Camus AlbertLivre Rare Book
1 783 résultats
1977RO80246551Gallimard. 1977. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Papier jauni. 216 pages.. . . . Classification Dewey : 840.091-XX ème siècle
195375729Paris 1953. Fine. Paris 8 janvier 1953 21 x 27 cm 1 pages et quelques lignes sur un feuillet Unpublished handwritten signed letter from André Breton addressed to critic Charles Estienne; one page and a few lines in black ink on a paper from the à l'étoile scellée gallery. Two transverse folds from having been sent a small corner missing in the upper right margin. Very beautiful letter giving an account of the death of one of André Breton's dearest friends and of his quarrel with Albert Camus. Breton tells his friend about the death of the Surrealist Czech artist Jindich Heisler: Your letter spoke of those days where it seemed that there was only just enough fire to live: on Monday there was far from enough fire when it reached me: one of my two or three best friends Heisler taken suddenly unwell on his way to mine on Saturday had to be hospitalised urgently and I had just received the pneumatic from Bichat telling me of his death. The event no less inconceivable than accomplished left me distraught for a long time: there was no-one more exquisite than he putting more warmth into everything he did the most constant of which was to lighten and embellish those whom he loved. The two poets were indeed very close: Heisler participated alongside Breton in the launch of Néon in 1948 and supported him during a period of depression accompanying him with other friends to the Île de Sein. The beginning of 1953 was overshadowed by the death of Jindich Heisler 4 January. Loyal among the faithful he lived entirely for Surrealism according to Breton who pays tribute to his activity as a leader: This is how he was between 1948 and 1950 the soul of Néon and until his last moments the greatest bearer of projects that as if by magic his talent gave him the means to achieve. Henri Béhar André Breton In this letter laden with pain Breton suddenly makes reference to L'Homme révolté by Albert Camus published two years earlier: Come on it is not yet the time in the rebellion that I will succeed in introducing the measure that M. Camus kindly preaches to us. The two writers met in New York at the end of March 1946 when Camus was invited to the United States for a conference tour as a representative of Combat. The two agree on the best way to preserve the testimony of certain men free from ideological distortions. They dream of a kind of pact by which people of their calibre would commit to not join any political party to fight against the death penalty to never claim any credit whatsoever. ibid. With other intellectuals they founded the Rassemblement démocratique révolutionnaire RDR in 1948; but the idyll ended a couple of years later in the autumn of 1951 when Camus published Lautréamont et la banalité an extract from his Homme révolté which was published later. Breton was extremely hurt and responded to him in an article entitled Sucre jaune in Arts: This article . testifies to the part of Camus for the first time for an indefensible moral and intellectual position. . He only wants to see a guilty adolescent in Lautréamont whom he - in his capacity as an adult - must discipline. He goes as far as to find him in the second part of his work: Poésies a deserved punishment. According to Camus Poésies would be but a mass of laborious banalities . It could still be worse if the destitution of these views did not intend to promote the most suspect thesis in the world which is that absolute revolt can generate only the taste for intellectual enslavement. This is a completely gratuitous ultra-defeatist statement which must incur even more contempt than its false demonstration. Thus two years later Breton still holds out against Camus' crime of lese-majesty towards that which Breton constructed as the father of surrealism but even more this allusion to Camus' pacifist philosophy bearing witness to the incompatibility between a thought of moderation and a poetry of revol unknown
1956ROD0113021EDUCATION PHYSIQUE ET SPORT. 1956. In-12. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Dépliant à 10 volets. Nombreuses illustrations en noir et blanc dans texte.. . . . Classification Dewey : 796.4-Athlétisme et gymnastique
1976R110030722SOCIETE FRANCAISE D'ARCHEOLOGIE. 1976. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 93 à 167. Nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 930.1-Archéologie
19957631ABFrankfurt/M, Knecht, 1995. Gr.8° (23 x 15 cm). 175 (1) S. Grüner Original-Leinenband mit grünem typographisch gestaltetem OUmschlag.
1961R300323506Gallimard. 1961. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 125 pages.. . . . Classification Dewey : 840.091-XX ème siècle
1965R300276601L.G.D.J.. 1965. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 428 pages. Couv. légèrement tachée.. . . . Classification Dewey : 320-Science politique
1968R300325961Gallimard. 1968. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 160 pages. Tranches oranges.. . . . Classification Dewey : 840.091-XX ème siècle
1985RO30324955Gallimard. 1985. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 278 pages. Quelques coupures de presse.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1968R300281891Gallimard. 1968. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos abîmé, Papier jauni. 247 pages. 1 cahier décollé. Tranches roses. Plats pliés. Dos frotté, mors fendus.. . . . Classification Dewey : 840.091-XX ème siècle
1980R320062106DUCULOT. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 169 pages. . . . Classification Dewey : 843.081-Le roman historique
1983RO80246941Gallimard. 1983. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 152 pages. Annotation au stylo en page de titre.. . . . Classification Dewey : 792-Théâtre
1958004703New York: Partisan Review 1958 First appearance of "The Renegade" in English translated by Justin O'Brien. 13 pp. in 160 pp. literary magazine. Covers soiled shelfworn. Very good condition. Partisan Review paperback
19921192026Leipzig : Reclam, 1992. 319 S. : Illustr. ; 18 cm; kart.
198985241Bruxelles Didier Hatier, collection Grands Documents 1989, 1990, in-8, broché, 221 & 259 pp. Documents NB et & couleur hors-texte. Bon état.
1986R320017397BELIN / FRANCE CULTURE. 1986. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 143 pages illustrées de nombreux schémas et photos en noir et blanc dans le texte - 1er plat illustré d'une petite photo - Nombreuses annotations sur la page de garde et soulignements dans le texte aus stylo rouge.. . . . Classification Dewey : 621.3-Electronique
1980500042066EDITION GALLIMARD FOLIO 1980 150 pages 11x18x2cm. 1980. Broché. 150 pages.
1962112450Gallimard, coll. « Nrf » 1962 In-12 broché 17,8 cm sur 11,6. 63 pages. Bon état d’occasion.
1972Q-0394472624Knopf 1972-05-12. Hardcover. New. In shrink wrap. Looks like an interesting title! Knopf hardcover
197234800New York: Alfred A. Knopf 1972. First American Edition. 8vo publisher’s original white linen lettered in gILT on the spine and upper cover in the original pictorially illustrated dustjacket. 192 pp. A very fine copy. FIRST EDITION. Albert Camus’s first novel written in French in the 1930’s and published in English for the first time here. <br> “In many interesting ways A Happy Death foreshadows The Stranger. But its most striking difference - beyond its differences of plot and intention - is that here Camus reveals more of himself than in his later more mythic fiction. He seems very close to his protagonist. Through the young Patrice one feels in touch with the young Camus - his joy in the sea sun and open skies of his native Algeria his relationships with women his need of them and his detachment from them the intense alienation he experienced as a traveler in Central Europe his sense of the ways in which poverty can nourish or destroy. And it is from his own early intimations of death movingly evoked that this novel draws the concern - how is one to live in order to have a happy death the right death -which is at the root of its drama.â€-Publisher Alfred A. Knopf unknown
1995Q-0679764003Vintage 1995-08-29. Paperback. New. In shrink wrap. Looks like an interesting title! Vintage paperback
1972175027New York: Alfred A. Knopf 1972. First edition and first printing. Hardcover. A posthumously published novel from the author of "The Fall." Translated by Richard Howard. A close to near fine copy with some bumping to the top corners and a former owner signature to the front free endpaper in a near fine dust jacket with some slight bumping to the top front corner. Alfred A. Knopf unknown books
1972298119London: Hamish Hamilton 1972. First. hardcover. fine/fine. Translated from the French by Richard Howard. Small 8vo cloth d.w. price clipped. Hamish Hamilton 1972. First British Edition.<br/><br/> His first novel published for the first time in English. Inscribed by the translator on the title page.<br/><br/> Hamish Hamilton unknown books
1972297558New York: Knopf 1972. First. hardcover. fine/fine. Translated from the French by Richard Howard. Small 8vo cloth d.w. New York: Knopf 1972. First American Edition.<br/><br/> His first novel. Review copy with publicity photo of the author.<br/><br/> Knopf unknown books
1972289618New York: Knopf 1972. First. hardcover. fine/fine. Translated from the French by Richard Howard. Small 8vo cloth d.w. New York: Knopf 1972. First American Edition.<br/><br/> His first novel.<br/><br/> Knopf unknown books
