16 276 résultats
20102011-L207George Stern Fine Arts 2010. Hardcover. Like New. Clean and unmarked. Fine in Fine dust jacket. George Stern Fine Arts hardcover
1940217661San Francisco: The Colt Press by William Roth and Jane Grabhorn 1940. One of 500 copies. Printed September 1940. Plate of the portrait by Reynolds. vi 115 pp. 1 vols. 8vo. Original linen-backed decorated boards. Fine. One of 500 copies. Printed September 1940. Plate of the portrait by Reynolds. vi 115 pp. 1 vols. 8vo. New Hill #301; Beddie 4567. New Hill #301; Beddie 4567 <br/><br/> The Colt Press by William Roth and Jane Grabhorn hardcover
198264307London:: Scolar Press. Near Fine in Near Fine dust jacket. 1982. Hardcover. 0859675297 . A study in facsimile by Robert N. Essick and Morton D. Paley. First edition thus. Corners bumped else near fine in a near fine dust jacket. ; 243 pages . Scolar Press, hardcover
19228196London. The Studio Limited. 1922 Bound in full white vellum. Decorative gilt frame and gilt titles to front cover. Raised bands. Gilt titled morocco label. Lovely Japan paper endsheets in marbleized turquoise. Deckled edges. t.e.g. Tall Folio 16" x 11.5". This Deluxe Edition limited to 200 numbered copies of which this is number 29. Illustrated with 104 plates 16 of which are coloured plates mounted upon heavy stock. Bottom corners of front and rear covers are soiled. Faux raised enamel patch to lower front corner else a Fine copy. The Studio Limited. hardcover
9652781401.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
9970Trianon Press for The William Blake Trust 1973. Hardcover. Near Fine Condition/No Dust Jacket. facsimile edition 4to. patterned boards black leather backstripIn the original slip case Size: Quarto. Quantity Available: 1. Category: Art & Design; Inventory No: 9970. . Trianon Press for The William Blake Trust, 1973 hardcover
193273967London: J. M. Dent 1932. Facsimile Edition. Hardcover. Good Condition/Good. A facsimile of a copy in the British Museum in full colour. This edition has an essay by J. Middleton Murray included after the colour pages. A nice copy in a complete jacket which has darkened a little over time. Size: Royal 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Poetry. Inventory No: 73967. . J. M. Dent hardcover
2091202133000006Random House N.A. Soft Cover. Fine. Number of books: 1 Random House paperback
131341199X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002K17HS1090Alan Cristea Gallery London 2002. 1st Edition. HARDCOVER. 1st printing. Extra Large 4to. in grey cloth covered boards black lettering to spine 63pp on thick art paper colour plates illustrations in text etc __CONDITION : A well preserved NEW unread and unmarked copy in a NEW complete Dust Jacket. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Alan Cristea Gallery, London hardcover
1919List3638New York City: M. Witmark & Sons 1919. Sheet music measuring 9 ¼ x 12 ¼ inches. Small ownership stamp to top margin some light wear overall very good. James Reese Europe 1881–1919 was a composer and bandleader instrumental in the transition from ragtime to jazz whose popularity and influence is impossible to overstate. He conducted the Clef Club Orchestra in New York City which only played music by African-American composers and was the first Black orchestra to perform at Carnegie Hall. Europe’s Society Orchestra toured the country with dancers Vernon and Irene Castle popularizing ragtime dancing. In 1916 Europe enlisted with the 369th Infantry Regiment also known as the Harlem Hellfighters a primarily Black regiment that became one of the most highly decorated American units in World War I. Europe was a second lieutenant and led the Hellfighters Band which toured France in 1818 and is credited with bringing jazz to the continent of Europe. James Europe died in Boston in 1919 when a member of his band taking issue with Europe’s criticism stabbed him in the neck during the intermission of a concert at Mechanics Hall.<br /> <br /> Offered here is the sheet music for “Good Night Angeline†composed by James Reese Europe and his frequent collaborators Noble Sissle 1889–1975 and James Herbert “Eubie†Blake†1887–1983. The cover features a photograph of the Hellfighters Band above a portrait of Europe. We find four other copies of “Good Night Angeline†at the Oakland Public Library the Library Company of Philadelphia the Library of Congress and the Smithsonian Museum of African American History and Culture. Of interest to scholars of African-American musical and military history. M. Witmark & Sons unknown
1941List3633New York City: Handy Brothers Music Co. Inc 1941. Sheet music measuring 9 x 12 ¼ inches. 8pp including covers. Covers with wear to edges and some wrinkling and folds very good plus. Interior pages with some wear to edges excellent. Overall very good to excellent. Sheet music for “We Are Americans Too†by Andy Razaf Eubie Blake and Charles L. Cooke. The three were significant figures in the jazz and ragtime scenes. Razaf 1895–1973 was a composer and lyricist known for jazz standards “Ain’t Misbehavin’†and “Honeysuckle Rose.†Pianist and composer Blake 1887–1983 was a child prodigy and vaudevillian who wrote the musical Shuffle Along 1921 the first Broadway production to be written directed produced and starring only Black artists. “Doc†Cooke 1891–1958 was a bandleader and arranger with a prolific recording ensemble who later worked at Radio City Music Hall and composed orchestrations for Broadway shows. The sheet music was published by Handy Brothers Music Company the publishing company of musician musicologist and “Father of the Blues†W. C. Handy. Handy donated 100 copies of “We Are Americans Too†to Martin Luther King Jr. to raise money for the Montgomery Improvement Association.1<br /> <br /> Razaf’s lyrics for the song proclaim African Americans’ patriotism and roles in the US’s major wars from the American Revolution to World War I; the cover art shows Black soldiers marching together in Revolutionary War Civil War and WWI-era uniforms. At the time of writing the US was deep in the Jim Crow era; African Americans during World War II served in segregated units were mostly excluded from officership and were treated poorly at home and abroad. Razaf writes: “None have loved Old Glory more than we. / Or have shown a greater loyalty / Bunker Hill to the Rhine / We’ve been right there in line / Serving the Red White and Blue / All our future is here / Everything we hold dear / WE ARE AMERICANS TOO.â€<br /> <br /> We find four copies on OCLC.<br /> <br /> 1 Martin Luther King Jr. to Lovie M. Rainbow July 10 1956 The Martin Luther King Jr. Research and Education Institute https://kinginstitute.stanford.edu/king-papers/documents/lovie-m-rainbow. Handy Brothers Music Co., Inc unknown
184431665New York: Published by Alexander V. Blake 1844. Hardcover. Fair. 12mo 6.5" x 4". 2 252 pages. Frontispiece engraved portrait of Osceola engraved half title page and illustrations in text. Dark brown cloth hardcover with title in gilt on the front cover and spine. Cloth is chipped on the edges. Edge wear to cloth head and base of spine. Toning to the contents. Published by Alexander V. Blake hardcover
182961047Boston: Richardson Lord & Holbrook 1829. First Edition. 12mo 18cm. Modern plain buckram with gilt spine label; xii13-162pp. Early perforated stamp to title page Rhode Island Historical Society; scattered foxing and toning to text still a complete fresh copy Good and sound. <br /> <br /> An anonymous early work by Blake identified as such in the catalog of the American Antiquarian Society which adds the following note: "Later editions which include additional stories describe themselves as "By the author of Evenings in Boston." That work a juvenile reader first published in 1827 has been attributed to John Lauris Blake. Five of its twelve chapters are set in Cuba where Blake may have traveled during a period of failing health in the 1820s." SABIN 67664. Richardson, Lord & Holbrook unknown
197186225Princeton New Jersey: Princeton University Press 1971. First Edition. Quarto. 28cm. Publisher's heavy grain green cloth titled in gilt and grey to the spine. Dustjacket. 167pp. paginated with the last third of the book being unpaginated full page reproductions of Blake's work. Light wear to corners and spine ends strong and handsome; internally clean and fresh; in a bright dustjacket with some light wear and fraying to corners and a little scuffing and soiling in places. A very good bright copy indeed. <br /> <br /> An elegantly produced scholarly appreciation of Blake's astonishing illustrations to the poetical works of Thomas Gray the ephemeral and luminous 18th century poet and scholar who has achieved immortality through his "Elegy Written in A Country Church-Yard" but astonishingly only published 13 poems in his lifetime. Princeton University Press unknown
186918495Boston: J.E. Farwell & Co. 1869. 12pp. Stitched partly uncut. Light wear title and last page dustsoiled Good. <br /> <br /> Blake seeks subscribers for $2000000 of the capital stock of his new Company which intends to purchase "a line of American Steamships between Boston and Liverpool." $1.5 million will be used for purchasing the steamers and the other half million for this and that. He anticipates profitable traffic in passengers and freight. He includes a Form of Subscription estimates of profit and other useful material including a description of the steamer Ontario which "is already fully ship-rigged." OCLC records many many microform copies but only one of the real thing. <br /> FIRST EDITION. Not in Sabin Eberstadt or Decker. OCLC: WRes. Hist. Soc. J.E. Farwell & Co. unknown
32639Printed broadside 5" x 8" with salutation in ink manuscript. Some margin browning and light margin chipping else Very Good.<br /> <br /> Blake was Pastor of the First Congregational Church in Waupun. Beneath his printed signature is written in ink "Pastor Cong. Ch". Professor Conatty was T.J. Conatty a public school teacher in Kenosha and a prominent figure in the Wisconsin Teachers' Association. He was later implicated in a bribery scheme with James Rood Doolittle Senator from Wisconsin 1857-1869. On Conatty's behalf Doolittle was to use his influence with President Lincoln to obtain cotton permits during General Banks's occupation of New Orleans; in return Doolittle would receive 25% of the profits. We haven't ascertained whether Senator Doolittle is the "Br. Doolittle" to whom this printed letter is addressed. <br /> This unusual ephemeral Civil War broadside is unrecorded. Waupun is in southeastern Wisconsin about sixty miles northwest of Milwaukee.<br /> Not located on OCLC as of October 2023 or anywhere else. unknown
1023970651.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1359171185.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18161068091816. London: Henry Colburn 1816. <br /> <br /> 8vo viii 449 pp. With 2 leaves of ads at the front and another 2 at the back dated 1818. Original boards paper backstrip slightly rubbed with loss of label some wear to boards a very fine copy entirely uncut and in original state as issued.<br /> <br /> § First edition of a fascinating contemporary reference work. It includes one of the earliest biographical references to William Blake "an eccentric and very ingenious artist" as well as a large number of writers such as Wordsworth Coleridge and Byron and hundreds of other authors forgotten today but amazingly no Shelley Mary or Percy no Keats and no Jane Austen. Bentley Blake Books 2929: "references to Blake under William Hayley W. Blake and William Blake". Some claim Watkins authored A-K and Shoberl the rest. unknown
elala2395London: Trianon Press for The William Blake Trust 1970. No. 567 of an Edition Limited to 662 copies. 4to. ff. 4. 10 collotype plates printed in colour with some water-colour washes added by hand. printed on Arches rag paper. original quarter morocco hand-marbled paper sides. matching slipcase London: Trianon Press for The William Blake Trust, 1970 unknown
18761029001876. London: Spottiswoode & Co. 1876. <br /> <br /> 4to 71pp. Tipped-in illustrations between pages 14 & 15. Original wrappers worn contents good.<br /> <br /> § An astonishing exhibition catalogue of 333 entries with a 9pp. introduction by William B. Scott. Bentley Blake Books 571. unknown
1880140947503London: Macmillan and Co 1880. Second Edition. Very Good. Second edition A New and Enlarged Edition Illustrated from Blake's Own Works with additional Letters and a Memoir of the Author. Plates Portraits and Facsimiles. xxi 2 1-431; ix 4 1-383 pp. Bound in the publisher's dark green cloth boards ornately stamped in gilt. Complete in two volumes. Very Good. Light wear to cloth with some rubbing through at joints and tips light rubbing to gilt. Foxing and light offsetting to endsheets and preliminaries contemporary ownership notation to both volumes and light toning to contents. The exceptional second edition of Blake's life and prose a true apex of late Victorian decorated bindings. Macmillan and Co unknown
1863140947684London: Macmillan and Co 1863. First Edition. Near Fine. First edition first printing. xiv 2 389 1; viii 268 pp. Additional 38 photolithographic plates reproducing Blake's engravings bound in at rear of second volume. Bound in publisher's maroon pebbled cloth with decorative gilt stamping to front boards and lettering to spines. Complete in two volumes. Near Fine with fading and slanting to spines light rubbing to extremities and slight bumping to corners. Front hinges starting front joints starting at head of spine L-shaped split to top of rear joint of Volume I advancing across the spine panel and Volume II binding exposed at page 268. The binding by Burn & Co. their ticket to Volume II back pastedown is an unusually attractive example of High Victorian design and the gilt remains bright against the maroon cloth. <p>Alexander Gilchrist's biography and selected works of William Blake established Blake's place in the Western canon and remains a standard reference work. The artist and poet a peripheral figure at the time of his death in 1827 was taken up by the pre-Raphaelites several of whom completed the second volume of Gilchrist's work after he died suddenly of a fever. Chief among the secondary authors was Dante Gabriel Rossetti who had purchased Blake's annotated sketchbook at the age of nineteen and added his own pages. An important work with a powerful influence on the art and literature of the late 19th century. Macmillan and Co unknown
178353851783. London: Printed in the Year 1783. London: Noel Douglas 1926. <br /> <br /> 8vo original paper over boards. Very good.<br /> <br /> § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.<br /> <br /> Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings." Wikipedia. unknown