1 088 résultats
100056N.P.: 1949. 4to 15 pp. 3 plates. Printed wrappers lightly soiled slight overall wear. § Bentley Blake Books 2455. 1949. 4to unknown books
1808109096London: Printed by T. Bensley for R.H. Cromek 1808. Rare first edition subscriber's copy of Robert Blair`s famous poem which initiated a fashion for mortuary poems illustrated with 11 etchings by William Blake. Quarto bound in three quarters morocco marbled endpapers with the famous engraved frontispiece portrait of William Blake after the painting by Phillips engraved title page with 11 additional plates engraved by Louis Schiavonetti after Blake's drawings designed at the request of Cromek. With the poem dedicated to the Queen by Blake list of subscribers four-page prospectus for the Procession of Chaucer`s Pilgrims to Canterbury by Thomas Stothard at rear. In very good condition. Ownership inscription. Rare and desirable. In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare 40 drawings for Robert Blair's Grave from which Cromek planned to select twenty for this deluxe edition of the poem. While The Grave originally appeared in 1743 this 1808 edition was to become famous for its illustrations demonstrating "the rare imaginative power of William Blake" Magnusson 162. A dispute over a preliminary etching "in white-line" called "Death's Door" which Cromek rejected resulted in Blake's being prevented from engraving his own designs so the 12 drawings eventually selected were rendered by Louis Schiavonetti "with a mingled grace and grandeur which won for them a wider popularity. Never has the theme of death been handled in pictorial art with more elevation and beauty" DNB. Printed by T. Bensley for R.H. Cromek unknown books
1813109308e. London: Bensley for Ackermann 1813 i.e. 1870. 4to 2 liv 42 pp. With a portrait frontispiece etched title and 11 plates all with tissue guards. Blind-stamped black cloth rebacked with black cloth lettered in gilt. § Third quarto edition printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Of this version Essick wrote: “I've also seen the true 1813 text and plates in a very similar cloth binding with just a few differences in the blind stamping but very much the same style and period. My theory on that is that Camden Hotten who produced the 1870 issues not only got the copperplates from Ackermann with the Spanish inscriptions for de Mora but also some remainders of the impressions and letterpress and bound these up in a slightly different just the blind stamping and perhaps the cloth color or weave fashion. He removed the Spanish on the coppers and had an engraver restore the 1813 English inscriptions then printed for both the portfolio and the 1870 issue of the text with the engravings. Bentley lists the 1870 issue in Blake Books but I don't believe he lists the portfolio issue of the plates only. I have a vague recollection however that he did note it in one of his later checklists of publications in the Blake Quarterly.†Bentley Blake Books 435E. Bensley for Ackermann hardcover books
18081078254to. London: Bensley for Cromek 1808. 4to xiv 36 4 pp. With a portrait frontispiece after Phillips etched title page and 11 plates engraved by Luigi Schiavonetti after Blake’s designs. Original drab gray boards printed paper label on upper cover preserved in a red cloth box worn. The finest copy we have ever seen. § First quarto edition of exceptional rarity in boards as issued. A completely untrimmed copy thus with the title-page uncropped. Bentley Blake Books 435B. Bindman Complete Graphic Works of Blake 465-476."In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive Bensley for Cromek hardcover books
1903100690Small 8vo. New York: Appleton 1903. Small 8vo original red cloth gilt top printed label chipped with piece missing on backstrip. Top edge gilt. Very good. § Reduced size facsimile following the 1808 edition. Bentley Blake Books 435 H. Appleton hardcover books
1813107840e. London: Bensley for Ackermann 1813 i.e. 1870. 4to plates only without the Frontispiece Death’s Door and The Soul’s Reunion with the Body i.e. etched title and 9 plates. As issued in the original pebbled brown cloth portfolio lettered in gilt occasional foxing or oxidization an adequate copy. Includes 22 newspaper clippings from the 10s 20s 30s and 40s all related to Blake a brochure for Cambridge University Press’s An Island in the Moon facsimile a brochure for Scolar Press’s The Grave facsimile and a few other articles. § Third quarto edition printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Bentley Blake Books 435e. Bensley for Ackermann hardcover books
1965150160N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actor Jack Lemmon in costume as Professor Fate in turn in disguise as Crown Prince Fredrich Hapnick covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965 two Italian agency stamps and a stamp noting No. 7053 on the verso. <br/><br/>Loosely based on the 1908 race from New York to Paris billed as the "Greatest Auto Race" of its time. An homage to slapstick farces and silent film comedies following two competing daredevils at the turn of the 20th century: handsome courteous hero The Great Leslie Tony Curtis and his nemesis the dastardly Professor Fate Lemmon.<br/><br/>Set and shot on location in Austria Paris and Kentucky Oregon and California in the United States. <br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
1965132873London: Warner-Pathe Distributors 1965. Vintage full-color still photograph from the 1965 UK release of the 1965 US film. <br/><br/>A professional daredevil convinces auto makers that a race from New York to Paris will help to promote automobile sales. A rival vows to win the race in a car of his own invention. <br/><br/>Shot on location in Austria and throughout California. <br/><br/>8 x 10 inches. Light rubbing else Near Fine. Warner-Pathe Distributors unknown books
192592754to. Olney Bucks.: The Blake Society 1925. 4to 24 pages. Six plates additional illus. Original wrappers. Wrappers a bit soiled and worn. Very good. § One of 100 numbered copies. A scarce item from the eccentric Wright - not located in Bentley but probably there somewhere. The Blake Society unknown books
197748185NY: Arno 1977. Reprint edition. 8vo pp. various. Five pamphlets published 1909-1953. Orange cloth. Top edge spotted o/w a VG tight copy. Articles on maternal and infant health and mortality. Arno unknown books
1849232160New York: Baker & Scribner 1849. First. hardcover. good. Mountains Hills and Geological Features; Local Traditions; and Short Biographical Sketches of Early Settlers. 368pp. 12mo rebound in old green cloth with leather label label rubbed page 145 with small repaired tear with no loss of text scattered light foxing. New York: Baker & Scribner 1849. First Edition<br/><br/> Stuyvesant Fish's own copy with his signature and bookplate. Stuyvesant Fish was a banker in New York City and president of the Illinois Central Railroad from 1887 to 1906. He had an estate in Garrison New York in Putnam County. Some pages are annotated in pencil by Stuyvesant Fish. The author William Blake was a lawyer with an office in Cold Spring New York in Putnam County. Howes B-501. Nestler 1190.<br/><br/> Baker & Scribner unknown books
184933941New York: Baker and Scribner 1849. First Edition. 388pp. Original 12mo cloth joints mended some chipping at top and bottom of spine. Howes B501. A history of the County from 1812 to 1856. Baker and Scribner hardcover books
1943Embry 190319The Mississippi Valley Press 1943. First edition first printing. Mild toning still fine in near fine lightly toned dust jacket in mylar cover. The Mississippi Valley Press, 1943. First edition, first printing. unknown books
2002UBLAHOL00melHrymfaxe 2002. Fine. Blake Michael. The Holy Road. Tucson: Hrymfaxe 2002. 366pp. 8vo. 1/4 Cloth. Signed by author. Book condition: Near fine. Hrymfaxe hardcover books
17881107522 prints. London: J.R. Smith 1788. 2 prints images 21 x 26 cms. with full margins and imprints. Well printed in brown ink cleaned and titles mounted below the prints in very good condition. § Second state of The Idle Laundress third state of Industrious Cottager good impressions. These two prints were designed to be issued together but they are extremely rarely found so. I have had two copies of the first plate third state and one copy of any state of the second plate. The first is known in one copy of the first state and Essick records only two copies of the second state BM and Keynes; Essick has the third state printed in 1803. The second plate is known in one copy each of the first and second states and 4 copies of the third state. Essick The Separate Plates of William Blake XXX and XXXI. J.R. Smith unknown books
105705London: Longman Hurst Rees & Orme 1805. Oblong folio. Engraved title and 39 full page outline engravings. Original half green hard-grain morocco gilt edges with the original gilt-lettered title on the upper cover very worn. Some foxing throughout as usual title-page creased the three Blake plates in good condition. § First edition. Reprinted several times to 1829 on a variety of papers it is effectively impossible to distinguish printings but it matters little as they are essentially identical. Bentley Blake Books 457 A. Essick William Blake’s Commercial Book Illustrations XLVI. Longman unknown books
193736231London: The Nonesuch Press 1937. 8vo. 9 1/8 x 5 5/8 inches. 36pp. Illustrations throughout. Folder with extra suite of 17 electrotypes in rear pocket. Publisher's patterned cloth boards.<br/> <br/>Limited to 1000 numbered copies this no. 691 printed by the Curwen Press from design by Meynell.<br/> <br/>This fascinating work looks at the illustrations of the iconic English poet painter and figure in the field of visual arts William Blake. "17 wood engravings by Blake and 3 designed by him and cut by a journey engraver 8 of the egravings also reproduced from Blake's original proofs all printed from line blocks. 16 drawings for the engravings reproduced in collotype" Dreyfus.<br/> <br/>Dreyfus 110. The Nonesuch Press unknown books
1825215604London: W. Sams Book & Printseller to the Royal family opposite St James's Palace 1825. Third state the first being produced in 1818. Hand-colored aquatint with etched outline. 1 vols. 20 x 26 inches matted and framed to 27 x 33 inches overall. Third state the first being produced in 1818. Hand-colored aquatint with etched outline. 1 vols. 20 x 26 inches matted and framed to 27 x 33 inches overall. A large and important depiction of an exhibition sparring match held in Fives Court in London's Little St. Martin's Street a tennis and fives court hired for such events the participants unlike a regular bare-knuckle bout being fitted with gloves "mittens" or "mufflers". The contestants shown were Ned Turner "The Out-and-Outer" who had killed a man in the ring serving time for manslaughter and Jack Randall "The Prime Irish Lad" unbeaten throughout 12 years of ring activity. The two had fought an epic fight in 1818 which Randall won to become the Lightweight champion. A large number of famous pugilists are pictured in the audience not always accurately Jem Belcher the famed champion and the first real sporting celebrity in the modern sense is shown although he was dead and it is a fair portrait of "The Fancy" as the mix of often raffish sporting professionals and upscale spectators including nobility came to be known. THE MOST FAMOUS BOXING PRINT EVER PRODUCED AND AN IMPERISHABLE EVOCATION OF REGENCY SPORT. Snelgrove British Sporting and Animal Prints p. 48-9 color plate 5; Siltzer pp. 319 320 325; Wilder Sporting Prints p. 178 color plate p. 179; Magriel The Ring and the Glove pp. 17-18 W. Sams, Book & Printseller, to the Royal family opposite St James's Palace unknown books
1973WRCLIT17592Boston: Godine 1973. Small quarto. Cloth. First edition thus edited by Robert Kent with a foreword by Austin Warren. Fine in very good dust jacket. Godine hardcover books
197316266Boston: Godine 1973. First edition. 128 pp. Fine in fine dust jacket. Edited with an introduction by Robert Kent. Foreword by Austin Warren. Boston: Godine unknown books
198626314Naperville IL: Kingston Korner Inc. Near Fine. 1986. First Edition. Softcover. a clean solid book with just the very slightest bumping to the bottom corners. Trade PB B&W photographs facsimiles graphics "A detailed history of the recording career of The Kingston Trio from 1958 to the present with interviews an alphabetical 'song-by-song' listing and complete discography as well as individual chapters on the Trio's instruments rare recordings and the solo career of former Trio member John Stewart." Stewart has contributed an Epilogue and the Foreword is by Nick Reynolds one of the original Trio. . Kingston Korner, Inc. paperback books
1928Embry 103547Hampshire Bookshop 1928. Limited edition. Some sunning to spine and edges one-half inch split to upper front joint still near fine in lightly sunned slipcase with a split seam to upper edge. B&W drawings. Green cloth in slipcase. Signeed by illustrator. Hampshire Bookshop, 1928. Limited edition. hardcover books
19281014918vo. New York: Macmillan Company 1928. 8vo 42pp. Illustrated. Green cloth some soiling to covers. Very good. § First edition. A charming children’s book scarce in the dust-jacket. Bentley BB 270. Macmillan Company hardcover books
19286762Northampton MA: The Hampshire Bookshop 1928. Cloth. Collectible; Very Good. The 1928 1st thus nicely illustrated by Pamela Bianco and produced by the Hampshire Bookshop of Northampton. #274 of 350 copies signed by the illsutrator. VG- in its silver-adorned light green cloth with light wear along the spine edges. Internally very clean with no writing or markings of any kind. Octavo 42 pgs. Also includes a VG example of publisher's printed slipcase with light wear at the spine. Signed by Illustrator. <br/><br/> The Hampshire Bookshop hardcover books
1985192442Library of America 1985-07-01. Hardcover. Very Good. Slipcase and book are clean has a very good binding no marks or notations. Includes the Library of America supplement sheet. Green cloth boards. Library of America hardcover books