68 résultats
1729elala1248Colophon on I12r: Florence: Heirs of Filippo Giunta 1527 i.e. Venice: Pasinello Printed by Stefano Orlandelli at the expense of Salvatore Ferrari 1729. 1729. 4to. ff. 8the last blank 284. woodcut printers device on title & at end. 18th century vellum vellum soiled occasional light marginal foxing. Fine eighteenth-century reprint of the esteemed 1527 Giunta edition of this classic of Italian prose; limited to 300 copies. Adams B2147. Brunet I 999. Gamba 172. Graesse I 440. [Colophon on I12r:] Florence: Heirs of Filippo Giunta, 1527 [i.e. Venice: Pasinello, Printed by Stefano Orlandelli at the expens hardcover
177983792à Londres London: S. n. 1779. Fine. S. n. à Londres London 1779 8.50 x 14 cm 10 volumes reliés New edition in which the drawings by Gravelot Boucher and Eisen the majority by Gravelot were re-engraved by Vidal after the 1757-1761 edition. It is copiously illustrated with an engraved title 10 frontispieces and 10 numbered figures per volume totaling 111 figures. Translation by Sabatier de Castres. English binding in full glazed old red fine-grained morocco circa 1850 signed B. M. Bromace on each final leaf. Jansenist spine with raised bands. Title volume number date and place in 3 compartments. Signs of rubbing. 2 corners slightly bumped. Some pale foxing on an otherwise fresh set. Small fragments missing at head of volumes I and X. Engraved bookplate featuring a nude woman holding a mirror Stephane D. Winkworth designed by Nanni Preston. Attractive edition with charming engravings. Many of a gallant character. S. n. hardcover
1712574390Amsterdam; Cologne: George Gallet; Jacques Gaillard 1712. Hardcover. Very Good. Mixed two-volume set uniformly bound in near contemporary straight-grained light brown morocco with decorative blind stamping and gold tooled borders on the covers gilt spines also stamped in blind plain dark brown endpapers all edges gilt. Vol. 1 is the first edition printed in Amsterdam by George Gallet in 1697; Vol. 2 is the second edition printed in Cologne by Jacques Gaillard in 1712. 12mos. Both volumes are in French. Vol. 1: 14 title page and avertissement 14 Table 366pp. illustrated with an engraved frontispiece plate and in-text engravings preceding each of the novellas 1-44; Vol. 2: 427 12 Tablepp. illustrated with in-text engravings preceding each of the novellas 45-100. Note: The Table in vol. 1 includes a duplicate leaf signed 2. Both title pages are printed in red and black. Each volume has a contemporary engraved armorial bookplate and a later Italian bookseller’s ticket on the front pastedown. The spines and edges of the boards are rubbed and worn else a very good attractive set with Romeyn de Hooghe’s celebrated etchings in fine condition. George Gallet; Jacques Gaillard hardcover
1757850<p>Published 1757 in French. Volume one from a five volume set. Cover as shown with this listing bound in red Morocco five raised bands. Marbled endpaper as shown head and tail bands silk ribbon marker marbled edges under gilt. Previous owner bookplate on front endpaper and cutting from a magazine attached to blank page in front matter also with some hand written notes. A beautifully crafted book. Your purchase helps our small public library. pi A4</p> Prault hardcover
1757852<p>Published 1757-1761 <strong>in French</strong>. Volume five from a five volume set. Cover as shown with this listing bound in red Morocco five raised bands. small crack at head of spine see photo. Marbled endpaper as shown head and tail bands silk ribbon marker marbled edges under gilt. Previous owner bookplate on front endpaper. Text is foxed and mottled binding is firm. A beautifully crafted book. Your purchase helps our small public library. pi A4</p> Prault hardcover
1729166231729 Florence (Venise), Philippo di Guntia (Étienne Orlandini), 1527 (1729), in 4 de 7 feuillets non chiffrés (titre et feuillet blanc compris), 184 feuillets, avec marque typographique de l'imprimeur au verso du dernier feuillet, rel. pastiche de plein velin ivoire, titre manuscrit à l'encre brune au dos, bel ex.
17252091202133213132Tommaso Edlin 1725. Soft Cover. Fine. Volume: 1 Tommaso Edlin paperback
17576011757 Londra, [s.n.], 1757.
1757016455Londra Paris. Five volumes. Full mottled calf with the spines divided into six compartments by gilt designs. Red title slips and volume slips in two of the compartments on each spine and a gilt decoration in the others. 8.25" by 5.25". Called by Ray "one of the masterpieces of the illustrated book." Superbly designed by Gravelot 89 of the 111 plates and all 97 tailpieces Eisen Cochin and Boucher. Italian text with its better impressions of the plates. Heads of spines of Volumes 1 and 4 with slight loss spines of Volumes 1 and 2 rubbed but very nice and very tight. Large margins dark impressions. Armorial bookplates of William Tennant of Aston Hall. . Very Good. Hardcover. First Edition Thus. 1757. hardcover
172950857(Florenz, Philippo di Giuntas Erben, 1527 [Nachdruck: Venedig, Pasinello, 1729]). 4°. Mit wiederh. Holzschn.-Druckermarke am Titel u. am Ende. 8 nn. (das letzte weiß), 284 num. Bll., Pgmt. d. Zt. m. goldgepr. Rückenschild.
175759577E-176: Londra. Very Good. 1757. Hardcover. Leather. 8vo. Londra ma Parigi; possibly printed by Prault in Paris. 1757. 5 volumes. Xi 292 271 195 261 247 pages. Engraved title pages. Illustrated with tailpieces plates by Gravelot and Lemperer. Text in Italian. Slipcased in red cloth with spine label present to the top of the slipcase. Bound in 3/4 red leather with marble paper covered cloth with gilt and black band titles and gilt decoration present to the spines. Boards have light wear present to the extremities of the boards. Small m inked to the last page of the last volume. Several pages throughout the text are torn at the margins and repaired. Text is free of marks. Binding tight and solid. The Boccaccio is Gravelot's masterpiece so much he excels in gallant subjects and animated scenes. As for his spiritual cul-de-lamp they are in the hands of a master ornamentalist. The figures in first tests of a much higher rendering are the peculiarity of the edition in Italian; two of them have been replaced in the French edition. Ray The Art of the French Illustrated Book No. 15: "French collectors always have a preference for the Decameron in their own language but the earlier Italian text has better impressions of the illustrations". E-176; 8vo 8" - 9" tall . Londra hardcover
175757363EB: Londra. Very Good. 1757. Hardcover. Leather. 8vo. Londra ma Parigi; possibly printed by Prault in Paris. 1757. 5 volumes. Xi 292 271 195 261 247 pages. Engraved title pages. Illustrated with tailpieces plates by Gravelot and Lemperer. Text in Italian. Slipcased in red cloth with spine label present to the top of the slipcase. Bound in 3/4 red leather with marble paper covered cloth with gilt and black band titles and gilt decoration present to the spines. Boards have light wear present to the extremities of the boards. No ownership marks present. Several pages throughout the text are torn at the margins and repaired. Text is free of marks. Binding tight and solid. The Boccaccio is Gravelot's masterpiece so much he excels in gallant subjects and animated scenes. As for his spiritual cul-de-lamp they are in the hands of a master ornamentalist. The figures in first tests of a much higher rendering are the peculiarity of the edition in Italian; two of them have been replaced in the French edition. Ray The Art of the French Illustrated Book No. 15: "French collectors always have a preference for the Decameron in their own language but the earlier Italian text has better impressions of the illustrations". Hubert-François Bourguignon commonly known as Gravelot 26 March 1699 20 April 1773 was a French engraver a famous book illustrator designer and drawing-master. Born in Paris he emigrated to London in 1732 where he quickly became a central figure in the introduction of the Rococo style in British design which was disseminated from London in this period through the media of book illustrations and engraved designs as well as by the examples of luxury goods in the "French taste" brought down from London to provincial towns and country houses.; 8vo 8" - 9" tall . Londra hardcover
1757OB719<p>Londra i.e. Paris: Prault 1757-1761. Hard Cover. Five volumes: 116 plates incl. frontispiece and engraved title-pages; 97 tailpieces; 21 cm. Although the title-pages are all dated 1757 some of the tailpieces in vols. 2-5 are dated between 1758-61. Title-pages plates head- and tailpieces engraved after designs mostly by Gravelot i.e. Hubert Francis Bourguignon but also by Boucher Cochin & Eisen. The plates are in final state after letters and without the "paraphe" on verso--cf. Cohen Guide de l'amateur 5. éd. 1886 col. 69-70. Pareni Luoghi di Stampa Falsi p. 117; Ray "French" 15. Bound in contemporary full speckled olive leather rebacked. Stock#OB719.</p> [Prault], hardcover
1768(LCPCLIT-0028)(Le Boccace du Comte d'Eu, conservé dans une reliure en maroquin de l'époque à ses armoiries dorées) BOCCACE Jean. (Certaldo, 1313-1375) "IL DECAMERONE". 1768, Paris, Prault. 3 volumes in-12° (144x88 mm) (dimensions pages 139x81 mm) I : (2) ff., (1 portrait de Boccace en frontispice par Demoutart et 1 titre gravé par Aveline, d'après Moreau), XXIV pp. (vie de Boccace, introduction et table), 490 pp., (1) f. b. ; II : (1) f. (titre), 471, (1) pp. ; III : (1) f. (titre), 443, (1) pp. (I : (2) ff., a8, b4, A-V12, X6 ; II : (1) f., A-T12, V8 ; III : (1) f., A-S12, T6) Reliure armoriée de l'époque en maroquin rouge. Triple filet doré d'encadrement sur les plats et armoiries dorées au centre. Dos lisses avec fleurons et décorations dorés et pièce de titre en maroquin vert. Filet doré sur les coupes. Roulette intérieure dorée. Tranches dorées. Gardes de papier décoré. Jolie édition. Petites et habiles réféctions des coiffes supérieures et des coins. Quelques légères brunissures éparses, mais bel exemplaire. Provenance : Très rare exemplaire aux armoiries dorées de Louis-Charles de Bourbon (1701-1775), Prince de Dombes, Duc d'Aumale et de Gisors, Comte d'Eu et de Dreux, Prince d'Anet et Baron de Sceaux. Cinquième des sept enfants du Duc du Maine (Louis-Auguste de Bourbon, bâtard de Louis XIV et de Mme de Montespan) et de Louise-Bénédicte de Bourbon-Condé. Chevalier des Ordres du Roi (1728), Duc d'Aumale et Comte d'Eu (1736), il succéda à son frère aîné Louis-Auguste II de Bourbon et devint Grand Maître de l'artillerie de France. Célibataire et sans enfants, son cousin le Duc de Penthièvre hérita de toute sa fortune. Ex libris manuscrit sur chaque titre "S. Smith". (O.H.R., planche 2606, fer n° 12) (LCPCLIT-0028) (2.500,00 €)
17798794Londres, 1779. 10 volumes in-8 (200 x 122 mm). Veau raciné, dentelle d'encadrement doré sur les plats, dos lisse orné, pièce de titre et de tomaison en maroquin rouge, roulettes dorées sur les coupes et les chasses, tranches dorées, des petites restaurations (reliure de l'époque).
1757114589Londres Paris: Prault 1757-61. One of the masterpieces of the illustrated book A fine edition illustrated in large part by Gravelot: "one of the most accomplished illustrated books of the 18th century" Cohen-de Ricci 158-61; "one of the masterpieces of the illustrated book" Ray 15. The imprint is false; the book was published in Paris by Prault. The French translation is by Antoine Jean Le Maçon. Prault published an Italian version the same year with the same illustrations which is dated 1757 throughout and is usually regarded as taking precedence. 5 vols octavo 197 x 125 mm. Engraved portrait frontispiece title pages 110 plates engraved en-têtes engraved cartouches and 97 culs-de-lampe by Lemire Legrand and others after Gravelot Boucher Eisen and Cochin. Text in French. Contemporary French mottled calf smooth spines gilt in compartments green morocco double labels sides with triple gilt rule boards turn-ins decoratively gilt comb-marbled endpapers gilt edges. Contemporary ownership inscriptions to binder's blanks; wood-engraved bookplates of Bibl. Hammer Stockholm. A little wear to headcaps corners worn internally clean and fresh a very good set. hardcover
1757ST20210Londres i.e. Paris: Prault 1757-61. 205 x 132 mm. 8 x 5 1/4". Five volumes. Translated by Antoine Jean Le Maçon. <br/> LOVELY INDIGO CRUSHED MOROCCO GILT BY DAVID stamp-signed on front turn-in covers with French fillet border raised bands spine compartments with intricate central fleuron and scrolling cornerpieces gilt lettering turn-ins with multiple decorative rolls marbled endpapers all edges gilt. Housed in a maroon buckram chemise in a matching morocco-backed slipcase. Engraved illustrated title page in each volume 110 engraved chapter headings and 205 ENGRAVED ILLUSTRATIONS BY GRAVELOT AND OTHERS 110 of these plates and 95 tailpiece vignettes. A Large Paper Copy. Cohen-de Ricci 160-61; Ray 15; Furstenberg 26. A couple of boards with trivial chafing isolated faint foxing occasional minor marginal smudges touching text on a couple of pages but A VERY FINE SET clean and fresh internally with spacious margins and in sparkling bindings with virtually no signs of wear.<br/> <br/> This is an elegantly bound and unusually well-preserved copy of one of the most famous and charming illustrated books of the 18th century a work frequently regarded as the supreme example of refined libertine illustration of the period. Owen Holloway calls it one of the four masterpieces of book illustration at the end of the Rococo period. Ray too is expansive in his praise calling the work simply "one of the masterpieces of the illustrated book." The publisher first released this work in Italian in 1757 with the present edition following later the same year. Although he had as collaborators on this work some of the outstanding French artists of the 18th century Gravelot born Hubert-François-Bourguignon 1699-1773 was chiefly responsible for its production designing 89 of its 111 plates and all 97 of its immensely delightful tailpieces. In this the most ambitious undertaking of his career Gravelot gave Boccaccio's narrative the settings and costumes of 18th century France and this transposition Ray tells us "made it possible for him to exercise his special talent for depicting the social world around him. For the most part his figures are young the women graceful and pretty the men lithe and handsome." But "all levels of life are presented from the peasant in his hovel to the king in his palace. Every variety of interior is there from boudoirs and bedrooms to dining rooms and salons. Animated street scenes alternate with glimpses of gardens and farms forests and river banks. The human condition has rarely been so attractively displayed." Our copy is particularly pleasing: it is in fine condition with wide generous margins and was bound in rich indigo morocco by David. Parisian binder Bernard David 1824-95 worked under Pfister Dompierre Lortic and Gruel before striking out on his own to establish a very high reputation in the trade. His bindery was taken over by his son Salvador in 1890. Prault] unknown
17576497Londres [Paris], 1757. 5 volumes in-12 (114 x 181 mm). Maroquin rouge, triple filet doré encadrant les plats, dos à nerfs orné, filet doré sur les coupes, roulette dorée sur les chasses, tranches dorées, quelques cahiers roussis, trait à l'encre très fin touchant la planche en regard de la page 203 du tome 2 (reliure de de l'époque).