3 905 résultats
4190SUR, n° 211-212, Buenos Aires, mai-juin 1952. In-8, broché.
1977RO80246551Gallimard. 1977. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Papier jauni. 216 pages.. . . . Classification Dewey : 840.091-XX ème siècle
77053Paris, Europe, 1999. 13 x 21, 301 pp., broché, très bon état.
195375729Paris 1953. Fine. Paris 8 janvier 1953 21 x 27 cm 1 pages et quelques lignes sur un feuillet Unpublished handwritten signed letter from André Breton addressed to critic Charles Estienne; one page and a few lines in black ink on a paper from the à l'étoile scellée gallery. Two transverse folds from having been sent a small corner missing in the upper right margin. Very beautiful letter giving an account of the death of one of André Breton's dearest friends and of his quarrel with Albert Camus. Breton tells his friend about the death of the Surrealist Czech artist Jindich Heisler: Your letter spoke of those days where it seemed that there was only just enough fire to live: on Monday there was far from enough fire when it reached me: one of my two or three best friends Heisler taken suddenly unwell on his way to mine on Saturday had to be hospitalised urgently and I had just received the pneumatic from Bichat telling me of his death. The event no less inconceivable than accomplished left me distraught for a long time: there was no-one more exquisite than he putting more warmth into everything he did the most constant of which was to lighten and embellish those whom he loved. The two poets were indeed very close: Heisler participated alongside Breton in the launch of Néon in 1948 and supported him during a period of depression accompanying him with other friends to the Île de Sein. The beginning of 1953 was overshadowed by the death of Jindich Heisler 4 January. Loyal among the faithful he lived entirely for Surrealism according to Breton who pays tribute to his activity as a leader: This is how he was between 1948 and 1950 the soul of Néon and until his last moments the greatest bearer of projects that as if by magic his talent gave him the means to achieve. Henri Béhar André Breton In this letter laden with pain Breton suddenly makes reference to L'Homme révolté by Albert Camus published two years earlier: Come on it is not yet the time in the rebellion that I will succeed in introducing the measure that M. Camus kindly preaches to us. The two writers met in New York at the end of March 1946 when Camus was invited to the United States for a conference tour as a representative of Combat. The two agree on the best way to preserve the testimony of certain men free from ideological distortions. They dream of a kind of pact by which people of their calibre would commit to not join any political party to fight against the death penalty to never claim any credit whatsoever. ibid. With other intellectuals they founded the Rassemblement démocratique révolutionnaire RDR in 1948; but the idyll ended a couple of years later in the autumn of 1951 when Camus published Lautréamont et la banalité an extract from his Homme révolté which was published later. Breton was extremely hurt and responded to him in an article entitled Sucre jaune in Arts: This article . testifies to the part of Camus for the first time for an indefensible moral and intellectual position. . He only wants to see a guilty adolescent in Lautréamont whom he - in his capacity as an adult - must discipline. He goes as far as to find him in the second part of his work: Poésies a deserved punishment. According to Camus Poésies would be but a mass of laborious banalities . It could still be worse if the destitution of these views did not intend to promote the most suspect thesis in the world which is that absolute revolt can generate only the taste for intellectual enslavement. This is a completely gratuitous ultra-defeatist statement which must incur even more contempt than its false demonstration. Thus two years later Breton still holds out against Camus' crime of lese-majesty towards that which Breton constructed as the father of surrealism but even more this allusion to Camus' pacifist philosophy bearing witness to the incompatibility between a thought of moderation and a poetry of revol unknown
1956ROD0113021EDUCATION PHYSIQUE ET SPORT. 1956. In-12. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Dépliant à 10 volets. Nombreuses illustrations en noir et blanc dans texte.. . . . Classification Dewey : 796.4-Athlétisme et gymnastique
1976R110030722SOCIETE FRANCAISE D'ARCHEOLOGIE. 1976. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 93 à 167. Nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 930.1-Archéologie
19957631ABFrankfurt/M, Knecht, 1995. Gr.8° (23 x 15 cm). 175 (1) S. Grüner Original-Leinenband mit grünem typographisch gestaltetem OUmschlag.
1965R300276601L.G.D.J.. 1965. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 428 pages. Couv. légèrement tachée.. . . . Classification Dewey : 320-Science politique
1961R300323506Gallimard. 1961. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 125 pages.. . . . Classification Dewey : 840.091-XX ème siècle
1985RO30324955Gallimard. 1985. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 278 pages. Quelques coupures de presse.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
RO20225564Culture, Art Loisirs / Gallimard. Non daté. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 285 pages. Un cahier d'études sur l'auteur augmenté de nombreuses photos en noir et blanc dans et hors texte en début d'ouvrage. Signet conservé. Plats et dos illustrés en couleurs.. . . . Classification Dewey : 840.091-XX ème siècle
2001RO40017497Ouest France. 2001. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 126 pages augmentées de nombreuses photos en couleurs dans le texte. Plats contrepliés en un rabat.. . . . Classification Dewey : 133.4-Magie, sorcellerie, démonologie
2015RO80243848Gallimard. 2015. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 278 pages.. . . . Classification Dewey : 840.091-XX ème siècle
1968R300281891Gallimard. 1968. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos abîmé, Papier jauni. 247 pages. 1 cahier décollé. Tranches roses. Plats pliés. Dos frotté, mors fendus.. . . . Classification Dewey : 840.091-XX ème siècle
2010RO30350462Gallimard. 2010. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 171 pages.. . . . Classification Dewey : 840.091-XX ème siècle
1968R300325961Gallimard. 1968. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 160 pages. Tranches oranges.. . . . Classification Dewey : 840.091-XX ème siècle
1980R320062106DUCULOT. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 169 pages. . . . Classification Dewey : 843.081-Le roman historique
1983RO80246941Gallimard. 1983. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 152 pages. Annotation au stylo en page de titre.. . . . Classification Dewey : 792-Théâtre
100.216Paris, Gallimard, 1947. 12 x 18, 102 pp., broché, bon état.
101.276Bruxelles, Didier Hatier, 1990. 15 x 24, 260 pp., plusieurs illustrations en couleurs et en N/B, broché, bon état (couverture défraîchie).
1958004703New York: Partisan Review 1958 First appearance of "The Renegade" in English translated by Justin O'Brien. 13 pp. in 160 pp. literary magazine. Covers soiled shelfworn. Very good condition. Partisan Review paperback
19921192026Leipzig : Reclam, 1992. 319 S. : Illustr. ; 18 cm; kart.
198985241Bruxelles Didier Hatier, collection Grands Documents 1989, 1990, in-8, broché, 221 & 259 pp. Documents NB et & couleur hors-texte. Bon état.
in-16, 317 pp., broché, couverture illustrée. Bel exemplaire. [SO-9] Des phrases célèbres situées dans leur contexte, analysées et commentées.
9788532640000VOZES. new. � um livro para quem quer estabelecer um primeiro contato com a filosofia ou para aquele que deseja sistematizar seu conhecimento pois permite um acesso facilitado ao pensamento de grandes fil�sofos e de suas respectivas obras. Com uma estrutura clara e objetiva os autores selecionaram as 100 obras que marcaram a reflex�o filos�fica desde a Antiguidade destacando os aspectos mais importantes de cada uma seu contexto hist�rico e filos�fico as problem�ticas essenciais teses desenvolvidas e conceitos chaves. VOZES unknown
