348 résultats
194825604Paris: Gallimard 1948. First edition. Original wrappers fine. 267 p. 19 cm."Les deux premières parties de Saint Glinglin ont paru sous le titre de Gueule de Pierre et de Les temps mêlés." Tirage de tête copy number 7 of 18 copies on pur fil the only special paper issue. Gallimard unknown
2015x-1782621210Royal Society of Chemistry 2015. Hardcover. New. 254 pages. 9.50x6.50x1.00 inches. Royal Society of Chemistry hardcover
2016x-1782625380Royal Society of Chemistry 2016. Hardcover. New. gld edition. 300 pages. 9.25x6.25x1.00 inches. Royal Society of Chemistry hardcover
2014x-184973965XRoyal Society of Chemistry 2014. Hardcover. New. 645 pages. 9.25x6.25x1.75 inches. Royal Society of Chemistry hardcover
195166423Paris: Gallimard 1951. Fine. Gallimard Paris 1951 12 x 19 cm broché First edition an advance service de presse copy. Spine repaired small filled-in lacks in the margins of the first leaves paper yellowed. Handsome autograph inscription signed by Raymond Queneau to Simone de Beauvoir. Gallimard unknown
196271796Paris: Collège de Pataphysique 1962. Fine. Collège de Pataphysique Paris 1962 21.50 x 27.50 cm broché First edition one of the 144 numbered copies on pur chiffon d'oreiller deluxe copies ""tirage de tête"". Nice copy. Collège de Pataphysique unknown
194860160Paris: Georges Visat 1948. Fine. Georges Visat Paris 1948 16.50 x 21.50 cm en feuilles sous chemise et étui First edition one of 25 numbered copies on vélin d'Arche paper with a suite of engravings on Japon if the second state of the illustrations by Christiane Alanore. Illustrated with 20 original engravings by Christiane Alanore. Three leaves stained and a few marginal spots marginales on some others. Georges Visat unknown
195069739Paris: Gallimard 1950. Fine. Gallimard Paris 1950 19.50 x 12 cm broché First edition one of 43 numbered copies on ""pur-fil"" paper vellum the only deluxe copies ""grands papiers"" after 8 Holland paper. Beautiful and rare copy. Gallimard hardcover
23076S.l. 1948. Gouache et mine de plomb sur 1 f. de papier Arches 375 x 275 mm. . Le sujet représente une scène d'orchestre : grosse caisse saxophone et accordéon dans un style très géométrique. Le dessin est signé en bas à droite « R. Queneau ». . Raymond Queneau dessinateur et peintre Au lendemain de la guerre en quête d'une possible reconversion le père de Zazie laisse un temps la plume pour le pinceau. Il réalise entre 1946 et 1952 près de six cents gouaches et aquarelles. « Tels qu'il les pratique le dessin et la couleur deviennent un exercice de liberté allègre dynamique ludique gourmand. Il mélange les styles sans préoccupation esthétique ou théorique se promène dans une réalité insolite souvent cocasse parfois mélancolique. On dirait qu'il poursuit ses poèmes par le graphisme qu'il jongle avec les mots par le vocabulaire des formes » Dominique Charnay Queneau et la peinture Buchet & Chastel 2003. Plus de cent cinquante reproductions seront présentées dans cette large monographie et celle-ci n'y figure pas. Quelques autres gouaches mettent en scène artistes et musiciens mais dans des thèmes différents. L'ensemble des manuscrits et dactylogrammes originaux des œuvres de Queneau sont quant à eux conservés au Harry Ransom Center de l'Université du Texas à Austin. Provenance : Jean-Marie et Annabelle Queneau ; Oberlé Catalogue Queneau. S.l., 1948. Gouache et mine de plomb sur 1 f. de papier Arches (375 x 275 mm). unknown
193466546Paris: Nrf 1934. Fine. Nrf Paris 1934 12 x 19 cm broché First edition of which there were no grand papier deluxe copies false statement of third edition. Spine slightly sunned. Autograph inscription dated Octobre 1946 and signed by Raymond Queneau to a friend named Suzanne : "". de tout mon coeur pas de pierre elle le sait bien."" Nrf unknown
196567038Paris: Gallimard 1965. Fine. Gallimard Paris 1965 12.50 x 16.50 cm broché First edition an advance service de presse copy. Spine slightly sunned copy retaining its advertising slip. Autograph inscription signed by Raymond Queneau to a friend named Suzanne and her husband Jean Rossignol. Gallimard unknown
194166547Paris: Gallimard 1941. Fine. Gallimard Paris 1941 12 x 19 cm broché First edition for which it was not drawn from great papers mention of third edition. Back slightly insolated with a clear wetting in the middle two small gaps on the second board. Autograph dedication dated October 1946 and signed by Raymond Queneau to a friend named Suzanne: ""Dear Suzanne I apologize it's a very bad book it's clumsy and awkward as its author but have more indulgence. for the latter."" Gallimard unknown
195089536Paris: Gallimard 1950. Fine. Gallimard Paris 1950 18.7 x 12 cm Broché First edition one of the review copies. Some light foxing to the spine and along the edges of the covers a pleasing copy given the poor quality of the paper. Inscribed by Raymond Queneau to Dominique Aury.  Gallimard unknown
51-0110New York and Paris: Tudor/Amiel/Maeght 1975-1992. 4to. The complete set in 6 volumes lacking the 34 original color lithographs except the original lithograph dust-jackets are present. All volumes clothbound in dust jackets and acetate dust jackets; in excellent condition. Volume 1: 1930-1952 236 pages 189 color plates; Volume 2: 1953-1963 254 pages approx. 200 color plates; Volume 3: 1964-1968 217 pages and over 200 color plates; Volume 4: 1969-1972 210 pages and over 200 color plates; Volume 5: 1972-1975 192 pages 210 color plates; Volume 6: 1976-1981 200 pages 180 color plates. References: Freitag 6573; Cramer 160 198 230 and 249. New York and Paris: Tudor/Amiel/Maeght, 1975-1992, hardcover
194824922Paris: Gallimard 1948. First Gallimard edition greatly expanded from the 1946 book of the same title which contained only six poems. 136 p. 19 cm. Original wrappers very fine unopened. Tirage de tête copy number II of 13 copies 10 numbered three lettered printed on vélin pur fil. Gallimard unknown
1948163773Paris: Gallimard 1948. First trade edition service de presse copy inscribed by the author on the half-title to his longtime friend and collaborator "A Georges Bataille cordialement Queneau". The editor's compliments card is loosely inserted. While Queneau met and briefly joined the Surrealists his friendship with Bataille developed later when he contributed to Documents Bataille's first venture as a magazine editor. The publication was a challenge to mainstream surrealism described by Bataille as a "war machine against received ideas" quoted by Ades and Bradley; Queneau also contributed to a vehemently anti-Andre Breton pamphlet written by Bataille. Both shared a love of Hegel: Bataille was a regular attendee at Alexandre Kojève's seminars on the philosopher which Queneau later edited and published. L'Instant Fatal was first published in a limited edition of 250 copies only by Aux Nourritures in 1946. There was also a limited issue of this edition comprising 13 copies printed on Lafuma Navarre. Octavo. Original cream wrappers spine and wrappers lettered and ruled in black and red. Spine worn with a little loss to paper at ends wrappers foxed and faintly toned ink marks to front wrapper rear wrapper professionally re-attached contents a little toned with a few spots: a very good copy in later glassine. Dawn Ades and Fiona Bradley "A Playful Museum" The Guardian 6 May 2006. unknown
195572743Paris: Seghers 1955. Fine. Seghers Paris 1955 14 x 19 cm broché First edition on ordinary paper. Work decorated with a frontispiece illustration by Joan Miro. Very precious autograph inscription signed by Janine Queneau to her great friend Boris Vian: ""A Boris dont je crains d'avoir bien mal suivi les conseils. Avec beaucoup d'affection. Janine."" ""To Boris whose advice I fear I have followed very poorly. With much affection. Janine.""  Provenance: Boris Vian Foundation.  Seghers unknown
194753523Paris: Gallimard 1947. Fine. Gallimard Paris 1947 12 x 18.50 cm broché First edition one of 25 numbered copies on pur fil tirage de tête after 10 copies on yellow paper reserved for the author. Handsome autograph inscription signed by Raymond Queneau to Michel Simon. A good copy. Gallimard unknown
194765821Paris: Les Editions du Scorpion 1947. Fine. Les Editions du Scorpion Paris 1947 12 x 18.50 cm broché First edition one of 120 numbered copies on alfa paper the only grand papier deluxe copies. A nice copy despite slight lacks and angular tears. Les Editions du Scorpion unknown
195573380Paris: J.A.R. 1955. Fine. J.A.R. Paris 1955 14 x 19 cm broché First edition one of the review copies. A pleasing copy. With contributions by Louis Calaferte René Fallet Yves Gibeau Hervé Bazin. Precious signed autograph inscription by Raymond Queneau: ""A Jean Giono en cordial hommage. Queneau."" J.A.R. unknown
196433530Paris: Editions Dire 1964. Fine. Editions Dire Paris 1964 33 x 18 cm en feuilles Edition illustrated with 6 engravings in-fine and original boards by Fernand Michel one of 100 numbered copies on Chiffon Lana paper and signed by the typographer author and artist the only printing. Fine printing by Jean Vodaine presented in sheets under ivory embossed paper covers half black cloth boards illustrated covers with manuscript title unpaginated 24 ff. Autograph signed dedicatory poem by Fernand Michel on verso of front cover light scuffs with small paper lacks to rear board. Rare. Editions Dire hardcover
195991168Paris: Gallimard 1959. Fine. Gallimard Paris 1959 11.7 x 18 cm Broché First edition standard issue.Spine lightly faded as usual; some leaves with brittle margins resulting in minor losses.Signed autograph inscription from Raymond Queneau to Yvon Belaval. Gallimard unknown
2329Paris/Barcelona Maeght and Ediciones PoligrS.A. 1972 AND 1975. Folio or large 4to.The first two volumes in Spanish of the catalogue raisonné of lithographs. 12 original color lithographs 2 are the dust jackets; 10 of the plates are double-spread. Cloth; 32 x 24.5 cm. Volume I 1930-52; NY: Tudor 1972. 12 original color lithographs 10 are double page plus dust jacket; 5 of the interior ones double-spread; 189 catalogue entries & plates or illustrations 90 in color; 231 pp.; Both volumes are one of limited edition of Spanish-language copies there were also 5000 issued in english and another edition in French. Volume II 1953-63; NY: Léon Amiel 1975. 12 original lithographs including dust jacket; 5 of the interior plates double-spread; catalogue numbers 190-389 with accompanying plates & illustrations 93 in color; 253 pp.; one of a limited edition. Volume I very fine with dust jacket in original mylar wrapper . Volume II as new in dust jacket including the green band with undamaged acetate wrapper. Both Vol. I and Vol. II are in fine condition as new. Maeght and Ediciones Poligr,S.A. hardcover
51-0111Genf: Weber 1972-1992. 4to. 24.5 x 32cm. Joan Miro. Der Lithograph. Bänd 1-6. 6 Bände komplett. Band 1: 1930-1953. Band 2: 1953-1963. Vorwort von Raymond Queneau. Band 3: 1964-1969. Vorwort von Joan Teixidor. Band 4: 1969-1972. Vorwort von Nicolas und Elena Calas. Band 5: 1972-1975. Verzeichnis zusammengestellt von Patrick Cramer. Band 6: 1976-1981. Verzeichnis zusammengestellt von Patrick Cramer. Es fehlt die Originallithographien ausser den Schutzumschläge…. BAND II nur vorhanden auf Englisch oder Französisch. Wählen Sie welche Sprache. The complete set in 6 volumes lacking the 34 original color lithographs except the original lithograph dust-jackets are present. All volumes clothbound in dust jackets and acetate dust jackets; in excellent condition. Volume 1: 1930-1952 236 pages 189 color plates; Volume 2: 1953-1963 254 pages approx. 200 color plates; Volume 3: 1964-1968 217 pages and over 200 color plates; Volume 4: 1969-1972 210 pages and over 200 color plates; Volume 5: 1972-1975 192 pages 210 color plates; Volume 6: 1976-1981 200 pages 180 color plates. References: Freitag 6573; Cramer 160 198 230 and 249. Volume II only available in English or France. Customer can choose.The complete set in 6 volumes lacking the 34 original color lithographs except the original lithograph dust-jackets are present. All volumes clothbound in dust jackets and acetate dust jackets; in excellent condition. Volume 1: 1930-1952 236 pages 189 color plates; Volume 2: 1953-1963 254 pages approx. 200 color plates; Volume 3: 1964-1968 217 pages and over 200 color plates; Volume 4: 1969-1972 210 pages and over 200 color plates; Volume 5: 1972-1975 192 pages 210 color plates; Volume 6: 1976-1981 200 pages 180 color plates. References: Freitag 6573; Cramer 160 198 230 and 249. Genf: Weber, 1972-1992. hardcover
1951339397Paris: NRF / Gallimard 1951. First edition no. 23 of 30 numbered copies on hollande Van Gelder. 306 1 pp. 1 vols. 8vo. Wrappers untrimmed. Fine copy. Marbled slipcase. First edition no. 23 of 30 numbered copies on hollande Van Gelder. 306 1 pp. 1 vols. 8vo. Philosophical novel by Queneau taking its title from a passage by Hegel. Filmed by Jean Herman in 1967; an Englihs translation was published in 1977.<br /> <br /> Sharp copy from the édition de tête. NRF / Gallimard unknown
