Blake, RaymondBiblio.com
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20221-1510767029Skyhorse Pub Co Inc 2022. Hardcover. New. 240 pages. 9.00x6.00x0.62 inches. Skyhorse Pub Co Inc hardcover
1500750506.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012Q-0062024612Avon Books 2012-06-26. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Avon Books paperback
2001ZilkNC5H-617gMarquand Books Inc 2001. First Edition. hardcover. Like New/Like New. 10x1x12. A nice hardcover with a crisp dust jacket a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours tracking number and delivery Confirmation. Marquand Books, Inc hardcover
2002Q-0295981849Univ of Washington Pr 2002-03-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Univ of Washington Pr hardcover
200114719<p>Seattle and London: Marquand Books / University of Washington Press 2001. <i><b>Signed and Inscribed by William Morris on the front free endpaper: To Anne & Mitch Always great to see you. from Bill.</b></i> First edition / First printing. Black cloth. Fine in fine dust jacket.</p> Marquand Books / University of Washington Press, hardcover
19353810107Richmond Virginia: Garrett & Massie 1935. Hardcover. Good in No Dust Jacket dust jacket. Exlibrary marks. Sound binding hinge papers cracked but hinges holding. Pages clean lightly tanned. Cloth over boards is worn at corners and extremities of spine. Gilt lettering on spine. Biography of William Mahone 1826-1895 a Confederate States Army general civil engineer railroad executive prominent Virginia Readjuster and supporter of former slaves. Ex-Library; 9.25" tall; 323 pages. Garrett & Massie hardcover
0889464685.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19825Without place or date. Chichester circa 1795. . 1p. 12mo. Bifolium. Aged and worn. Addressed on second leaf to 'Wm. Hayley Esqr Eartham which also carries calculations presumably in Hayley's hand. Guy gives a breakdown of 'the whole sum subscribed for Collins's Monument' £94 13s 8d giving the amount spent 'for advertising &c.' 'conveying it to Chichester' and 'Mr West's Bill'. 'When these sums have been paid the balance in Mr. Flaxman's hands will only be 83£ - Now as I trust you was not made aware of the true statement I have omitted to fulfil your wish till I have the pleasure of hearing again'.There are several references in Hayley's 1823 'Memoirs' to 'his kind medical friend William Guy of Chichester' as well as to the memorial to Cowper. Guy attended Hayley in his final illness. Without place or date. [ Chichester, circa 1795. ] unknown
763227Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1802. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
763230Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1802. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
763229Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1802. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
763228Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1802. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2003Q-1852850515Hambledon Continuum 2003-08-02. Hardcover. New. In shrink wrap. Looks like an interesting title! Hambledon Continuum hardcover
1985B30071New York: Garland Publishing 1985. Hardcover. Near Fine. Hardcover with green cloth boards 1985 octavo 227pp. not illustrated. Book near fine with mild shelfwear to corners and spine ends binding tight text clean and unmarked except for owner's signature to rear pastedown. No DJ. Garland Publishing hardcover
1852850515.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1991DADAX1852850515By 1991-07-01. hardcover. New. 6.50x1.25x9.75. Buy with confidence. Excellent Customer Service & Return policy. By hardcover
1991x-1852850515Hambledon Pr 1991. Hardcover. New. 1st edition. 328 pages. 9.75x6.50x1.25 inches. Hambledon Pr hardcover
ria9781852850517_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
200241025London: Alan Cristea Gallery 2002. First edition. 4to. 63 1 pp. Publisher's grey cloth black lettered to the spine dust jacket with wide flaps with loosely inserted two letters between McKeever and the Blake Trust regarding the copyright of Morton Paley's transcription of the Blake's text and a photocopies of their reply and their forwarding on of the query to Paley. Colour illustrated. A lovely copy. London: Alan Cristea Gallery unknown
200098719Tate Publishing London. 2000. Tate Publishing. 2000. 4to paperback. PRESENTATION COPY from Marilyn Butler with handwritten postcard signed by Marilyn loosely inserted. Slight wear to covers o/w contents very clean and fresh. paperback
104966The William Blake Trust / Princeton University Press. 1998. The William Blake Trust / Princeton University Press. Princeton. 1998. First edition thus. Large 4to paperback. Illustrated in colour. Head and tail of spine slightly worn otherwise a lovely clean and fresh copy. paperback
1969612797Providence: Brown University Press 1969. Hardcover. Near Fine/Near Fine. First edition. Edited by Alvin H. Rosenfeld. Introduction by Malcolm Cowley. Tall octavo. 498pp. 32 plates. Foxing on the foredge else near fine in very slightly spine-toned near fine dust jacket. Not marked as such but Malcolm Cowley's copy. Provenance on request. Brown University Press hardcover
34431-Tate Publishing 2019-. Exhibition catalogue. First edition Tate Publishing 2019. 224 pages illustrated in colour. Paperback spine uncreased. Very good indeed. Ask to see our other William Blake titles. From the library of artist Bryan Kneale. British artist William Blake 9781849766333 -Tate Publishing (2019)- paperback
42249Lavenham: The William Blake Trust 2009. Limited edition one of 36 special copies from a total edition of 150 copies. Folio. 95 1 pp. Publisher's wine red half calf over black moiré silk gilt lettered to the spine with a matching gilt lettered label to the upper board slipcase in matching moiré silk. Illustrated in colour and black and white; slipcase also housing a matching red full calf portfolio enclosing a card wallet holding fine reproductions of Blake's original watercolours mounted on card as per the originals. Just some slight dustiness to the slipcase a sumptuous production. An out-of-series set marked as such on the watercolours wallet being John Commander's own copy. Although not inscribed by him directly the set was acquired from Commander's estate. Loosely inserted is a 12 page typescript of a review of the work by his fellow Blake scholar Robert N. Essick with Commander's pencilled annotations at intervals concerning some of Essick's observations. Also enclosed is an original 6" x 4" colour photograph captioned in pencil on the rear "John Commander Bob Essick Detto unknown" dated "October 21 1991". Commander spent his life in publishing and for many years headed the Scolar Press. An expert on Blake he was heavily involved in the refounding of the William Blake Trust and was appointed as secretary and executive director of the organisation. He also wrote about Blake and is credited with the design and production of this work on the verso of the title page. The story of the origins and subsequent disappearance of William Blake's designs for "The Grave" are long and complicated. Blake had been commissioned by Robert Hartley Cromek to produce illustrations for Blair's poem in late 1805 intending for a published edition. Blake assumed he would also be employed to engrave the images and be paid accordingly. However Cromek had other ideas and gave the work to the Italian engraver Luigi or Louis Schiavonetti. Various miscommunications and provocations ensued causing Blake and Cromek to fall out. The published work eventually appeared in 1808 and Cromek passed away four years later at the age of 42. The whereabouts of Blake's designs for the next two decades are broadly known but after their sale in 1836 they completely disappeared. Nineteen of the watercolours in their original red portfolio reproduced faithfully here eventually turned up in Glasgow in 2001. Originally offered for sale together as a collection the ownership passed to a London art dealer who failed to find a buyer. They were subsequently individually lotted up including the case and sold at Sotheby's New York in 2006. Now split between "four different countries and two continents" the auction was the last time the collection was held in one place. Lavenham: The William Blake Trust unknown
