Camus, AlbertBiblio.com
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1988SONG0415025869Routledge 1988-11-17. 1. paperback. Used: Good. 5.08x0.44x7.80. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
1988DADAX0415025869Routledge 1988-11-17. 1. paperback. New. 5.08x0.44x7.80. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
Q-2070212149GALLIMARD 2057-03-15. paperback. New. In shrink wrap. Looks like an interesting title! GALLIMARD paperback
1957blb06330Paris: Librairie Gallimard 1957. Softcover. Very Good. In French. Stiff paper wraps with black and red titling and border rulings to front and spine. Same to back with other ""Oeuvres D'Albert Camus"" titles listed. Book is tight square particularly sharp-cornered and free of major flaws or markings other than the prior owners name on ffep in ink and some minor pencil marginalia. 232 pp. Librairie Gallimard paperback
1957118546Paris : Librairie Gallimard 1957. 180x120mm. frontispice reliure d'ÂŽditeur sous jaquette. Jaquette en rhodo•de. Un des 950 exemplaires de lՎdition orignale sur papier alfa Cellunaf reliÂŽs dÕaprÂs la maquette de Mario Prassinos numÂŽrotÂŽ n.¡ 544 / 1190. Dos trÂs lÂŽgÂrement insolÂŽ autrement intÂŽrieur propre. Bel exemplaire. 252 Librairie Gallimard unknown
1972Q-2070360784Gallimard Education 1972-04-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Gallimard Education paperback
196585694Paul Brand. Good with No dust jacket as issued. 1965. Third Edition. Flexible cloth. Printed yellow flexible boards Camus with microphone on the front. Crude revisions in ink and erasure on the front. Moderate rubbing brief spine loss several pages with ink marginalia. Uncommon in any condition. ; 12mo 7" - 7½" tall . Paul Brand hardcover
2070212149.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195757978Paris Gallimard 1957. Bound uncut and with the original printed wrappers aslo the backstrip in a magnificent full black morocco binding with more than 100 calf onlays in seven different tones of red/orange forming three hypnotizing circles on each board. Gilt title to spine all edges gilt and bright red suede end-papers within cream calf borders. Housed in a matching black morocco chemise with gilt title and red and grey paper covers with suede on the inside and a slipcase of the same paper and with black morocco edges. The binding is signed J.P. Miguet and dated 2003. One of the morocco onlays on the back board towards the spine has a tiny tear at the edge. Otherwise the binding is in splendid condition. Also internally the copy is near mint. Apart from the backstrip which has been mounted and slightly restored it is completely clean fresh and crisp. Elengant blindstamped super-exlibris to inside of front board. <br/><br/><em>Nr. 35 out of merely 45 numbered copies on Hollande van Gelder - first paper premier papier followed by another 1.145 numbered copies on other kinds of paper - of Camus' great collection of stories which are considered among the best of his works. Together these stoires cover the entire variety of existentialism - or absurdism. There is general consensus that the clearest manifestation of the ideals of Camus can be found in the present work. </em> unknown
195758823Paris Gallimard 1957. Bound with the original printed wrappers in an elegant light brown morocco binding with gilt lettering to spine and waxed patterned paper in red-browninsh nuances to boards. Gilt lineborder to boards. Top-edge gilt. Binding signed Alain Devauchelle. Gilt super ex-libris to inside of front board. Housed in brown paper slipcase with light brown morocco-edges. An excellent clean blight and fresh copy. With the original advertisement-leaf for "L'Exil et le Royaume". <br/><br/><em>First edition Service de Presse-copy "S. P." punctured to bottom of back wrapper - with signed presentation-inscription for the publisher Camille Bloch to half-title - of Camus' great collection of stories which are considered among the best of his works. Together these stoires cover the entire variety of existentialism - or absurdism. There is general consensus that the clearest manifestation of the ideals of Camus can be found in the present work. </em> hardcover
196043793Gallimard. VG-/NONE. 1960. Paperback. Paperback reprint 1960 with light cover shelfwear including small spot on rear cover; previous owner's name and date in ink on inside front cover. Contents clean tight but tad darkened due to paper quality. Text in French. ; . Gallimard, paperback
Q-2070212092GALLIMARD 1951-11-02. Paperback. New. In shrink wrap. Looks like an interesting title! GALLIMARD paperback
2070212092.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195158821Paris Gallimard 1951. 8vo. Bound uncut and with the original printed wrappers also the spine in a wonderful grey full morocco binding with splendid line-gilding and gilt lettering to spine and onlays of coloured morocco eight different colours in a weve-like pattern with gilt outline to boards. top-edge gilt. Binding by Henning Jensen gilding by Leif Hagel Olsen and design by Jens Bork. Gilt super ex-libris to inside of front board. A very nice and clean copy. 382 2 pp. <br/><br/><em>First edition review-copy Service de Presse-copy - "S. P." to bottom of title-page and on back wrapper of "The Rebel" one of Camus' greatest works with signed presentation-inscription to front free end-paper to the famous critic of literature and drama the writer Guy Dumur 1921-1991.The younger Guy Dumur was a close friend of Camus who hired him to work on "Combat" with him. It is reported that he had a great talent for discovering new talent. Since childhood he was extremely passionate about the theatre and came to work with all the great dramatic figures in Paris at the time. He is also famous for a number of well respected novels.Famous for it's opening lines "What is a rebel A man who says no: but whose refusal does not imply a renunciation. He is also a man who says yes as soon as he begins to think for himself. A slave who has taken orders all his life suddenly decides that he cannot obey some new command. What does he mean by saying 'no'" the novel addresses themes that have never lost their relevance like terrorism rebellion art etc. and counts as one of the great literary productions of the 20th century. </em> hardcover
DADAX2070360024Folio 0000-00-00. Revised ed. mass_market. New. 4.41x0.47x7.09. Buy with confidence. Excellent Customer Service & Return policy. Folio unknown
1954118545Paris : Librairie Gallimard 1954. 180x115mm. frontispice reliure d'ÂŽditeur. Un des 1050 exemplaires sur papier vÂŽlin Labeur des Papeteries Navarre de Voiron reliÂŽs dÕaprÂs la maquette de Mario Prassinos numÂŽrotÂŽ n.¡ 827 / 1190. Dos insolÂŽ autrement intÂŽrieur propre. Bel exemplaire. 236 Librairie Gallimard unknown
SKU0567034Gallimard Education 2071-12-01. Mass Market Paperback. Good. 4x0x7. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Gallimard Education paperback
SKU0614541Gallimard Education 2071-12-01. Mass Market Paperback. New. 4x0x7. New Textbook Ships with Tracking Gallimard Education paperback
19422886<p>Paris: Gallimard 1942. First edition. Very Good. FIRST EDITION OF ONE OF THE DEFINING NOVELS OF THE TWENTIETH CENTURY. "From its cold opening lines 'Mother died today. Or maybe yesterday; I can't be sure' to its bleak concluding image of a public execution set to take place beneath the 'benign indifference of the universe' Camus's first and most famous novel takes the form of a terse flat first-person narrative by its main character Meursault a very ordinary young man of unremarkable habits and unemotional affect who inexplicably and in an almost absent-minded way kills an Arab and then is arrested tried convicted and sentenced to death. The neutral style of the novel-typical of what the critic Roland Barthes called 'writing degree zero'-serves as a perfect vehicle for the descriptions and commentary of its anti-hero narrator the ultimate 'outsider' and a person who seems to observe everything including his own life with almost pathological detachment" David Simpson. <br /><br />Note: With the fictitious "Quatrième édition" on the title page and rear wrapper. The 4400 copies of the first printing were issued on the same day. There were eight different title pages and rear wrappers however used as a marketing ploy implying falsely that there were eight different editions.<br /><br />The Nobel Prize in Literature 1957 was awarded to Albert Camus "for his important literary production which with clear-sighted earnestness illuminates the problems of the human conscience in our times".<br /><br />Paris: Gallimard 1942. Original wrappers; glassine probably not original glassine; housed in custom half-morocco box with chemise. Some soiling to wrappers particularly on the spine spine also with edgewear; small tear at bottom right front wrapper and chipping at bottom right edge. A very good copy rare in original wrappers.</p> Gallimard
100-50471Gallimard. Paperback. Very Good. Light wear Gallimard paperback
1957Q-B000SA0KW0Gallimard 1957-01-01. Paperback. New. New. Gallimard paperback
2070212009.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195458192Paris Gallimard 1954. Uncut in the original printed wrappers. Excellent copy. <br/><br/><em>First edition Service de presse-copy i.e. review-copy "S.P" to bottom of title-page and to verso of back wrapper with an excellent presentation-inscription of Camus' magnificent and highly influential collection of essays entitled "Summer". The copy is inscribed to Camus' close friend and ally in numerous respects Jean Paulhan: "a Jean Paulhan/ en affectueuse pensée/ Albert Camus" on half-title. The famous French writer literary critic and publisher Jean Paulhan 1884-1964 shared many things with Camus with whom he grew very close. Not only did he participate actively in the publication of Camus' first books by Gallimard was one of the first to see the true value of Camus' "The Stranger" he was also a confidante of Camus who considered Paulhan one of the main reasons that he became a proper author. In a letter to Paulhan dated September 17 1952 at the moment of break with Sartre Camus writes: "Ever since I thanks to you became what is called an author I have not ceased to be astonished by my brethren. Sometimes it is true in the sense of admiration. Today it is in another sense." Depuis que je suis devenu en peu grâce à vous ce qu'on apelle écrivain je n'ai pas cessé d'être étonné par mes confrères. Parfois dans le sens de l'admiration il est vrai. Aujourd'hui c'est dans un autre sens.Paulhan was an early and active member of the French Resistance director of the literary magazine Nouvelle Revue Française NRF from 1925 to 1940 and again from 1946 to 1968 and a great translator of Malagasy poetry which attracted the interest of the likes of Guillaume Apollinaire and Paul Éluard. He also wrote numerous works of literary criticism "The Flowers of Tarbes or Terror in Literature" 1941 probably being the most famous and he wrote several autobiographical short stories. After the war Paulhan he founded "Cahiers de la Pléiade" and in 1953 he re-launched NRF.Interestingly especially in connection with Camus' famous essays in "L'été" which are devoted entirely to his beloved Algiers Paulhan was loudly against independence for Algeria. He caused great controversy by opposing independence and supporting the French military during the Algerian War. This not only caused public problems for him it also cost him on the personal front as for instance Maurice Blanchot denounced him. The essays in "L'été" are devoted to Algiers and represent a very personal side of Camus who provides a marvelous poetic and humorous picture of the provincial simplicities of Oran and Algiers. For many Camus-devotees "L'Été" constitutes one of the most beloved works as it gives the feel of a certain intimacy with the author that few of his other works does. "In "Return to Tipasa" perhaps the most confessional essay in "Summer" which dates from a long trip to Algeria in December 1952 Camus issues his now famous testimony of survival - "In the depths of winter I finally learned that within me lay an invincible summer" Hawes: Camus A Romance 2009 pp. 181-82. </em> unknown
195458313Paris Gallimard 1954. Uncut in the original printed wrappers. A very nice copy housed in a beautiful brown half morocco box with gilt lettering to spine and gilt super ex-libris to front board. <br/><br/><em>First edition Service de presse-copy i.e. review-copy "S.P" to bottom of title-page and to verso of back wrapper of Camus' magnificent and highly influential collection of essays entitled "Summer" inscribed to the famous critic of literature and drama the writer Guy Dumur 1921-1991: "à Guy Dumur/ l'une des/ ÉTÉs ÉTÉ being printed an L' crossed out in front with s added in Camus' hand/ son vieil et fidele ami/ Albert Camus" on half-title.The younger Guy Dumur was a close friend of Camus who hired him to work on "Combat" with him. It is reported that he had a great talent for discovering new talent. Since childhood he was extremely passionate about the theatre and came to work with all the great dramatic figures in Paris at the time. He is also famous for a number of well respected novels. The essays in "L'été" are devoted to Algiers and represent a very personal side of Camus who provides a marvelous poetic and humorous picture of the provincial simplicities of Oran and Algiers. For many Camus-devotees "L'Été" constitutes one of the most beloved works as it gives the feel of a certain intimacy with the author that few of his other works does. "In "Return to Tipasa" perhaps the most confessional essay in "Summer" which dates from a long trip to Algeria in December 1952 Camus issues his now famous testimony of survival - "In the depths of winter I finally learned that within me lay an invincible summer" Hawes: Camus A Romance 2009 pp. 181-82. </em> unknown
6074156646.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
