354 résultats
19472187Princeton NJ: Halsman 1947. Photograph. Fine. ONE OF THE MOST FAMOUS IMAGES OF EINSTEIN. Philippe Halsman's now iconic 1947 photograph of Einstein has become not only one of the most celebrated images of Einstein but one of the most recognizable images of the twentieth century. It was used to a 1966 US postage stamp of Einstein and was featured on the cover of Time Magazine honoring Einstein as the "Person of the Century".

 The photographer Halsman in his book Philippe Halsman: A Retrospective explained the circumstances of the photo: I admired Albert Einstein more than anyone I ever photographed not only as the genius who single-handedly had changed the foundation of modern physics but even more as a rare and idealistic human being.
 Personally I owed him an immense debt of gratitude. After the fall of France it was through his personal intervention that my name was added to the list of artists and scientists who in danger of being captured by the Nazis were given emergency visas to the United States.
 After my miraculous rescue I went to Princeton to thank Einstein and I remember vividly my first impression. Instead of a frail scientist I saw a deep-chested man with a resonant voice and a hearty laugh.
 The question of how to capture the essence of such a man in a portrait filled me with apprehension. Finally in 1947 I had the courage to bring on one of my visits my Halsman camera and a few floodlights. After tea I asked for permission to set up my lights in Einstein's study. The professor sat down and started peacefully working on his mathematical calculations. I took a few pictures. Ordinarily Einstein did not like photographers whom he called Lichtaffen light monkeys. But he cooperated because I was his guest and after all he had helped save me.
 Suddenly looking into my camera he started talking. He spoke about his despair that his formula E=mc2 and his letter to President Roosevelt had made the atomic bomb possible that his scientific search had resulted in the death of so many human beings. "Have you read" he asked "that powerful voices in the United States are demanding that the bomb be dropped on Russia now before the Russians have time to perfect their own" With my entire being I felt how much this infinitely good and compassionate man was suffering from the knowledge that he had helped to put in the hands of politicians a monstrous weapon of devastation and death.
 He grew silent. His eyes had a look of immense sadness. There was a question and a reproach in them.
 The spell of this moment almost paralyzed me. Then with an effort I released the shutter of my camera. Einstein looked up and I asked him "So you don't believe that there will ever be peace"
 "No" he answered. "As long as there will be man there will be wars." Silver prints of this photograph have been printed in different sizes over the years. This photograph is an official Halsman silver print with his copyright hand-stamp on the verso measuring approximately 10x13 inches. Princeton NJ. Silver print. Taken 1947; printed 1970s. Image: 13x10 inches 33x25.4 cm. Archivally matted and framed under UV-protecting museum glass to an overall size of 18.5x22 inches. A stunning piece in fine condition. Halsman unknown books
1920165270Paris: Au Sans Pareil 1920. 1 of 9 copies on Japon Imperial paper Copy No. IV. Softcover. VG or better glassine jacket with minor chipping few tiny tears no significant loss microscopic at best. Printed oversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette and 4 woodcut illustrations by Marc Chagall. 48 pp. Among Marc Chagall's earliest book illustrations preceded only by appearances in 1914 and 1918. With Andre Breton Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection 'Aquarium' 1917 was published with the help of Guillaume Apollinaire who introduced Soupault to André Breton. In 1919 Soupault Breton and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the antirationalism of the Dada movement Soupault soon rejected its nihilism and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' 1920; 'The Magnetic Fields' known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' 1922 and 'Georgia' 1926. As the Surrealist movement became increasingly dogmatic and political Soupault grew dissatisfied with it and eventually broke with it and Breton" Encyclopedia Britannica online. Exceptionally rare one of 9 such copies. Au Sans Pareil unknown books
1969132781Los Angeles: Twentieth Century-Fox 1969. Original title card maquette hand lettered by Harold Adler for the 1969 film. Based on the "Alexandria Quartet" by Lawrence Durrell. <br/><br/>Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "Justine" his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "The Birds" 1963 "In the Heat of the Night" 1967 and "Finian's Rainbow" 1969. In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. <br/><br/>A young British schoolmaster and poet travels to Alexandria where he meets Justine the mysterious wife of a banker whom he discovers is involved in a plot to arm the Jewish underground in Palestine. Shot in part on location in Tunisia. <br/><br/>17.25 x 11.5 inches. Black ink on white card stock with tissue paper overlay. Near Fine with light toning to the card edges. Holograph annotations one noting "original" to the tissue overlay and card. Twentieth Century-Fox unknown books
198838570Paris: Souvenirs du Futur 1988. First Edition. Oversize folio 46cm.; white paper-covered clamshell box embossed thermoformed plastic plate mounted to upper cover six leaves laid in as issued to which are mounted thermoformed plates on rectos and versos with the exception of the last leaf on whose verso is printed the colophon. In original cardboard mailing box adorned with the Souvenirs du Futur imprint. Clamshell box a bit dust-soiled cardboard box shows signs of light though not postal use else Very Good to Near Fine. Quite possibly the only comic book in its class Le Grand Rêve Americain The Great American Dream adapts technology developed by Philippe Schléret and Véronique Hauss using molded plastic to create brilliantly colored 3D images. The work exuberantly lampoons Pop Art American culture and early underground comic books and of all who have ever encountered the work and written of it seemingly none have failed to mention the heavy use of oversized female breasts that jut out from nearly every panel. Indeed OCLC record no. 712159856 lists "Large-breasted women" as one of the subjects. Other tropes not to be ignored include fancy sports cars gangsters and fastfood joints. Souvenirs du Futur unknown books
190764919Paris: Librairie Commerciale 1907. hardcover. very good-. Volume of models only comprising 7 plates in color each with numerous flaps exposing the mechanism and parts of each machine. Oblong folio pictorial blue cloth; rubbed. Paris: Librairie Commerciale 1907. A very good- copy of this unusual book.<br/><br/> Latest English locomotive; steam turbine; gazogene; Panhard automobile; Priestmann petroleum motor; electromotor; submarine with torpedo.<br/><br/> Librairie Commerciale unknown books
1956140940586Paris: Berggruen & Cie 1956. Limited First Edition. Near Fine. Limited first edition. Signed by the founder of the Dada movement Tristan Tzara as well as by the artist whose work is featured Bonnet in pencil. Text in French. Near Fine in the original glassine wraps title page rubbed from erasure of booksellers' pencil. Uncommon. Berggruen & Cie unknown books
192522049Paris: Aux Editions du Sagittaire 1925. First edition. One of 50 large paper copies printed on Japon. A fine unopened copy. 8vo original black and red wrappers. A fine unopened copy. Aux Editions du Sagittaire unknown books
1959WRCLIT80553Taken near Bordeaux France 1959. Original 14 x 11" silver gelatin print portrait photograph. Remnants of mat tape on verso at corners two small marginal nicks otherwise about fine. An excellent print of one of the several portrait photographs Halsman made of the Nobel Prize Laureate during a 1959 visit to Mauriac's home outside of Bordeaux. This portrait is a particularly sensitive and contemplative pose. Halsman's copyright stamp appears on the verso. unknown books
19723411972. Engraving and drypoint. Number 8 of 60. Signed in red ink lower right. Impression on Japan. Kersten & Koschatzky 42. Image: 8 1/4 x 6. Margins: 13¾ x 11. books
1950WRCLIT60000New York: Philippe Halsman 1950. Original b&w silver print oblong 24.3 x 30.5 cm 9.5 x 12 inches with extended right and bottom borders. Faint crease in one border else about fine. A fine portrait of the songwriter and dramatist and his wife possibly taken concurrent with any one of the several sequences of photographs Halsman took of Hammerstein and Richard Rogers. Halsman's credit/copyright stamp appears on the verso. Philippe Halsman unknown books
193117505Paris: Arts et Metiers Graphiques 1931. Original wraps. Near Fine. The 1931 edition of this impressive short-lived French annual issued out of Paris and lasting only 11 years in this original incarnation. 124 lavish full-page gravures by the likes of Doris Ulmann Man Ray Edward Steichen Paul Outerbridge Munkacsi Lee Miller Laszlo Moholy-Nagy Andre Kertesz Germaine Krull Hoyningen-Huene Herbert Bayer Cecil Beaton et al. Also includes over two dozen wonderfully decorative period ads at the rear. This issue has held up very well to boot: clean and Near Fine in its spiral-bound off-white printed wrappers with just the slightest touch of spotting to the front panel. Tall quarto crisp well-preserved and very presentable with a number of hauntingly beautiful photos. Also includes a handsome navy-blue custom-made box with bright gilt-titling along the spine which houses the annual. <br/><br/> Arts et Metiers Graphiques paperback books
199246092Paris: Michel Aveline Editeur 1992. Hardcover. Very Good. 301pp. Slight spine lean else a very good hardack in a very good dustjacket that has some minor wear to the extremities. Text in French. <br/><br/> Michel Aveline Editeur hardcover books
199246424Paris: Michel Aveline Editeur 1992. Hardcover. Very Good. 301pp. Very good hardback in a jacket that shows just the lightest wear at the extremities and has a closed tear to the bottom of the front panel. Text in French. <br/><br/> Michel Aveline Editeur hardcover books
1926JC14536Paris: Au Sans Pareil 1926. Limited Edition. Paperback. Near Fine. 8vo. Original blue wrappers cellophane protective jacket present. Etchings by JEAN LURÇAT. This is one of only 35 copies on Japan Imperial paper with an extra suite of the etchings. Copy number 45 out of a total limitation of 990. Minor wear. A very nice copy. <br/><br/> Au Sans Pareil paperback books
1982151912New York: Rizzoli 1982. First American Edition preceded by the French edition published by Editions du Regard in 1981. Photo-illustrated throughout in color and black-and-white. <br/><br/>A superb history of the Bugatti family: Carlo the father a furniture designer Rembrandt Bugatti son a sculptor and Ettore and Jean son and grandson automobile designers. <br/><br/>Fine and unread in a Near Fine dust jacket. Rizzoli unknown books
1937908Paris: G.L.M. 1937. First Edition one of 1200 on offset from a total issue of 1270. 8vo. Handsomely bound in 3/4 green morocco and marbled paste-paper boards gilt fillets four raised bandsauthor and title gilt top edge gilt marbled paste-paper doublures original wrappers and spine bound in. The complete works from the surrealist period of this important poet and novelist one of the original surrealist triumvirate. G.L.M. unknown books
1949WRCLIT84381New York: Philippe Halsman 1949. Original b&w silver print 35 x 28cm 14 x 11 inches with extended upper border. About fine. A striking photo of an opera rehearsal tentatively identified by a former owner as the 1949 production of Mozart's DON GIOVANNI starring Marguerite Piazza and James Pease. Halsman's credit/copyright stamp appears on the verso and the photo may have been shot to accompany an article about New York opera that appeared in LIFE 11 April 1949 XXVI:15. From the 1984 Halsman estate sale. Philippe Halsman unknown books
1959WB16624New York: Simon & Schuster 1959. Second printing. Hardcover. Very Good/Good. Small slim quarto. Warmly inscribed by Philippe Halsman in English and French to a pair of his close friends signing both his name and his wife's dated Dec. 1959 the year of publication. Nice copy in a worn and spotted dustjacket with a number of small chips and tears. <br/><br/> Simon & Schuster hardcover books
1968128881Los Angeles: Twentieth Century-Fox 1968. Final Script for the 1969 film. Originally set to be made by maverick director Joseph Strick who actually did some location shooting in Tunisia. However Strick ran into disagreements with Fox executives and was replaced with George Cukor who shot the remainder of the film in Hollywood. <br/><br/>Set in Alexandria in 1938 a young British schoolmaster named Darley meets Pursewarden a British consular officer. Pursewarden introduces him to Justine the wife of an Egyptian banker. Darley befriends her and discovers she is involved in a plot against the British the goal of which is to arm the Jewish underground movement in Palestine. <br/><br/>Partially shot on location at Ennejma Ezzahra a palace at Sidi Bou Said in Northern Tunisia. <br/><br/>Blue titled wrappers noted as Final on the front wrapper and production No. 842 dated July 2 1968. Title page present dated July 2 1968 noted as Final with credit for screenwriter Marcus. 152 leaves mimeograph duplication with blue and pink revision pages throughout dated variously between 7-15-68 and 11-22-68. Pages Near Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown books
1953WRCLIT59938Location: New Orleans: Philippe Halsman 1953. Original b&w silver print oblong 27.5 x 32 cm 10.75 x 12.5 inches with extended right border. Old coffee ring mark in blank right border a few minor creases but very good. A fine portrait of the Broadway director from a sequence of photographs Halsman took for LIFE during the pre- Broadway tryout in New Orleans for KIND SIR by Norman Krasna. Halsman's credit/copyright stamp appears on the verso along with pencil identification of the subject and the play. Philippe Halsman unknown books
1967WRCLIT82622New York: The Photographer 1967. Original black & white silver print photograph 35.5 x 28cm including thin border 14 x 11". Tiny crease to one extreme corner but about fine. With the Halsman copyright estate stamp on the verso along with penciled identification in a florid unknown hand. An original photo of the 1967 New York production at the Music Box Theatre of Pinter's play featuring Vivian Merchant Paul Rogers Ian Holm Michael Craig et al. The Photographer unknown books
192708303N.P. 1927. ALS Octavo 6 pages to a friend "Christian." With three caricature drawings in the text - written in blue ink. Philippe Swyncop 1878 - 1949 was the older brother of Charles Swyncop both were accomplished artists. Philippe lived in Spain for 12 years produced valuable works in oil watercolor and prints. <br/><br/> unknown books
1944018565NY: Farrar & Rinehart. 1944. A novel of Haiti by these two Haitian brothers which won a prize in the Second Latin American literature contest sponsored by Farrar & Rinehart. Inscribed by Thoby-Marcelin to Barbara Howes in 1971. Poet Barbara Howes edited From the Green Antilles one of the first anthologies of Caribbean literature to appear in the U.S. in 1966. She was married to the poet William Jay Smith. This book has the Howes/Smith bookplate on the front pastedown. Translated by Edward Larocque Tinker who designed and illustrated the book and who provides an introduction to it entitled "Haitian Background" explaining both the history and the metaphysics of Haitian religious beliefs. Fine in a good price-clipped dust jacket threatening to split at the flap folds. An important book and especially scarce signed. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Fine. Farrar & Rinehart hardcover books
1961WRCLIT70974Milan: Galerie Schwarz 1961. Original monochrome etching plate size 11 x 14.5 cm on 26.5 x 19.5 cm sheet. Mounted in stiff board and acetate mat with printed caption on verso. Fine. One of sixty numbered copies in addition to twenty-five copies numbered in Roman signed and dated in the margin by the artist. Printed in Paris in the Atelier of Georges Leblanc on hand made paper from Papeteries de Rives. Hiquily b. 1925 in Paris studied at the École des Beaux-Arts in Paris from 1948 to 1953 and he attended the workshops of sculptors Jean Tinguely and Germaine Richier devoting himself almost exclusively to kinetic metal sculpture. He exhibited for the first time in 1955 at the Palms Gallery in Paris and at the Contemporaries Gallery in New York in 1959. This print was published as an element of Galerie Schwarz's series L'AVANGUARDIA INTERNAZIONALE. Galerie Schwarz unknown books
1944266091Paris: Les Joies Secrètes 1944. First edition one of 1000 copies from an edition of 1053 this copy being number 200. 6 full page color illustarions 39 pp. 4to. Printed paper wrappers. First edition one of 1000 copies from an edition of 1053 this copy being number 200. 6 full page color illustarions 39 pp. 4to. Ilustrated throughout by De Hand. Les Joies Secrètes unknown books