Boccaccio, GiovanniBiblio.com
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1018694242.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484277235.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1272797856.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1276942214.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1289716730.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1286293383.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1024392104.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1245838822.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1010691228.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
028281504X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282841903.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332475727.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0365781657.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0666822980.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
159252248Venice: Bonfadino. Good. 1592. Softcover. Contemporary rustic paper binding. Partial bookplate. Some loss of paper to spine. No front or terminal blanks no frontis. Pp 144 10 1blank 70 Dialogo D'Amore misnumbered but all pages present. Occasional underlining in the text. ; 24mo 5" - 6" tall . Bonfadino paperback
1545SE4<p>8° mm 147x92. Collation: A-G8 H4. 56 4 leaves. Woodcut printer's device on the title-page and larger on verso of the last leaf. Woodcut animated initials. Bookmark in blue silk. 20th-century half Morocco spine with four raised bands and title tolled in gold at the second compartment. A good copy pale stains one more visible on l. A3.<br /><br />The first Giolito edition of Bocaccio's Laberinto d'amore edited by Lodovico Domenichi 1515-1564.<br />The Labirinto d'amore was written in the mid-1350s; it is also known as Corbaccio an alternative title introduced in the Florentine editio princeps of 1487 although the word 'corbaccio' never actually occurs in the work. It certainly derives from the Italian 'corvo' i.e. crow possibly recalling the satire Ibis by Ovid one of Boccaccio's favourite sources.</p> Gabriele Giolito de Ferrari
1525L7UBM2B5YKM6Florence 1525. 8vo. heirs of Filippo Giunta the elder Contemporary sheepskin parchment with remains of a gold-tooled spine label dark blue edges. 72 ll. Second Giunta edition of the "Corbaccio" which first appeared in 1487 and was first and similarly anonymously printed by Filippo Giunta in 1516: "una materiale ristampa di questa edizione fatta pagina a pagina e riga a riga" Gamba; "ces deux editions sont assez rares" Brunet. This bawdy satire supposedly based on a Florentine widow who turned down Boccaccio was as popular as it remains controversial for its scurrilous and misogynistic elements. The text is prefixed by a letter from Filippo Giuntas son Bernardo "agli amatori della lingua Toscana"; leaves 57ff. contain Boccaccios letter to Pino di Rossi.With the engraved bookplate of Lord Robert Spencer 1747-1831 British Whig politician on the front paste-down. The youngest son of Charles Spencer 3rd Duke of Marlborough the hero of the Seven Years War Lord Robert was the nephew of the politician John Spencer 5th paternal great grandfather of Diana Princess of Wales and brother of George Spencer the great-great-great grandfather of Sir Winston Churchill. Occasional light brown stains and slight traces of worming to the foot margins of the first two leaves but altogether in very good condition. A charming example of a rare and desirable edition.l Adams B2182; Bandini Juntarum typographiae annales II 199; Brunet I 1016; Edit 16 CNCE 6267; Gamba 203 note; Panzer VII 40f 219; Renouard Supplément p. XLIX no. 79; WorldCat 612050557; cf. Hayn/Gotendorf I 398 citing later Italian eds.; not in BMC STC Italian. unknown
1757ST20210Londres i.e. Paris: Prault 1757-61. 205 x 132 mm. 8 x 5 1/4". Five volumes. Translated by Antoine Jean Le Maçon. <br/> LOVELY INDIGO CRUSHED MOROCCO GILT BY DAVID stamp-signed on front turn-in covers with French fillet border raised bands spine compartments with intricate central fleuron and scrolling cornerpieces gilt lettering turn-ins with multiple decorative rolls marbled endpapers all edges gilt. Housed in a maroon buckram chemise in a matching morocco-backed slipcase. Engraved illustrated title page in each volume 110 engraved chapter headings and 205 ENGRAVED ILLUSTRATIONS BY GRAVELOT AND OTHERS 110 of these plates and 95 tailpiece vignettes. A Large Paper Copy. Cohen-de Ricci 160-61; Ray 15; Furstenberg 26. A couple of boards with trivial chafing isolated faint foxing occasional minor marginal smudges touching text on a couple of pages but A VERY FINE SET clean and fresh internally with spacious margins and in sparkling bindings with virtually no signs of wear.<br/> <br/> This is an elegantly bound and unusually well-preserved copy of one of the most famous and charming illustrated books of the 18th century a work frequently regarded as the supreme example of refined libertine illustration of the period. Owen Holloway calls it one of the four masterpieces of book illustration at the end of the Rococo period. Ray too is expansive in his praise calling the work simply "one of the masterpieces of the illustrated book." The publisher first released this work in Italian in 1757 with the present edition following later the same year. Although he had as collaborators on this work some of the outstanding French artists of the 18th century Gravelot born Hubert-François-Bourguignon 1699-1773 was chiefly responsible for its production designing 89 of its 111 plates and all 97 of its immensely delightful tailpieces. In this the most ambitious undertaking of his career Gravelot gave Boccaccio's narrative the settings and costumes of 18th century France and this transposition Ray tells us "made it possible for him to exercise his special talent for depicting the social world around him. For the most part his figures are young the women graceful and pretty the men lithe and handsome." But "all levels of life are presented from the peasant in his hovel to the king in his palace. Every variety of interior is there from boudoirs and bedrooms to dining rooms and salons. Animated street scenes alternate with glimpses of gardens and farms forests and river banks. The human condition has rarely been so attractively displayed." Our copy is particularly pleasing: it is in fine condition with wide generous margins and was bound in rich indigo morocco by David. Parisian binder Bernard David 1824-95 worked under Pfister Dompierre Lortic and Gruel before striking out on his own to establish a very high reputation in the trade. His bindery was taken over by his son Salvador in 1890. Prault] unknown
101382London but Paris 1757-61. . 5 vols in 6; 8vo 20 x 13cm 5 engraved titles 110 engraved plates 97 head and tail pieces by Gravelot and Boucher among others engraved by Aliamet Bacquoy Lemire and others plus a frontispiece and 20 extra planches libres unsigned but attributed to Gravelot. Contemporary red morocco spines with raised bands gilt in compartments morocco labels lettered in gilt; some labels in contrasting colour.<br /> A lovely copy of this beautifully illustrated work finely bound in red morocco and including the charming 'figures libres' here bound in a supplementary volume. Cohen among others praised this great achievement of Gravelot Boucher Cochin and Eisen the best illustrators of the French 18th century. The edition not only shows 115 plates and frontispieces but also includes decorative engraved head- and tail-pieces in the best tradition of book illustration of its time. The Italian text was translated into French by A. Le Macon.<br /> Cohen de Ricci 160; Ray 39-41. London [but Paris], 1757-61. hardcover
164561150Rouen Robert Dare 1645. 8vo. In contemporary full vellum. Small paper-label pasted on to top of spine. Soiling and miscolouring to extremities. Internally nice and clean. 32 1108 12 pp. <br/><br/><em>Rare later Rouen-edition of Le Macon's French translation of Boccaccio's Decameron. Le Maçon became private secretary to Margaret Queen of Navarre. To please the princess who loved letters and novels he undertook a translation into French of Boccaccio's Decameron - the first made directly from the original Italian. It was first published in 1645.OCLC only list 5 copies. Brunet I 1006: “Cette traduction justement estimée†</em> hardcover
1h15684Gravelot London 1757. VIII/320 S. mit einem Kupfertitel 23 gestochenen Kopfvignetten 17 gestochenen Schlussvignetten und 22 Kupfertafeln Leder der Zeit mit Goldschnitt Rücken stark berieben und mit Fehlstellen/Gelenke geplatzt/etwas gebräunt und leicht fleckig. - Text französisch. Die Kupferstiche von Hubert-Fracois Gravelot. Traduite de l`Italien de Philippe-Matthieu Villani - unknown
1597798Amsterdam: Cornille Claesz 1597. Early French edition. <br /> <br /> A rare late-16th century French edition of Boccaccio’s Decameron one of the foundational works of Western literature and a cornerstone of Renaissance humanist storytelling. First written in the 14th century the Decameron comprises one hundred novellas told by ten young Florentines sheltering outside the city during the Black Death. The tales range from romantic and tragic to humorous erotic moral and political forming one of the most influential narrative sequences in European literary history. This 1597 Amsterdam printing uses the celebrated French translation of Antoine Le Maçon court favorite of Francis I and is a corrected and illustrated edition compared to earlier printings making it an important early Continental witness to the French reception of Boccaccio.<br /> <br /> This volume would be an exceptional addition for collectors of Renaissance literature early printing French editions of classics plague-era narratives and works pivotal in shaping Chaucer Shakespeare Molière Balzac and countless authors thereafter. Internally the text remains highly readable with its original period typeface early pagination woodcut ornaments and decorative printer’s devices at title and colophon. The closing leaf states FIN with an ornamental tailpiece consistent with 16th-century printing conventions. Includes the full cycle of tales including stories of love cleverness vice clergy satire virtue rewarded and the social wit that earned Boccaccio both admiration and censorship for centuries.<br /> <br /> Condition & Binding: Period full leather binding with raised bands and gilt spine ornamentation well-worn with rubbing and losses spine cracking and some leather deterioration see photos. Both boards present but detached/separated. Overall- poor. Cornille Claesz unknown
1024000753.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1160153760.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1164949330.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
