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1852W120908Paris, Carilian-Goeury & Vve Dalmont 1852 xxvii + 203pp., 22cm., reliure en toile beige moderne solide, feuilles de garde marbrées, quelqes rousseurs, W120908
Mm 125x170 Con un allegato: Ballata dell'uomo più libero - Brossura editoriale a stampa con bandelle, 119 pagine. Una gora al taglio laterale che tuttavia non interessa il testo, peraltro opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1988725921Peeters Publishers 1988. 1st. paperback. New. 0x0x0. Peeters Publishers paperback
1015918417.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282972021.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
45460480like new. unknown
0332363627.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190071710Paris: Mercure de France 1900. Fine. Mercure de France Paris 1900 13.50 x 20.50 cm relié First edition printed in a small number on laid paper. Half bottle-green morocco binding spine with five raised bands date at foot top edge gilt binding signed Goy & Vilaine. Precious signed autograph inscription from Paul Claudel to Charles Maurras. Mercure de France hardcover
190757827Paris: Mercure de France 1907. Fine. Mercure de France Paris 1907 12 x 19 cm broché Second edition with some parts in first edition one of the numbered copies printed at the press. Tears at head and foot of sunned spine. Mercure de France unknown
190058408Paris: Mercure de France 1900. Fine. Mercure de France Paris 1900 13.50 x 20.50 cm relié First edition printed on vergé. Half morocco spine slightly discolored covers stained preserved top edge gilt. Foxing on the endpapers and in the margins of some leaves. Mercure de France unknown
190615184Paris: In Vers et Prose 1906. Fine. In Vers et Prose Paris 1906 17 x 25.50 cm broché Rare pre-first edition of this text written in China by the author. Small stains on the covers a minor corner tear at the head of the first page of text. Rare. In Vers et Prose unknown
191475520Paris: Georges Cres Coll. coréenne composée sous la direction de Victor Segalen 1914. One of 750 numbered copies. Two octavo volumes paginated continuously. 226 pp. with text printed in two columns and with 61 large opening letters printed in red and black and meant to imitate a Chinese seal. Pages are all french-fold to simulate a Chinese book. String-tied wrappers. Housed in the original folding case with ivory clasps. A bit of wrinkling to the overlay leaf but the entire production by Victor Segalen is quite impressive.Connaissance de L'Est Knowledge of the East first published in 1900 is a collection of prose poems by Paul Claudel almost all composed in China between July 1895 and October 1899 when Claudel was appointed alternate consul in Shanghai. The poems in this collection are grouped into two unequal parts. Published in 1900 at the Mercure de France then in an expanded edition in 1907 the purpose of the book was to allow the newcomer to get to know this eastern country where he had just settled. Hence these texts on what we would today call Chinese culture: gardens theatre ideograms… Hence also the descriptions of exotic trees animals or landscapes. In August of 1913 Claudel gave Victor Segalen whom he had met in Beijing permission to republish his prose poems. The pages of this reissue were printed on one side folded in half and sewn in the oriental fashion. The two volumes were presented in a box covered with blue silk and equipped with tabs.Victor Segalen though largely forgotten today was a real force in his age. "French writer Victor Segalen was born in Brest on January 14 1878. After solid classical studies with the Jesuits he studied medicine in Brest Rennes and Bordeaux and became a naval doctor in 1902. His thesis entitled Les Cliniciens ès lettres in which he studied the medical documentation of certain naturalist writers. He detached a chapter from it: Les Synesthesias et l'école symboliste a vigorous plea in favor of the symbolists was published in the Mercure de France of April 1902.Meeting Joris-Karl Huysmans in 1899 and later Remy de Gourmont gave him access to the environment of the Mercure de France. His first post on the sloop "La Durance" in Tahiti from January 1903 convinced him from the outset that Polynesian civilization was threatened with death by European influence and by the carelessness of its peoples. Seeing the paintings and reading the writings of Paul Gauguin who had died recently in Hiva-Oa made him understand from the inside what the sensual and joyful life of the Polynesians had once been like. An article published in the Mercure de France in June 1904 Gauguin and much later a Tribute to Gauguin in 1918 testify to his admiration. Back in France in February 1905 he published Les Immémoriaux in 1907 under the pseudonym of Max-Anély. In this carefully documented book under a romantic and poetic fabrication Segalen showed how under political and religious pressure from Europe the Polynesians "the Immemorial" had come to forget their sacred words their gods their sensual search for happiness. It was Segalen's way of putting his ideas on exoticism into practice by letting Maori reciters speak pretending to adopt their values. In this he showed himself to be a precursor of modern ethnologists. The book moreover is the expression of his violent revolt against his rigorous moral and religious education. It had begun in Bordeaux but the Tahitian facilities the influence of Nietzsche and the example of Gauguin ranked among the "outlaws" with Rimbaud on whom he published a study Le Double Rimbaud had him singularly reinforced.His passion for music very much fostered by his family and his admiration for Debussy led him to meet the Master to whom he unsuccessfully offered the libretto of Siddhartha inspired by the tenets of Buddhism. However Debussy suggested that he write an Orpheus instead. They worked on it together but Orphée-Roi will only appeared in 1921 after the death of the musician and the poet. It is with China that Segalen according to Jouve quoting Rimbaud "finds the place and the formula". Appointed student interpreter for the navy he arrived in Beijing in June 1909 met Paul Claudel in Tien-Tsin for whom he felt more literary admiration than religious sympathy and undertook a great expedition to central China and Japan which lasted nine months. This lengthy stay in Asia gave rise the great works of Segalen as poet. Steles 1912 and 1914 a collection of forty-eight poems — sixty-four in the second edition — is externally and internally presented in Chinese style. But exoticism here only serves as an alibi. Neither translations nor adaptations these poems actually express the secret universe of the poet his opinions his feelings his travel experiences. By the detour of China by what he calls allegory they suggest notions too pure to fall under the cut of words. The unspeakable the invisible the unheard of haunt the stelae of the "Middle" in particular.With Paintings 1916 leaving behind the dense and concentrated style of lapidary inscriptions Victor Segalen opted to describe or recreate through spoken language Taoist paintings a long roll of silk portraits of decadent emperors. These are prose poems to be put on the same level as Rimbaud's Illuminations and Claudel's Conférence de l'Est. This poet was also a sinologist and an archaeologist. The official archaeological mission formed by Victor Segalen Gilbert de Voisins and Jean Lartigue discovered in 1914 the oldest Chinese monumental statue and identified the burial site of Emperor Ts'in Che-Houang whose exploration was to be sixty years later. the greatest discovery of the century. Georges Cres, Coll. coréenne composée sous la direction de Victor Segalen unknown
199513890Paris Gallimard 1995 Un volume in-8 broché, couverture blanche à rabats, 433 pages. Bon état.
21012P., OFL, Oeuvre Populaire d'Education, 1945, in 12 broché, 105 pages.
200709983Paris, Mermod, 1936 ; in-8, 270 pp., broché, couverture illustr. Orné de reproductions de bois coorié chinois du XVII siecle exemplaire n°2800.
1952024777Club Français Du Livre 1952 254 pages en format grand -8 - reliure rigide en percaline claire avec dessins en couleurs
c4825Paris, Typographie de Léon Pichon, 1928 ; 1 volume grand in-8° broché, couverture crème imprimée en noir et orange; 257pp., (7)pp.Titre courant, pagination, initiales et titres de chapitre imprimées en orange.Piqûres à la couverture, rares au premier et dernier feuillet blancs, intérieur très frais.
18364Paris, Georges Crès & Cie, 1914. 2 vol. in-8 étroit, non paginé, dos relié à la japonaise par des liens bleus, couverture muette, étui de toile bleue, fermoirs de corne ou d'os (taches, pâles mouillures aux couvertures, quelques rousseurs).
8382Lausanne, Gonin, 1930. 1 volume in-4, en feuilles, couverture illustrée, sous chemise demi-toile brune avec pièce d'auteur et de titre au dos, sous étui catonné d'éditeur usagé, 98 pp. Ouvrage Illustré de 31 compositions originales et décors en couleurs de Jean Berque, gravés sur bois par Philippe Gonin, dont un frontispice, 6 planches hors-texte et 23 illustration in-texte. Tirage limité à 120 exemplaires numérotés et signés, celui-ci No 43. Bel exemplaire, propre et en très bon état (seul l'étui cartonné présente des traces d'usure).
12148Paris, Mercure de France, Bruxelles, Editions N.R.B., 1945. 1 volume in-12, reliure moderne plein cuir rouge, couvertures imprimées conservées, 178 pp., bon état.
1907103381907 Paris, Mercure de France, 1907, in 12 br., bon ex.
19659Lausanne, Gonin & Ce, 1930. In-folio, 97 pp., en feuilles, couverture originale illustrée, chemise à dos de toile brune et étui cartonné (étui un peu défraîchi).
22384Paris, Georges Crès, 1914. 2 vol. in-4 étroit, 107 pp. + 109-225 pp., brochure à la chinoise, couverture muette, emboîtage éditeur de soie dorée, bleue et rouge, liens (emboîtage cassé).
9444Collection Coréenne, Composée sous la Direction de Victor Segalen à Péking pour Georges Crès et Cie, Editeur à Paris, MCMXIV. 2 volumes in-4, (28,5*18 cm), brochés à la chinoise, 1-108 pp. (Tome I) - 109-226 pp. (Tome II), sous chemise de soie bleue un peu ternie, close par 2 fermoirs en os. Volumes enrichis de 61 lettrines en rouge et noir. Il a été tiré sur les Presses du Pei-Tang 30 exemplaires sur grand papier de tribut, numérotés de 1 à 30, 30 exemplaires sur vergé nacré, numérotés de 31 à 60, 570 exemplaires sur vergé pelure numérotés de 61 à 630 (cet exemplaire No 563).Bon état général.
1925664031925 Paris, G.crès, 1925, In huit , 237 pp, broché,très bon état,
