Herve-Bazin, CelineBiblio.com
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21064641-nnew. unknown
21064641like new. unknown
2014__1780405219Intl Water Assn 2014. Paperback. New. 206 pages. 9.50x7.25x0.50 inches. Intl Water Assn paperback
20202-6200543682Wydawnictwo Bezkresy Wiedzy 2020. Paperback. New. 120 pages. 8.66x5.91x0.28 inches. Wydawnictwo Bezkresy Wiedzy paperback
A9781800733541Hardback. New. The book analyses how representations perceptions and uses of Dubrovnik's heritage are embedded in particular social and political structural conditions cultural practices materiality and place. hardcover
43135039-nnew. unknown
43135039like new. unknown
2022x-1800733542Berghahn Books 2022. Hardcover. New. 392 pages. 9.00x6.00x0.81 inches. Berghahn Books hardcover
19621117733Gallimard 1962. Hardcover. Very Good. In very good condition. Gallimard hardcover
1952HAY383331952. Paris Gallimard. broché. dos légèrement incurvé et ridé trace de scotch ancien sur le mors supérieur ; papier à peine bruni sinon bon état. fort in-8. unknown
1943HAY373821943. Paris Éditions Denoël. broché. Couverture un peu défraîchie avec quelques traces sur les plats ; dos légèrement gauchi et recollé en pied le long du premier plat ; sous cellophane bon état et intérieur très frais. in-8. avec les 15 dessins pleine page de Gen-Paul. unknown
1932316701932. Paris Editions Deno‘l et Steele 1932. Un fort vol. au format in-12 188 x 123 mm de 623 pp. catalogue ÂŽditeur imprimÂŽ sur papier vert d'eau in fine brochÂŽ. ''RÂŽimpression en offset par l'Imprimerie franÂaise de l'ÂŽdition'' parue ˆ la date de l'originale. L'ouvrage recÂle bien le rare catalogue ÂŽditeur in fine imprimÂŽ sur papier vert d'eau. Pour ce premier roman CÂŽline s'inspira principalement de son expÂŽrience personnelle. Il avait en effet participÂŽ ˆ la PremiÂre Guerre mondiale et celle-ci lui rÂŽvÂŽla l'absurditÂŽ du monde allant mÂme jusqu'ˆ la qualifier ÇÊd'abattoir international en folieÊÈ. CÂŽline expose ainsi ce qui est pour lui la seule faÂon raisonnable de rÂŽsister ˆ une telle folieÊ: la l‰chetÂŽ. Il est hostile ˆ toute forme d'hÂŽro•sme celui-lˆ mÂme qui va de pair avec la guerre. Pour lui la guerre ne fait que prÂŽsenter le monde sous la forme d'un gant mais un gant que l'on aurait retournÂŽ et dont on verrait l'intÂŽrieur ce qui amÂne ˆ la trame fondamentale du livreÊ: la pourriture et sa mise en ÂŽvidence. De Benoist Bibliographie internationale de l'oeuvre de CÂŽline B4 pour l'ÂŽdition originale millÂŽsimÂŽe octobre 1932. Quelques piqžres ÂŽparses sur les couvertures. Petit manque angulaire au second plat. Dos passÂŽ. Papier lÂŽgÂrement oxydÂŽ prÂŽsentant en outre quelques rousseurs. DiscrÂte cerne en marge supÂŽrieure des derniers cahiers. Condition nÂŽanmoins satisfaisante. b42961 unknown
28011Paris Gallimard Futuropolis septembre 1988. 1 vol. 220 x 300 mm. Cartonnage souple éditeur. Première édition illustrée en bande dessinée avec des compositions de Jacques Tardi Exemplaire du premier tirage. . Paris, Gallimard, Futuropolis, (septembre) 1988. 1 vol. (220 x 300 mm). Cartonnage souple éditeur. unknown
2006DADAX2070336867Gallimard Education 2006-03-01. mass_market. New. 4.41x0.94x7.28. Buy with confidence. Excellent Customer Service & Return policy. Gallimard Education unknown
207039431X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19921411362Paris France: Gallimard 1992. First Edition. Softcover. Octavo 505 pages. In Very Good minus condition. Foxing to top edge of textblock on back cover and along spine. Pen writing on pages 3 and 8 from a previous owner. Mild shelf wear otherwise. Shelved in Foreign Languages - France. 1411362. Shelved Dupont Bookstore. Gallimard unknown
1933314143Paris : Éditions Denoël et Steele 1933. Second Edition. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Physical description; 623 pages ; 19 cm. Subjects; French fiction 20th century. Genres; French fiction - 20th century. Novel. Paris : Éditions Denoël et Steele paperback
2070213048.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1932158019Paris: Editions Denoël et Steele 1932. The author's debut inscribed to one of his earliest and most ardent defenders First trade edition first printing inscribed by the author on the half-title "A mon Marcel Espiau hommage de l'Auteur Louis Céline" together with an autograph letter signed by the author inviting Espiau to dinner to celebrate "the benevolence and the good taste of his jury" our translation. Espiau was instrumental in awarding the Prix Renaudot to Céline for this his debut. Voyage au bout de la nuit was published in October 1932 to immediate and widespread critical acclaim. It was quickly touted as the favourite for the Prix Goncourt and Céline was assured of his victory. In 1926 a group of critics Espiau among them had created the Prix Renaudot while waiting for the nomination of the Goncourt. Though not officially related the juries of both prizes announce the winners at the same time and place on the first Tuesday of November at the Drouant restaurant in Paris. The Renaudot is often considered a consolation prize with the jurors ensuring that they have an alternative laureate in case their first choice receives the more prestigious Goncourt. Voyage did not win the Goncourt that year. In a scandal that fuelled Céline's notoriety the Goncourt was awarded instead to Guy Mazeline's Les Loups. Céline's subsequent fame resulted in 50000 copies of Voyage selling in the following two months. Despite the consensus that the Goncourt decision was a travesty Espiau still had to fight bitterly to have Voyage awarded the Renaudot: it took three rounds of voting for Céline to emerge victorious with a small majority of six votes out of ten. Céline left France almost immediately for a "little medico-sentimental tour of Europe" quoted in Gibault. He was mortified by the loss having been vocally confident of his success and overwhelmed by the attention the affair had garnered his debut. On his return to France he sent Espiau this letter of invitation apparently unpublished. The letter invites Espiau to dine with Céline and the previous winner of the Renaudot Philippe Hériat. The letter is undated aside from a "le 3". Espiau gave continued vocal support of Céline writing in an article for Les Nouveaux Temps in 1941: "I liked Céline straight away the barely dry proofs of his unalterable Voyage au bout de la nuit. I immediately fought for him within a literary panel - the only one who crowned him - and where moreover everyone was quickly won over. a writer of his kind is a blessing from the gods". Céline was grateful for the support sending thanks for the article: "I know you and remain greatly in your debt for the admirable courage with which you defended my first book at the time when the league of Perfect Thinking already had me in a lasso" Letter to Marcel Espiau March 1941. This is the uncommon first printing of the trade issue with the points: "Grande Imprimerie de Troyes" imprint in the colophon "Le Flute Corsaire" advertised on the bottom right of rear wrapper as "Sous presse" and with no imprint below the red frame and a lowercase "m" printed upside down on p. 150 line 10. Some copies although not this one also have the lowercase m on p. 541 line 37 and 8 pages of publisher's advertisements at the rear on grey-blue paper dated 1932; these are not indicative of priority. Octavo. Original white wrappers printed in red and black edges untrimmed. Housed in a custom cream flat-backed box lettered and ruled in red and black imitating the wrappers. Spine lightly sunned two short closed tear to foot of spine and rear corner trivial chip and a few nicks to head front joint a little rubbed contents uniformly toned. Letter folded one nick and one short closed tear a little paper adhered to verso very sharp and bright. A beautiful copy clean and fresh. En français dans le texte 366; Connolly The Modern Movement 74F. Gibault Céline 1932-1944: Délires et persécutions 1985. unknown
2754800921.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
193333339Paris: Editions Denoel et Steele Paris 1933. First Thus. Hardcover. First Thus. Hardcover. Signed by Authors. Celine's legendary First Novel. Inscribed Presentation/ Association Copy of Some Significance. A very early reprint of the first edition published in 1932. 8vo 18.5cm x 12cm. 623pp. A superb presentation inscribed to his friend John Marks who translated this very title into English the following year. A very good copy in a contemporary black buckram binding with titles on the spine in gilt on a maroon panel. There is some off-setting to the endpapers & the cheaper publisher's paper stock has lightly & evenly tanned. A faint stain to the fore-edge. The original card covers are not bound in. The presentation on the first blank reads: Johnny Marks from the author ~ May. 27. 1933. "Celine's Journey to the End of the Night along with Death on the Installment Plan were both very successful in the 1930s & are unique: they come nearer than any other works of the century to creating the illusion of a living infuriated comic vibrant voice. This voice comes off the pages.as though it were the pure real flux of a mind actively working." - Martin Seymour-Smith in Novels and Novelists 1980. A cornerstone of Modern World Literature the publication of this work in 1932 had an immediate impact on author s of the period such as Henry Miller with Tropic of Cancer in 1934 George Orwell with Down and Out in Paris and London in 1935 Henry Green & many others. Connolly: The Modern Movement No. 74. An important Association Copy. Editions Denoel et Steele, Paris hardcover
19345727<p><strong>Rare especially in such condition.</strong> </p><p><strong>Second edition of the translation of the novel '<em>Voyage au bout de la nuit' </em>1932 in Russian.</strong> This edition was published eleven months later after the first edition. The new preface was added and the text of the translation was slightly edited. One of 15 000 copies printed. </p><p>As the original publication of the novel became a bestseller Leon Trotsky wrote an article that compared Celine with Rabelais. He invited Elsa Triolet 1896-1970 to translate the novel into the Russian language. She left Russia in 1919 and became Louis Aragon's wife. The novel was published in the USSR with substantive cuts and Celine accused Elsa Triolet and Louis Aragon of distortion of the text. According to François Gibault Celine's biographer the novel was translated by an unknown person in Moscow. Triolet only helped him or her to understand the meaning of some words. After the publication of the novel '<em>Mort a Credit' </em>1936 Soviet critics called Celine '<em>aesthetics of mud'</em>. Russian translations of all of Celine's books were put in the library's special storage section after the publication of pamphlets '<em>Mea Culpa' </em>1936 and '<em>Bagatelles pour un massacre' </em>1937. </p><p>OCLC locates four copies of this edition: in the University of Utah the Vassar College Library the National Library of Israel and the University of Haifa Library. </p> Khudozhestvennaia literatura hardcover
1988C2601Futuropolis-Gallimard 1988. Softcover. Neuf. Relié carton souple 30x23 cm 380 pages. Magnifique livre à l'état neuf n a jamais été lu. Pour l'UE envoi depuis la France sans frais ou taxe douanière ou TVA Futuropolis-Gallimard paperback
198888339Paris: Gallimard& Futuropolis 1988. Fine. Gallimard & Futuropolis Paris 1988 22 x 30 cm reliure de l'éditeur New edition and first printing of the illustrations by Jacques Tardi. Publisher's full white paper boards smooth spine. Handsome copy. Autograph inscription dated and signed by Jacques Tardi to Jean-Claude Noël enhanced with an original drawing in black felt-tip pen depicting Bardamu standing next to a streetlamp. Gallimard& Futuropolis hardcover
198890031Paris: Gallimard& Futuropolis 1988. Fine. Gallimard & Futuropolis Paris 1988 22 x 30 cm reliure de l'éditeur New edition and the first printing of Jacques Tardi’s illustrations. Publisher’s white boards smooth spine. A handsome copy. Presentation inscription dated and signed by Jacques Tardi to Joëlle Passani with an original black-felt drawing depicting a sorrowful-faced Bardamu in a small vignette.  Gallimard& Futuropolis hardcover
