Claudel paul

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MARCOUSSIS Claudel, PaulBiblio.com

L'Otage. Drame.

191142193Paris.: éditions de la Nouvelle Revue Française. 1911. Contemporary green morocco-backed marbled boards title gilt to spine marbled endpapers original wrappers and backstrip with Marcoussis' signed gouache painting preserved t.e.g. 8vo. 192 x 140 mm. Louis Marcoussis's copy with his original signed Cubist gouache covering the wrappers.Marcoussis' original gouache covers the entirety of the original wrappers: the front cover spine and rear wrapper and is signed by him 'L. Marcoussis' on the front wrapper at lower left. The composition in typically Marcoussian Cubist-style is executed in terracotta pale pink cream white and ochre gouache over pencil and incorporates the original printed text of the wrapper; the book also features Marcoussis' ownership signature in blue ink to the initial blank.The catalogue 'de Parallèlement à Chanson Complète' 2005 features a similar work by Marcoussis the painted box for a copy of Marcoussis' 'Eaux-Fortes pour Alcools de Guillaume Apollinaire' Paris 1934. That work consisted of a gouache painting by Marcoussis for the front cover only of the protective box for the book also in a typically Marcoussian Cubist style and was presented by Marcoussis to André Breton 'L'emboîtage fut peint en 1934 - 1935 par Marcoussis pour André Breton . '. Breton's copy with the painted box was sold at Christie's Paris in 2006.Paul Claudel's 'L'Otage' written in 1908 - 1910 was the first book to be published by the publisher NRF 'éditions de la Nouvelle Revue Française'. The first play of his dramatic historic trilogy 'La Trilogie des Coûfontaine' the remaining two parts are 'Le Pain Dur' of 1913 - 1914 and 'Le Père Humilié' of 1915 - 1916 'L'Otage' was first performed at London's Scala Theatre and had its Parisian debut in 1914 at the Théâtre du Vieux-Colombier; 'L'Otage' is the most performed of Claudel's trilogy.see 'Parallèlement à Chanson Complète' pp. 349 - 352. éditions de la Nouvelle Revue Française. hardcover

Paul CLAUDEL - (Jacques RIVIERE)Biblio.com

Préface pour A la trace de Dieu de Jacques Rivière Original signed autograph manuscript

192587317Château de Lutaines Cellettes 1925. Fine. And how much this emotion is heightened when the author of this book is our friend when we have conversed familiarly with him and when he is close to us by what has been attributed to him as transient and temporal and close to God by what in him henceforth as eternal has begun! Château de Lutaines Cellettes juin 1925 21 x 27 cm 17 pages sur 5 doubles feuillets Original autograph signed and dated manuscript by Paul Claudel for his preface to Jacques Rivière's 'A la trace de Dieu'. Seventeen and a half pages in black ink on five double leaves. A few words crossed out and rewritten. Horizontal fold some foxing to the first page pencil notes by a bibliographer on the last blank page. The preface dated June 1925 first appeared in Le Correspondant on September 25 1925 then with Rivière's Carnets published the same year by his wife under the title 'A la trace de Dieu' Gallimard pp. 9-24. Complete manuscript of Paul Claudel's moving preface to the notebooks kept by Jacques Rivière during his captivity in WW1. The writer pays homage to a book which would have become a treatise on Christian Apologetics - had its author not met an untimely death at the age of 39. As early as 1907 Claudel had played an important role in his conversion and religious journey. He kept up a correspondence with the young critic now director of Gallimard's prestigious Nrf until his sudden death in 1924. In the manuscript he introduces Rivière's writings from his three years in the Knigsbrück and Hülseberg prison camps after his capture during the Battle of Eton in August 1914. In the form of notes he intended for prisoner reunions it contains a profound reflection on the search for God and the means to encounter Him. Although fo or Jacques Rivière ""God remains a fact"": after a long theological quest and many reversals he had reached the pinnacle of his faith during the war years. The deaths of his friends and writers Alain-Fournier and Péguy piety of his wife Isabelle and feeling of being supported by God during those difficult days all contributed to giving him a living faith which the poet-playwright Claudel celebrates in these beautiful pages. Rivière recognized the presence of a personal God in his life and believed in the value of prayer and self-discipline to which Claudel had urged him from their earliest exchanges. These Carnets are the ultimate proof of Claudel's influence: ""Rivière's end was completely illuminated by the doctrine revealed to him by the great Christian poet"" Paul Beaulieu. Claudel devotes magnificent passages to Rivière's communion on Christmas Day 1913 which publicly marked his return to Catholicism: ""All I can say is that Jacques Rivière's life seems to me to be one of those that cannot be explained solely by itself but by the good or bad teaching it contains because it is the type in which a host of others are realized and informed that it has the value of a parable. It is the best illustration of that Providence whose hand he never ceased to feel upon him that humble gentle Providence always present and always unexpected infinitely patient ingenious and artistic of which he spoke so well. It was this Providence that led this good soul through the pilgrimage of Intelligence from the confusion of adolescence to that Christmas day in 1913 when in an act of deference to the most extravagant theories from Darwin to Freud which presented themselves to them with the character of the latest fashion in which the noble deliberation of judgment had more share than the exigency of feeling he came to kneel at the feet of the holy priest of Clichy"". The preface doubling as a eulogy reflects the dialogue between father and spiritual son. Despite their disagreements Claudel admired Rivière's thinking and his objective vision of the Catholic Church in relation to secular society - without seeing it as the guardian of social conservatism like far-right writers like Maurras or Barrès: ""Among J unknown

Rare Books Le Feu Follet - Edition-Originale.com · France5 750,00 €

Claudel, Paul; Andre Maurois; Paul Jamot; Paul Valery; Georges Duhamel; Jean-Louis Vaudoyer; General Gouraud; Raoul Dautry; LeonBiblio.com

R. F. Ouvrage édité par le gouvernement français à l'occasion de la visite en France de Leurs Majestés Britanniques le roi George VI et la reine Élisabeth 19-22 juillet 1938. SIGNED BY 16 CONTRIBUTORS

193846412Paris: Georges Lang 1938. Limited First edition. Softcover. g to vg-. 1/1000. Folio. Unpaginated. Original protective glassine wrappers over off-white paper wrappers. Book housed in its half cloth over paper covered portfolio. Decorative initials. Pages uncut. #80 from a limited edition of 1000 copies. Signed in ink on the front free endpaper by 16 of the contributors including Jamot Valery Vaudoyer Fargue Dautry Claudel Maurois and Duhamel. This splendid work was published on the occasion of the July 1938 official visit of King George VI and Queen Elizabeth to France. It contains a collection of striking photographs drawings and essays by various authors illustrating the life and rich culture of France paintings sculptures architecture etc. Introduction by Edouard Daladier then President of the Council Prime Minister. Prestigious contributions by Paul Claudel André Maurois Paul Jamot Paul Valéry Georges Duhamel Jean-Louis Vaudoyer Général Gouraud Raoul Dautry and Léon-Paul Fargue. Photographs by Laure Albin-Guillot Giraudon Jacques Seligmann Bulloz L. Rothier Henry de Ségogne Paul Chevalier Le Boyer etc. Each photographic plate is reproduced in glorious photogravure. This homage to France and French culture celebrating the Entente Cordiale is a tour de force of the printer's art by maitre-imprimeur Georges Lang who records that this book was produced in 20 days in a limited edition of 1000 of which this is number 80. Portfolio with minor scratches and smudges to the covers including a small abrasion on the back cover. Protective glassine wrappers chipped and torn at the head and tail of the spine. Paper wrappers with some light rubbing tearing and chipping to the front hinge at the head and tail of the spine. Spine with some light foxing. Interior with some light sporadic foxing to the text pages including the introductory text and the edges of numerous pages throughout. Most of the text itself as well as all of the photographic plates throughout are clean and unaffected. Starting at the number of points throughout. Portfolio in good binding and interior in very good- condition overall. Georges Lang unknown

Eric Chaim Kline - Bookseller · États-Unis2 500,00 $US≈ 2 115,25 €