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726COLT PRESS. COLT PRESS CLARK Thomas Blake. OMAI FIRST POLYNESIAN AMBASSADOR TO ENGLA San Francisco: The Colt Press 1940. 4to. Cloth spine bark paper over boards. iv 114 1 pages. One of 500 copies. A nicely printed account of Omai's visit to England and "of how he was feted Fanny Burney approved by Samuel Johnson entertained by Mrs. Thrale & Lord Sandwich and painted by Sir Joshua Reynolds." A New York Times Book Review laid-in. unknown books
194017100507San Francisco: Colt Press 1940. First and Limited Edition. Hardcover. Near fine. One of five hundred copies large octavo size 119 pp. with prospectus. Mai ca.1751-1780 was mistakenly known as "Omai" in Britain and that is how many still think of him today. He was a young Polynesian priest who was brought to England in 1774 on the British ship HMS "Adventure". He was introduced to London high society by the naturalist Sir Joseph Banks who invited Mai to dine with imminent personages of the day such as the First Lord of the Admiralty Lord Sandwich the notorious and boisterous Mrs. Thrale the erudite Fanny Burney and the stubborn skeptic Samuel Johnson. After two years he was returned to Otaheite; this is the story of both his visit and retreat told by the University of Hawaii professor Thomas Blake Clark with a reproduction of Omai's portrait which was done by the eminent portraitist of the day Sir Joshua Reynolds. This is the second book of Jane Grabhorn's Colt Press's "South Sea Series" and was so successful it was reprinted the following year with a more recent reprint being issued by the University of Hawaii; the author Thomas Clark was a scholar of eighteenth century literature who served as a professor at the University.<br/><br/>___DESCRIPTION: Original quarter batik cloth with patterned tapa cloth covered boards printed label strip affixed to backstrip fore-edge uncut plain endpapers monochrome frontis after a portrait by Sir Joshua Reynolds most signatures remain unopened; handset type rag paper large octavo size just under 9.75" by 7.75" pagination: i-iv 1-114 115 first and limited edition of five hundred copies. With the prospectus a single sheet of paper folded once letterpress printed on both sides measuring 9 3/8" by 7 3/8" when open.<br/><br/>___CONDITION: Near fine the binding is clean and bright text block is strong with solid hinges internally clean with no foxing and free of prior owner markings; a few odd places of glue residue to the front endpaper and some very minor rubbing/shelfwear to edges else fine. Prospectus is near fine clean with very short tears just beginning at the edges at the fold and two of the corners with creasing.<br/><br/>___POSTAGE: International customers please note that additional postage may apply; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Colt Press hardcover books
1973400292Cambridge: University Printing House for The Limited Editions Club 1973. Slipcase a little worn otherwise fine. Tall octavo. Color reproductions on Blake's illustrations from the illuminated books mounted. Original black morocco-backed red cloth the front cover with an oval relief bust portrait of Blake; original slipcase. LIMITED EDITION number 605 of 1500 copies. <br/><br/> University Printing House for The Limited Editions Club hardcover books
4450The score for the musical about Blake's life and music includes 15 songs and measures 11 3/4 x 9 inches. On the biographical page page 4 Blake signed on the upper margin in black pen ".Eubie Blake." Blake was a critical figure in African American music in the 20th century. unknown books
1973012297Philadelphia: American Philosophical Society 1973. Cloth. Fine/Fine. Folio - over 12" - 15" tall. 328p. with folding diagram at end and 36 additional photographs. A classic work which stands as one of the great guides to the Ostia and companion to the Italian study Scavi di Ostia. Scarce in fine condition. No marks of any kind or evidence of previous ownership. American Philosophical Society unknown books
4265In 1921 Blake and longtime collaborator Noble Sissle wrote the Broadway musical "Shuffle Along" one of the first Broadway musicals to be written and directed by African Americans. Blake signs in blue ink on the cover "Eubie Blake " above the composers' names. The first pages of the music pages three and four have become detached otherwise in good condition; remnants of small label on verso upper right corner. unknown books
179565786Boston MA: Printed and sold by Benjamin Edes 1795. First edition. 8vo. 28 pp. Wanting the half-title. Ownership signature "Sam Dana's 1795" at head of title page; Samuel Dana 1767-1835 Boston lawyer politician and judge served in many local offices and in the U.S. House of Representatives 1814-1815. Sabin 5770. Evans 28307. Original self-wrappers stitched. Scattered foxing else very good. <br/><br/> Printed and sold by Benjamin Edes unknown books
191757249NY: McGraw-Hill Book Company 1917. First Edition. Signed presentation from Jackson on the front endpaper: "To my cheery friend Charles Rufus Harte. Nov. 3/17. W. Jackson." Harte was a civil engineer and a member of the Connecticut Historical Society writing several books on the state's early iron industry and its civil engineers. Jackson was the editor of the "Electric Railway Journal. Tall 8vo. black cloth spine stamped in gilt; 487 pages. Illustrated. Very Good covers nice & bright; contents clean & tight. McGraw-Hill Book Company unknown books
193024724New York: Charles Scribner's Sons 1930. FIRST AMERICAN EDITION. A few nicks to cloth. Else very good to near fine with bright gilt stamping in a nearly fine dust jacket with a closed tear at top edge. <br/><br/> Charles Scribner's Sons hardcover books
19733033Inscribed/signed by Seidler. He was of the generation of Paul Rudolph Craig Ellwood & James Stirling. Well illus.<br /> hardcover books
19731636Sydney 1973. Hardcover. Very Good. Well illus. Square 4to. Presentation copy. <br/><br/> hardcover books
1968WRCLIT80195New York: Grossman 1968. Large octavo. Printed boards. Illustrated with wood engravings by Baskin. Two small dots of rust to spine otherwise about fine in slipcase First trade edition boardbound issue rendered in facsimile of the Gehenna Press edition. Laid in front is a printed card with manuscript note conveying this as a seasonal greeting from Robert Motherwell. Grossman hardcover books
19567499n.p. Nonesuch Press. 1956. Bound in gilt titled cloth covered boards. 4to. This edition printed on Dutch mould-made paper is limited to 1440 copies. Illustrated throughout with full page monochrome pencil drawings. A Fine crisp copy in a lightly chipped Near Fine dustwrapper. Nonesuch Press. hardcover books
1926615581926. BLAKE William. THE PROPHETIC WRITINGS OF WILLIAM BLAKE. In two volumes. Edited and with a general introduction glossarial index of symbols commentary and appendices by D.J. Sloss and J.P.R. Wallis. Oxford; Clarendon 1925. 8vo. navy cloth gilt unopened and uncut. Very slight rubbing shelwear to edges of boards. Hint of bubbling to cloth at one spine one hinge just starting slight dust soil to top-edge. Still tight and near fine overall. unknown books
193547923New Rochelle NY: Peter Pauper Press 1935. One of an edition limited to 50 copies this being #14. Hardcover. Very good/No jacket issued. New Rochelle NY: Peter Pauper Press 1935. One of an edition limited to 50 copies this being #14. 58 pp. Hardcover. 12mo. Light blue Leather. Gilt title label to spine and gilt decorative device to front board. Lightly bumped and rubbed at head heel and corners; sun-toning to spine and upper edge of cover and rear board; interior tight and clean. Very good/No jacket issued. Peter Pauper Press hardcover books
19811087898vo. Isle of Ely: Waterside Press 1981. 8vo 20 pp 3 with letterpress the remainder blank but one with Sir Geoffrey Keynes’s inscribed dedication of this copy to Terry Buckley. Near fine in original green calf over marble papered boards. § #59 of 100 copies in all of a poem believed by Keynes to have been originally written by Blake for publication in Poetical Sketches. The attribution to Blake was made by Keynes in 1980 although it is not supported by some Blake scholars at present. Bentley BBS p140. Waterside Press hardcover books
187522709New York: D. Van Nostrand Publisher 1875. First edition. Hardcover. Orig. dark salmon cloth lettered in gilt. Near fine. 148 pages of text. 23 x 15 cm. The author was United States Centennial Commissioner and Delegate to the International Jury Group 1 Vienna. This book from the volume of Reports of the Massachusetts Commission to Vienna. 7 pages of adverts and 48 pages of Scientific Van Nostrand titles. Signed presentation copy. Illustrated. Chromolithograph of Minton floor tiles from Miller & Coates. Fresh clean copy. Nicks to backstrip head and foot. D. Van Nostrand, Publisher hardcover books
1882108773Oblong quarto. London: George Bell 1882. Oblong quarto bound in original pale brown cloth with gilt title on cover lightly worn at edges and corners. The Hesiod Works and Days and Theogeny follows the Iliad and Odyssey and collates: - 4 half title and contents list of plates 37 plates being original engraved title plus 36 of the Blake engravings. The Aeschylus follows as the last. Generally very good internally with occasional foxing at ends of the volume. The binding has been repaired at some stage: due to the oblong format and weight of the pages the first signature is loose but the remainder holding firm. § Bentley BB 456. This reduced-size edition appears to be a re-issue of Bentley's C edition of 1881 by Bell only the Hesiod being present is implied by Bentley for that edition. 4 volumes in one of Flaxman's designs reduced to half size from Blake’s original prints for use by art students including Blake's designs for Hesiod published in 1817. George Bell hardcover books
19261012554to. Oxford: Clarendon Press 1926. 4to ix pp. illustrated facsimiles of the original letters. Quarter gray cloth marbled boards printed label on upper cover. § Limited to 325 copies. Facsimiles of the only 10 letters known to have survived written by Blake to his friend and patron of thirty years Thomas Butts 1759-1846. Also included are a rough draft of Butts’ reply to Blake’s first letter and a debtor and creditor account between them for the year 1805. This is the first time they were reproduced in facsimile and the first time Butts’ letter has been printed in full. Bentley Blake Books 90. Clarendon Press hardcover books
192692468vo. London: Printed in the Year 1783. London: Noel Douglas 1926. 8vo original paper over boards. Gift inscription in front endpaper. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Wikipedia Printed in the Year 1783. London Noel Douglas hardcover books
192653858vo. London: Printed in the Year 1783. London: Noel Douglas 1926. 8vo original paper over boards. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Wikipedia Printed in the Year 1783. London Noel Douglas hardcover books
19261008008vo. London: Printed in the Year 1783 i.e. London: Noel Douglas 1926. 8vo 70pp. Original paper over boards with worn printed glassine wrapper. Pages unopened. Very good. § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Wikipedia Printed in the Year 1783 i.e.) London Noel Douglas hardcover books
19691107272 vols. London: Heinemann 1969. 2 vols. oblong 8vo text vol. xiv 40 pp. with 12 illustrations; facsimile vol. to match in calf-backed green buckram slipcase faded backstrip scuffed on volumes 1 and 2. Facsimile volume with loose leaves repaired. § Limited to 800 copies. The facsimile of the notebook was printed by the Trianon Press. This is the “small†notebook which was broken up and sold at auction a few years ago. Almost invariably the facsimile volume is sprung with many leaves coming loose. Bentley BB 401: “includes 36 Visionary Drawings by Blakeâ€. Heinemann hardcover books
19051006298vo. Oxford: At the Clarendon Press 1905. 8vo xxxvi 384 pages. Folding frontispiece facsimile manuscript. Original brick-red cloth printed paper label. backstrip a little darkened; a very good copy. § First edition. Bentley Blake Books 300: “This is a work of pioneer scholarly importance well informed meticulously accurate well-balanced and intelligentâ€. At the Clarendon Press hardcover books
190557088vo. Oxford: At the Clarendon Press 1905. 8vo xxxvi 384 pages. Folding frontispiece facsimile manuscript. Original brick-red cloth printed paper label Dryburgh House St. Bowells N.B. bookplate backstrip a little darkened; a very good copy. § First edition. Bentley Blake Books 300: “This is a work of pioneer scholarly importance well informed meticulously accurate well-balanced and intelligentâ€. At the Clarendon Press hardcover books