Roland QuinaultBiblio.com
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ria9781441187802_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
2011mon0000987356Continuum Publishing Corporation 2011-03-01. Hardcover. Very Good. 2.3982 in x 23.5821 in x 15.9878 in. No Dust Jacket as Issued. A clean tight copy. Continuum Publishing Corporation hardcover
49533A Paris, chez Belin ,1791, in-16 de xxx pages ,relié plein cuir ,Très bon état , .(4 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).
14470Paris, Jules Didot aîné, 1824. 1 vol. in-16 br., (2) ff., 334 pp., (1) f.[C28]
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#[17732]8º: A 4 A4 A5 2 A-B 8 C 2 gepag.: 10 36 pp. op de titelpagina het vignet van 'Nil Volentibus Arduum'. Papieren omslag. Van Aken II p.312; Dongelmans NVA 128; CBMNL 4671 De Haas Het repertoire van de Amsterdamse schouwburg 1700-1772 Maastricht 2001 p.250 unknown
1996x-0521497248Cambridge Univ Pr 1996. Hardcover. New. 367 pages. 9.50x6.50x1.00 inches. Cambridge Univ Pr hardcover
1996Q-0521497248Cambridge University Press 1996-11-13. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press hardcover
2002Q-0521525055Cambridge University Press 2002-07-18. paperback. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
1977000522Cambridge: Cambridge University Press 1977. First . Cloth. As New/As New. 8vo - over 7¾" - 9¾" tall. xv 351 blue cloth gilt title on white label to spine dj as new. Papers delivered at a conference organised by the Royal Historical Society to commemmorated the bicentenary of Gibbon's death. 8vo - over 7¾" - 9¾" tall <br/> <br/> Cambridge University Press hardcover
RO50028961Théodore Michaelis. fin XIXème. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Intérieur frais. 380 pages. Plats et dos manquant. Gravure noire et blanche de J.B. Delaroche en page titre.. . . . Classification Dewey : 780.26-Partitions
Z22130pAMFranÃois Roussillon & Associes Coffret de 2 DVD. Toutes zones. Photos sur demande.
0568<br/><br/>Quinault Philippe 1635-1688. La Mort de Cyrus tragedie. Paris: A. Courbe et G. de Luyne 1659. Five act tragedy in verse. Priv 10 February; Acheve12 July 1659. Rare original edition. Soleinne 1275 for Tragedies et Comedies de Philippe Quinault: Paris Guillaume de Luyne 1668.<br/><br/>12mo. Modern wraps. 1f title page verso blank; 6pp. epistre signed Quinault; 84pp. text; 1p. Priv; 1p. acteurs bound before title leaf. Collation: pi1 A4 A-D alternating 8s & 4s; C12 D6. Browning to text a few margins notes shaved but a good copy.<br/><br/>La Mort de Cyrus is a tragic-comedy is based one of the early French novels of the period especially that of Le Grand Cyrus of Madeline de Scudery ten vols. 1649-53 which was taken from the histories Herodotus and Xenophon. Quinault's play was substantially changed by altering Cyrus' attitude toward the queen and by staging the death of the three leading characters not two as in the histories. The play revolves around Cyrus' love for Tomiris who is forced to marry her general Odartise; otherwise Odartise will kill Cyrus. When the revenge plot unfolds Tomoris is unable to murder Odartise but Cyrus does. <br/><br/> In terms of theatrical form Quinault's tragedy is an early example of the tragic-comedy genre perfected by Thomas Corneille with his Berenice and Darius which were also based on French novels of the period. Quinault along with Thomas Corneille occupied an important place in the history of French drama between the zenith of Pierre Corneille and the rise of Racine. His early tragedies have not lasted compared to his operas to which he devoted himself after 1670. Quinault wrote libretti for the composer Jean Baptiste Lully and is credited with the introduction of dramatic action into the 17th French opera. According to two well-known 20th century critics Barnwell and Lancaster Quinault's La Mort de Cyrus influenced two of Jean Racine's works: Alexandre le Grand 1666 and also Andromaque 1667. According to Barnwell Racine's "Alexandre le Grand 1666 is a concession to contemporary fashion and constitutes a good example of the Romanesque tragedy in vogue when Racine was beginning to write for the theatre: superficially it has much in common with Thomas Corneille's Timocrate 1667 the greatest immediate success of the century and with Quinault's even more improbable but highly successful Mort de Cyrus 1658." Concerning Andromaque 1667 Lancaster wonders aloud: "Had not Racine become aware by then that the original version of his tragedy in which Andromaque's reappearance may derive from such plays as Quinault's La Mort de Cyrus weakened the obsessive hold of her own legendary past over his heroine Such considerations would reinforce Dr Elliot's contention that Andromaque in its original form is rooted in contemporary dramatic conventions." <br/><br/>References: Barnwell H.T. Mythe et legende dans le theatre de Racine by Revel Elliot; The Modern Language Review Vol. 66 No. 4. Oct. 1971 pp. 898-900; Beauchamps Recheches sur les theatres de France 1735; Cesar: http://www.cesar.org. Locations: OCLC. 1 copy. William College. BnF has a copy. paperback books
200020308Somogy Editions d’Art /Musée départemental d’Île-de-France, Château de Sceaux, Sceaux 2000 In-4, pleine toile noire, sous jaquette illustrée, illustrations et photographies en noir et en couleurs, 144 pp. Etat neuf.
