13 472 résultats
194682253Reliure box gris à encadrement. Dos lisse avec titre en long à l?oeser bleu. Plats ornés d?un papier peigné gris à impressions abstraites noires et bleues. Couverture et dos conservés. Reliure signée FROGER. Ouvrage illustré de 6 dessins et d?une lithographie originale d?André MASSON.
194954092(Rolle) Editions Eynard 1949 In-8, bradel, papier orn d'un dcor vein et sinueux imprim dans des nuances grises et noires, dos portant le titre de l'ouvrage pouss or sur une pice de maroquin bordeaux; doublures et gardes de papier crme, couverture imprime.Edition originale de ce recueil de pomes, illustre en frontispice d'un portrait de l'auteur par Andr Masson. Un des 50 exemplaires sur vlin d'Arches, seul tirage sur grand papier avec 3 exemplaires sur chine. Exemplaire enrichi d'un manuscrit autographe sign du pome intitul Les yeux qui volent, recopi l'encre noire (une page et demie). Ce pome figure page 68 du prsent recueil.
192883013Paris: Librairie José Corti 1928. Fine. Librairie José Corti Paris Décembre 1928 24 x 29 cm agrafé First edition of this important cinema review founded by Pierre Kéfer and Jean George Auriol under the pseudonym Jacques Niel. Two tears repaired with adhesive pieces at head of verso of covers two small angular lacks to second cover printed collection stamp at head of first page. Contributions by Philippe Soupault ""Quand Chaplin apparut"" the editors ""Avez-vous peur du cinéma"" Jean George Auriol ""Le cinéma et les moeurs : la fenêtre magique"" Bernard Brunius ""Le cinéma et les moeurs : le cinéma et l'amour"" André Delons ""Chronique des films perdus"" Louis Chavance ""Le décorateur et le métier"" Pierre Audard and Jean George Auriol ""La critique des films"" André R. Mauge ""Vieux frère gramophone"". Issue illustrated with photographs. Very rare issue of this review which would have only three under this name and which ranks among the first and most important reviews devoted to cinema and nascent surrealism. Librairie José Corti unknown
193176581Paris: NrfPlon 1931. Fine. Nrf Plon Paris 1931 14 x 19.50 cm broché First edition one of the numbered copies on alfa paper. Some light foxing on the endpapers and more pronounced on the final leaves small marginal tears without loss to the covers. Autograph inscription signed by Philippe Pétain to his friend Claire Vignati enhanced with an autograph tribute signed by Paul Valéry. NrfPlon unknown
194187363Paris: Imprimerie Draeger 1941. Fine. Imprimerie Draeger Paris 1941 14 x 23.50 cm broché First edition one of 150 numbered copies on Holland paper the only deluxe copies after 1 on Montval laid paper and 50 on Japan paper. Spine sunned endpapers lightly shadowed and foxed half-title page lightly shadowed foxing on the second cover. Blind stamp ""chef de l'état français"" on the title page. We include a visiting card of Philippe Pétain on which these few words have been added: ""exemplaire N°131 destiné à monsieur l'ambassadeur de France au Brésil"". Rare autograph inscription dated and signed by Philippe Pétain: ""A monsieur de Sain-Quentin l'ambassadeur de France sentiment les meilleurs. 2.11.41. Ph Pétain."" To Mr. de Sain-Quentin Ambassador of France with best sentiments. 2.11.41. Ph Pétain. Imprimerie Draeger unknown
1985IVIas& V2Dreux: De L'Atelier de Taille-Douce 1985-86. 1985. 2 Volumes. oblong folio. ff. 18; 18. 12 hand-coloured etched plates by Francois each titled signed numbered & dated by the Artist. woodcut vignettes & initials. loose signatures & plates uncut as issued in cloth portfolios light dampstain to lower front cover of Volume I. Edition of 160 copies signed & numbered by the artist 25 numbered I-XXV. Signed by Authors. Hardcover. Dreux: De L'Atelier de Taille-Douce, [1985-86]. Hardcover
1966373638Montreux 1966. Gelatin silver print matted and framed; rubber-stamped on verso "Copyright by Philippe Halsman". 11 x 14 inches; matted to 11 x 12 inches. Fine. Gelatin silver print matted and framed; rubber-stamped on verso "Copyright by Philippe Halsman". 11 x 14 inches; matted to 11 x 12 inches. A rarely-seen portrait of Nabokov hunting butterflies an outtake from the shots Halsman made to appear with Herbert Gold's profile of the author in the Saturday Evening Post eventually published in January 1967. Nabokov apparently liked Halsman's portraits so much that he asked they be used on all subsequent dust jackets. unknown
191079056Paris: Ancienne Librairie Furne Boivin & Cie 1910. First Edition. Hardcover. The 17th of 21 novels in the popular Voyages Excentriques series a competitor to Jules Verne's Les Voyages Extraordinaires. Quarto: iv 468 pp. with 10 full-page plates all halftones 8 printed in blue or brown after illustrations by Louis Bombled as well as 80 textual illustrations. The title page is printed in red and black. In the publisher's red diagonal fine-ribbed cloth binding designed by J. Fau. with beveled boards; gilt-stamped ruled scalloped borders and titling panel blue and gilt-stamped folded banner with titling black and gilt-stamped decorative titling and a white yellow vermilion brown light blue blue and black-stamped design of an airplane with a man in suspended basket above an angry mob on the front panel; and black anf gilt-stamped ruled bands black and gilt-stamped titling and a white vermilion and black-stamped vignette of a widow on the spine. All edges gilt with light blue endpapers. Typical light toning to the contents with a tiny bit of wear to the tips. An exceptional example. Provenance: from the Publishers' Bookbindings collection of Ellen K. Morris and Edward S. Levin. Ancienne Librairie Furne, Boivin & Cie hardcover
198838570Paris: Souvenirs du Futur 1988. First Edition. Oversize folio 46cm.; white paper-covered clamshell box embossed thermoformed plastic plate mounted to upper cover six leaves laid in as issued to which are mounted thermoformed plates on rectos and versos with the exception of the last leaf on whose verso is printed the colophon. In original cardboard mailing box adorned with the Souvenirs du Futur imprint. Clamshell box a bit dust-soiled cardboard box shows signs of light though not postal use else Very Good to Near Fine. Quite possibly the only comic book in its class Le Grand Rêve Americain The Great American Dream adapts technology developed by Philippe Schléret and Véronique Hauss using molded plastic to create brilliantly colored 3D images. The work exuberantly lampoons Pop Art American culture and early underground comic books and of all who have ever encountered the work and written of it seemingly none have failed to mention the heavy use of oversized female breasts that jut out from nearly every panel. Indeed OCLC record no. 712159856 lists "Large-breasted women" as one of the subjects. Other tropes not to be ignored include fancy sports cars gangsters and fastfood joints. Souvenirs du Futur unknown books
192883013Librairie José Corti | Paris Décembre 1928 | 24 x 29 cm | agrafé
194187363Imprimerie Draeger | Paris 1941 | 14 x 23.50 cm | broché
193176581Nrf Plon | Paris 1931 | 14 x 19.50 cm | broché
193164539Paris: NrfPlon 1931. Fine. Nrf Plon Paris 1931 14 x 19.50 cm broché First edition one of 570 numbered copies on pur fil paper. Endpapers partially shaded. Autograph inscription signed by Philippe Pétain to Marcel Rey. NrfPlon unknown
198086753s. l.: S. n. 1980. Fine. S. n. s. l. s. d. ca 1980 14.50 x 21 cm 1 page Manuscript note by Philippe Soupault 22 lines in mauve ink on a sheet headed with this inscription: ""Les séances"" devoted to the famous ""sleep"" sessions conducted in André Breton's studio consisting of oneiric writings or texts dictated by a dreamer. The manuscript notes contain three deletions and corrections. Philippe Soupault considers his attempts questionable and even labels them as imposture distancing himself from any active participation in these practices: ""Neither Aragon nor I participated actively in the experiments called sleep sessions while Breton accepted with great interest Crevel's suggestion to engage in experiments he had discovered among friends. One had to fall asleep and recount what 'one saw'."" He recalls the results that were not always convincing: ""Crevel Desnos and Péret 'fell asleep' and despite his efforts Breton could not manage to fall asleep. Listening to the accounts of these sessions I could not help thinking that the 'sleepers' did not hesitate to simulate in order to make themselves interesting."" to such an extent that the intransigent leader of surrealism interrupted them: ""Breton realized the danger of one-upmanship and especially of Desnos's exaltation. He ceased attempting new sleep experiments."" Interesting recollections from the last living historical surrealist often harsh toward his former or new companions. S. n. unknown
192330815Paris: J. Ferenczi & fils 1923. Fine. J. Ferenczi & fils Paris 1923 12 x 19 cm broché First edition printed on alfa paper. A small tear at the foot of one joint discreetly restored a pleasant copy. Precious autograph inscription signed by Philippe Soupault to René Crevel in pencil. J. Ferenczi & fils unknown
197917661979 Seyssinet-Pariset (Isère), Editions du Grésivaudan, 1979. 39 x 29,5 cm, très grand in-4, 391 pp. - 5 ff. n. ch., 23 lithographies à double page hors texte en noir ou en couleurs (12 par Moretti, 11 par Sciora), toutes signées, en feuilles sous couverture brun chiné muette, coffret de l'éditeur en toile brune portant au premier plat la reproduction des signatures de Jacques Brel et des deux illustrateurs.
199530251Montral Alain Piroir 1995 In-4 oblong, en feuilles, couverture illustre.Edition originale, illustre de 6 gravures originales de Julius Baltazar monogrammes par lartiste, chaque gravure ayant t presse sur une peinture originale excute en couleurs par l'artiste sur japon Sekishu. Exemplaire enrichi sur le faux titre dune grande aquarelle originale en couleurs de Julius Baltazar. Tirage unique limit 65 exemplaires numrots sur vlin d'Arches, signs par lauteur et lartiste.
200054500Paris Les Bibliophiles de 2000 In-4, en feuilles, couverture imprime (embotage de lditeur).Edition originale, illustre par Julius Baltaza rde 9 gravures originales en taille-douce en couleurs hors texte et de 17 culs-de-lampe reproduits en gris fonc. Tirage unique limit 155 exemplaires numrots sur vlin dArches, signs par lauteur et lartiste.
190936191909 1 Au Ried-sur-Bienne en Suisse, chez l'auteur, 1909, gd in-folio oblong relié pleine toile verte imprimée éditeur, étui (fatigué) imprimé, très jolies gardes imprimées, non rogné, plats biseautés. Unique tirage (? 1000 exemplaires) numéroté à la presse, n° 250. Quarante huit pages de texte dans un superbe encadrement de style Art déco. et dix huit planches contrecollées hors-texte en polychromie d'après les aquarelles de l'auteur (sans les serpentes). Imprimé sur un très beau vergé bleu vert de la maison Pietro Miliani. Caractères typographiques utilisés dessinés par Eugène Grasset. Remarquable mise en page sur deux colonnes.
1984DruilletTrain1984. Print. New. Philippe Druillet. Silkscreen print by Philippe Druillet on Paper. SIGNED NUMBERED PRINT. Size: 30" x 20" 750mm x 500mm. Rare Numbered and Signed silkscreen print #246 of 370. This beautiful limited edition signed print on Velin Arches paper was originally painted for a Portfolio with a short story written by Pierre Christin Le Dernier Train Supplémentaire and published by Alain Beaulet in 1984. Silkscreen Limited edition print signed and numbered 246/370. A rare example of an early silkscreen. One of a series created by artists for the French SNCF railway. unknown
19701203NY: Doubleday & Co 1970. First edition. Hardcover. Near fine/Near fine. Second printing. Inscribed by Jacques-Yves Cousteau on the half-title page in his usual upper left location: "To the Guarinos JY Cousteau." Scarce signed. A book that explores sharks via encounters while on the Calypso Cousteau's famous research vessel. The book is co-authored with his son Philippe who carried the family mantle and distinguished himself as well in ocean conservation; the majority of the narrative actually seems to be by Philippe but shorter sections by Jacques-Yves are interspersed. Rich with color photos and stills from films that the Cousteau team made. Jacques-Yves Cousteau remains the most famous oceanographer and marine science popularizer in history. He was also the co-inventor of first SCUBA diving system. <br /> <br /> A small quarto blue cloth boards with silver lettering on spine. Near fine with a band of faint soiling to lower edge of boards light yellowing on the free endpapers from the dust jacket's flaps and some toning to the appendix pages which are different non-glossy paper than the rest of the book. One small dark spot to outer text block face. In a very near fine jacket with just a few creases to spine crown. Doubleday & Co hardcover
1976214459Paris France: L. Laget 1976. Hardcover. VG some wear and tears at edges of dj boards and pages excellent. White dj with red text red cloth boards with gilt text on cover and spine. 2 volumes. Vol. 1 - 269 pp. Vol. 2 - 575 pp. Bw illustrations. Text in French. v. 1. La vie et l'art de Philippe de Champaigne.--v. 2. Catalogue raisonné de l'œuvre de Philippe de Champaigne. L. Laget hardcover
1984104715Garland 1984. Hardcover. Fine/No jacket. Reprint of the four volume 1946 edition plus a supplemental volume. A dash of paint on the spines. Garland hardcover
199654761CARLSEN 1996. 1. BS. Maloftege! CARLSEN unknown
199232878CARLSEN 09/1992. 1. softcover. CARLSEN paperback