought into fashion; one does not find him again in these artificial creations to which he returned when he was nearly seventy. But in the intervening years his character as a writer emerged and declared itself in accordance with his manners and tastes and in how propitious a milieu! The Société du bout du banc that academy of Gallic ribaldry presided over by Mademoiselle Quinault; those suppers at which an inkwell served as centrepiece and which La Chaussée d'Armenonville Voisenon Moncrif the Grand Prior of Vendôme Duclos Salley and Crébillon fils enlivened with their bawdy and bantering wit. All men of letters with little taste for philosophy all content to let the world go its own way and finding it perfectly satisfactory as it was all of that sacred flock of Epicurus somewhat transformed by Circe in which each member is satisfied or very nearly with what their presiding lady declared sufficient for Duclos the least fastidious among them. The popular literature of the eighteenth century that is to say literature which took the common people as the subject of its observations and tableaux was born within this company of mirth and folly and the Comte de Caylus was its natural father and its foster father; it took its first lively flights in those ""Écosseuses"" 1739 those ""Étrennes de la Saint-Jean"" 1742 those ""Mémoires de l'Académie des colporteurs"" those ""Avantures des bals des Bois"" those ""Fêtes roulantes"" 1748 a veritable magic lantern of Parisian popular life ."" Avertissement ""Mémoires et réflexions du comte de Caylus"" 1874 s. n. hardcover
167539713Paris: Christophe Ballard seul Inprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Quarto. Disbound. 1f. recto title verso blank 1f. "Acteurs du Prologue" 3ff. "Prologue" 1f. "Acteurs de la Tragedie" 70 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; woodcut headpieces to each act; decorative woodcut initials and tailpieces throughout.<br /> <br /> Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie."<br /> <br /> Somewhat worn browned foxed soiled and stained a bit heavier to title; some worming especially to lower inner margins; stub of front free endpaper and blank preliminary leaf preceding title; first signature detached; loss to blank outer margin of title repaired with contemporary paper; blank outer margin of all leaves of "Prologue" repaired with contemporary paper; numerous additional leaves with contemporary paper reinforcements to inner margins; other minor defects. Lacking first leaf of Prologue pp. 65-66 and pp. 71-76. First Edition first issue all other issues with a date of first performance as 11 January 1675. This issue not in Sonneck Librettos. Schmidt LLC3-1. <br /> <br /> Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675.<br /> <br /> "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Inprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown
1824006561Paris: Crapelet Imprimeur-Libraire 1824. Book. Near Fine. Leather and Marbled Boards. First Thus. 8vo - over 7¾" - 9¾" tall. In handsome red leather and marbled boards end pages marbled top edges gilt gilt titles and decorations 4 raised band Near Fine slight rubbing to leather at tips slight foxing and toning scattered throughout. Philippe Quinault 1635-1688 was a French dramatist best known for his 14 opera librettos which he wrote for Lully. Crapelet, Imprimeur-Libraire Hardcover
2012x-1409420469Ashgate Pub Co 2012. Hardcover. New. new edition edition. 368 pages. 9.53x6.50x1.22 inches. Ashgate Pub Co hardcover
2011x-1441104283Continuum Intl Pub Group 2011. Hardcover. New. 291 pages. 9.00x6.00x0.75 inches. Continuum Intl Pub Group hardcover
ria9781409420460_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The figure of William Gladstone continues to loom large in the history of nineteenth-century Britain. Not only was he Prime Minister four times and leader of the Liberal Party for over three decades but he also took an active interest hardcover
18777327-nnew. unknown
18777327like new. unknown
1996x-0521497248Cambridge Univ Pr 1996. Hardcover. New. 367 pages. 9.50x6.50x1.00 inches. Cambridge Univ Pr hardcover
A9781409420460Hardback. New. William Ewart Gladstone 1809-98 was an MP for over sixty years and four times Prime Minister. This study reappraises Gladstone by focusing on five themes: his reputation; his representation in visual and material culture; his personal life; his role as an official; and the ethical and political basis of his international policies. hardcover
ria9781441104281_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Today representative democracy is the dominant political system in the world. Britain played a prominent part in the democratization of the world through both its constitutional reforms at home and its power and influence abroad. In tha hardcover
A9781032033587Hardback. New. hardcover
1990BN61276Berlin; München; Wien; Zürich; New York : Langenscheidt 1990. <br/><br/>Varia Berlin; München; Wien; Zürich; New York : Langenscheidt unknown
2002Q-0521525055Cambridge University Press 2002-07-18. paperback. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
1996Q-0521497248Cambridge University Press 1996-11-13. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press hardcover
2705691871.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2406095592.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
LRB695Titre : Répertoire général du Théâtre français. Tomes 31 et 32 en un seul volume - Second Ordre. Comédies 1 et 2 Auteur : Quinault Philippe Éditeur : Ménard et Raymond Lebel Lieu d'édition : Paris et Versailles Date d'édition : 1813 Langue : français Reliure : plein cuir d'époque dos lisse orné à froid et doré pièces de titre vertes 'Théâtre Français' et '31-32 Comédies' tranches marbrées État du livre : bon état d'usage coiffes et coins frottés mors légèrement fatigués ruban effiloché rousseurs éparses Description : Volume du Répertoire général du Théâtre français. Page de titre datée 1813. Demi-titre 'Tome Trente-unième. Comédies. 1'. Contient notamment 'La mère coquette ou Les amans brouillés comédie par Quinault représentée pour la première fois le 15 octobre 1665'. Reliure d'époque titrée '31-32 Comédies' sur le dos. Bon. unknown
1697abc4030Schelte Amsterdam 1697 Schelte Amsterdam 1697 small paperback 61 marble edges pages with b/w frontis has printed paper cover with explanation " No other editions recorded apart from this and the first excluding collected editions" Cover have been removed Otherwise in VERY GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour despatch via Tracked. If not pictured in this listing a scan of the actual book is available on request. Soft cover. Good. Schelte Amsterdam paperback
DADAX0859892034Brand: University of Exeter Press 0000-00-00. paperback. Used: Good. Brand: University of Exeter Press paperback
2017x-1138110078Taylor & Francis 2017. Paperback. New. 368 pages. 9.21x6.14x0.83 inches. Taylor & Francis paperback
1138110078.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
29503111like new. unknown
