Merville, Pierre Francois CamusBiblio.com
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1166772020.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1120487420.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781166772024New. unknown
20132-2754809783Futuropolis Gallisol Editions 2013. Hardcover. New. 272 pages. French language. 13.31x9.76x1.10 inches. Futuropolis Gallisol Editions hardcover
2001Q-2070401014French and European Publications Inc 2001-04-04. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! French and European Publications Inc paperback
1999Q-2070738272Gallimard 1999-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Gallimard paperback
1994mon0000087361Editions Gallimard 1994-04-21. Paperback. Like New. 2.5888 in x 21.8782 in x 14.2893 in. Editions Gallimard paperback
2070306348.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
DADAX2075074151GALLIMARD BD 2017-09-21. hardcover. New. 8.62x0.75x11.38. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD BD hardcover
SONG2075074151GALLIMARD BD 2017-09-21. hardcover. Used: Good. 8.62x0.75x11.38. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD BD hardcover
20172-2075074151Gallimard BD 2017. Album. New. 184 pages. French language. 11.42x8.50x0.79 inches. Gallimard BD unknown
#[71353]The Little Grinder". A young man stands at a grinding wheel in front of a half-open barn door sharpening a knife. A boy and girl are watching and a cat and dog are also present. Lithograph on wove paper sheet size 390 x 284 mm. image size 320 x 238 mm. Lithograph by Lion after a design by Pierre Duval le Camus printed and published by Engelmann in Paris c. 1830. Pierre Duval le Camus Lisieux 1790 - 1854 Saint-Cloud was a French painter and lithographer who specialised in portraits and genre scenes. His father was a master glazier and sent him to Paris to learn the trade. However Pierre found himself attracted to the arts instead was taught by Claude Gautherot. From 1808 he would study with Jacques-Louis David. We have not been able to identify 'Lion'. In good condition. A dampstain in the lower left margin corner. The margins generally a little soiled.A crease in the top left crossing the corner of the image. unknown
1985Q-2070322882Folio 1985-02-21. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Folio paperback
20021-2844680259Fremeaux 2002. Audio CD. New. French language. 5.59x4.88x0.94 inches. Fremeaux unknown
GOR003894981Paperback. Good. paperback
2070719669.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985SKU0567037Gallimard 1985-02-01. pocket_book. Good. 4x0x6. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Gallimard unknown
1985SKU0614544Gallimard 1985-02-01. pocket_book. New. 4x0x6. New Textbook Ships with Tracking Gallimard unknown
1950AA1424Paris: Charlot 1950. First Limited. Very Good. A very good copy in tan wrappers with red and black printed cover A limited edition this copy being No 73 printed on pure Rives vellum paper as described in the limitation page There is a small tear at the base of the spine but otherwise the binding is very good The personal library label of "Ex PG libris Skinos" Panof Grafsos Skinos is affixed to the bottom of the ffep with some paste stain Pages are still uncut<br /> A well-know essay by Camus<br /> From a summary:<br /> "Men from time to time need to retreat to areas which are silent in order to collect their thoughts and better understand the world This silence is best found in big cities in which one can simultaneously be in the presence of others and yet be lost in the crowd European cities however are too imbued with their violent and eventful histories to provide this silence Cities can even be too filled with poetry to provide the proper silence for thought The city of Oran then is ideal as it is a kind of city without soul or poetry to distract the thinker" 80 pp. Charlot unknown
195043780Paris: Charlot 1950. Fine. Charlot Paris 1950 16 x 25.50 cm relié First edition in part one of 17 numbered copies on China paper tirage de tête. Half maroon morocco Bradel binding by Devauchelle over Japan paper the spine with two mosaiced lozenges of cream-colored morocco date and publisher at foot of spine top edge gilt an elegant binding. Provenance : the library of Raoul Simonson with his ex libris pasted in. A fine copy in a lovely binding. Charlot unknown
32092Paris Charlot 1er mai 1950. 1 vol. 165 x 255 mm de 79 p. et 2 f. Broché. . Édition originale. Texte dédié à Pierre Galindo. Un des 280 exemplaires sur vélin pur fil de Lana n° 10 - outre les 45 exemplaires sur le même papier réservés à l'auteur. . Paru chez Charlot son éditeur historique Le Minotaure est le premier des huit essais qui constitueront le recueil de L'Été. Le manuscrit princeps est daté de 1939 mais la publication a été ajournée pour de multiples raisons et il faudra attendre 1946 pour voir le texte paraître en revue grâce à Jean Amrouche l'ami kabyle d'Albert Camus installé à Tunis. Ce dernier anime depuis la fin de la guerre la revue L'Arche d'Edmond Charlot. Dans son numéro 13 de février 1946 Camus publie donc une première version de sa « plaquette sur Oran » Le Minotaure avec l'épigraphe suivante de Gide : « Je l'imaginais à la cour du roi Minos inquiet de savoir quelle sorte d'inavouable monstre peut bien être le Minotaure ; s'il est si affreux que cela ou s'il n'est pas charmant peut-être. » La version définitive en volume est prête en 1949 avec quelques corrections au texte et l'épigraphe de Gide remplacée par une autre de Hölderlin. Cette période marque la fin de la célèbre enseigne algéroise : Edmond Charlot fait faillite malgré les succès de librairie qui caractérisent sa période d'après-guerre et Le Minotaure est l'un des derniers titres de son catalogue en même temps qu'il marque la fin de la collaboration de Camus avec Charlot lequel lancera cependant une nouvelle maison d'édition à Alger Rivages. Paris, Charlot, (1er mai) 1950. 1 vol. (165 x 255 mm) de 79 p. et [2] f. Broché. unknown
1950422752Paris: Charlot 1950. Softcover. Near Fine/Near Fine. First edition limited issue. Tall octavo. Small chip at the spine crown very good in printed wrappers and unprinted glassine dust jacket. One of 120 copies reserved for the use of the author of a total edition of 1343 copies. This is copy number 848 on Rives paper. The copies numbered between 801 to 920 were the author's copies. Inscribed by the author: "a Nicole et Jean Marie/ avec la fidele affection/ de leur vieux camarade/ Albert Camus." "To Nicole and Jean Marie/ with the faithful affection/of their old comrade/ Albert Camus.".<br /> <br /> The recipients were almost certainly Nicole and Jean-Marie Domenach French intellectuals and friends of Camus albeit with some philosophical differences. Jean-Marie was a noted left wing Catholic thinker and while he and Camus were both vocal in protesting such activities as the French use of torture during the Algerian Civil War Domenach had considerably more sympathy for the socialist and communist governments of the time which Camus found repugnant. It is interesting to note the comma in the inscription as though the inclusion of Jean-Marie in the presentation was an afterthought or perhaps a necessity of politesse. Long after Camus had died Jean-Marie Domenach provided a preface to a book of his thinking Albert Camus and Christianity. Hope on Trial.<br /> <br /> The deluxe editions of this title turn up at auction with some regularity but we were unable to find any instance of one of the author's copies in the market and very few copies of this limited edition have ever turned up signed. A rarity and a notable association copy. Charlot unknown
194487468Paris: Gallimard 1944. Fine. Gallimard Paris 1944 12 x 18.50 cm broché First edition on ordinary paper with mention of fifth edition. Spine very slightly yellowed with small scratches. Gallimard unknown
CA15AA-00227Gallimard. Collectible - Good. Paris: Gallimard 1958. Sm 8vo Hardcover. 2 volumes in one. 250pp. Limited edition No. 3696 of 4000 copies Good book. Slight tear to limitation page. plays drama french theater 20th century Inquire if you need further information. Gallimard hardcover
1995Q-2070388727French and European Publications Inc 1995-03-03. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! French and European Publications Inc paperback
