Brasillach, RobertBiblio.com
43 résultats
0244824053.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
40412030like new. unknown
1938590672New York: W.W. Norton & Company Inc and The Museum of Modern Art 1938. Hardcover. Very Good/Very Good. First American edition. Translated and edited by Iris Barry. xii 412pp. Illustrated with black and white photographic plates. Chipping along the spine endleaves very lightly foxed page edges a bit toned and soiled very good in an about very good dust jacket with chips and tears along the spine and edges spine lightly sunned. W.W. Norton & Company Inc and The Museum of Modern Art hardcover
19381309046George Allen and Unwin 1938. hardcover. Used-Very Good/Good. 1st British edition. Prior owner's inked name. Clean crisp copy with no markings. Tears and damage to jacket George Allen and Unwin hardcover
1938mon0000059297W. W. Norton & Co./The Museum of 1938-01-01. Hardcover. Good. 1.6000 8.5000 5.7000. 1938 first edition hardcover in good condition. All inside pages are in great shape. Minor shelf wear to the red & black cloth spine and red cover. 412 pages. W. W. Norton & Co./The Museum of hardcover
1938536567New York: W.W. Norton and The Museum of Modern Art 1938. Hardcover. Fine/Very Good. First American edition. Translated and edited by Iris Barry. Fine in a bright very good or better dust jacket wrapper with a few small chips at the upper extremities. An especially bright copy. W.W. Norton and The Museum of Modern Art hardcover
193831584New York: Norton 1938. First edition. Red cloth fine in slightly faded dust jacket. Norton unknown
19385731JNew York: Norton - Museum of Modern Art 1938. First Edition - American. Translated and edited by Iris Barry founder of the Museum of Modern Art Film Department. The landmark and controversial study of film. Very good in a lightly used dust jacket with some tiny chipping small tears and the fold at the front flap internally reinforced by a paper conserbationist. Norton - Museum of Modern Art unknown
193826045NY: NORTON. Very Good with no dust jacket. 1938. First American Edition. Cloth. A very good or better copy in red cloth lacking the dj. Exceedingly faint stain at upper righthand corner of front cover. Neat bookshop stamp at base of front endpaper A sound copy. . NORTON. hardcover
195375734Paris: Plon 1953. Fine. Plon Paris 1953 14 x 20 cm broché First edition one of 58 numbered copies on Holland paper deluxe issue with 25 Madagascar hors commerce copies. Handsome full-margined copy. Plon unknown
195365106Paris: Plon 1953. Fine. Plon Paris 1953 14 x 20 cm broché First edition one of 58 numbered copies on Hollande paper the tirage de tête with 25 Madagascar paper hors commerce. A nice copy with edges preserved. Plon unknown
1947117006Paris : Aux Libres Horizons 1947. 290x195mm. illustr non pagin en feuille sous couverture remplie. Exemplaire numrot n.¡ HC XIII tir sur papier pur fil. Accrocs sur le haut du dos autrement bel exemplaire. 158 Aux Libres Horizons hardcover
51-5746Cercle Grolier 1953 . In-4. En feuilles sous emboitage. Exemplaire n°126/200 imprimé pour le Professeur Jacques Delarue suite supplémentaire sur chine numérotée 12/15 et menu du Cercle Grolier signé par l'artise. 29 lithographies originales de Edmond Heuzé dans le texte et à pleine page. Pour un tirage total à 200 exemplaires. A l'automne 1944 Robert Brasillach a été arrêté par la Résistance pour ses écrits collaborationnistes et antisémites dans "Je suis Partout et interné à Fresnes"en attente de son jugement. Dans ses derniers mois d'existence Robert Brasillach rédige alors comme il le peut - du papier arraché ici et là un stylo caché dans une pipe - ses derniers écrits : les Poèmes de Fresnes. Bel exemplaire Cercle Grolier, 1953, unknown
19612901Paris: Vitte 1961. #99. 196ppTable. Le septieme de la collection Singuliers et Mal Connus. Couverture illustree. Edition Numerotee. Broche. Tres Bel Ex. 19 X 12. Vitte Hardcover
1963173100Paris: Club de l'honnête homme 1963. Relié. Etat moyen. in-8. Reliure éditeur frottée Coiffes accidentées Rhodoïds abimés manque certains rhodoïds Piqures tranches Club de l'honnête homme unknown
19813722058Plon 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:9782259008433 Plon paperback
232221924X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195272447Paris: Les sept couleurs 1952. Fine. Les sept couleurs Paris 1952 14.50 x 19.50 cm broché First edition one of 100 numbered copies on Arches paper deluxe copy. Handsome copy despite two faint shadows on the first endpaper and half-title page left by the justification slip. Les sept couleurs unknown
70302Couverture rigide. Bon/1952. in-8. Paris 1952 in-8 224pp broché Superbe exemplaire de l'édition originale numérotée sur Alfa Mousse! unknown
194478912Paris: Grasset 1944. Fine. Grasset Paris 1944 12 x 19 cm broché First edition a Service de Presse advance copy. Two small and light dampstains on the spine. Work illustrated with a frontispiece by Cassandre. Precious autograph inscription signed by Paul Mousset to Robert Brasillach. Grasset unknown
151998455Paris: Revue universelle November 1-15 1936. November 1-15 1936. Very good. - Octavo 10 inches high by 6-1/2 inches wide. Softcover 2 issues bound in printed gray wrappers titled in black on the front covers and the spines. The edges of the covers are lightly creased with a couple of very tiny tears and minor chipping to the head of the spines. Volume LXVII No. 15 November 1 1936 pages 257-384 & 4 pages of ads on orange stock; Volume LXVII No. 16 November 15 1936 pages 385-512 & 8 pages of ads on orange stock. There are minor creases & chipping to the overlapping edges of a few of the deckle-edged pages. Very good. <p>First edition the publication in book form is advertised on the back cover of the November 15 volume.<p>Near the beginning of the Spanish Civil War the Nationalist Colonel José Moscardo Ituarte the military governor of the Toledo Province held the Alcazar against overwhelming Republican forces during the Siege of the Alcazar. With a poorly armed group of fighters he held out for General Francisco Franco's Nationalist forces for 70 days from 22 July to 27 September 1936. The cadets were loyal to the Francoist army. This short work chronicles the siege of the Alcazar in Toledo by Republican forces.The work is pro-Nationalist with Falangist and Carlist songs reprinted in its pages.<p>Robert Brasillach 1909-1945 was a fascist and an antisemite. He was executed after the war for being a collaborator. His biographer Alice Kaplan called him the "James Dean of French fascism". Paris: Revue universelle, November 1-15, 1936. paperback
1957309941957. Bruxelles Editions Roger Wastiau 1970. Un vol. au format pt in-4 262 x 202 mm de 171 pp. brochÂŽ sous couverture ˆ rabats rempliÂŽs. PremiÂre ÂŽdition illustrÂŽe. Tirage unique ˆ 445 exemplaires. Celui-ci un des 350 du tirage numÂŽrotÂŽ sur vergÂŽ. Il s'agrÂŽmente - en premier tirage - de compositions en noir et couleurs par Amandine DorÂŽ ''reproduits et aquarellÂŽs ˆ la main''. ''Premier roman de Robert Brasillach il aborde dÂŽjˆ les thÂmes qui feront le bonheur de ses romans ultÂŽrieurs et qui apparaissent donc ici pour la premiÂre fois : nostalgie de l'enfance jeunesse temps qui pase joie d'exister sensualitÂŽ magie MÂŽditerranÂŽe et surtout l'importance de la famille. Monod I Manuel de l'amateur de livres illustrÂŽs modernes 1899. Infimes marques d'usage affectant les plats. Du reste trÂs belle condition. Exemplaire non rognÂŽ. b42961 unknown
44198Gallimard In-12 160pp. unknown
193674349Paris: in Combat 1936. Fine. in Combat Paris Novembre 1936 21.50 x 28.50 cm agrafé First edition and sole publication of this pamphlet published in the magazine Combat directed by Thierry Maulnier. Vertical fold inherent to the distribution of this magazine and small marginal tears. Other contributions: Robert Brasillach ""La machine à botter les culs"" Thierry Maulnier ""Sortirons-nous de l'abjection française "" Georges Blond ""Chapeau bas devant la casquette"" Jean-Pierre Maxence ""A nous la liberté ! "". Very rare document testifying to the anti-democratic period of the young Maurice Blanchot. in Combat unknown
193656073Paris: in Combat 1936. Fine. in Combat Paris novembre 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach La machine à botter les culs Thierry Maulnier Georges Blond. Very rare document witnessing the anti-democratic period of young Maurice Blanchot. Vertical fold inherent to the distribution of this review with tear without loss at foot of same. in Combat unknown
