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1938140177Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Temporary Complete script for the 1939 short film one of several classic shorts featuring the great Algonquin Round Table humorist Robert Benchley. <br/><br/>A stereotypically clueless husband is left in charge to show his apartment to a prospective subletting couple while his wife is at church and manages to botch the job in all the expectedly silly ways. "How to Sub-let" is the second-to-last of beloved Algonquin Round Table humorist Robert Benchley's "How to" shorts which included the 1935 Academy Award winning "How to Sleep" with his signature and untrue affinity for being lazy throughout the script. Set in an apartment in an unknown city. <br/><br/>Blue titled wrappers noted as TEMPORARY COMPLETE on the front wrapper rubber-stamped copy No. 946 and production No. 89665 dated 11/1/38 with credits for comedian Robert Benchley. Title page integral with the second page of the text with credits for comedian Robert Benchley as issued. 13 leaves with last page of text numbered 12. Mimeograph duplication. Pages Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
36299Rio de Janeiro: Typographia Nacional Kraus Reprint. Reprint. Cloth. A fine copy. As new. 8vo. Volume 7 includes Indice alphabetico do Diccionario bibliographico brasileiro de Sacramento Blake compilado pelo dr. Jango Fischer in 1937. Facsimile reprint of the edition of 1883-1902 with the addition of the Index. Blake was inspired by Innocencio Francisco da Silva's Diccionario bibliographico portuguez. "The best bibliography of Brazilian authors from colonial times to the end of the nineteenth century" Borba de Moraes. Borba de Moraes I p.94. Griffin 145. Jones 978. Typographia Nacional, Kraus Reprint hardcover books
109173London: Studio Limited 1922. 4to vii 29 pp. With 16 color plates and 92 black-and-white plates. Original parchment upper cover lettered in gilt black label on backstrip original gray cloth folding box ties missing otherwise fine. § Edition de luxe limited to 200 copies. Bentley Blake Books 404. Studio hardcover books
100277London: Studio Limited 1922. 4to vii 29 pp. With 16 color plates and 92 black-and-white plates. Original parchment upper cover lettered in gilt black label on backstrip original gray cloth folding box. § Edition de luxe limited to 200 copies. Bentley Blake Books 404. Studio hardcover books
1797105075Large 4to. London: R. Noble 1797. Large 4to pp. 9/10 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104621Large 4to. London: R. Noble 1797. Large 4to pp. 85/86 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104612Large 4to. London: R. Noble 1797. Large 4to pp. 57/58 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. § First edition perfect for display or for teaching as the leaf is quite sturdy and can be carefully handled or matted for framing. The leaf is from from "Narcissa" the third night of Young's poem and the illustration shows a party of drinkers under a looming figure clutching a spear.Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104619Large 4to. London: R. Noble 1797. Large 4to pp. 75/76 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104624Large 4to. London: R. Noble 1797. Large 4to pp. 93/94 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104611Large 4to. London: R. Noble 1797. Large 4to pp. 55/56 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104604Large 4to. London: R. Noble 1797. Large 4to pp. 39/40 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104599Large 4to. London: R. Noble 1797. Large 4to pp. 27/28 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104622Large 4to. London: R. Noble 1797. Large 4to pp. 89/90 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1964123975Slim 12mo. Northampton MA: Gehenna Press 1964. Slim 12mo 16pp. With 6 wood-engravings 4 printed on Japan tissue all being versions of Blake's face. Original marbled wrappers printed label on upper cover mint as issued. Loosely inserted is the business card for Louis Smith of Smith Glass and Mirror in Northampton with a fine woodcut of a rooster signed by Baskin in pencil. The company is still in business in Northampton. § Limited to 500 copies but surely fewer than that this is number 26. There were also 25 de luxe copies with an extra suite of the plates. Only two copies are recorded as having sold in the last 30 years and this is the only copy we have ever seen. The letter is classic Blake to his great patron: "I hear a voice you cannot hear that says I must not stay I see a hand you cannot see that beckons me away. Naked we came here naked of Natural things & naked we shall return; but while clothed with the Divine Mercy we are richly clothed in Spiritual & suffer all the rest gladly."Bentley Blake Books 94. Gehenna Press hardcover books
1808123891Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper full margins cleaned. § From the first 4to edition. One of Blake's most memorable images. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435b."In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive Cadell and Davies unknown books
1808123900Single plate. London: Cadell and Davis 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition this is one of the best known plates in the series. Bentley Blake Books 435b. Cadell and Davis unknown books
1984140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in holograph ink throughout. <br/><br/>Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. <br/><br/>Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown books
1789545361789. London 1789. First edition. London 1789. First edition. Essays Calling for the Abolition of Tithes Reduction of the Public Debt and Other Matters Blake Francis Sir 1738-1818. Political Tracts: Consisting of I. A Proposal for the Liquidation of the National Debt; An Explanation of the Proposal; An Appendix Containing a Narrative of Proceedings Thereon at Various Public Meetings; II. The Efficacy of a Sinking Fund of One Million Per Annum; the Propriety of an Actual Payment of the Public Debt; The True Policy of Great Britain; The Conclusion; III. The Abolition of Tithes and the Reform of the Church Revenue; The Doctrine of Prescription Considered; a Narrative of Proceeding at a County Meeting Held at Morpeth December 22 1784 Respecting the Payment of Tithes; A Letter to the Freeholders of the County of Northumberland On the Same Subject; The Conclusion. London: Printed for J. Debrett 1789. iv 13 14-355 1 pp. Includes one-page publisher list. Octavo 8" x 5". Original paper boards hand-lettered title to spine untrimmed edges. Light soiling moderate edgewear spine heavily abraded front board detached. Toning and light foxing to text. Gift inscription from the author's son Francis Blake Jr. dated 1876 to front free endpaper interior otherwise clean. $450. First edition. Blake a member of Lincoln's Inn was a political reformer who called for the abolition of tithes and later repeal of the Corn Laws. Political Tracts collects his principal essays which were composed between 1786 and 1787. This title was re-issued the following year with some additions and a somewhat different collation but with the same publication date on the title page. Francis Blake Jr. was a notable inventor and photographer. OCLC locates 5 copies all of the later 1789 edition. English Short-Title Catalogue N39972. unknown books
1954215276London: Trianon 1954. Limited. hardcover. near fine. Full page color illustrations. Slim 8vo original 1/2 brown calf tan boards board slipcase. London: Trianon Press 1954. Facsimile edition. Near fine.<br/><br/> Limited Edition. Number 424 of 800 copies.<br/><br/> Trianon unknown books
107754London: 1791. Single sheet 175 x 261 sheet 134 x 177 image mm being a good impression of the plate extracted from the book; recently cleaned. § A famous image with familiar Blake themes including the raging horse a maiden laid out on a rock a terrified figure tearing her hair etc. Essick Commercial Book Illustrations XLIX. 1791. Single sheet unknown books
1985148722Los Angeles: Blake Edwards Entertainment 1985. Draft script for the 1986 film here under the working title "The Music Box." <br/><br/>The second page of the script is a statement from Blake Edwards expressing his intent of utilizing "broad improvisation" and leaving the concise script with relatively minimal dialogue. Noted in the AFI Catalog.<br/><br/>Inspired by the classic and Academy Award winning Laurel & Hardy short "The Music Box" 1932 directed by James Parrott. Originally intended by Edwards to be a vehicle for Richard Pryor and Burt Reynolds.<br/><br/>Actor and gambler Spencer Holden Ted Danson overhears gangsters Binky and Turnip Stuart Margolin and Richard Mulligan at the racetrack talking about doping a horse to win the race. When the thugs find out they trail him and his restauranteur buddy Dennis Powel Howie Mandel to make sure they don't go to the authorities. <br/><br/>Untitled Blake Edwards Entertainment wrappers. Title page present with credits for screenwriter Blake Edwards. 55 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Blake Edwards Entertainment unknown books
1905150531905. 1 vols. Image 9-3/4 x 7-1/2 inches matted to 15-3/4 x 14 inches overall. 1 vols. Image 9-3/4 x 7-1/2 inches matted to 15-3/4 x 14 inches overall. A fine profile portrait of the Philadelphia artist<br/><br/>Wirgman 1848-1925 was born in Louvain Belgium and studied at England's Royal Academy Schools and in Paris before returning to London where he worked as a painter engraver and portraitist. He was an associate of John Everett Millais; his portrait of Millais is in The National Portrait Gallery London. unknown books
1967146012Culver City CA: Columbia Pictures 1967. Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in holograph pencil and the stamp of photographer Michel Ciment stamp on the verso.<br/><br/>Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America.<br/><br/>Nominated for four Academy Awards.<br/><br/>10 x 8 inches. Very Good plus some light creasing and edgewear.<br/><br/>National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown books
1974139505Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with holograph notation on the verso in his hand. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>11 x 14 inchescm. Near Fine. Embassy Pictures unknown books
19381284385New York: Harper & Brothers 1938. First Edition. Hardcover. Octavo; VG/G; light blue spine black/white text; jacket has protective mylar cover chipping and several open and closed tears around edges rubbing back of jacket colored black to try to conceal edgewear; boards are strong spine slightly cocked rubbing and age toning around edges staining at back bottom hinge; textblock has edgewear stain and name written on front pastedown staining along hinge at front endpaper and title page a few small stains throughout all text clean; pp 260; FLP Collection; shelved Case 6 Dupont. 1284385. Shelved Dupont Bookstore. Harper & Brothers hardcover books
