1 088 résultats
108280Sheet 10.2 x 12.8 cm. image and plate mark as per Essick 3.1 x 7.8 cm. and 3.3 x 8.1 cm. respectively. Printed in pale brown on a small 8vo sheet. Delicately printed with three tiny ink spots within the margins in very fine condition. § Blake’s last engraving executed for one of his closest friends. The images invoke one of Blake’s greatest themes—the relationships between time and eternity. Opinions vary on the purpose of this plate but it should be noted that at the time 1827 it was not uncommon to paste a calling card into a book as proof of ownership. However no book once owned by Cumberland has been located with his card pasted in. It has also been suggested that the name of Cumberland in the center was executed by a writing engraver and Blake added his borders later. 39 examples of this print are known to Essick not including examples now untraced all but three on laid paper printed later and three on card but it is quite rare in commerce. Essick The Separate Plates of William Blake XXI. Bindman Complete Graphic Works of Blake 654. unknown books
1827105078Printed in black ink on thick card. London: William Blake 1827. Printed in black ink on thick card. Very finely printed in good condition though trimmed very close to the image at the left and right edges once pasted down and thus with traces of mounting on the verso and pencil notes from an earlier collector c. 1950 image and plate mark exactly as per Essick 1DD. § Blake’s last engraving executed for one of his closest friends. The images invoke one of Blake’s greatest themes—the relationships between time and eternity. Although probably intended as a calling card two books have been located with this card pasted in both written by George Cumberland Jr. Thus it has on occasion been sold as a “bookplateâ€. Examples on card not in Cumberland's book are exceptionally rare and have been presumed to be of the earliest printing and possibly by Blake himself. All other impressions on laid paper most often are posthumous. Thirty-nine examples in all are known to Essick not including examples now untraced of which eight are on card of which one is described as printed in green ink. Essick The Separate Plates of William Blake XXI see entry 1DD for identical measurements but not this copy. Bindman Complete Graphic Works of Blake 654. William Blake unknown books
19961015588vo. Hamburg: Deutscher Taschenbuch Verlag 1996. 8vo 501pp. 18 illustrations. Illustrated wrappers. Very good. § First edition inscribed by Thomas Eichhorn editor to The American Blake Foundation dated July 1st 1997. Translated with annotations by Eichhorn and with a foreword by Susanne Schmid. Not found in Bentley. Deutscher Taschenbuch Verlag unknown books
198771549San Diego:: Harcourt Brace Jovanovich. Near Fine in Near Fine dust jacket. 1987. Hardcover. 0152998209 . First American printing. Remainder mark else about fine in like dust jacket. . Harcourt Brace Jovanovich, hardcover books
1899W242112Portland ME: Thomas B. Mosher 1899. One of 450 copies on Van Gelder hand-made paper and the type distributed. Two edges untrimmed. Dust jacket in remnants but still present. Spine missing but book tight and text bright. . Limited. Paper Covered Boards. Fair/Poor. Illus. by Author. 4to - over 9¾" - 12" tall. Trade. Thomas B. Mosher Hardcover books
200220716NY: William Morrow. Fine in Fine dust jacket. 2002. Hardcover. 0380977508 . First printing. Fine in a fine dust jacket. . William Morrow hardcover books
19771105008vo. London: BM Publications Ltd. 1977. 8vo introductory pamphlet and 17 woodcuts on special paper each in an individual folder all contained in a brown cloth folding box with black leather gilt-lettered labels on upper cover and backstrip. As issued in the original BM-issued numbered cardboard box; a few prints and mounts are slightly foxed a little musty from storage a couple of spots on the cloth box. § Limited to 150 sets this superb reprinting of Blake’s only woodcuts from the original blocks was executed by Iain Bain the Bewick authority and sold out immediately. Very few sets have since come to market as most were purchased by institutions. The accompanying commentary volume includes an introduction by Lord Clark a technical account of the printing of the blocks by Bain and David Chambers an essay on the engravings by Andrew Wilton and the text of Ambrose Phillip's "Imitation of Virgil's First Eclogue" which the illustrations were made to accompany. Bentley BBS p.262. BM Publications Ltd hardcover books
111857hardcover. very good/very good-. Short thick 8vo cloth d.w. New York 1971.<br/><br/> unknown books
1895129089New York: Harper & Brothers Publishers 1895. Octavo original gray green cloth stamped in black silver and gold. First edition. One of Fuller's many stories set in his native city Chicago this one a novel showing the social progress of the Marshall family the father of which is successful Chicago businessman. BAL 6466 first state printing A. Wright III 2080. Early penciled signature of a Chicago owner dated 29 June 1895 on front free endpaper private owner's bookplate affixed to front paste-down. A clean bright very good copy. #129089 Harper & Brothers Publishers unknown books
WELLER9780999458808New. New book. unknown books
37451New York and London: Garland Publishing 1985. Hardcover. 8.75" x 5.75". xii 227pp. Green cloth boards with gilt spine titles no DJ. Extremely minor soiling to boards else Fine. ISBN 0824088913 . LikeNew. Hardcover . Garland Publishing 1985 hardcover books
1980WRCLIT54121Davis CA: University of California 1980. 6242pp. Stapled printed paper wrappers. Black & white facsimiles. A fine clean copy. First edition. Keepsake #10 in a series issued by the Library Associates of the University Library Davis reprinting a lecture by Blake. One of eight hundred copies printed. University of California unknown books
5699Wythenshaw Manchester: The William Morris Press n.d. Oblong folio 43 pages 24 illustrations. Pictorial wrapper with light wear. § Conran was the director of the City of Manchester Art Gallery which houses the Heads of the Poets. Not in Bentley. Scarce. The William Morris Press unknown books
101036Wythenshaw Manchester: The William Morris Press n.d. Oblong 8vo 43 pages 24 illustrations. Pictorial wrapper with light wear. § Conran was the director of the City of Manchester Art Gallery which houses the Heads of the Poets. Bentley BB 2944. Scarce. The William Morris Press unknown books
2009107742Folio. N. P.: The William Blake Trust 2009. Folio 95pp. Original quarter-maroon calf with black moiré silk-covered boards with gilt lettered maroon-morocco label to top board backstrip likewise stamped in gilt; portfolio in full maroon calf containing 19 watercolors reproduced in facsimile mounted within framing lines on heavy beige paper black moiré silk-covered double slipcase; illustrated throughout with color reproductions of watercolor drawings as well as engravings. As new. § Copy XXXV of the de luxe edition limited to 36 copies. The entire edition is out of print. From the announcement: “These watercolor designs which disappeared from the public eye from 1836-2001 came to light in a Glasgow bookshop and were later offered as an entity to institutions and collectors at a price which as it turned out none could afford or at least was prepared to pay. Eventually in the face of much protest the portfolio and the 19 designs were offered for sale in 20 separate lots at Sotheby’s New York in 2006. The drawings are now widely dispersed and it is most unlikely that they will ever again be seen together.†The sale was roundly condemned at the time as an act of cultural crime. This book and the facsimile portfolio are now the only record we will ever have of the original series. Happily the Blake Trust created a superb book which is and will surely remain the single most valuable reference work on these remarkable Blake drawings. The William Blake Trust hardcover books
2009107743Folio. N. P.: The William Blake Trust 2009. Folio 95pp. Original quarter-maroon calf with black moiré silk-covered boards with gilt lettered maroon-morocco label to top board backstrip likewise stamped in gilt; portfolio in full maroon calf containing 17 of 19 watercolors and one duplicate reproduced in facsimile mounted within framing lines on heavy beige paper black moiré silk-covered double slipcase; illustrated throughout with color reproductions of watercolor drawings as well as engravings. § Out of series trial copy of the de luxe edition limited to 36 copies. The entire edition is out of print. From the announcement: “These watercolor designs which disappeared from the public eye from 1836-2001 came to light in a Glasgow bookshop and were later offered as an entity to institutions and collectors at a price which as it turned out none could afford or at least was prepared to pay. Eventually in the face of much protest the portfolio and the 19 designs were offered for sale in 20 separate lots at Sotheby’s New York in 2006. The drawings are now widely dispersed and it is most unlikely that they will ever again be seen together.†The sale was roundly condemned at the time as an act of cultural crime. This book and the facsimile portfolio are now the only record we will ever have of the original series. Happily the Blake Trust created a superb book which is and will surely remain the single most valuable reference work on these remarkable Blake drawings. The William Blake Trust hardcover books
1976110686Small 4to. London: Published by the Trianon Press for the William Blake Trust 1976. Small 4to 62 pp. and 11 plates with descriptions. Quarter morocco with cloth covered boards. § Edition limited to 438 numbered copies this being 1 of 26 copies for the Trustees. A study of William Blake’s Laocoon which he first started sketching in the early 19th century with illustrations reproduced by the collotype process. This volume completes the series begun by the William Blake Trust in 1951. Not found in Bentley’s Blake Books or the Supplement. Published by the Trianon Press for the William Blake Trust hardcover books
1995108834Large 4to 231pp with 57pp of coloured plates. London: Tate Gallery 1995. Large 4to 231pp with 57pp of coloured plates. As new in original cloth and dust-jacket. § First Edition now out of print. Not found in Bentley. Tate Gallery hardcover books
1993108832Large 4to 367pp with 77pp of coloured plates. London: Tate Gallery 1993. Large 4to 367pp with 77pp of coloured plates. As new in original cloth and dust-jacket. § First Edition now out of print. Tate Gallery hardcover books
107255N.p.; n.d.: Probably USA: c. 1932-33. 4to 19 manuscript ff. numbered. Enclosed in a blue cloth box bookplates of Kenneth A. Lohf. § An interesting unpublished manuscript written out for Binyon by his wife Cicily probably being the text of an essay or talk given by Binyon while in the US in 1932/33 for the Norton lectures. Hatcher in his biography of Binyon notes a lecture with the exact title as given here. It has never been published. It was last sold at Christie's East Dec 2 1994 lot 20 $550. Probably USA c. 1932-33]. 4to hardcover books
102104New York: Parke-Bernet Galleries Inc. 1938. 8vo 85 pp. Black and white illustrations. Lots 6–109 inclusive autograph letters books drawing and a painting. Original wrappers with light chipping backstrip worn. Priced throughout in pencil but without buyers' names. Very good. § An astonishing collection of Blake put together in a very short time by George C. Smith not to be confused with the dealer George D. Smith who died at the age of 45 after inheriting a very profitable publishing business begun by his grandfather. Most of the key peces were bought for Lessing Rosenwald although Sessler bought a few of the best items for Moncure Biddle and a Mrs. Collins who collected children's books. Bentley Blake Books 644. Parke-Bernet Galleries unknown books
2003Embry 165049Princeton University Press 2003. First edition first printing. Fine in fine dust jacket in mylar cover. B&W and color reproductions of works by William Blake. Princeton University Press, 2003. First edition, first printing. unknown books
1995428722The William Blake Trust / Princeton University Press 1995. Hardcover. Very Good. Six volume set. 4to. Cloth. Volume 1 JERUSALEM 302 pp. Volume 2 SONGS OF INNOCENCE AND OF EXPERIENCE 209 pp. Volume 3 THE EARLY ILLUMINATED BOOKS 286 pp. Volume 4 THE CONTINENTAL PROPHECIES 367 pp. Volume 5 MILTON A POEM 286 pp. Volume 6 THE URIZEN BOOKS 231 pp. Superficial shelfwear. Each volume with previous owner's bookplate to front pastedown. Jackets all with light wear and slight sunning at edges. Jacket of Vol 4 w/ small closed tear to top edge of jacket front at spine. Overall near fine in very good plus to near fine jackets. The William Blake Trust / Princeton University Press hardcover books
19721006954to. Westminster: Westminster City Libraries 1972. 4to 24 single-sided leaves. Brown printed wrappers stapled lacking rear wrapper. Very good. § Bentley BBS p.292. Westminster City Libraries unknown books
19721006944to. Westminster: Westminster City Libraries 1972. 4to 24 single-sided leaves. Brown printed wrappers stapled. Very good. § Bentley BBS p.292. Westminster City Libraries unknown books