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8vo., First Edition thus, with numerous illustrations throughout; terracotta cloth, gilt back, a near fine copy in unclipped dustwrapper.
In this study Professor Horowitz examines the idealistic understanding of culture that prevailed in the United States before the turn of the century and relates this conception to the establishment and development of Chicago's city-wide cultural institutions. Index. Grey buckram covers, gilt title on spine. Dust jacket not price clipped, light edgewear. Inscription possibly by author on title page. Some very slight browning to pages and dust jacket.
First edition, xix, 393pp., orig. cloth, d.w. torn.
First edition, xix, 393pp., orig. cloth, d.w.
A clean, unmarked book with a tight binding. 504 pages.
Folio 159p., illus. SOFTCOVER. Paperback Very good condition
xv, 116 p., [24] leaves of plates : ill. ; 24 cm. Hardcover Very good condition
163p. Hardcover Very good condition good
Brand new book in excellent condition in every respect. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Compilation of art and poetry by the following artists: Horst Ademelt, Guillaume Apolinaire, John Ashbery, William Blake, Arnold Bocklin, Adolfo Bioy Casares , Lynn Chadwick, Giorgio de Chirico, Hanne Darboven, Lydia Davis, Emily Dickinson, John Donne, Haris Epaminonda, Geoffrey Farmer, Jannis Kounellis, Mark Lewis, Goshka Macuga, Crhristian Marclay, Ara H. Merjian, et al.
23 Episodes de ce feuilleton radiophonique en 3 cassettes AUDIO dans un coffret illustre par JACOBS. Tres bon etat. [STR] Diffusion du 19/5/62 au 19/7/62
Traduction, par Dominique LE BOURG, de "Modern Painting and Northern Romantic Tradition" publié en 1975 par l'historien d'art états-unien Robert ROSENBLUM (1927-2006), spécialiste de l'art français des XVIIIe et XIXe siècles: ouvrage qui, "[bousculant] l'idée reçue selon laquelle l'art moderne aurait Paris pour centre unique et le romantisme français pour origine principale", et dont l'objectf est "d'isoler dans l'histoire de l'art moderne les lignes de force et l'influence d'une tradition du Nord. Issue du romantisme anglais, allemand et scandinave, la tradition protestante exprime des préoccupations beaucoup plus religieuses et mystiques que celle des tenants de "l'art pour l'art" parisien. Ce romantisme septentrional représenté par Friedrich, Blake, Runge ou Palmer a exercé sur l'art moderne, et notamment sur des peintres comme Van Gogh ou Munch, une influence décisive. Et on peut en retrouver la trace aussi bien chez Kandinsky, Klee ou Ernst que chez Newman ou Rothko - artistes hantés par une inquiétude métaphysique et très éloignés, nous dit Rosenblum, des cubistes et abstraits français." (4è de couverture); préface de l'auteur de 1993 à l'édition française; index; notes et références. Français
58 p. Text printed on a special all-rag paper at the Walpole Printing Office. Hand-set in Deberny italic, with medallions adapted from engravings by Blake. Unopened. 180mm. Original full color paper covered boards. Original slip case. Limited Edition. Number 38 of only 950 copies. Hardbound. Very good. W33
8vo., First Edition, with plates; green cloth, gilt back, black endpapers, a fine copy in unclipped dustwrapper.
A clean, unmarked book with a tight binding. Previous owner's stamp inside. 80 pages. 8 1/2"w x 11 1/4"h. Full black cloth boards printed with Claes Oldenburg's "London Knees." 66 plates.
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
A new, unread book in excellent condition. 8 1/2"w x 11"h. 154 pages. Color images on every page. Seattle artists Jon Strongbow's book on "an ongoing grass roots art movement that could be designated as Magic Realism, or Visionary Surrealism, or what is now called Low Brow Art or Pop Surrealism in some circles. It begins back in the 1970's when the Market started allowing artists and craftspeople to participate in the market, which had previously been dominated by farmers and flower growers." Some of the artists included are Tim Winstrom, Paul Sloan, Dharmic Engineers, Rob Schouten, Ray Pelley, Milo Duke, Winston Haycock, Kim Drew, Melanie Reed, Mark Holter, Blake Klazmer, Craig Anderson, Aaron Murphy, Dave Ryan, Robert Williams, Jesse Link, Alex Achaval, Sally Simmons, Kevin Darras, David Gould, Graham Callen, Rob D'Arc, and Scott Alberts.
This is a fine hardcover copy with virtually no wear. Completely clean inside and out. 10" high X 6" wide, 401 pages. A beautiful copy.
A scholarly article which includes the first printing of an important and previously unknown fragment by Blake. This is an offprint from the scholarly journal Modern Philology. The author, William Cole, holds a doctorate from Harvard Univerity and has written many scholarly articles and books about books and prints. Signed by the author. Only 100 copies printed. 13 pp. Large thin 8vo. Original wraps. Fine.
Mm 150x210 Collana "Testimonianze". Brossura originale, 212 pagine con numerose figure in nero e a colori nel testo in lingua italiana. Buona copia, spedizione in 24 ore dalla conferma dell'ordine.
Folio, First Edition, with fine coloured reproductions throughout; blue cloth, gilt back, a near fine copy in unclipped dustwrapper.
