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1780110671Single plate. London: Harrison and co. 1780-81. Single plate 10 x 7.5 ins. A little browned around the edges very good. § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen’s College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. Harrison and co unknown books
1813107840e. London: Bensley for Ackermann 1813 i.e. 1870. 4to plates only without the Frontispiece Death’s Door and The Soul’s Reunion with the Body i.e. etched title and 9 plates. As issued in the original pebbled brown cloth portfolio lettered in gilt occasional foxing or oxidization an adequate copy. Includes 22 newspaper clippings from the 10s 20s 30s and 40s all related to Blake a brochure for Cambridge University Press’s An Island in the Moon facsimile a brochure for Scolar Press’s The Grave facsimile and a few other articles. § Third quarto edition printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Bentley Blake Books 435e. Bensley for Ackermann hardcover books
1808123890Single plate. London: Cromek 1808. Single plate etching on wove unwatermarked paper full margin including the note "Subscriber's copy" at the very bottom often trimmed off. § From the first quarto edition this is one of the most powerful plates in the series. Bentley Blake Books 435b. Cromek unknown books
1808107329Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled image clean. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
1813110778Single plate. London: Ackermann 1813. Single plate folio etching on wove unwatermarked paper good. § From the second folio edition. Bentley Blake Books 435. Ackermann unknown books
1808123898Single plate. London: Cadell and Davis 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition this is one of the most powerful plates in the series. Bentley Blake Books 435b. Cadell and Davis unknown books
1808107328Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled image clean. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
1808123901Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808107323Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808123889Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
17811079388vo. London: Joseph Johnson 1781. 8vo xxxiv 405 1 ads pp. With a frontispiece and 3 engraved plates after Stothard one by William Blake. Later polished calf gilt-panelled backstrip gilt edges joints scuffed frontispiece and t/p soiled. Ink signature at front of William Enfield tipped in. § 6th edition the second to have this plate which is dated 1780 -- this copy with the plate facing p. 289 engraved by Blake. This was Blake’s first commercial engraving first put in the 1774 edition. Enfield was a Unitarian minister and this anthology of literary extracts intended to teach proper elocution to young people was extremely influential. See Essick William Blake’s Commercial Book Illustrations 1. Bentley Blake Books 453 B. Joseph Johnson unknown books
1963123968Folio. London: Trianon Press 1963. Folio 18 color facsimile leaves and 8 pp of commentary by Sir Geoffrey Keynes. Very fine in quarter blue morocco over blue marbled boards in slipcase. § Limited to 480 copies this is #38. Bentley BB A9. “America was the first of Blake’s books to name a place Lambeth in the imprint. which was an act of defiant courage. for the first time he designated one of his books as “a prophecyâ€. he concentrated particularly on the dramatic events in Boston. Blake continued his tale in Europe and then to make the cycle of continents complete he wrote “Africa†and “Asiaâ€giving a general title of all four: The Song of Los.†Damon Blake Dictionary. Trianon Press hardcover books
1981CNJL1175Gloucestershire: The Whittington Press & Angscot Productions 1981. Limited Edition. Full leather. Fine. Blake William. Special Edition number VII of XXV of a total edition of 350 folio size 37 pp. together with an extra suite of illustrations. "John Milton's 1608-1674 'On the Morning of Christ's Nativity' is significant for its merit alone though this remarkable poem is also important in the context of the artist's career. His first major work in English the nativity ode reflects 'his desire to attempt the highest subjects and to take on the role of bardic Poet-Priest' Barbara Lewalski Life of John Milton 38." n. b. from the web site of Dartmouth University.<br/><br/>William Blake 1757-1827 had illustrated two other works by Milton before this the third work to be illustrated by Blake for the Rev. Joseph Thomas. It is comprised of six watercolours being almost literal illustrations of the text which is that of the first edition of 1645. Blake's incomparable exquisite and unique style is a perfect complement to this remarkable work by Milton presenting a great English poet with a great English mystic artist.<br/><br/>___DESCRIPTION: Full dark-green Oasis goatskin title in gilt to backstrip top-edge gilt fore- and bottom edges uncut gilt single-rule border to turn-in marbled endpapers author's portrait and six colour plates tipped-in; Caslon type Barcham Green paper with Three Poplars watermark folio size 12.75" by 10.25" pagination: i-x xi-xii 1-2 3-24 1 colophon special edition number VII of XXV of a total edition of 350. With a set of all six illustrations slipped in to a portfolio covered in marbled paper over boards the book and portfolio both housed in a black cloth fall-down-back box lined in marbled paper with a printed paper label at the backstrip.<br/><br/>___CONDITION: A fine copy the leather binding smooth and unrubbed the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright and free of prior owner markings; clean crisp as new. The portfolio and set of extra illustrations are all fine clean and without wear; the box is near fine strong and sturdy clean with just a hint of rubbing and a few light stray marks. Overall fine a lovely set.<br/><br/>___POSTAGE: Please note that this is a large and heavy item and therefore additional postage may apply; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Whittington Press & Angscot Productions unknown books
18101302843London: M. J. Godwin 1810. Second Edition. Hardcover. Octavos 2 volumes; G; bound in patterned light brown cloth rebacked with brown cloth majority of previous spine preserved including back labels with gilt lettering; some chipping and rubbing to boards; with 20 engraved plates by Blake after drawings by Mulready including frontispieces one for each tale told within some plates offset onto the facing page including the title page for volume 2; Some foxing/spotting throughout; With the bookplate of English Novelist Hugh Walpole on front pastedowns of both volumes; small bookseller sticker to front pastedown of volume 1; Volume 1: xi 1 235 1 Volume 2: 4 261 3 pages; shelved case 0. Lamb says in his preface that he "wished to make these Tales easy reading for young children.for young ladies too it has been my intention chiefly to wrote because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are they frequently have the best of Shakespear by heart before their sisters are permitted to look into this manly book";<br /> <br><br /> <br><br /> Hugh Walpole was a best-selling author in the 1920s and 1930s with a large and varied output. Between 1909 and 1941 he wrote thirty-six novels five volumes of short stories two original plays and three volumes of memoirs. His range included disturbing studies of the macabre children's stories and historical fiction most notably his Herries Chronicle series set in the Lake District. He worked in Hollywood writing scenarios for two Metro-Goldwyn-Mayer films in the 1930s and played a cameo in the 1935 version of David Copperfield. As a gay man at a time when homosexual practices were illegal for men in Britain Walpole conducted a succession of intense but discreet relationships with other men and was for much of his life in search of what he saw as "the perfect friend". He eventually found one a married policeman with whom he settled in the English Lake District. Having as a young man eagerly sought the support of established authors he was in his later years a generous sponsor of many younger writers. He was a patron of the visual arts and bequeathed a substantial legacy of paintings to the Tate Gallery and other British institutions. wikipedia. 1302843. Shelved Dupont Bookstore. M. J. Godwin hardcover books
287787London: Joseph Johnson. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Minor toning and light foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> Image shows the tattooed Ranger with pipe and rifle. Two men of a similar station can be seen in the background. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books
197041689London: Trainon Press for the William Blake Trust 1970. Copy Number 50 of 882 copies. Ten plates in facsimile. 1 vols. 4to. Half morocco and boards. Vellum book label of Julia P. WIghtman. Fine in slipcase. Copy Number 50 of 882 copies. Ten plates in facsimile. 1 vols. 4to. Trainon Press for the William Blake Trust unknown books
1793287790London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Sheet toned and shows minor foxing otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> This disturbing image shows an enslaved woman with bound hands hung from a tree. In the background two European men direct two slaves wielding whips to carry out the punishment. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books
178531510London: Printed for J. Johnson 1785. A New Edition Corrected. Fourth Edition first was 1774 plates dated 1780. This edition was issued with and without plates. Only one plate is signed Blake. Frontispiece and 3 plates after Stothard engraved by Blake Sharp and Heath 2 plates. 1 vols. 8vo. Contemporary calf brown morocco label. Skilfully rebacked rubbed some light offsetting from plates and light browning at front else a very clean and good copy with the 1797 signature of Richard Garnons Jun on the title. A New Edition Corrected. Fourth Edition first was 1774 plates dated 1780. This edition was issued with and without plates. Only one plate is signed Blake. Frontispiece and 3 plates after Stothard engraved by Blake Sharp and Heath 2 plates. 1 vols. 8vo. Blake's First Commercial Plates. Essick #I Bentley #453 Printed for J. Johnson unknown books
1969123970Folio. London: Trianon Press 1969. Folio 17 colour and one monochrome facsimile leaves and 9 pp of commentary by Sir Geoffrey Keynes. Very fine in quarter brown morocco over marbled boards in slipcase as issued. § Limited to 526 copies this is copy #313. The frontispiece “The Ancient of Days†is surely Blake’s most famous single image. "The second of Blake's "Continental Prophecies" preceded by America and followed by The Song of Los Europe presents in mythopoeic form the fundamental philosophical positions in conflict in Blake's revolutionary era. Historical events are reconfigured into their universalized representations through Blake's own cast of characters including Enitharmon the female personification of fallen nature and history Orc the spirit of revolt and Los and Urizen the "Eternals" who would become central to Blake's mythic system of the "Zoas." These contending forces lead beyond political revolution to an apocalypse of biblical scope." The William Blake Archive. At the end is reproduced an extra etched leaf of text that Blake only included in two copies which tell of a fairy that Blake caught who sang him a song about the five senses of man.Europe survives in only fourteen known copies few complete all but one held by institutions. The remarkable Blake Trust Trianon Press facsimiles hand-colored using pochoir with extraordinary fidelity are for most of us the nearest possible thing to handling the original book. Martin Butlin noted in the Blake Quarterly: “The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake’s original achievements.†Bentley Blake Books 34. Trianon Press hardcover books
1791107313Single sheet copperplate engraving. London: Johnson 1791. Single sheet copperplate engraving frontispiece 250 x 170 mm. Cleaned but still a little soiled paper rubbed between title and imprint with no loss signs of four folds. § Hartley’s Observations on Man 1791 has this frontispiece engraved by Blake -- it was also issued as a separate plate. Essick CBI XXII Johnson unknown books
18966716Boston 1896. A bound volume of autograph letters with the invitation and autograph menu. Octavo 22.5 x 15 x 8 cm. bound volume of letters mounted on stubs. A superb record of the social grace of an era long gone. Mrs. Francis Blake wife of the physicist and inventor of telephone fame see DAB gave a small 'dancing' party for the society 'A' list of Boston. Participants were to depart from the Columbus Ave. station and return to the Huntington Ave. station 1:45 AM via private train. Also includes a complete list of the final attendees and a manuscript record of the menu and engraved invitation accompany the individual acceptance and rejection few letters. Very good; some wear to the binding. A stationer's Shipman adhesive half leather letter file book. hardcover books
1797104613Large 4to. London: R. Noble 1797. Large 4to pp. 63/64 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1963008092London: Oxford at the Clarendon Press 1963. SCARCE. Very Good Plus small bumps at corners small stain rear end pages internally clean and bright unmarked. In a less than Very Good dust jacket 4" chip at bottom end of spine 2" chip at head of spine smaller chips and edge wear wear at corners old internal tape mends. A large and heavy book additional shipping charges will be requested for priority and international shipping. . First Edition. Cloth. Very Good Plus/Very Good Minus. Elephant Folio - over 15" - 23" tall. Oxford at the Clarendon Press Hardcover books
32639Printed broadside 5" x 8" with salutation in ink manuscript. Some margin browning and light margin chipping else Very Good.<br/><br/> Blake was Pastor of the First Congregational Church in Waupun. Beneath his printed signature is written in ink "Pastor Cong. Ch". Professor Conatty was T.J. Conatty a public school teacher in Kenosha and a prominent figure in the Wisconsin Teachers' Association. He was later implicated in a bribery scheme with James Rood Doolittle Senator from Wisconsin 1857-1869. On Conatty's behalf Doolittle was to use his influence with President Lincoln to obtain cotton permits during General Banks's occupation of New Orleans; in return Doolittle would receive 25% of the profits. We haven't ascertained whether Senator Doolittle is the "Br. Doolittle" to whom this printed letter is addressed. <br/> This unusual ephemeral Civil War broadside is unrecorded. Waupun is in southeastern Wisconsin about sixty miles northwest of Milwaukee.<br/>Not located on OCLC as of October 2020 or anywhere else. unknown books
1808107321Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435 A. Cadell and Davies unknown books