16 276 résultats
2020Scientific-9781788824477Medplus 2020. Hardcover. New. Medplus hardcover
2020Scientific-9781788824477Medplus 2020. Hardcover. New. Medplus hardcover
1963008092London: Oxford at the Clarendon Press 1963. Book. Very Good Plus. Cloth. First Edition. Elephant Folio - over 15" - 23" tall. SCARCE. Very Good Plus small bumps at corners small stain rear end pages internally clean and bright unmarked. In a less than Very Good dust jacket 4" chip at bottom end of spine 2" chip at head of spine smaller chips and edge wear wear at corners old internal tape mends. A large and heavy book additional shipping charges will be requested for priority and international shipping. Oxford at the Clarendon Press Hardcover
2016009014New York: Crown 2016. 1st Edition 1st Printing. Hardcover. Near Fine/Fine. The true first printing of Dark Matter appearing before both the Macmillan British edition and the Ballantine edition that states "New York Times Best Seller" at top of dust jacket. Near-fine with small remainder dot on bottom page edges otherwise clean tight and apparently never read. In a fine dust jacket. SIGNED BY BLAKE CROUCH AND DATED 7/26/16 the book's original publication date. In addition Crouch has drawn a unique symbol next to his name. A rare and special copy of this Modern Sci-Fi high spot basis for the 2024 miniseries. <br/> <br/> Crown hardcover
2018Adhya-9781138211698T&F/ROUTLEDGE 2018. Paperback. New. T&F/ROUTLEDGE paperback
2018Adhya-9781138211698T&F/ROUTLEDGE 2018. Paperback. New. T&F/ROUTLEDGE paperback
2010TV220604D3 Editions Nottingham 2010. 1st Edition. HARDCOVER. Large heavy 4to. bound in fine red cloth gilt lettering to spine printed paper label to front cover as issued housed in a matching textured paper covered slip case with matching paper label. Yellow end-papers 224pp on thick art paper illustrated in colour throughout. All seven of Blakes' alphabet series fully illustrated. No. 453 of 600 copies signed by Blake __CONDITION : NEW unread and unmarked copy in new slipcase. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS D3 Editions, Nottingham hardcover
2021BN127893FREEDOM BOUND PUB 2021. 2021. Softcover. Encuentros con el mal: Historias Verídicas de Posesiones y Encuentros con Seres Malignos. 2 Libros en 1 - Historias Reales de Posesiones His <br/><br/>Encuentros con el mal: Historias Verídicas de Posesiones y Encuentros con Seres Malignos. 2 Libros en 1 - Historias Reales de Posesiones His Blake Aguilar FREEDOM BOUND PUB paperback
PJH54327Yale University Press 2013. Near Fine in publishers cloth with small bump to one corner in like dustjacket. 1st edition 1st issue. Scarce book. Plinys Natural History A.D. 77Ð79 served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists patrons and theorists. Bearing the imprimatur of antiquity the Natural History gave permission to do art on a grand scale to value it and to see it as an incomparable source of prestige and pleasure. In this magisterial book Sarah Blake McHam surveys PlinyÕs influence from Petrarch the first figure to recognize PlinyÕs relevance to understanding the history of Greek art and its reception by the Romans to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the Natural History to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile benefactors commissioned works intended to emulate the prototypes Pliny described aligning themselves with the great patrons of antiquity. This is a richly illustrated comprehensive reference work of social history myth making iconography theory and criticism. ISBN 0300186037 Yale University Press 2013 hardcover
108204London D3 Editions 2010. . Limited edition 392/600 signed by Peter Blake; 4to 300 x 240 mm; illustrated with over 200 colour photographic plates of the artist's work including three four-page folding panoramas; publishers red cloth title-label mounted to within a gilt border lettered spine corresponding red paper covered slip-case all in fine condition. <br /><br /><br /> Sir Peter Blake long fostered a fascination with alphabets an extension of his interest in nostalgic childhood ephemera and Victorian and Edwardian graphic illustration. This work contains 18 alphabets some previously unpublished. It also includes material from his private alphabet collection.<br /> London, D3 Editions, 2010. hardcover
197842244London: The Trianon Press for the William Blake Trust 1978. Limited edition no. 248 of 376 copies from a total edition of 440. Oblong folio. 14 pp. Publisher's brown quarter morocco over grey cloth sides matching cloth slipcase. 7 plates and 11 further illustrations. An attractive copy. London: The Trianon Press for the William Blake Trust unknown
198322327London: Cape 1983. A first edition first printing of 'The Witches' published by Cape in 1983. A fine book in like unpriced/unclipped wrapper. The best copy we have handled for a while. Cape unknown
1999REGOPAUL025337Enitharmon Press London. 1999. First edition. Quarto. 45 pages. 13 tipped-in plates in colour and black-and-white. Full linen printed title-label on spine colour plate on upper cover. Hand-set in Monotype Caslon and printed on Arches v�lin at The Stonehouse Press.One of 100 numbered copies signed by Paula Rego and Blake Morrison out of a total edition of 190 copies.Fine. No dustwrapper issued. Enitharmon Press, London. unknown
26367London: The Folio Society. 2011. First edition with these illustrations. First edition with these illustrations. Limited edition. Signed by the illustrator. Original dark red full goatskin leather titles in gilt to the upper board and spine. Top edge gilt. Grey paper covered slipcase with wraparound title in gilt. Illustrated in colour and black and white throughout by Quentin Blake. A fine copy the binding square and tight the contents clean and bright throughout and without previous owners' stamps or inscriptions. The slipcase is slightly faded near the open edge. Limited edition of 1000 copies of which this is hand-numbered 853 and signed in blue ink by Quentin Blake on the limitation page. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: The Folio Society. 2011 hardcover
21618London: The Folio Society. 2011. First edition with these illustrations. First edition with these illustrations. Limited edition. Signed by the illustrator. Original dark red full goatskin leather titles in gilt to the upper board and spine. Top edge gilt. Grey paper covered slipcase with wraparound title in gilt. Illustrated in colour and black and white throughout by Quentin Blake. A fine copy. Limited edition of 1000 copies of which this is hand-numbered 674 and signed in blue ink by Quentin Blake on the limitation page. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: The Folio Society. 2011 hardcover
19770825646London: Trianon Press for the William Blake Trust 1977. Limited Edition. Hardcover. Very Good/No Dust Jacket. b/w Illustration. 4to - over 9¾" - 12" tall. In full-brown morocco leather gilt spine titling housed in tan cloth slipcase 4to 28pp 43 plates. Special limited edition published by the Trianon press under the supervision of Mr. Arnold Fawcus. Numbered XX of XXXVI total copies of this edition printed on lanna rag paper. Signed by Geoffrey Keynes on separate page at front of book. Trianon Press for the William Blake Trust hardcover
2009BN646952009. 2009. <br/><br/> unknown
1860014519Columbus OH: H. Miller 1860. Hardcover. Very Good/No Jacket. 8vo. Ornately blind stamped leather boards recently professionally rebacked with new black leather spine with new gilt titles and decorations. Marbled edges and endpapers. xvi 861 pp. Spine a little cocked. Rubbing and wear to edges chafing to boards. Typical browning and spotting to interior. A few marginal damp stains. H. Miller hardcover
1995144452London: The Folio Society 1995. Hardcover. Near fine. Limited to 1250 copies. xxxix 769 pp. Octavo. Hardcover. Bound in full goatskin leather blocked with a design by Quentin Blake black and gilt letters on the spine. All edges trimmed top edge gilt. Previous owner's ownership stamp impressed on the front free endpaper. Printed on Caxton Wove paper. Numerous monochrome illustrations throughout the text by Blake. Tight binding text clean and unmarked. Ribbon marker. Including a booklet wrapped in stiff paper stitched binding. Title printed on a white label glued on the front cover as 'Reading Don Quixote'. Housed in a red cloth covered box gilt letters on the spine few scratches on the box barely noticeable. Rare. Very good plus to near fine condition. First published in Spanish in 1604 in Spanish. Translated by Tobias Smollett in 1753. Fourth printing. This limited edition published by the Folio Society to mark the 400th anniversary of Cervantes's masterpiece. This copy is #919 of 1250. 1995 The Folio Society hardcover
1999x-0521264774Cambridge Univ Pr 1999. Hardcover. New. 783 pages. 9.50x6.50x1.75 inches. Cambridge Univ Pr hardcover
1976264231London: The Trianon Press 1976. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth brown morocco spine. Fine. No. 80 of 380 numbered copies of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley Blake Books Supplement p. 81 The Trianon Press unknown
1878List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna†depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante.<br /> <br /> Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!†The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1<br /> <br /> Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. <br /> <br /> 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92†Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown
20224332<p>New. Removed from original packaging just for photos.</p><p>A signature will be required for delivery.</p><p>f4</p> Suntup Press hardcover
1974436596Washington D.C.: Institute for Services to Education 1974. Softcover. Fine. First edition. Quarto. 50pp. Laid-in are a cover letter four leaves of additional conclusions and an errata sheet. Stapled illustrated wrappers. Fine. In 1972 the Institute for Services to Education formed the Task Force Group for Survey of Afro-American Studies Programs made up largely of academics from traditional black colleges. OCLC appears to identify only digital copies. Institute for Services to Education unknown
1793287788London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Minor toning and light foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/> <br/> Image shows the soldier in full uniform with rifle pistol and saber. Two similar soldiers a fort and three-masted ship can be seen in the background. <br> <br> William Blake 1757-1827 was a British poet painter and printmaker.<br/> <br/> Joseph Johnson unknown