1 088 résultats
1943Embry 190319The Mississippi Valley Press 1943. First edition first printing. Mild toning still fine in near fine lightly toned dust jacket in mylar cover. The Mississippi Valley Press, 1943. First edition, first printing. unknown books
184933941New York: Baker and Scribner 1849. First Edition. 388pp. Original 12mo cloth joints mended some chipping at top and bottom of spine. Howes B501. A history of the County from 1812 to 1856. Baker and Scribner hardcover books
1849232160New York: Baker & Scribner 1849. First. hardcover. good. Mountains Hills and Geological Features; Local Traditions; and Short Biographical Sketches of Early Settlers. 368pp. 12mo rebound in old green cloth with leather label label rubbed page 145 with small repaired tear with no loss of text scattered light foxing. New York: Baker & Scribner 1849. First Edition<br/><br/> Stuyvesant Fish's own copy with his signature and bookplate. Stuyvesant Fish was a banker in New York City and president of the Illinois Central Railroad from 1887 to 1906. He had an estate in Garrison New York in Putnam County. Some pages are annotated in pencil by Stuyvesant Fish. The author William Blake was a lawyer with an office in Cold Spring New York in Putnam County. Howes B-501. Nestler 1190.<br/><br/> Baker & Scribner unknown books
197748185NY: Arno 1977. Reprint edition. 8vo pp. various. Five pamphlets published 1909-1953. Orange cloth. Top edge spotted o/w a VG tight copy. Articles on maternal and infant health and mortality. Arno unknown books
192592754to. Olney Bucks.: The Blake Society 1925. 4to 24 pages. Six plates additional illus. Original wrappers. Wrappers a bit soiled and worn. Very good. § One of 100 numbered copies. A scarce item from the eccentric Wright - not located in Bentley but probably there somewhere. The Blake Society unknown books
1965132873London: Warner-Pathe Distributors 1965. Vintage full-color still photograph from the 1965 UK release of the 1965 US film. <br/><br/>A professional daredevil convinces auto makers that a race from New York to Paris will help to promote automobile sales. A rival vows to win the race in a car of his own invention. <br/><br/>Shot on location in Austria and throughout California. <br/><br/>8 x 10 inches. Light rubbing else Near Fine. Warner-Pathe Distributors unknown books
1965150160N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actor Jack Lemmon in costume as Professor Fate in turn in disguise as Crown Prince Fredrich Hapnick covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965 two Italian agency stamps and a stamp noting No. 7053 on the verso. <br/><br/>Loosely based on the 1908 race from New York to Paris billed as the "Greatest Auto Race" of its time. An homage to slapstick farces and silent film comedies following two competing daredevils at the turn of the 20th century: handsome courteous hero The Great Leslie Tony Curtis and his nemesis the dastardly Professor Fate Lemmon.<br/><br/>Set and shot on location in Austria Paris and Kentucky Oregon and California in the United States. <br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
1813107840e. London: Bensley for Ackermann 1813 i.e. 1870. 4to plates only without the Frontispiece Death’s Door and The Soul’s Reunion with the Body i.e. etched title and 9 plates. As issued in the original pebbled brown cloth portfolio lettered in gilt occasional foxing or oxidization an adequate copy. Includes 22 newspaper clippings from the 10s 20s 30s and 40s all related to Blake a brochure for Cambridge University Press’s An Island in the Moon facsimile a brochure for Scolar Press’s The Grave facsimile and a few other articles. § Third quarto edition printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Bentley Blake Books 435e. Bensley for Ackermann hardcover books
18081078254to. London: Bensley for Cromek 1808. 4to xiv 36 4 pp. With a portrait frontispiece after Phillips etched title page and 11 plates engraved by Luigi Schiavonetti after Blake’s designs. Original drab gray boards printed paper label on upper cover preserved in a red cloth box worn. The finest copy we have ever seen. § First quarto edition of exceptional rarity in boards as issued. A completely untrimmed copy thus with the title-page uncropped. Bentley Blake Books 435B. Bindman Complete Graphic Works of Blake 465-476."In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive Bensley for Cromek hardcover books
1903100690Small 8vo. New York: Appleton 1903. Small 8vo original red cloth gilt top printed label chipped with piece missing on backstrip. Top edge gilt. Very good. § Reduced size facsimile following the 1808 edition. Bentley Blake Books 435 H. Appleton hardcover books
1813109308e. London: Bensley for Ackermann 1813 i.e. 1870. 4to 2 liv 42 pp. With a portrait frontispiece etched title and 11 plates all with tissue guards. Blind-stamped black cloth rebacked with black cloth lettered in gilt. § Third quarto edition printed from the same plates as the 1813 edition but actually issued by or for John Camden Hotten in 1870. Of this version Essick wrote: “I've also seen the true 1813 text and plates in a very similar cloth binding with just a few differences in the blind stamping but very much the same style and period. My theory on that is that Camden Hotten who produced the 1870 issues not only got the copperplates from Ackermann with the Spanish inscriptions for de Mora but also some remainders of the impressions and letterpress and bound these up in a slightly different just the blind stamping and perhaps the cloth color or weave fashion. He removed the Spanish on the coppers and had an engraver restore the 1813 English inscriptions then printed for both the portfolio and the 1870 issue of the text with the engravings. Bentley lists the 1870 issue in Blake Books but I don't believe he lists the portfolio issue of the plates only. I have a vague recollection however that he did note it in one of his later checklists of publications in the Blake Quarterly.†Bentley Blake Books 435E. Bensley for Ackermann hardcover books
1808109096London: Printed by T. Bensley for R.H. Cromek 1808. Rare first edition subscriber's copy of Robert Blair`s famous poem which initiated a fashion for mortuary poems illustrated with 11 etchings by William Blake. Quarto bound in three quarters morocco marbled endpapers with the famous engraved frontispiece portrait of William Blake after the painting by Phillips engraved title page with 11 additional plates engraved by Louis Schiavonetti after Blake's drawings designed at the request of Cromek. With the poem dedicated to the Queen by Blake list of subscribers four-page prospectus for the Procession of Chaucer`s Pilgrims to Canterbury by Thomas Stothard at rear. In very good condition. Ownership inscription. Rare and desirable. In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare 40 drawings for Robert Blair's Grave from which Cromek planned to select twenty for this deluxe edition of the poem. While The Grave originally appeared in 1743 this 1808 edition was to become famous for its illustrations demonstrating "the rare imaginative power of William Blake" Magnusson 162. A dispute over a preliminary etching "in white-line" called "Death's Door" which Cromek rejected resulted in Blake's being prevented from engraving his own designs so the 12 drawings eventually selected were rendered by Louis Schiavonetti "with a mingled grace and grandeur which won for them a wider popularity. Never has the theme of death been handled in pictorial art with more elevation and beauty" DNB. Printed by T. Bensley for R.H. Cromek unknown books
100056N.P.: 1949. 4to 15 pp. 3 plates. Printed wrappers lightly soiled slight overall wear. § Bentley Blake Books 2455. 1949. 4to unknown books
193037653San Francisco: Paul Elder and Co 1930. 1st edition. Limited to 1125 copies. Quarter-bound brown cloth spine and green cloth wrapped boards. Gilt stamped lettering to spine and cover. Minor shelfwear to spine and board edges light soiling to covers. Board corners rubbed. Previous owners' signatures to front/rear pastedown and FFEP. 3 xxv 1 97 4 blank pp. 8vo. 9-1/2" x 6-1/4" <br/><br/> Paul Elder and Co hardcover books
1930UROSGOL00VFPaul Elder and Company 1930. Very Good. Ross Blake . The Golden Crucible. San Francisco CA: Paul Elder and Company 1930. 97pp. 8vo. 1/4 Cloth. Book condition: Very good. Slight shelf wear. Edges bumped. Paul Elder and Company hardcover books
1968289231London: Trianon 1968. Limited. hardcover. fine. The introductory volume with text by Geoffrey Keynes is illustrated with Blake's Preliminary sketches and bound in red cloth in 8vo format. Volumes II & III contain excellent facsimile reproductions of Blake's etchings and engravings bound in matching cloth but 16mo format. All 3 volumes housed in red cloth slipcase slightly faded along back edge. London: For the William Blake Trust by The Trianon Press 1968. Limited edition -- number 61 of 700 copies printed on Arches Verge pure rag paper. A fine copy in near fine slipcase.<br/><br/> Trianon unknown books
18881223864to. Edmonton: William Muir 1888. 4to intaglio title page iv text prologue 18 leaves with Muir's black and white intaglio engraved plates sewed. with 25 leaves including the preliminary and final blank. Original wrappers upper cover lettered in manuscript and signed and numbered by Muir. with 1 leaf signed and numbered by Muir. Dark green straight grain morocco panelled in gilt gilt top backstrip lettered in gilt slightly worn but internally perfect. § The "Gates" is copy #17 signed by Muir. The facsimile is convincing enough that plates from it have been offered as originals on occasion. Bentley BB 249m. "There is No Natural Religion" is copy #4 and includes “ All Religions are One†and Muir's own version of the missing plate b5. Essick notes: There is No Natural Religion. The "Preface" dated 1886 indicates that the facsimile is based on plates "in the British Museum copy A and from some papers in my own possession copy L." Upper wrapper present. "On Homer's Poetry" is a single leaf #4 signed by Muir. Bentley BB 249 h. William Muir unknown books
1968140938885London: Trianon Press 1968. First Thus. Very Good. Copy #25 of the first 50 which have additional material and morocco rather than cloth bindings of the first three volumes; from a total edition of 726. Publisher's tan morocco and cloth lettered in gilt as issued in original cloth slipcase. Very Good spines a little sunned and rubbed slipcase lightly dampstained. Negative in Vol. 4 has come unglued laid in; copper plate present. A deluxe facsimile of Blake's emblem book in both versions with plates reproduced in collotype plus sketchbook drawings as well as scholarly and critical material. Trianon Press unknown books
19681075944 vols. London: Trianon Press 1968. 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly rubbed. § From an edition of 726 total copies this is the de luxe advance publisher’s copy including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding. Volume I is an introductory volume followed by three volumes of plates. Bentley Blake Books 48. Trianon Press hardcover books
19681075954 vols. London: Trianon Press 1968. 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly rubbed. § From an edition of 726 total copies this de luxe copy unnumbered out of series including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding. Volume I is an introductory volume followed by three volumes of plates. Bentley Blake Books 48. Trianon Press hardcover books
19681106824 vols. London: Trianon Press 1968. 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly rubbed. § From an edition of 726 total copies including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding. This is copy number 14 with the first three volumes bound in leather instead of the usual cloth. Volume I is an introductory volume followed by three volumes of plates. Bentley Blake Books 48. Trianon Press hardcover books
1968WN36022Paris: The Trianon Press 1968. Number 465 of 700 copies. Vol. 1 is the introductory volume by Geoffrey Keynes with Blake's preliminary sketches Vol. 2 is For Children and Vol. 3 is For the Sexes. Original red cloth gilt in matching fitted slipcase with cloth pull. Facsimile prepared from original in the collection of Lessing J. Rosenwald. Gift inscription on ffep of introductory volume from Mr. Rosenwald: "For Adele & Tillman/As Ever/Lessing/8/1/70". Facsimile Edition. Cloth. Very Good/Very Good. Illus. by Author. 8vo 1 Vol. And 24mo.2 Vols. Trade. The Trianon Press Hardcover books
1949123271Sm. Seattle: Silver Quoin Press 1949. Sm. slim 4to 12pp. Title-page within a red border. Original blue paper wrappers as new. § No limitation stated doubtless printed in a tiny edition. Unrecorded by Bentley not noted in the Blake Archive. These were the first four poems in Blake's first book "Poetical Sketches". Silver Quoin Press unknown books
192510256London: Halton & Truscott Smith 1925. First Edition No. 9 of 100 copies signed by the author on the limitation page. With 8 mounted colour plates and numerous illustrations in black and white. 1 vols. 4to. Original original-red batik paper over boards brown pigskin corners and spine gilt spine a little darkened light foxing to free endpapers else fine in a brown cloth protective case and inner wrapper; with the bookplate of Kenneth A. Lohf. First Edition No. 9 of 100 copies signed by the author on the limitation page. With 8 mounted colour plates and numerous illustrations in black and white. 1 vols. 4to. One of 100 Copies. A sumptuous production. Halton & Truscott Smith unknown books
197210071512mo. San Marino CA: Henry E. Huntington 1972. 12mo 32pp. Illustrated. Red printed wrappers stapled. Near fine. § Henry E. Huntington unknown books
