16 276 résultats
195345488Oakland CA : s.i. 1953. Very Good. Oakland CA: s.i. ca. 1953. Photo-illustrated broadsheet palm card 22.5x8.5cm promoting three records by Bahamian calypso and goombay performer Blind Blake 1915-1986 adorned with a halftone photograph of Blake performing. Contemporary rubber-stamp of the Yerba Buena Music Shop in Oakland California on recto mild toning and a couple tiny nicks; Very Good. <br /> <br /> Includes track lists and prices to three Blake albums as well as those of fellow Calypso performers The Percentie Brothers and George Symonette. Tracks listed include Blake's work "Run Come See Jerusalem" concerning the 1929 Bahama hurricane and the murder ballad "Jones! Oh Jones!" Blind Blake material uncommon in retail. s.i. unknown
194981774Toronto: The Ryerson Press 1949. First Edition. First printing. Inscribed on the front endpaper: "To Harry P. Martin / who qualifies on two counts - one the fraternity of the book; two a friend of E.L. Deitch who gives this volume with the aproval of / Louis Blake Duff" dated March 1949. Octavo 20cm. Yellow cloth; dustwrapper; 224pp. Tight straight and unmarked; Near Fine. In the original pictorial dustwrapper slightly soiled on lighter portions; small sticker remnant to front panel; Very Good. <br /> <br /> Duff 1878-1959 was a Canadian journalist bibliophile and private press printer proprietor of the Baskerville Press in Welland Ontario. In the current somewhat uncommon work Duff takes us on a breezy somewhat windy actually tour of death-by-hanging in all ages concluding with a chapter considering the abolition of hanging which he notes at this time was still the most common means of legal execution in many Western countries. A contemporary Canadian reviewer apparently either blind or immune to Duff's rather baroque prose style noted that: ".Mr. Duff's book because of its very restraint is more eloquent propaganda for the abolition of capital punishment than any number of learned treatises" Fred Landon in The Canadian Historical Review Sep. 1949. A nifty little book probably unknown to many collectors of books on the subject; uncommon in the trade and this copy nicely inscribed. The Ryerson Press unknown
108664London The Crime Club 1938. . First edition first impression; 8vo; publisher's orange cloth titles to spine in black mild partial browning to the endpapers trace of erasure to front free endpaper with the dust-jacket some mild ghosting to the spine through the jacket but an exceptional copy in the little tanned and very slightly rubbed dust-jacket.<br /> The poet laureate Cecil Day Lewis wrote a number of detective works under the name Nicholas Blake of which this title is by far the best regarded. Copies of this UK printing in this condition with the jacket are extremely uncommon.<br /> London, The Crime Club, 1938. hardcover
196632459AB1966. First Edition. London Eyre & Spottiswoode 1966. Large Octavo. Frontispiece-Portrait of Disraeli XXIV 1 819 pages with 16 illustrations and two maps within the text. Hardcover / Original publisher's cloth without the dustjacket Price includes the preparation of a custom-made clamshell-box for the buyer of this extremely rare book. Private giftinscription on endpaper. Binding a bit fragile and rear gutter starting. Boards slightly stained and a bit grubby. Still in very good condition. Interior very clean. This is one of the rare opportunities to buy this Magnus Opus in a signed version which is nearly impossible to find ! Signed and dated by Baron Blake on the titlepage: "Robert Blake - March 31st 1970". Robert Norman William Blake Baron Blake FBA FRSL 23 December 1916 20 September 2003 was an English historian and peer. He is best known for his 1966 biography of Benjamin Disraeli and for The Conservative Party from Peel to Churchill which grew out of his 1968 Ford lectures. Robert Blake was born in Brundall Norwich the elder son of William Joseph Blake a schoolmaster and of Norah Lindley Blake née Daynes the daughter of a leading Norwich solicitor. The family firm was Daynes Hill & Perks subsequently acquired by Eversheds. He was said to be related to Admiral Robert Blake of the Parliamentary navy. Blake was educated at a dame school in Brundall; King Edward VI's Norwich School where his father taught History; and Magdalen College Oxford where he was an Eldon Law Scholar. He graduated from Oxford with a First in Modern Greats and a hockey Blue. One of his contemporaries at Oxford was Sir Keith Joseph. Blake had planned to go to the bar. However when the Second World War broke out he was commissioned into the Royal Artillery turning down an offer from a friend to join MI5. He was taken prisoner at the Siege of Tobruk in 1942 escaped from Italy in 1944 and was mentioned in despatches. He worked for MI6 from 1944 to 1946 where he was a colleague of Kim Philby. In 1947 he became a student fellow and tutor in Politics at Christ Church Oxford replacing Lord Pakenham who had joined Clement Attlee's government. His first work was an edition of the papers of Douglas Haig which did much to restore Haig's reputation. It was followed by a biography of Bonar Law written at the invitation of Lord Beaverbrook Law's executor. Blake's most famous work is his 1966 Disraeli a biography of Benjamin Disraeli which has been variously described as "the best single-volume biography of any British prime minister" and "the best biography of anyone in any language". He was elected a Fellow of the British Academy the following year. Having abandoned a project for a biography of Lord Derby in 1970 he published The Conservative Party from Peel to Churchill a general history of the Conservative Party based on his 1968 Ford Lectures. The work was later extended to cover the period up to the premiership of Margaret Thatcher and later that of John Major. In 1968 he was elected provost of The Queen's College Oxford a post he retained until retirement in 1987. On 17 May 1971 on the recommendation of the Prime Minister Edward Heath Blake was created a life peer as Baron Blake of Braydeston in the County of Norfolk. In the House of Lords he took the Conservative whip. In 1972 he moved the address in reply to the Queen's Speech. His History of Rhodesia 1977 is according to Kenneth O. Morgan "essentially a study of white rule ending with sharp comments on the illegal breakaway regime of Ian Smith where Blake's views were much influenced by his friendship with the liberal Garfield Todd and his daughter". It makes interesting reading in conjunction with the less critical Rainbow on the Zambezi 1953 by Don Taylor. In 1987 Lord Blake was nominated in the election for the Oxford Chancellorship but lost to Roy Jenkins although polling ahead of Edward Heath. Blake was hurt by the fact that the Cabinet had decided to endorse Heath and became withdrawn from Oxford. In 1990 he was one of the leading historians behind the setting up of the History Curriculum Association. The Association advocated a more knowledge-based history curriculum in schools. It expressed "profound disquiet" at the way history was being taught in the classroom and observed that the integrity of history was threatened. In 1992 Blake gave the centenary Romanes Lecture on "Gladstone Disraeli and Queen Victoria". Blake was for many years Senior Member the University don responsible for ruling on internal disputes such as accusations of electoral malpractice of the Oxford University Conservative Association. Wikipedia hardcover
1940105039Toronto: MacMillan Company of Canada Limited 1940. Hardcover. very good. 1st edition with Illustrations by Gagnon limited to 1000 copies. 7p.l.168pp. Octavo in original beige patterned linen cloth with gilt lettered brown cloth labels B&W frontispiece portrait of author and 8 colour plates by Clarence Gagnon. Dust jacket chipped along top and bottom edge with bookplate on front pastedown and gift inscription on front free endpaper. very good 1940 MacMillan Company of Canada Limited hardcover
199926915<p>Jazz Age Paris Blake Jody. Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris 1900-1930. University Park: Penn State Press 1999. First Printing of the First Edition. ISBN: 0271017538. A Fine tight copy in a Very Good plus dust jacket with light sunning to the spine that is common wtih this title. In Le Tumulte noir Jody Blake focuses on the impacts of African sculpture and African-American music and dance on Parisian popular entertainment and modernist art literature and performance. Blake discusses the reception of ragtime-era and jazz-age entertainment as well as other African visual and performing art forms to provide new ways of understanding the development of modernist primitivism from Matisse and Picasso to Futurism Dada Surrealism and Purism. But the influence of art nÈgre went well beyond the avant-garde art world. Starting with the cakewalk of the 1900s and culminating with the Charleston of the 1920s the book studies the African-American idioms that were involved in larger cultural social and political developments. As an illustration Blake argues that performers such as Josephine Baker and Sidney Bechet of Revue nÈgre fame were thought to affect the political balance between Africa and Europe during the colonial period. Le Tumulte noir is divided into six chronological chapters each a well-researched well-conceived and well-written synthesis of the histories of art literature music and dance.</p> Penn State Press, hardcover
014020606X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
134507Fine. External dimensions 92 × 77 mm; in fine condition. Peake 3878 'Two whales' 1980. Numbered 32/100 and signed in pencil by the artist in the bottom margin; printed on blue paper. unknown
134506Fine. External dimensions 91 × 68 mm; in fine condition. Peake 3874 'Galleon and seagull' 1932. London-born John Charles Goodchild 1898-1980 emigrated with his family to South Australia in 1913; he served on the Western Front with the 9th Field Ambulance AIF. He established himself as an artist educator and arts administrator in Adelaide after the war. He studied in London in both the early and late 1920s; this image would appear to date from the second visit. Consult the 'Australian Dictionary of Biography' for more on this interesting artist. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134510Fine. External dimensions 59 × 50 mm; in fine condition. Peake 3887 'Pegasus' 1933. The small plate is numbered 9/15 and signed in pencil by Thake in the bottom margin. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134508Fine. External dimensions 132 × 90 mm; in fine condition. Peake 3883 'Bookstalls with church tower behind' - the Bouquinistes of Paris with Notre-Dame in the background. A signed proof copy inscribed by the artist 'Opus 22' dated 1980. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134505Fine. External dimensions 114 × 73 mm; in fine condition. Peake 3873 'Devil's face' 1934. A remarque proof signed in pencil by the artist in the bottom margin. John Barclay Godson 1882-1957 artist and art teacher was born in England and emigrated to Australia in 1914. He was a founding member of the Australian Painter-Etchers' Society. In 1933 Geoffrey Ingleton published 'John Barclay Godson Bookplates' under his Golden Lantern Press imprint in an edition of only 150 copies. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. unknown
134509Fine. External dimensions 93 × 124 mm; in fine condition. Peake 3885 'Tree embracing maps of Canada & Australia' 1943. A proof copy signed in pencil in the bottom margin by the artist. Offered together with a photocopy of a 1943 autograph letter to Muir from this Canadian artist primarily regarding the bookplate. It appears Smith produced it as a gift without Muir's knowledge and sent him twelve signed proof copies. <p>Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. 2 items. unknown
132768The archive comprises: <p>1. Sara Eugenia Blake: an etched bookplate Peake 3869: 'Juvenilia H.B. Muir'. One signed copy with the original zinc plate. <p>2. Sara Eugenia Blake: an etched bookplate depicting a Persian or Mughal figure Peake 3870: 'Indian Man'. Six signed proof copies printed in different coloured inks one extensively hand-coloured with the original zinc plate. <p>3. Tom R. Bond: a process bookplate Peake 3871: 'Mask' incorrectly dated 1937. One proof copy signed and dated 1933 by the artist and numbered 10/10 plus ten further proof prints on different paper stocks some untrimmed. With the original India ink drawing and process block. <p>4. Adrian Feint: a process bookplate Peake 3872: 'Desk open window river' 1936. One copy signed by the artist and another on Japanese paper likely a proof. With the original ink drawing and process block. <p>5. John Barclay Godson: an etched bookplate depicting the devil Peake 3873: 'Devil's face' 1934. One signed remarque proof with a preliminary pencil drawing and the original copper plate. With a list in Harry Muir's hand regarding distribution of copies of the bookplate. <p>6. John Goodchild: a process bookplate depicting a ship at sea Peake 3874: 'Galleon and seagull' 1932. Four copies two identified as proofs by Harry Muir on the reverse 'Delmonts proof of bookplate. 1st Sept 1932' and 'Hassells proof of bookplate from Delmonts zinc block'. With a preliminary pencil drawing signed by Harry Muir identifying the artist the final large ink drawing 146 × 102 mm with a pencil note to 'Reduce ¼ size' and the original process block. <p>7. John Goodchild: a process bookplate depicting a one-legged pedlar selling prints Peake 3875: 'Autolycus selling from tray' 1932. With the original process block. <p>8. John Goodchild: a three-colour linocut and process bookplate Peake 3877: 'Glass enlarging galleon plate' 1943. One copy with the three original blocks two linoleum and one process block. <p>9. Peter Hosokawa: a bookplate featuring two whales Peake 3878: 'Two whales' 1980. Number 31 of 100 signed copies; printed on blue paper. <p>10. Jane Hylton: a process bookplate depicting poppy kernels Peake 3879: 'Poppy kernels'. With the original process block heavily tarnished. <p>11. George David Perrottet: a three-colour linocut bookplate depicting a ship under a crescent moon Peake 3882: 'Sailing ship against crescent moon' 1933. Two copies one untrimmed and signed by the artist. With all three original linoleum blocks plus three process blocks heavily oxidised possibly prepared for Muir's 1942 publication on Perrottet's bookplates. <p>12. George David Perrottet: a hand-coloured two-colour linocut bookplate for Muir's books by and on John Galsworthy Peake 3880: 'Monkey with orange' 1936. With both original linoleum blocks. <p>13. George David Perrottet: a two-colour linocut bookplate featuring the exterior of Muir's bookshop Peake 3881: 'H B Muir bookshop' 1939. One signed proof copy on fine paper plus a copy of the standard version. <p>14. Derek Riley: a woodcut bookplate featuring bookstalls Peake 3883: 'Bookstalls with church tower behind'. One signed proof copy inscribed by the artist 'Opus 22' dated 1980. With the original woodblock. <p>15. Derek Riley: a woodcut bookplate featuring a tiki Peake 3884: 'New Zealand tiki'. Signed proof copy inscribed by the artist 'Opus 35' dated 1981; mounted in a card bifolium also signed and dated and a copy of the standard version. With the original woodblock. <p>16. Leslie Victor Smith: an etched bookplate showing maps of Canada and Australia Peake 3885: 'Tree embracing maps of Canada & Australia' 1943. One copy signed by the artist. With the original copper plate and an autograph letter 1943 with the original envelope to Muir from this Canadian artist primarily regarding the bookplate it appears he produced it as a gift without Muir's knowledge and sent him twelve signed proof copies. <p>17. Eric Thake: a process bookplate for Muir's collection of books on Bligh and the 'Bounty' Peake 3886: 'Three figures from "Bounty" mutiny' giving the date 1947. With two ink drawings a preliminary version and the final version dated '1945-1948' and the original process block. <p>18. Eric Thake: a process bookplate featuring a chained Pegasus Peake 3887: 'Pegasus' 1933. Number 9 of 15 proof copies signed by the artist plus two further copies one signed. With the original ink drawing and two lists in Muir's hand regarding distribution of the proof copies. <p>19. Noel Wood: a linocut bookplate Peake 3888: 'Eagle on rock' 1932. One untrimmed remarque proof number 5 of six copies almost certainly printed by the artist two copies of a more crisply-printed version possibly process; one with Muir's annotation on the verso stating that it is a 'Hassell's print'. With a preliminary ink drawing mistakenly giving Muir's middle initial as M not B. <p>20. John Goodchild: an offset-printed bookplate for Muir's holiday house Petrel Cottage at Encounter Bay Victor Harbor Peake 3876: 'Seagulls' 1938. <p>21. George David Perrottet possibly: two linoleum blocks for a second bookplate for Petrel Cottage a two-colour linocut very much in the style of Perrottet. This bookplate was apparently never published. Provenance: H.B. Harry Muir 1909-1992 bookseller publisher and bookplate collector; by descent. A quantity. unknown
1979M9076Bethesda:: U. S. Department of Health Education and Welfare 1979. 1979. First edition. Thick 4to. 501 pp. Alphabetical list of items. Full black and gilt stamped gray cloth. Ink inscription front free endpaper. Very good. U. S. Department of Health, Education, and Welfare, 1979. hardcover
19259065London: Nonesuch Press 1925. Vellum Binding. Very Good binding. Quarto. xviii 364 1; vii 1 397 2; vii 1 430 1 pp. frontis plates illus. Limited edition number 573 of 1500 copies. As issued in quarter vellum with marbled paper over boards. Very minor mellowing to vellum of the first volume else all spines are very bright and bindings with only trivial shelf-rubbing else near fine. A beautiful set and one that Francis Meynell himself thought “to rank with the Shakespeare as the most useful and most generally creditable of Nonesuch publications.†Dreyfus 24. Nonesuch Press unknown
1878List3694Boston Massachusetts: White Smith and Company 1878. Folio 13 ½ x 10 ½ inches. 6 pp. Wraps fully split else near fine with some very light foxing and soiling to wrap overall very attractive. Very good. An early phonograph-related sheet associated with the French soprano Marie Roze née Hippolyte Ponsin 1846–1926 whose participation in early demonstrations of Thomas Edison’s tinfoil phonograph was widely publicized in 1878. Contemporary reports identify Roze as the “celebrated prima donna†depicted singing into the phonograph in an engraving produced for Frank Leslie’s Illustrated Newspaper New York April 20 1878 following a demonstration of the machine at Steinway Hall earlier that year. The same engraving was subsequently reused across multiple promotional formats including tickets to phonograph exhibitions advertising circulars and early phonograph-themed sheet music such as Phonograph. March Brillante.<br /> <br /> Related promotional material includes a poster advertising exhibitions of Edison’s new tinfoil phonograph in Toronto on May 28 1878 which employs the identical image of the prima donna singing into the apparatus beneath the heading “Edison’s Phonograph!†The poster announces daily demonstrations featuring singing speech and explanatory lectures illustrating the standardized visual language used to market the invention during its first year of public exhibition.1<br /> <br /> Roze an internationally known operatic soprano who later became Mrs. Henry Mapleson was connected with early phonograph demonstrations intended to showcase the recording and playback of trained vocal performance. The engraving linking her image to the machine circulated widely in print culture during 1878 appearing in illustrated journalism and promotional ephemera tied to touring exhibitions. Overall a very nice copy of what was an iconic image at the time. Blake was a highly prolific composer of over 5000 songs the most famous of which is Rock-a-Bye Baby. OCLC locates two copies with different entries at Baylor and BYU. <br /> <br /> 1 Arthur Zimmerman “The Early Phonographic Craze in Ontario 1878–92†Antique Phonograph News https://www.capsnews.org/apn2022-3.htm accessed February 24 2026. White, Smith and Company unknown
200773718London: Aurum 2007. First edition. 418 pp w/index. Very near fine in like dust jacket. A well-regarded account. London: Aurum unknown
19482323443Rochester New York: Rochester Historical Society 1948. Hard Cover. Very Good/No Jacket. 0x0x0. Gilt on spine rubbed rear board lightly soiled. 1948 Hard Cover. xxiv 297 pp. 8vo. Green cloth gilt titles and rules. Illustrated with black-and-white photographic plates. A biography of the naturalist and geologist University of Rochester professor and founder of Ward's Natural Science a business which collected artifacts to be sold to museums. "Henry Augustus Ward 1834-1906 was an American naturalist and geologist born in Rochester New York. After attending Williams College and the Lawrence Scientific School Harvard where he was an assistant of Louis Agassiz he traveled in Egypt Arabia and Palestine and studied at the Jardin des Plantes the Sorbonne and the School of Mines in Paris and at the universities of Munich and Freiberg. Subsequently he traveled in West Africa and the West Indies making natural history collections. In 1860 he returned to Rochester where he was professor at the University of Rochester until 1865. In Rochester he founded Ward's Natural Science a pioneer enterprise of its kind which collected specimens from all parts of the world and then mounted and sold them to colleges and museums. In 1897 he married a widow Lydia Avery Coonley 1845-1924 president of the Chicago Woman's Club in 1895-96 who wrote Under the Pines and other Verses 1895; Singing Verses for Children 1897; Love Songs 1898. He died on July 4 1906 after being struck by an automobile in Buffalo New York becoming Buffalo's first automobile related fatality. His ashes were interred in Mount Hope Cemetery amongst a large boulder he found in Georgian Bay Ontario Canada until they were stolen. Ward's brain was contributed to the Wilder Brain Collection at Cornell University. Rochester Historical Society hardcover
19442341429Rochester New York: Rochester Historical Society 1944. First Edition. Hard Cover. Near Fine/No Jacket. 0x0x0. First edition. Endpapers a bit toned otherwise an exceptional copy. 1944 Hard Cover. 266 pp. 8vo. Photographic frontispiece and seven photographic plates. Includes: Preface - Dexter Perkins; Editor's Introduction; A History of Rochester's Part in the Civil War - Ruth Marsh; Civil War Letters of Samuel S. Partridge of the "Rochester Regiment"; George Breck's Civil War Letters from the "Reynolds Battery"; Civil War Letters of Francis Edwin Pierce of the 108th New York Volunteer Infantry; August Seiser's Civil War Diary or Short Sketches of Campaigns with the Potomac Army; Porter Farley's Reminiscences of the 140th Regiment New York Volunteer Infantry; List of Rochester Historical Society Members; Index. Rochester Historical Society hardcover
19442341465Rochester New York: Rochester Historical Society 1944. First Edition. Hard Cover. Near Fine/No Jacket. 0x0x0. First edition. Ink name and date on front endpaper endpapers toned. 1944 Hard Cover. 266 pp. 8vo. Photographic frontispiece and seven photographic plates. Includes: Preface - Dexter Perkins; Editor's Introduction; A History of Rochester's Part in the Civil War - Ruth Marsh; Civil War Letters of Samuel S. Partridge of the "Rochester Regiment"; George Breck's Civil War Letters from the "Reynolds Battery"; Civil War Letters of Francis Edwin Pierce of the 108th New York Volunteer Infantry; August Seiser's Civil War Diary or Short Sketches of Campaigns with the Potomac Army; Porter Farley's Reminiscences of the 140th Regiment New York Volunteer Infantry; List of Rochester Historical Society Members; Index. Rochester Historical Society hardcover
19442350011Rochester New York: Rochester Historical Society 1944. Hard Cover. Very Good/No Jacket. 0x0x0. Boards a bit scuffed endpapers toned. 1944 Hard Cover. 266 pp. 8vo. Green cloth gilt titles. Photographic frontispiece and seven photographic plates. Includes: Preface - Dexter Perkins; Editor's Introduction; A History of Rochester's Part in the Civil War - Ruth Marsh; Civil War Letters of Samuel S. Partridge of the "Rochester Regiment"; George Breck's Civil War Letters from the "Reynolds Battery"; Civil War Letters of Francis Edwin Pierce of the 108th New York Volunteer Infantry; August Seiser's Civil War Diary or Short Sketches of Campaigns with the Potomac Army; Porter Farley's Reminiscences of the 140th Regiment New York Volunteer Infantry; List of Rochester Historical Society Members; Index. Rochester Historical Society hardcover
19706442London: Trianon Press 1970. First thus. Fine. Limited edition number 9 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/4 x 9 in; 298 x 230 mm. 28 pp. Ten color plates. Original quarter green morocco over marbled boards. In the original marbled board slipcase. <br /> <br /> "Through aphoristic declarations and accompanying emblem-like designs Blake argues for the essential unity of all religions as expressions of the "Poetic Genius" within all human beings." The William Blake Archive. Blake first etched the work in c. 1788 returned to it in 1795 and again in 1818. In this edition the plates were reproduced by the Trianon Press France using the collotype process with some water-color washes added by hand. The editorial matter was printed by the Imprimerie Darantiere Dijon and binding was by Engel Malakoff and the hand-made slip-case by Adine Paris. With a description and bibliographical history by Blake scholar Geoffrey Keynes. Fine. Trianon Press unknown
19776443London: Trianon Press 1977. First thus. Fine. Limited edition number 135 of 600 numbered copies out of a total edition of 662 copies. A Fine copy. Quarto 11 3/8 x 8 1/4 in; 290 x 210 mm. 154 p. Ten color plates. Original quarter brown morocco over cloth boards. In the original cloth slipcase.<br /> <br /> A singular collection of all portraits and related sketches of Blake his wife and places they lived by a range of artists to get at the character of the artist. "This compilation of portraits was a departure for the Trianon Press which had previously focused on facsimiles of Blake's illuminated books and designs. But with a text by Blake scholar Geoffrey Keynes who contributed commentary to the other facsimiles it continued Trianon's incomparable record of bringing all aspects of Blake's work and life to light" Union College. Fine. Trianon Press unknown
19758856Los Angeles: Trans-European Publications 1975. First edition paperback original Liverpool Book Rear Window Series RWS 85. Paperback in illustrated wrappers. Soiling and smudging to wraps spine uncreased. Very good. <br /> <br /> Very scarce smut paperback from the Liverpool Rear Window Series. Trans-European Publications paperback
