Blaise CENDRARSBiblio.com
296 résultats
192969212Paris: Au sans pareil 1929. Fine. Au sans pareil Paris 1929 12 x 19 cm broché first edition on current paper one of the review copies service. A small restoration at the head of the back. Precious autograph signed by Blaise Cendrars: ""To Ungaretti with the good memory of Blaise Cendrars."" Au sans pareil unknown
192845276Paris: Les éditons des portiques 1928. Fine. Les éditons des portiques Paris 1928 12 x 19 cm broché First edition on ordinary paper. Handsome autograph inscription from Blaise Cendrars to Jules supervielle : "" à supervielle voleur d'enfants."" A tiny marginal lack not serious on the first free endpaper lacks to head of a leave less than skillfully cut small traces of folding to lower cover. A handsome and rare copy. Les éditons des portiques unknown
1949140939521Paris: Pierre Seghers 1949. First Edition. Fine/Near Fine. First edition first printing. 135pp. Fine in a Near Fine dust jacket with light toning light rubbing at extremities a closed tear to the top edge of the front panel with light associated creasing and a torn chip at the tail of the spine. A beautiful copy. Pierre Seghers unknown
19354726Draeger 1935. Ringbound. Very Good. Spiral binding. Very Good-w/ a 3/4inch closed tear some tanning & foxing minute water stains minute edge/corner wears on cover. Very good in very good dust jacket. <br/> <br/> Draeger unknown
2008Alibris.0015848Beinecke Rare Book Library. 2008. Trade paperback. Good. Moderate wear to box. Includes 200cm x 37cm poem and booklet containing English translation. Beinecke Rare Book Library paperback
191705144Paris: A La Belle Edition 1917. Soft cover. Good. E.O. - exemplaire non numéroté mais bien signé par Cendrars ex. sur Arches comme 250 ex. ; après 5 sur chine et 50 ex sur Japon et avant 26 ex H.C. - 261 sur la couverture pgs en ff comme édité - couverture originale - 5 dessins de Angel Zarraga 1 sur la couverture2 sur fond jaune et imprimés en bleu h.t. - imprimé en bleu - témoins non coupés - bords poussiéreux - tache brunâtre à l'intérieur de la couverture à cause de l'insertion d'un papier acide - petits défauts au bords la couverture est trop grande- trace d'une dédication sur la page avec le faut titre - mais en tout très acceptable - rare OCLC seulement 7 ex <br/> <br/> A La Belle Edition paperback
194928665Paris: Pierre Seghers 1949. Minor smudging to printed cream boards; near fine. With a near fine example of the panoramically-illustrated jacket showing only minor rubbing. Housed in quarter-leather slipcase with pull-tab chemise. First Edition of the preferred version in cloth with dust jacket. Small quarto. The landmark first book from photographer Robert Doisneau featuring 130 gravure images of Parisian suburbs in the aftermath of war accompanied by an impassioned text from Blaise Cendrars. Punctuated by the marvelous dust jacket with the Eiffel Tower—symbol of French modernism—superimposed over a landscape of postwar housing projects. In the same year a separate edition was issued in wrappers by La Guilde du Livre in Lausanne Roth 101 Parr vol. 1. Paris: Pierre Seghers unknown
044631917 Paris A La Belle Edition. E.O. - 5 dessins de Angel Zarraga y compris l'illustrationde la couverture - imprimé en bleu - numéro 0232 des 250 ex sur vergé d'arches 56 à 305 après 5 ex sur chine 50 ex sur japon il y a encore 26 ex H.C. - 28 pgs non numérotées - couverture originale - une tâche sur la première partie de la couverture coin en bas gauche photo sur demande en haut en en bas il maque une petite partie du dos parceque la couverture est trop grande par rapport au feuilles dans le livre petite déchirure dans la première partie de la couverture à droite reliure un peu usée mais tout très acceptable - voir Talvart et Place II pg 332 - rare OCLC 5 ex <br /> 1917 Paris A La Belle Edition
196677183Paris: Les bibliophiles de France 1966. Fine. Les bibliophiles de France Paris 1966 33.50 x 24.50 cm en feuilles sous chemise et étu Edition illustrated with 31 original etchings by Jacques Ramondot and printed in 145 nominative copies on Fabriano laid paper. Spine of chemise and slipcase lightened boards lightly and marginally shaded without gravity. Bookplate pasted opposite the colophon. Our copy is complete with the very beautiful multicolored poster folded in 4 reproducing the decoration of the chemise and slipcase. Each of the three texts is printed on laid paper of different color: grey for ""Les Pâques à New York"" taupe grey for ""La Prose du Transsibérien"" and mustard yellow for ""Le Panama ou les Aventures de mes sept Oncles"". Les bibliophiles de France hardcover
2009835094RMN. New. 2009. Paperback. 2711856283 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 200 pages; 257 illustrations. -- with a bonus offer-- . RMN paperback
192166751Paris: Editions de la Sirène 1921. Fine. Editions de la Sirène Paris 1921 14.50 x 19.50 cm broché First edition one of 50 copies on kraft roux the only grand papier deluxe copies. Spine and covers marginally sunned as usual a small spot on the last endpaper. Cover illustrated with a drawing by Dalbanne reprinted on the title page. Letter-postface by Blaise Cendrars. Editions de la Sirène unknown
191853297Paris: Editions de la Sirène 1918. Fine. Editions de la Sirène Paris 1918 19 x 23.50 cm broché CENDRARS Blaise. Le Panama ou les Aventures de mes sept oncles Panama or the Adventures of my Seven Uncles éditions de la Sirène Paris 1918 19 x 235 cm original wrappers First edition one of 500 numbered copies on vélin d'Arches paper. Illustrated with 25 outlines of American railways. The poem is presented folded like a pocket railway timetable. Editions de la Sirène unknown
195674986Paris: Galerie Louis Carré 1956. Fine. Galerie Louis Carré Paris 1956 17 x 26.50 cm broché First edition printed with 750 numbered copies on Arches Velin and planned for the exhibition of Léger's works organised at the Louis Carré gallery from 19 November to 31 December 1954 for which the catalogue has been published only two years after the retrospective. Work illustrated with original lithographs by Fernand Léger: 6 unpaged colour plates two of which are double pages 5 black and white unpaged plates and 10 within the text. A beautiful copy despite slight rubbing to the caps. Galerie Louis Carré unknown
1919007635Paris: Éditions de la Sirene. Printed at l'Imprimerie Frazier-Soye. Coloring done at Ateliers de Richard 1919. First Edition. Wraps. Very Good Plus. A Cubist tour-de-force and an exemplary creation of the close collaboration between poet Cendrars and the artist. No. 49 of 1225 copies this copy on Papier Registre Velin Lafuma. 4to. 31.5 by 25 cm. Unpaginated 29 leaves with content. At least four single page color plates and two double paged color plates by Leger and arguably a third one with some text on one of the pages -- the first page of text. Leger artwork and designs though appear on many other pages and this includes his original and striking typography which is also manifest in the illustrations which have a collage-like arrangement. Light wear. Éditions de la Sirene. Printed at l'Imprimerie Frazier-Soye. Coloring done at Ateliers de Richard unknown
192648312Paris.: Au Sans Pareil. 1926. Original publisher's dark turquoise printed wrappers with titles to front cover and spine in black spine with some fading. 8vo. 194 x 144 mm. Half-title with 'Du Même Auteur' verso leaf with Hecht's original engraving as frontispiece verso printed title with copyright verso leaf with Cendrars' dedications to Jacques Doucet and to Conrad Moricand and Cendrars' prose illustrated with four further original engravings by Hecht leaf with 'table des Matières' leaf with 'Note Bibliographique' and final leaf with justification; the additional double suite of Hecht's engravings is included after the justification. A scarce example on Japon Impérial of Blaise Cendrars' 'L'Eubage aux Antipodes de l'Unité' with Joseph Hecht's plates on three different paper stocks.From the edition limited to 1100 copies with this one of 25 examples on Japon Impérial with Hecht's engravings on three paper stocks: Japon Impérial Hollande and vélin Montgolfier; the first 20 copies all nominatif and 'reservés aus Amis du Sans Pareil' were issued on vélin de cuve.Born in Poland Joseph Hecht 1891 - 1951 was a painter and print-maker and a founder member - with Stanley William Hayter and others to whom he had taught the technique of burin engraving - of Atelier 17. Au Sans Pareil. unknown
1919B-2022-1202<p>Paris Éditions de la Sirène 1919. This very rare innovative book is a collaborative work between artist Ferand Leger and writer Blaise Cendrars. It was originally intended to be a screenplay but due to financial constraints and technical limitations it was published as a novel instead. The book combines Leger's bold and dynamic visual style with Cendrars' poetic and evocative prose creating a rich and immersive reading experience. Léger illustrated Cendrars' novel with 20 pochoirs in color plus two pochoirs for the cover in black. The narrative explores themes of destruction rebirth and the resilience of the human spirit in the face of catastrophe. It is considered an important work in the history of avant-garde cinema and literature reflecting the innovative spirit of the early 20th century. The collaboration between Leger and Cendrars brings together the visual and literary arts in a unique and visionary way offering a glimpse into the creative minds of two influential figures in modernist culture. This very fragile book is in good condition complete in the original tan cover. It is limited edition one of 1200 numbered copies in Velin LaFuma</p> La Sirène paperback
28302Paris Au sans pareil coll. « Littérature » 15 août 1919. 1 vol. 190 x 285 mm de 32 p. et 1 f. Maroquin citron dos lisse titre doré sur le plat couvertures et dos conservés reliure postérieure. . Édition originale. Un des 10 premiers exemplaires réimposés sur chine n° 6 avec un second portrait hors-texte de Cendrars par Modigliani reproduit en noir comme pour les 40 réimposés sur hollande. Envoi signé : « à monsieur Desanges fondeur en bronze ses poèmes élastiques fragiles éphémères avec ma main amie Blaise Cendrars 20 avril 1953 ». 1919 est une année féconde pour Blaise Cendrars : outre la naissance de sa fille Miriam il publie trois textes majeurs : les Dix-neuf poèmes élastiques Au Sans Pareil le recueil de poèmes Du Monde entier aux Éditions de la Nouvelle Revue française et La Fin du Monde filmée par l'Ange Notre-Dame aux Éditions de la Sirène avec des compositions de Léger qui font date. Les 19 poèmes élastiques constituent le quatrième volume de la collection Littérature Au Sans Pareil. L'illustrateur choisi pour le frontispice est cette fois-ci Amédéo Modigliani d'un titre qui succède aux Mains de Jeanne-Marie d'Arthur Rimbaud avec un portrait par J.-L. Forain au Mont de Piété d'André Breton avec deux dessins d'André Derain et aux Lettres de Guerre de Jacques Vaché avec un dessin de l'auteur. Cendrars écrit en postface cette curieuse notule : « nés à l'occasion d'une rencontre d'une amitié d'un tableau d'une polémique ou d'une lecture les quelques poèmes qui précèdent appartiennent au genre si décrié des poèmes de circonstance. A l'exception de deux ou trois ils ont été publiés par des revues étrangères Le Mercure de France Vers et Prose Les Soirées de Paris et Poème et Drame c'est-à-dire que les aînés les poètes déjà classés et la soi-disant avant-garde refusaient ma collaboration. C'est qu'à ce moment-là il ne faisait pas bon en France d'être un jeune authentique parmi «les jeunes». B.C. ». Au moins deux exemplaires sur papier vert ceux de Jacques et de Debeer sont connus. Ils sont également réimposés avec le second portrait. Marges de la couverture salie quelques rousseurs. Paris, Au sans pareil, coll. « Littérature », (15 août) 1919. 1 vol. (190 x 285 mm) de [32] p. et 1 f. Maroquin citron, dos unknown
191887198Paris: Editions de la Sirène 1918. Fine. "" C'est le crach du Panama qui fit de moi un poète !"" It was the Panama crash that made me a poet! Editions de la Sirène Paris 1918 19 x 23.50 cm broché First edition one of 500 numbered copies on Arches laid paper. Work illustrated with 25 American railroad route maps. Spine skillfully restored discreet crease marks to corners. Superb livre-objet like the Prose du Transsibérien which was composed in the same period the poem is presented folded. The second cover in bright red executed by Raoul Dufy resembles the railway timetables that one slipped into one's pocket: ""Le nom de Cendrars orne une bouée de sauvetage associant l'auctorité d'avant-garde au travail de sauvetage dans une décennie marquée par les catastrophes maritimes du Titanic au Lusitania"" The name of Cendrars adorns a life preserver associating avant-garde authority with rescue work in a decade marked by maritime disasters from the Titanic to the Lusitania Sophie Esch. Rare early autograph inscription signed and dated December 1918 on this text by Blaise Cendrars to Georges Le Cardonnel literary critic who co-wrote with Charles Vellay La Littérature contemporaine a survey conducted among French critics writers and poets. The year following the inscription he would sign a review of J'ai tué in la Minerve française. Editions de la Sirène unknown
1918000150Paris: La Belle Edition 1918. Soft cover. Very Good. Fernand Leger. Square octavo 19x18 cm. - 32 pages uncut. - In original wrappers illustrated in yellow and blue in the cubist style. - In a protective clear acetate wrapper which is somewhat yellowed and frayed due to age. - Printed entirely in bright red title page also in red with a blue illustration. - With 2 full-page plates in blue and 2 text illustrations in red. - First edition of the first book illustrated by Leger and the only one in the cubist style. - No. 202 of 327 copies 300 of which are "sur papier a la forme". - Very strongly anti-war as indicated by the title itself "J'ai tue" = I killed. - Both Cendrars 1887-1961 and Leger 1881-1955 served on the Western Front during World War I. In fact Cendrars lost his right arm in 1916. - A BEAUTIFUL AND RARE PACIFIST DOCUMENT AND ART WORK. <br/> <br/> La Belle Edition paperback
194983298Paris: Denoël 1949. Fine. Denoël Paris 1949 11.50 x 19 cm relié First edition one of 50 numbered copies on pur fil paper deluxe issue. Bound in half fawn morocco with corners spine with five raised bands date at foot marbled paper boards combed paper endpapers and pastedowns original wrappers and spine preserved top edge gilt binding signed Devauchelle. Work illustrated with a frontispiece photograph of Blaise Cendrars by Robert Doisneau. Handsome copy handsomely bound. Denoël hardcover
191367589Paris: Editions des hommes nouveaux 1913. Fine. Editions des hommes nouveaux Paris 13 juin1913 17 x 22.50 cm broché First edition of Cendrars's second book printed in 150 copies on handmade Hollande paper and offered to subscribers. According to Sonia Delaunay Séquences Pâques à New York and theTranssibérien were published at the author's expense thanks to a small inheritance. The address given - Éditions Hommes nouveaux - 4 rue de Savoie was in fact the small attic room that Blaise Cendrars occupied at that time. A precious copy of Blaise Cendrars's early poems exceptionally rare and in remarkable condition. Editions des hommes nouveaux unknown
