2 514 résultats
0883880237.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1687160165London 1687. The last black letter edition Final Speght edition the last to be printed in black letter and the eighth collected edition overall. This is a reprint of Thomas Speght's 1602 edition with the addition on the verso of the last leaf of the first printings of the conclusions to the Cook's and the Squire's Tales then recently discovered. Thomas Speght d. 1621 developed a passion for Chaucer while studying at Cambridge and maintained this interest well after graduating. He worked on several editions of the complete works the first published in 1598; his notes were more elaborate than in any other previous edition and he was the first to provide a glossary. The present 1687 edition "remained in use even after the publication of John Urry's much reviled Chaucer edition of 1721. Thomas Tyrwhitt editing the Canterbury Tales in the 1770s used the 1602 and 1687 editions of Speght taking the latter as his base text. With a period of influence stretching from the late sixteenth century to the late eighteenth then Speght's Chaucer has been the most durable of any Chaucer edition" ODNB. In this edition the list of "Old and Obscure Words in Chaucer explained" is marked with derivations and a gloss has been added translating the Latin and French "not Englished" by Chaucer. Speght's influential biography of Chaucer also included shaped all future descriptions of the poet's life up until the 1840s and notably established the common belief that he was once fined for beating a Franciscan friar in Fleet Street. The imprint here has no mention of printers as the copyright belonged to the Stationers' Company. Folio bound in fours 320 x 201 mm. Engraved frontispiece portrait of Chaucer and his progeny laid down woodcut arms on a2v part title with large woodcut arms; text printed in double columns black Gothic letter. Contemporary calf rebacked with red morocco label and tooling style spine with blind ruled raised bands red morocco label edges red. Early 19th-century armorial bookplate of one John Gordon engraved by W. Deeble artist and engraver active in Cork Ireland; the owner was likely Sir John Gordon d. 1871 surgeon and apothecary appointed Mayor of Cork in 1855. Extremities rubbed some surface crackling and light scuffs to leather spine and corners judiciously refurbished endpapers and inner hinges repaired contents mildly toned with occasional small marks couple of tiny ink burns not affecting text otherwise generally clean. A very good copy. Pforzheimer 179; Wing C3736. hardcover
19079951<p>Macmillan and Co. Limited. London. 1907. Reprint of the 1898 edition. 8vo. 7.3 x 5.1 inches. Some foxing to the blank endpapers and to a lesser extent on the first and last couple of pages of text otherwise clean throughout. Fine attractive early twentieth century binding of full dark green morocco by Zaehnsdorf of London. Spine with five raised bands each with gilt piping. Compartments decorated ruled and lettered in gilt. Triple gilt ruled border on boards. Institute of Chartered Accountants in England and Wales arms stamped in gilt to the front board. Gilt inner dentelles. Dark green endpapers. All edges gilt. Spine faded to a mellow brown but overall a fine attractive binding.</p> Macmillan and Co. Limited. London. 1907 hardcover
8754<p>One of 375 numbered sets number 266. The type of the Shakespeare Head Chaucer is Caslon Old Face and the illustrations of the Canterbury pilgrims are adapted from the Ellesmere manuscript. 'The first impression is of care in planning of thought for the reader. A friendly craftsmanship comes from all the pen and brush work in these books. The illustrations enter as a pleasant surprise rather than necessary parts of the plan. The edition seems complete without them but we are delighted to find them' Franklin The Private Presses pp. 149-50. The set comprises The Canterbury Tales in the first four volumes Consolation of Philosophy Troilus and Criseyde The House of Fame The Legend of Good Women later minor poems doubtful poems A Treatise on the Astrolabe and The Romaunt of the Rose.</p><p>8 volumes large 4to 285 × 190 mm calligraphic headings by Joscelyne Gaskin printed in red and blue paraphs in red and blue manuscript 70 hand-coloured illustrations by Hugh Chesterman and Lynton Lamb. Original linen-backed boards printed spine labels edges uncut and mostly unopened original spare labels tipped in. A very nice set.</p> Shakespeare Head Press, Basil Blackwell, Oxford.
dola3108London: Folio Society 2008. Second Edition of the Folio Society Facsimile of the original Kelmscott Press edition of 1896. large folio. p. ii. 2 559. printed in red & black on thick paper. wood-engraved frontis. & 87 wood-engraved vignettes after Sir Edward Burne-Jones. numerous decorative initials after designs by William Morris. A fine copy in elaborately gilt-stamped cloth t.e.g. bd. slipcase slipcase slightly scuffed. dola3108 [London: Folio Society, 2008] hardcover
1687147855London: no publisher 1687. hardcover. near fine. To which is adjoyn'd The Story of the Siege of Thebes by John Lidgate Monk of Bury. Together with The Life of Chaucer Shewing His Countrey Parentage Education Marriage Children Revenues Services Reward Friends Books Death. Frontispiece "Progenie of Geffrey Chaucer" incorporating his portrait. Additional large engraved armorial design 660 pages. Folio newly rebound in full British tan morocco with raised bands gilt-tooled maroon leather spine label. London: no publisher 1687.<br/><br/> 8th collected edition. Printed with double columns of Gothic type the last to do so. Some internal age-toning and scattered light foxing otherwise in near fine condition.<br/><br/> no publisher unknown books
19582260541The World Publishing Company 1958. Reissue. Large Hardcover. Very Good/Good. Burne-Jones Edward. Very good in good jacket. Jacket toned with some loss along edges a few light spots on jacket spine. 1958 Large Hardcover. xx 554 pp. A facsimile of William Morris's Kelmscott Chaucer including the original 87 illustrations by Edward Burne-Jones with a new introduction by John T. Winterich and a glossary for the modern reader. ABOUT THE AUTHORS: Geoffrey Chaucer c. 1343 The World Publishing Company hardcover books
195853442Cleveland: World Publishing 1958. First printing thus. Large quarto 33cm. Embossed cloth-covered boards lettered in gilt on spine; dustjacket; xxi554pp. Tight Near Fine copy in a somewhat soiled but otherwise well-preserved dustwrapper Very Good. <br/><br/>A quite nice copy of this rather dead-feeling photographic facsimile of Morris's magnum opus about as close to the real thing as reading about music is to music. World Publishing unknown books
Large folio, on laid paper, text in red and black throughout, with numerous fine illustrations and borders in the text; full brown buckram boards and backstrip elaborately blocked and lettered in gilt, gilt top, brown endpapers, broad black silk marker, a near fine copy in publisher's board slip-case lettered in gilt. Superb facsimile of the Arts & Crafts classic. Includes an extended essay by William S. Peterson. NOW SCARCE IN ITS OWN RIGHT.
1721318062London: Bernard Lintot 1721. First Urry edition. Engraved portraits of Chaucer and Urry vignette illustrations at head of each Tale and to title head and tail pieces woodcut initials. 52 626 81 1 pp. Printed double column. 1 vols. Folio 40 x 24 cm. Contemporary speckled calf lacework panels to covers six raised bands. Front joint cracked lower board re-hinged early on scuffing to boards leaves mildly browned. First Urry edition. Engraved portraits of Chaucer and Urry vignette illustrations at head of each Tale and to title head and tail pieces woodcut initials. 52 626 81 1 pp. Printed double column. 1 vols. Folio 40 x 24 cm. First Urry Edition. Though editor John Urry 1666-1715 was subsequently criticized for his frequent conjectural emmendations "the justice of such criticisms should not obscure his achievement. His the first edition of Chaucer for nearly a hundred and fifty years to consult any manuscripts and is the first since that of William Thynne in 1534 to seek systematically to assemble a substantial number of manuscripts to establish his text. It is also the first edition to offer descriptions of the manuscripts of Chaucer's works and the first to print texts of 'Gamelyn' and 'The Tale of Beryn' works ascribed to but not by Chaucer" ODNB. It is also the first collected edition of Chaucer to be printed in Roman type. Urry died before the edition was brought out and the work was completed by Thomas Ainsworth and Timothy and William Thomas. ESTC T106027 Bernard Lintot unknown books
1721046693London: Bernard Lintot 1721. First Edition. Hardcover Full Leather. Very Good. Contemporary ruled calf rebacked but rebacking failed and the front board cleanly detached rear board interior joint weak but attached and sound. Old armorial bookplate inside front cover. Scattered minor foxing and soiling very clean overall. The first Urry edition of Chaucer and the first edition not printed in black letter in folio 15 1/2" x 10". A compendious achievement with additional tales never before printed though all are apocryphal. With two frontis portraits Urry and Chaucer and woodcut illustrations at the beginning of the of tales. 626pp plus an 81 page glossary and errata. A bit of worming to the margin in the glossary<br/><br/>Includes The Canterbury Tales Troilus and Creseide Romaunt of the Rose his translation of Alfred's translation of Boethius's Consolations of Philosophy and others. Size: Folio. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Poetry; Inventory No: 046693. Bernard Lintot hardcover books
1899RO60139851Macmillan and Co Ltd. 1899. In-8. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Intérieur acceptable. 771 pages. Texte sur 2 colonnes. Reliure d'éditeur verte à titre et motif dorés. Annotation en 1re page de garde (ex-libris). Jaquette manquante.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Previous owner's neat name to front end paper. No other marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, clear gilt lettering to spine, slight rubbing to spine ends and no bumping to corners. 772pp. Chaucer's tales and his poetry, in one volume.
1932100138684Macmillan and Co 1932 in12. 1932. Broché.
1958WN31510Cleveland: The World Publishing Company 1958. A facsimile of the William Morris Kelmscott Chaucer with the original 87 illlustrations by Edward Burne-Jones. Introduction by John T. Winterich with a glossary for the modern reader. Pigskin like leatherette binding with gilt spine lettering with blindstamping. Slight splitting of upper hinge. Unpriceclipped dust jacket has some soiling and rubbing. A stunning work. Extra postage will be due if mailed due to size and weight. Kelmscott Chaucer. Leatherette. Very Good/Good. Folio - over 12" - 15" tall. Facsimile. The World Publishing Company Hardcover books
19293589Oxford: Basil Blackwell 1929. First edition. One of 375 sets this being number 224 on Batchelor's Kelmscott handmade paper out of a total edition of 386 copies. Eight folio volumes 267 x 184 mm. Handsomely bound ca. 1940 in full blue crushed levant morocco by Bayntun Rivière. Covers ruled in gilt spines with five raised bands decoratively tooled and lettered in gilt in compartments decorative gilt board edges gilt ruled turn- ins marbled liners and endpapers all edges gilt. Spines uniformly faded. Calligraphic half-titles title-pages and contents pages in red and black by Joscelyne V. Gaskin. Paragraph marks in red and blue first initial in gold other initials and sections headings printed in blue after designs by Gaskin some shoulder notes printed in blue occasional text printed in red and blue. Seventy hand-colored woodcut illustrations and twenty hand-colored woodcut diagrams. "A very handsome and attractive set of this fine edition.<br/><br/>A beautiful example of Chaucer's works. The figures of the Canterbury Pilgrims were freely drawn from the Ellesmere manuscript now in the Huntington Library by Hugh Chesterman. The miniatures in The Romaunt of the Rose were redrawn by Lynton H. Lamb from a fourteenth-century French manuscript MS. Egerton 881 at the British Museum. Other manuscripts from the Bodleian Library and Cambridge University were used for the illustrations to The Compleynte of Mars and A Treatise on the Astrolabe as well as for two portraits of Chaucer. Woodcuts from Richard Pynson's 1526 three-volume edition of Chaucer were redrawn by Lynton H. Lamb to illustrate A Parlement of Foules Troilus and Criseyde The House of Fame and The Legende of Good Women and woodcuts from Vincent's early sixteenth-century Lyon edition of Boethius were adapted for De consolacione philosophie.<br/><br/>Franklin 150 235. Ransom 16 no. 60. Basil Blackwell unknown books
1903169390New York: MacMillan 1903. Globe Edition; Fourth Printing. Fine binding. Very Good in rebound decorative boards. MacMillan unknown
6906<p>London: MacMillan and Co Date: 1907. Seventh Printing. Hardcover. Very Good in boards. Owner label inside cover. MacMillan and Co London edited by alfred pollard Heath Liddell & McCormick. It is clean and tight except that the hinge is slightly separated after the ff endpaper i have tried to show that in the last photo. Globe Edition.</p> Macmillan & Co hardcover
200851370Folio Society 2008. Large folio on laid paper text in red and black throughout with numerous fine illustrations and borders in the text; full brown buckram boards and backstrip elaborately blocked and lettered in gilt gilt top brown endpapers broad black silk marker a near fine copy in publisher's board slip-case lettered in gilt. Superb facsimile of the Arts & Crafts classic based on the Limited FS edition of 2002. Includes an extended essay by William S. Peterson. NOW SCARCE IN ITS OWN RIGHT. Please note that additional postage will be required for shipping outside the UK. Folio Society, hardcover
200248033Folio Society 2002. 2 vols large folio and 8vo. First Edition thus on laid paper Main volume with text in red and black fine illustrations and borders throughout; full ivory morocco BY SMITH SETTLE richly tooled and lettered in gilt back with raised bands second compartment lettered in gilt all other compartments tooled in gilt gilt top blue laid endpapers ribbon markers; Essay volume in printed wrappers sewed as issued the whole housed in publisher's dark blue board clamshell case the case minutely bruised at yapped corners else a fine copy. EDITION LIMITED TO 1010 COPIES 1000 FOR SALE; THIS COPY NO 742. Superb facsimile of the Arts & Crafts classic; one of the most beautiful books produced in England. Peterson's essay is reprinted from 'The Kelmscott Press' 1991. Folio Society, hardcover
1958226127Cleveland: The World Publishing Company 1958. Hardcover. Near Fine-/Good. Hardcover; folio 554 pages. First edition thus. Facsimile reprint in folio a poorman's copy of the famous Kelmscott Chaucer. Textured pale yellow cloth with gilt on spine blind stamped illustration on front.Lightly rubbed edges.Some foxing to endpapers but bright and clean interior. The reproductions of Morris' full page illustrations are stunning even in facsimile. In a yellowing paper jacket red and black titles. Large piece missing from tail-edge front flap tear on spine edges bumped/chipped. Sunned spine. Lightly soiled. Heavy/large may require extra shipping. NF-/G <br/> <br/> The World Publishing Company hardcover
2008140923London : The Folio Society 2008. Hardcover. Fine/No Jacket Issued. Folio - over 12 - 15" tall. original gilt decorated cloth hardcover top page edges gilt silk page marker ribbon illustrated a fine clean copy in fine lettered original slipcase. We are a real bookshop with real books situated in and shipping from the United Kingdom. <br/> <br/> The Folio Society hardcover
20082079KLondon: Folio Society 2008. Large folio edition 16.75" x 12.25" x 3.25". Hardcover in slipcase. Like new/no dj as issued. the slipcase has some shelf wear. E. Burne-Jones. Folio Society 2008. The Works of Geoffrey Chaucer. Facsimile of the Kelmscott Chaucer. Edited by F.S. Ellis and illustrated by E. Burne-Jones. <br /> Large folio 16.75" x 12.25" x 3.25" on laid paper text in red and black throughout with numerous fine illustrations and borders in the text; full brown buckram boards and backstrip elaborately blocked and lettered in gilt gilt top brown endpapers broad black silk marker. Housed in a solid board slip-case lettered in gilt.<br /> Includes the large format prospectus that includes one full--size samole page with great illustrations. <br /> -- Condition Book like new the slipcase has some shelf wear. -. Superb facsimile of the Arts & Crafts classic. Includes an extended essay by William S. Peterson. Folio Society hardcover
168725716London: np 1687. The third Speght edition and the last 'black letter' edition of Chaucer's works. With the famous engraved Gower portrait and genealogical frontispiece engraved coat of arms at the beginning of the works and with woodcut initials throughout. Folio full antique calf the spine sometime restored to correct period style with raised bands ruled in double gilt and with a red morocco label gilt ruled and lettered. 36 660 24 pp. A very handsome copy internally quite clean and still crisp a bit of expected mellowing or age evidence the binding handsome with some expert restoration as noted. A nice tall copy of this important work. A SCARCE HANDSOME AND IMPORTANT EDITION. This was the last 'black letter' edition of Chaucer to be published. Thomas Speght included in this edition "The Court of Love" added to the Chaucer canon by Stow in 1561 as well as four new pieces: "The Flower and the Leaf;" "Chaucer's Dream;" "Jacke Upland" spuriously attributed to Chaucer; and "Chaucer's A B C." The text of the Tales follows that of the 1602 edition but with the addition of the then recently rediscovered endings of the Cook's and the Squire's tales. There is also a twenty-four page Glossary "The Old and Obscure Words Explained" at the end of the volume.<br> This copy with fine provenance with the engraved bookplate of Oliver Huckel published author and authority on Richard Wagner. Huckel was the translator into English of such works as 'Tannhauser' and 'Parsifal'. With the plate of the Brooklyn Public Library now deaccessioned noting it was purchased with the gift of Alexander M. White. There are none of the typical library markings other than this label noting the donor and previous owner. np hardcover
200218622<p>Folio Society 2002. Hardback full Nigerian goatskin with elaborate gilt decoration. 41 x 29cm. ii 554pp. Number 131 of an edition 1000 copies printed for The Folio Society by Cambridge University Press. Some denting to the corners of the box thankfullty the book remains in undamaged. A finest facsimile of the Kelmscott Chaucer. A very heavy volume substantial additional postage charges likely for delivery outside the UK. . Limited. Hard Cover. Very Good.</p> Folio Society hardcover