18 344 résultats
48090Aubier / Flammarion 1974 (retirage de 1985), in-8 broché, 313 p. (quelques phrases surlignées, sinon bon état) Ce premier tome de l'excellente édition bilingue de Pierre Leyris comprend : Esquisses poétiques (extraits), Une île de la lune, Chants d'innocence et d'expérience.
6209548059.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1808123889Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808123896Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808107325Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
1808123891Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper full margins cleaned. § From the first 4to edition. One of Blake's most memorable images. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435b."In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive Cadell and Davies unknown books
1808123901Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808107323Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808123897Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808107319Single plate. London: Cromek 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition this is one of the most famous plates in the series. Bentley Blake Books 435 A. Cromek unknown books
1808123895Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808107772Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper trimmed to the image recently cleaned. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
1808107322Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
1808107321Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435 A. Cadell and Davies unknown books
1813109208Single plate. London: R. Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435 B."In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive R. Ackermann unknown books
1808123900Single plate. London: Cadell and Davis 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition this is one of the best known plates in the series. Bentley Blake Books 435b. Cadell and Davis unknown books
1808123892Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper full margins cleaned. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808107328Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled image clean. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
1808123894Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808110744Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper trimmed to the image. § From the first 4to edition. Bentley Blake Books 435b. Cadell and Davies unknown books
1808107320Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper trimmed to the image recently cleaned. § From the first 4to edition. Bentley Blake Books 435 A. Cadell and Davies unknown books
107769London: Boydell and Company c.1795. Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. An exceptionally fine dark impression on bright paper with the original wide margins untrimmed. § Third and best state of seven see below of the single plate Blake engraved for Hogarth’s Works first published by Boydell in 1790 this state appearing in the second undated edition c. 1795. It was the last state of the plate before hands other than Blake touched up the plate. A remarkably crisp and brilliant impression of Blake’s richly detailed rendition of Hogarth’s painting showing the famous scene in which Macheath the highwayman stands chained under sentence of death between his two lovers the jailer’s daughter Lucy Lockit and the lawyer’s daughter Polly Peachum. The plate was next used for an 1822 edition by which time several small changes had been made by another engraver. Bentley Blake Books 475 I. Essick William Blake’s Commercial Book Illustrations XX. Boydell and Company unknown books
1808123898Single plate. London: Cadell and Davis 1808. Single plate etching on wove unwatermarked paper cleaned and in fine condition. § From the first 4to edition this is one of the most powerful plates in the series. Bentley Blake Books 435b. Cadell and Davis unknown books
1808123893Single plate. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper full margins cleaned some residual soiling in the margins and a few flecks in the image. § From the first 4to edition this is one of the most powerful images in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435 A."In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive Cadell and Davies unknown books
1813110778Single plate. London: Ackermann 1813. Single plate folio etching on wove unwatermarked paper good. § From the second folio edition. Bentley Blake Books 435. Ackermann unknown books
