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1993Q-0679420266Alfred A. Knopf 1993-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Alfred A. Knopf hardcover
1989Q-0881032476Turtleback Books 1989-03-13. School & Library Binding. New. In shrink wrap. Looks like an interesting title! Turtleback Books unknown
0075478129.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0679420266.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1948173237New York: Knopf 1948. First Edition; Third Printing. Hardcover. Very Good in a Very Good dust jacket. Rubbing along panel edges. 1 inch open tear at top of front gutter and front flap fold. Light bumping at top of front panel. Knopf hardcover
1989G0606014268I3N10Turtleback Books 1989. Library Binding. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Turtleback Books unknown
1946202000326Knopf New York 1946. First edition. <b>Condition</b>: Very good in good dust jacket. Book has light toning from age discoloration along top edges but it does not bleed onto pages. Dust jacket has several tears and nicks creasing along spine. $2.00 indicated on dust jacket. Tan/beige cloth with maroon lettering on spine.<br /><br />Jacket design by Warren Chappell. Translated by Stuart Gilbert.<br /><br />The story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. The classic novel of the absurd.<br /> Alfred A. Knopf hardcover
0785937447.Gleather_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1999BN158431Gallimard 1999. 1999. Hardcover. Théâtre récits nouvelles Preface par Jean Grenier Edition etablie et annotee par Roger Quilliot <br/><br/>Théâtre récits nouvelles Preface par Jean Grenier Edition etablie et annotee par Roger Quilliot Albert Camus Gallimard hardcover
196217133<p>like new pb</p> Bibliotheqe de la Pleiade paperback
1991ANAIS-1557784124Paragon House 1991-01-01. paperback. Good. 8.2X5.4X0.8. Buy with confidence. Excellent Customer Service & Return policy. Paragon House paperback
1557784124.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1991SONG1557784124Brand: Paragon House 1991-01-01. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Paragon House paperback
1997BN272032Rowohlt Taschenbuch 1997. 1997. Softcover. Unter dem Zeichen der Freiheit <br/><br/>Unter dem Zeichen der Freiheit Albert Camus Rowohlt Taschenbuch paperback
0140180265.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
155778387X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976318000New York: Alfred A. Knopf 1976. First American Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Owner personalization inked on FEP. Small closed tears on top front and rear panels and bottom front gutter. Light chipping on spine crown.; 279 pages. Alfred A. Knopf hardcover
19751370Knopf 1975 NY: Knopf 1975. First American Edition. First printing. Hardbound. Very Fine/Very Fine. 0.0. 1st Edition. Hardcover. Fine/Fine. Knopf hardcover
1987156940London: Folio Society 1987. 1st ed. thus. Nice copy. octavo. hardback in original cloth xv 248pp. illusts. No slip-case o/w a very nice copy Folio Society hardcover
1987164612London U.K.: The Folio Society 1987 The book is sleeved in a slipcase which has a bit of wear. The book itself has a little wear and some light spotting on the page edges. There is a sticker on the first page. 248 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Hardcover. Very Good/No Dust Jacket. Illus. by Linda Kitson. The Folio Society unknown
19931593202282Easton Press 1993. Unknown. Very Good. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.This book shows minimal sign of wear to the cover binding or pages. Clean Collectible Condition. Gift Quality. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton Press unknown
B9781167616471New. unknown
9788532640000VOZES. new. � um livro para quem quer estabelecer um primeiro contato com a filosofia ou para aquele que deseja sistematizar seu conhecimento pois permite um acesso facilitado ao pensamento de grandes fil�sofos e de suas respectivas obras. Com uma estrutura clara e objetiva os autores selecionaram as 100 obras que marcaram a reflex�o filos�fica desde a Antiguidade destacando os aspectos mais importantes de cada uma seu contexto hist�rico e filos�fico as problem�ticas essenciais teses desenvolvidas e conceitos chaves. VOZES unknown
195375729Paris 1953. Fine. Paris 8 janvier 1953 21 x 27 cm 1 pages et quelques lignes sur un feuillet Unpublished handwritten signed letter from André Breton addressed to critic Charles Estienne; one page and a few lines in black ink on a paper from the à l'étoile scellée gallery. Two transverse folds from having been sent a small corner missing in the upper right margin. Very beautiful letter giving an account of the death of one of André Breton's dearest friends and of his quarrel with Albert Camus. Breton tells his friend about the death of the Surrealist Czech artist Jindich Heisler: Your letter spoke of those days where it seemed that there was only just enough fire to live: on Monday there was far from enough fire when it reached me: one of my two or three best friends Heisler taken suddenly unwell on his way to mine on Saturday had to be hospitalised urgently and I had just received the pneumatic from Bichat telling me of his death. The event no less inconceivable than accomplished left me distraught for a long time: there was no-one more exquisite than he putting more warmth into everything he did the most constant of which was to lighten and embellish those whom he loved. The two poets were indeed very close: Heisler participated alongside Breton in the launch of Néon in 1948 and supported him during a period of depression accompanying him with other friends to the Île de Sein. The beginning of 1953 was overshadowed by the death of Jindich Heisler 4 January. Loyal among the faithful he lived entirely for Surrealism according to Breton who pays tribute to his activity as a leader: This is how he was between 1948 and 1950 the soul of Néon and until his last moments the greatest bearer of projects that as if by magic his talent gave him the means to achieve. Henri Béhar André Breton In this letter laden with pain Breton suddenly makes reference to L'Homme révolté by Albert Camus published two years earlier: Come on it is not yet the time in the rebellion that I will succeed in introducing the measure that M. Camus kindly preaches to us. The two writers met in New York at the end of March 1946 when Camus was invited to the United States for a conference tour as a representative of Combat. The two agree on the best way to preserve the testimony of certain men free from ideological distortions. They dream of a kind of pact by which people of their calibre would commit to not join any political party to fight against the death penalty to never claim any credit whatsoever. ibid. With other intellectuals they founded the Rassemblement démocratique révolutionnaire RDR in 1948; but the idyll ended a couple of years later in the autumn of 1951 when Camus published Lautréamont et la banalité an extract from his Homme révolté which was published later. Breton was extremely hurt and responded to him in an article entitled Sucre jaune in Arts: This article . testifies to the part of Camus for the first time for an indefensible moral and intellectual position. . He only wants to see a guilty adolescent in Lautréamont whom he - in his capacity as an adult - must discipline. He goes as far as to find him in the second part of his work: Poésies a deserved punishment. According to Camus Poésies would be but a mass of laborious banalities . It could still be worse if the destitution of these views did not intend to promote the most suspect thesis in the world which is that absolute revolt can generate only the taste for intellectual enslavement. This is a completely gratuitous ultra-defeatist statement which must incur even more contempt than its false demonstration. Thus two years later Breton still holds out against Camus' crime of lese-majesty towards that which Breton constructed as the father of surrealism but even more this allusion to Camus' pacifist philosophy bearing witness to the incompatibility between a thought of moderation and a poetry of revol unknown
22131HARDCOVER. GOOD /GOOD SOME TEARS . AGED SOME YET PAGES CLEAN hardcover
