1 088 résultats
1985UCOOLEA00OFThe Library of America 1985. Very Good. Cooper James Fenimore. The Leatherstocking Tales Volume II 2 The Pathfinder: or The Inland Sea The Deerslayer: or the First War-Path. Nevius Editor Blake. NY: The Library of America 1985. 1051pp. 8vo. Green cloth in slipcase. Book condition: Very good. The Library of America hardcover books
1906Embry 115263Charles Scribner's Sons 1906. First U.S. edition. Small inked name and light browning to front free endpaper light rubbing very good to near fine. Blue cloth no dust jacket. Charles Scribner's Sons, 1906. First U.S. edition. hardcover books
1956292596New York: Macmillan 1956. First. hardcover. near fine/near fine. Edited by Geoffrey Keynes. Fronits. illustrated. 224pp. 8vo cloth. New York: Macmillan 1956. First edition. A near fine copy.<br/><br/> Macmillan unknown books
1956WRCLIT79812New York: The Macmillan Company 1956. Large octavo. Gilt lettered medium blue cloth. Portrait. Plates. About fine in good dust jacket with moderate tanning to spine and edges. First edition US issue bound up from UK sheets. Edited by Geoffrey Keynes who has inscribed this copy to a fellow- bibliographer: "for Herbert Cahoon Geoffrey Keynes 7 Jan corrected from Dec 1957." Laid in is an invitation to a lecture by Keynes about Blake's Illuminated Books at the Morgan Library on that date. BENTLEY & NURMI 83. The Macmillan Company hardcover books
196857905Cambridge MA: Harvard 1968. First American edn. 8vo pp. 224. Index. Edited by Geoffrey Keynes. With 13 illustrations. Paper over boards. Edges little spotted o /w a nice copy in soiled and slightly chipped dj. Harvard unknown books
19801087928vo. Oxford: Clarendon Press 1980. 8vo xxviii 235 pp with 25 black and white plates and one text illustration. The third edition revised and amplified. Near fine in original black cloth and dust-jacket. § Third edition. Bentley BBS refers to this edition but does not include it see p.96n. Clarendon Press hardcover books
102866Chichester: Printed by J. Seagrave; for J. Johnson. 1803-1806. 4 vols. including Supplementary Pages in three 4to pp. i-iii-xii not including 8 -- ‘Contents’ bound after title-page 1-413; 8 1-422; 4 xxxi 1-416; 4 1-122 24 with five plates and an engraving in the text by William Blake second state of those in Vols. I and II no second state for those in Vol. III top cover of Vol. II with worm track frontispiece to Vol. II slightly foxed occasional browning in Vol. III and a worm track in the upper margin of the first few leaves bound without half-titles contemporary mottled calf gilt borders to front and back covers flat spines not green gilt in compartments with red lettering pieces in the second and fifth a bit rubbed and worn joints tender the upper cover of Vol. III nearly detached; original blue silk bookmarks in all three vols.ownership inscription in each vol. of Charlotte Beatty that in the third vol. dated 1805. Good. § First edition and second state of the “Weatherhouse†plate the only illustration in the book designed and engraved by Blake of which only a few examples are known in the first state. This plate here present in a very good impression with the imprint quite clear is almost always in the second state; three or four copies are known in the first state. The other 5 plates are engraved by Blake after designs by others. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley. Pencil inscription to front free endpaper reads: “These three volumes were obtained from the family of the Rev. Wm Bull of Newport Pagnell Friend of Cowper and Newton see DNB. Charlotte Beatty was the original owner of the books and she was a friend of this circle and also well-known in that area where alms houses were named in her honour.â€Keynes Grolier 124; Bentley 468A; Essick XLIV note that the entry in Easson and Essick IV is totally superseded by Essick’s new research in the Commercial Book Illustrations. Printed by J. Seagrave; for J. Johnson. 1803-1806. 4 vols. (including Supplementary Pages) in three unknown books
1803007944Chichester : Printed by J. Seagrave for J. Johnson 1803. The first two volumes published 1803 of Hayley's biography Volume 3 published in1804 not present. 3 engraved portraits by Blake and engraving at Appendix of Vol. II featuring Cowper's Tame Hares. In contemporary quarter calf over marbled boards with later replaced plain endpapers with inked auction # 112 front paste downs marbled page edges. Near Fine scattered faint toning light rubbing at tips. SCARCE in the First Edition. . First Edition. Quarter Calf. Very Good Plus/No Jacket As Issued. 4to - over 9¾" - 12" tall. Printed by J. Seagrave for J. Johnson Hardcover books
1809108741Large 4to. Chichester: W. Mason 1809. Large 4to 8 416 7 pp with a portrait frontispiece and 11 engraved plates including one by Blake after Romney. Large paper copy in red half calf over marbled paper boards with gilt rules and titling. A very good copy with clean pages and prints throughout : just traces of ageing on the first few pages. § First edition large-paper copy. Although not substantially bigger than uncut copies of the regular issue the large-paper copies are on heavier paper and the impressions are stronger. The 1-page advertisment at the end for “Epistles to Romney†is not found in the small-paper copies. Blake’s plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Bentley Blake Books 469 Essick William Blake's Commercial Book Illustrations XLIX: large-paper issue has an “1807†watermark without a maker’s name; the small paper is watermarked “Rye Mill / 1807â€. W. Mason hardcover books
18091092214to. Chichester: W. Mason 1809. 4to 8 7 416pp. With portrait frontispiece imprint trimmed at foot and 11 engraved plates including one by William Blake. Old half calf marbled boards joints rubbed but sound top of backstrip chipped away black label lettered in gilt. § First edition. Blake’s plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Essick CBI XLIX. W. Mason hardcover books
107754London: 1791. Single sheet 175 x 261 sheet 134 x 177 image mm being a good impression of the plate extracted from the book; recently cleaned. § A famous image with familiar Blake themes including the raging horse a maiden laid out on a rock a terrified figure tearing her hair etc. Essick Commercial Book Illustrations XLIX. 1791. Single sheet unknown books
192759019London: Nonesuch Press 1927. No. 694 of 1480 copies. Frontispiece and 23 plates. 1 vols. Small thick 4to. Half vellum and marbled boards. Spine darkened else near fine. No. 694 of 1480 copies. Frontispiece and 23 plates. 1 vols. Small thick 4to. Nonesuch Press unknown books
1927WRCLIT70604London: The Nonesuch Press 1927. Quarto. Quarter vellum and marbled boards. Portrait facsimiles and plates. Forecorners a bit bruised slight mottling to the vellum side panels otherwise a very good copy in later plain slipcase. First edition issued in an edition of 1480 numbered copies separate from but uniform in format with the Keynes Collected Works published by the Press two years earlier. With A.E. Newton's Oak Knoll bookplate tipped to the front pastedown. The Nonesuch Press hardcover books
1932WRCLIT30855New York: Cape and Ballou 1932. Cloth. Frontis. First U.S. edition. Spine gilding oxidized faint damp mark on lower cover else good or better in a tattered dust jacket. Cape and Ballou hardcover books
1880WRCLIT82179London: Macmillan and Co. 1880. Two volumes. Large thick octavos. Original navy blue cloth elaborately stamped in gilt after a pictorial design by Rossetti. Portraits plates and illustrations. Two bookplates in each volume otherwise a fine bright partially unopened set in the rare pictorial dust wrappers that for volume one split up the upper joint with small chips at toe and crown of upper joint and another about half- way up the joint not affecting design and that for volume two with a shallow loss along the lower edge of the front panel and a small chip from the blank area of the toe of the upper joint. Preserved in a fleece lined folding cloth slipcase. Second and best edition enlarged with additional letters and a memoir of the author. The earlier of the bookplates are tipped to each free endsheet; the later bookplates are those of the Garden Library affixed to each pastedown. One of the great late 19th century pictorial bindings very seldom encountered in the pictorial dust jackets which replicate the binding design. Macmillan and Co. hardcover books
1905108795Small 8vo. Oxford: Clarendon Press 1905. Small 8vo li 196 pp with frontispiece from "Milton". Very good in original green cloth with ornate gilt cover and spine rules and decoration and spine a touch darkened. § Bentley BB 275 A. First Sampson Edition. Clarendon Press hardcover books
1983147795Culver City CA: Columbia Pictures 1983. Two vintage studio still photographs one color one black and white from the 1983 film. <br/><br/>Blake Edwards remake of Francois Truffaut's 1977 film about a sculptor whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
WELLER9781851243662New. New book. unknown books
197218165Knoxville TN: Darkpool Press 1972. First edition. Cloth. Very Good. Small quarto. Limited edition volume pairing the florid prose of William Blake with the imaginative drawings of Clark Stewart. One of only one hundred copies printed. As far as we can tell the only book ever published by this press. A very good copy in printed cloth covers. Only six copies located in WorldCat. <br/><br/> Darkpool Press hardcover books
18851088034to. Edmonton: William Muir 1885. 4to 1p.preface by Muir 27 leaves hand-colored 1p.appendix 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience and the separate plate ‘A Divine Image’. Original printed wrappers bound into contemporary half navy calf gilt with navy morocco gilt label on cover and navy cloth boards with the bookplate of H.C.Plimmer. Very good with tissue guards as issued. § The superb Muir facsimile limited to 50 copies this copy numbered 2. Reproduces copy A - the Beckford-Harvard copy. “This book is Blake’s Principia in which he announced a new concept of the universe.†Damon Blake Dictionary. One of Blake’s most popular texts with numerous famous lines. See Bentley BB #249e. William Muir hardcover books
18851228914to. London: Muir 1885. 4to 1p. preface by Muir 27 leaves hand-colored 1p. appendix 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience and the separate plate ‘A Divine Image’. Original printed wrappers stitched as issued a fine copy. § The superb Muir facsimile limited to 50 copies this copy numbered 40. Reproduces copy A - the Beckford-Harvard copy. “This book is Blake’s Principia in which he announced a new concept of the universe.†Damon Blake Dictionary. One of Blake’s most popular texts with numerous famous lines. See Bentley Blake Books #249e. Muir unknown books
18851074264to. London: Muir 1885. 4to 1p. preface by Muir 27 leaves hand-colored 1p. appendix 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience and the separate plate ‘A Divine Image’. Original printed wrappers bound into full mottled calf red morocco vertical label on backstrip; upper hinge split but holding internally a very fine copy. § The superb Muir facsimile limited to 50 copies this copy numbered 31. Blake's prophetic book The Marriage of Heaven and Hell is known in only twelve copies; Muir's facsimile reproduces copy A now owned by Harvard. “This book is Blake’s Principia in which he announced a new concept of the universe.†Damon Blake Dictionary. "Through the voice of the "Devil" Blake parodies and attacks the theology of Emanuel Swedenborg the cosmology and ethics of Milton's Paradise Lost and biblical history and morality as constructed by the "Angels" of the established church and state. Energy and passion are positively valorized; reason and temperance are characterized as restraints on spiritual insight and self-expression" The William Blake Archive. See Bentley Blake Books #249e. Muir unknown books
1885123394Sm. London: Muir 1885. Sm. 4to 1p. preface by Muir 27 leaves hand-colored 1p. appendix 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience and the separate plate ‘A Divine Image’. once badly stained in the margins now washed and cleaned by Court Benson. New brown cloth upper cover lettered in gilt. § The extremely rare variant of the superb Muir facsimile limited to maybe 5 copies; only two copies ever offered for sale are recorded by Essick this copy and the Essick copy. Reproduces the Fitzwilliam Cambridge copy I they have three very different copies of which there is only the Dent trade reproduction and this one. Muir has noted this in manuscript in the preface crossing out the reference to copy A - the Beckford-Harvard copy. Inscribed by Muir: "This copy is coloured after the Original in the Fitzwilliam Museum at Cambridge. W Muir". “This book is Blake’s Principia in which he announced a new concept of the universe.†Damon Blake Dictionary. One of Blake’s most popular texts with numerous famous lines. See Bentley Blake Books #249e and 249h "On Homer's Poetry"; Blake Books Supplement p. 153. Muir hardcover books
19751232768vo xxvii xxviii. London and New York: Oxford University Press 1975. 8vo: xxvii xxviii 27 pp. Title-page in sepia and 27 plates including title-page in color in double-page spreads alternating with those bearing notes to the plates. Original blue cloth dust-jacket. As new. § A superb copy of the trade edition. Bentley Blake Books Supplement page 100. Oxford University Press hardcover books
19751231508vo xxvii xxviii. London & New York: Oxford University Press 1975. 8vo: xxvii xxviii 27 pp. Title-page in sepia and 27 plates including title-page in color in double-page spreads alternating with those bearing notes to the plates. Original blue cloth with lettering in silver to backstrip original blue cloth slip case with illustrations tipped onto top and bottom covers. § Trade edition in the best binding also issued without slipcase and in paperback. Plates printed in 6 and 7-color offset by Fernand Chenot Imprimerie Modern du Lion Paris on paper especially manufactured to match the tint of that used by Blake. Bentley Blake Books Supplement p. 100. Oxford University Press hardcover books