1 088 résultats
100747Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100739Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100740Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100744Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100741Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100909New York: Harper & Row Publishers 1974. 8vo 52pp. Printed stapled wrappers. Very good. § An exploration of the nearly uniformly negative image of “the city†in literature of the 18th and 19th centuries. Includes a look at William Blake on pages 10-11. Harper & Row unknown books
20096633London: William Blake Trust 2009. Limited Edition. Hardcover. Fine in Fine Slipcase and Fine Portfolio. Tight bright and unmarred. Black cloth red leather matching slipcase gilt lettering. Small fo. Illus. color plates. <br/><br/>"Bound in gilt-lettered quarter deep scarlet calf over black moiré silk covered boards deep scarlet leather label blocked in gilt to the centre of the upper board; 96pp. illustrated throughout with colour and b/w reproductions of Blake's drawings and watercolours. Contents: Morton D. Paley William Blake and Robert Blair's 'The Grave'. Martin Butlin The History of Blake's Illustrations to 'The Grave' and The Newly Discovered Water-colours. Blake's twenty watercolour designs with a Catalogue and illustrated Commentaries by Martin Butlin. Robert Blair's The Grave from Cromek's edition 1808. Schiavonetti's engravings of twelve of Blake's designs from the 1808 edition. Blake's rejected engraving of 'Death's Door'. Printed throughout in black and white and colour on 200 gsm archival acid-free paper. With A portfolio 35x28x2.8 cm bound in maroon calf with tongue-and-strap closure blocked in gold flap blind-embossed with double rule border lined in red; all in close replication of the portfolio made sometime after 1822 to contain: 19 of 20 watercolour inventions by Blake in illustration of Blair's The Grave mounted on thick beige paper within ruled and tinted borders and trimmed to 33.3x26.7 cm; here reproduced in facsimile. One of 36 copies of the Portfolio Plates and Book in cloth-covered double slipcase numbered I-XXXVI." William Blake Trust hardcover books
192786607Cambridge: Fogg Museum of Art 1927. Limited Edition. Hardcover. Very Good. 20p. tied booklet containing text plus 30 unbound plates 5 in color. Original flapped cloth portfolio with cloth ties. Folio. Fading and wrinkling on cloth ties. Copy No. 192 of an edition limited to 500 numbered copies. Prefatory Note by Chester N. Greenough. Introductory Essay by Geoffrey Keynes. <br/><br/> Fogg Museum of Art hardcover books
192786608Cambridge: Fogg Museum of Art 1927. Limited Edition. Hardcover. Very Good. 20p. tied booklet containing text plus 30 unbound plates 5 in color. Original flapped cloth portfolio with cloth ties. Folio. Moderate cover soil. Fading and wrinkling on cloth ties. Former owner's red ownership stamp on title-page and faintly on portfolio cover. Copy No. 191 of an edition limited to 500 numbered copies. Prefatory Note by Chester N. Greenough. Introductory Essay by Geoffrey Keynes. <br/><br/> Fogg Museum of Art hardcover books
197558206Richmmond VA: Virginia Museum 1975. Tall 8vo reprint of the illustrations from the 1822 original. Very good. Virginia Museum unknown books
1957123810Folio. London: Trianon Press 1957. Folio with 9 color plates and 156 illustrations. Original quarter morocco a superb copy virtually mint preserved in a quarter blue morocco box lettered in gilt § Limited to 460 copies this is #219. A very scarce book in good let alone fine condition as the size of the book and the fact that it was not issued with a box or a slipcase eve means most copies are more or less worn. This was the first time that Blake’s Biblical illustrations had been brought together. The catalogue raisonné was compiled by Sir Geoffrey Keynes and comprises virtually every Biblical painting by Blake in existence. Bentley Blake Books 681. Trianon Press unknown books
193518547New York: Pierpont Morgan Library 1935. Stiff Wraps. Orig. stiff gray wrappers black cloth spine. Fine. Six parts. 38 x 29 1/2 cm. Folio 61 pages in text. Introduction by Lawrence Binyon and Geoffrey Keynes. All the reproductions except the collotypes in the text of the Introduction made and printed by Emery Walker Ltd and the Introduction printed by John Johnson at the Oxford University Press. Published in six parts sixty three water colors The Thomas Butts John Linnell & New Zealand Set -- being parts IIIII V. Twenty-five pencil and wash drawings part IV and twenty-two etchings of the Book of Job part VI. The Trainon Press "Book of Job" does not reproduce all the drawings. Internally very clean each part with printed paper front cover label small smudge upper left corner Vol. IV. Pierpont Morgan Library unknown books
1825104648Proof on India paper mounted on handmade paper. London: March 8 1825 but published 1826. Proof on India paper mounted on handmade paper some leaves watermarked J. Whatman Turkey Mill 1825. A fine impression. Matted. § Single plate from the first edition one of 150 proof sets on India paper. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1828107779e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1828107778e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1828107776e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1828107781e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Blake had a long pictorial engagement with the biblical story of Job. This a single leaf from a series of 21 engravings commissioned by John Linnell in 1823 that are generally considered to be Blake's masterpiece as an intaglio printmaker. "Rather than using the customary "mixed method" of preliminary etching followed by engraving Blake used pure line engraving in the Job plates. Perhaps one of his motivations was to evoke the art of the master engravers of the Renaissance whom Blake greatly admired such as Albrecht Dürer." The William Blake Archive.In the Book of Job Job and his old friends argue at length over the divine purpose of Job's afflictions. This plate illustrates the moment the youthful Elihu overcomes his respect for his elders and bursts into the conversation to explain why he thinks both sides are wrong Job 32:6. In Blake's elaborate borders the figure of Job's Humanity sleeps while soaring angels try to awaken him.Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1233531826. Folio single sheet 16 1/4 x 11 image inc. platemark 8 1/4 x 6 1/2 ins. Fine. § First edition from the printing of 65 sets with the word “Proof†on French wove paper. The plate depicts Job lamenting his unfortunate existence while his friends bear witness to his grief in silence Job 3:3. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. Provenance: Sotheby’s May 4& 5 1983. 3). Bentley unknown books
1935237391New York: The Pierpont Morgan Library 1935. 105 black and white and color facsimile engraved plates pencil drawings and watercolors by William Blake in six fascicles. Folio. Original cloth-backed gray wrappers printed labels on front cover in cloth box with some wear. 105 black and white and color facsimile engraved plates pencil drawings and watercolors by William Blake in six fascicles. Folio. Illustrations of the Book of Job being all the water-color designs pencil drawings and engravings beautifully reproduced in facsimile. The Pierpont Morgan Library unknown books
1987110738Folio. London: The William Blake Trust 1987. Folio two large slipcases the first housing the text volume and a portfolio of plates including all 21 plates in several states 21 fascicules and the plate-by-plate commentary; the second slipcase houses The Colour Versions of the Book of Job. the text volume and three separate volumes of illustrations all bound in quarter-morocco with marbled paper covered boards with solander boxes fitted inside each slipcase printed on Arches pure rag paper. Near fine overall. § Limited edition number III of LXV numbered copies from a total edition of 387. Illustrations of the Book of Job with essays and commentary from several notable Blake scholars including Charles Ryskamp David Bindman John Commander Geoffrey Keynes Robert Essick Bo Lindberg and Barbara Bryant. The plates are comprised of 22 fascicules including the title-page and 21 plates of Blake's engraved Illustrations of the Book of Job in facsimile of the proof copy lately in the collection of Sir Geoffrey Keynes. Each fascicule also contains reproductions of related material together with a plate-by-plate commentary by Bo Lindberg. Colour versions of WIlliam Blake's Book of Job designs. with three portfolios containing "The New Zealand Set" of 21 plates and a title-page "The Collins Set of Coloured Engravings" of 21 plates and a title-page and "Four Coloured Engravings" of plates 11 15 18 and 20 from The Fitzwilliam Museum Cambridge. Plates printed by pochoir method at the Trianon Press Paris under the supervision of the late Arnold Fawcus.A surprisingly hard title to find from the Blake Trust being their last publication until the 2009 issue of “The Grave†watercolors. The edition included a less expensive version of this issue as well as two more elaborate issues. The analysis of the various states of the Job plates and of the coloring of the three colored copies known is not printed anywhere else and thus this set is essential for anyone studying this book surely Blake’s masterpiece of engraving. The William Blake Trust hardcover books
123190London: plates dated 1825 but published 1826. Folio 320 x 254 mm engraved title and 21 plates. Proofs on India paper mounted on handmade paper some leaves 2 5 6 11 14 17 18 watermarked J. Whatman Turkey Mill 1825. Gilt-ruled green morocco over thick boards fleurons at the outer corners double-rule inner frame enclosing a bloom roll gilt-ruled spine sewing bands with gilt red morocco onlays thick dark blue endleaves all edges gilt by Riviere: a brilliant set with no foxing at all interleaved with blanks at the time of binding with no offsetting. Lower cover of the binding at some time tied up with string with ensuing indentation. § First edition limited to 150 proof sets 65 sets were also printed on French paper and 100 sets on drawing paper with the word ‘proof’ removed. This is one of finest sets of the proofs I have ever seen and far outshines the other two original printings and the later re-issue. The India paper set is the best printing of these famous plates which comprise Blake’s major single achievement as a printmaker after the illuminated books. Illustrations of the Book of Job was Blake’s last completed prophetic book: the text a series of biblical quotations is above and below each image. “It was produced while Blake was still working on Jerusalem his most obscure book; yet the illustrations are Blake’s most lucid; and they are the supreme example of his reading the Bible in its spiritual sense†S. Foster Damon A Blake Dictionary p. 217. “The modest size of the central panels does not prevent them from ranking with the supreme masterpieces of graphic art†Ray Illustrator and the Book in England #8. Note: as always the first plate after the title-page is misdated 1828. [plates dated] 1825 [but published 1826]. Folio hardcover books
107296London: plates dated 1825 but published 1826. Folio 320 x 254 mm engraved title and 21 plates. Proofs on India paper mounted on handmade paper some leaves watermarked J. Whatman Turkey Mill 1825. Matted a brilliant set with the original printed label preserved. § First edition limited to 150 proof sets 65 sets were also printed on French paper and 100 sets on drawing paper with the word ‘proof’removed. This is the finest set of the proofs I have ever seen and far outshines the other two original printings and the later re-issue. The India paper set is the best printing of these famous plates which comprise Blake’s major single achievement as a printmaker after the illuminated books. Illustrations of the Book of Job was Blake’s last completed prophetic book: the text a series of biblical quotations is above and below each image. “It was produced while Blake was still working on Jerusalem his most obscure book; yet the illustrations are Blake’s most lucid; and they are the supreme example of his reading the Bible in its spiritual sense†S. Foster Damon A Blake Dictionary p. 217. “The modest size of the central panels does not prevent them from ranking with the supreme masterpieces of graphic art†Ray Illustrator and the Book in England #8. [plates dated] 1825 [but published 1826]. Folio unknown books
1987107738Paris: Trianon Press for the Blake Trust 1987 Publisher’s proofs in a box including three copies of vol. 2 in variant bindings one copy of vol. 1 black and white reproductions and a suite of progressive proofs of plate 2. All within a quarter morocco box with gilt backstrip and marbled boards. § A unique publisher’s proof set lacking the rest of the text. A complete set would include:The de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. Colophon verso of the title page: “In addition to the 387 copies of William Blake’s Illustrations of the Book of Job and Colour versions of Blake’s Book of Job designs issued and published by the William Blake Trust five copies containing extra material have been specifically made up for those most closely concerned with bringing the publication to completion. This copy is for Robert Essick.†The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon quoted above. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Materials added to box 4 by Essick:i. Xerox of the typescript of Lindberg’s commentary.ii. Xerox of the typescript of Lindberg’s essay on the New Zealand set.iii. Xerox of the typescript of Keynes’ introductory essay.iv. A set of loose Job reproductions housed in a paper folder inscribed in pencil as follows: “This set of proofs was given to me by John Commander Secretary of the Trust to help with my preparation of the catalogue of the states of the Job plates. It contains unpublished materials. R. N. Essick Summer 1983.â€Acquired Aug. 1987 from the William Blake Trust gift. BBS pages 198-99 this issue not recorded. For proofs of Essick’s essay see under Blake Trust/Trianon Press Facsimiles Production Materials.Idem. Trade issue housed as above but in cloth slipcases boxes and bindings. Two slipcases with contents as in the first two slipcases above. Colophon verso of the title page: “This publication of William Blake’s Illustrations of the Book of Job is limited to 387 copies: 22 copies lettered A-V contain additional material and are specially bound; 250 copies numbered 1-250; 50 copies numbered i-l; 65 copies numbered I-LXV are reserved by The William Blake Trust. This is copy 171â€. Acquired May 1987 from the William Blake Trust gift. BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
19871106893 huge black slipcases. Paris: Trianon Press for the Blake Trust 1987. 3 huge black slipcases with contents in various formats see below. In perfect condition as issued. § Edition limited to 365 copies in three different formats and a super de luxe edition limited to 22 sets of which this is #D. The super de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Bentley BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
198710811222 separate plates. Paris: Trianon Press for the Blake Trust 1987. 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: “The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake’s original achievements.†Trianon Press for the Blake Trust unknown books