Paul CLAUDELBiblio.com
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190757827Paris: Mercure de France 1907. Fine. Mercure de France Paris 1907 12 x 19 cm broché Second edition with some parts in first edition one of the numbered copies printed at the press. Tears at head and foot of sunned spine. Mercure de France unknown
190058408Paris: Mercure de France 1900. Fine. Mercure de France Paris 1900 13.50 x 20.50 cm relié First edition printed on vergé. Half morocco spine slightly discolored covers stained preserved top edge gilt. Foxing on the endpapers and in the margins of some leaves. Mercure de France unknown
190615184Paris: In Vers et Prose 1906. Fine. In Vers et Prose Paris 1906 17 x 25.50 cm broché Rare pre-first edition of this text written in China by the author. Small stains on the covers a minor corner tear at the head of the first page of text. Rare. In Vers et Prose unknown
191475520Paris: Georges Cres Coll. coréenne composée sous la direction de Victor Segalen 1914. One of 750 numbered copies. Two octavo volumes paginated continuously. 226 pp. with text printed in two columns and with 61 large opening letters printed in red and black and meant to imitate a Chinese seal. Pages are all french-fold to simulate a Chinese book. String-tied wrappers. Housed in the original folding case with ivory clasps. A bit of wrinkling to the overlay leaf but the entire production by Victor Segalen is quite impressive.Connaissance de L'Est Knowledge of the East first published in 1900 is a collection of prose poems by Paul Claudel almost all composed in China between July 1895 and October 1899 when Claudel was appointed alternate consul in Shanghai. The poems in this collection are grouped into two unequal parts. Published in 1900 at the Mercure de France then in an expanded edition in 1907 the purpose of the book was to allow the newcomer to get to know this eastern country where he had just settled. Hence these texts on what we would today call Chinese culture: gardens theatre ideograms… Hence also the descriptions of exotic trees animals or landscapes. In August of 1913 Claudel gave Victor Segalen whom he had met in Beijing permission to republish his prose poems. The pages of this reissue were printed on one side folded in half and sewn in the oriental fashion. The two volumes were presented in a box covered with blue silk and equipped with tabs.Victor Segalen though largely forgotten today was a real force in his age. "French writer Victor Segalen was born in Brest on January 14 1878. After solid classical studies with the Jesuits he studied medicine in Brest Rennes and Bordeaux and became a naval doctor in 1902. His thesis entitled Les Cliniciens ès lettres in which he studied the medical documentation of certain naturalist writers. He detached a chapter from it: Les Synesthesias et l'école symboliste a vigorous plea in favor of the symbolists was published in the Mercure de France of April 1902.Meeting Joris-Karl Huysmans in 1899 and later Remy de Gourmont gave him access to the environment of the Mercure de France. His first post on the sloop "La Durance" in Tahiti from January 1903 convinced him from the outset that Polynesian civilization was threatened with death by European influence and by the carelessness of its peoples. Seeing the paintings and reading the writings of Paul Gauguin who had died recently in Hiva-Oa made him understand from the inside what the sensual and joyful life of the Polynesians had once been like. An article published in the Mercure de France in June 1904 Gauguin and much later a Tribute to Gauguin in 1918 testify to his admiration. Back in France in February 1905 he published Les Immémoriaux in 1907 under the pseudonym of Max-Anély. In this carefully documented book under a romantic and poetic fabrication Segalen showed how under political and religious pressure from Europe the Polynesians "the Immemorial" had come to forget their sacred words their gods their sensual search for happiness. It was Segalen's way of putting his ideas on exoticism into practice by letting Maori reciters speak pretending to adopt their values. In this he showed himself to be a precursor of modern ethnologists. The book moreover is the expression of his violent revolt against his rigorous moral and religious education. It had begun in Bordeaux but the Tahitian facilities the influence of Nietzsche and the example of Gauguin ranked among the "outlaws" with Rimbaud on whom he published a study Le Double Rimbaud had him singularly reinforced.His passion for music very much fostered by his family and his admiration for Debussy led him to meet the Master to whom he unsuccessfully offered the libretto of Siddhartha inspired by the tenets of Buddhism. However Debussy suggested that he write an Orpheus instead. They worked on it together but Orphée-Roi will only appeared in 1921 after the death of the musician and the poet. It is with China that Segalen according to Jouve quoting Rimbaud "finds the place and the formula". Appointed student interpreter for the navy he arrived in Beijing in June 1909 met Paul Claudel in Tien-Tsin for whom he felt more literary admiration than religious sympathy and undertook a great expedition to central China and Japan which lasted nine months. This lengthy stay in Asia gave rise the great works of Segalen as poet. Steles 1912 and 1914 a collection of forty-eight poems — sixty-four in the second edition — is externally and internally presented in Chinese style. But exoticism here only serves as an alibi. Neither translations nor adaptations these poems actually express the secret universe of the poet his opinions his feelings his travel experiences. By the detour of China by what he calls allegory they suggest notions too pure to fall under the cut of words. The unspeakable the invisible the unheard of haunt the stelae of the "Middle" in particular.With Paintings 1916 leaving behind the dense and concentrated style of lapidary inscriptions Victor Segalen opted to describe or recreate through spoken language Taoist paintings a long roll of silk portraits of decadent emperors. These are prose poems to be put on the same level as Rimbaud's Illuminations and Claudel's Conférence de l'Est. This poet was also a sinologist and an archaeologist. The official archaeological mission formed by Victor Segalen Gilbert de Voisins and Jean Lartigue discovered in 1914 the oldest Chinese monumental statue and identified the burial site of Emperor Ts'in Che-Houang whose exploration was to be sixty years later. the greatest discovery of the century. Georges Cres, Coll. coréenne composée sous la direction de Victor Segalen unknown
Paris, Edition du Mercure de France,1907. In-8, demi-maroquin vert à coins, tête dorée, auteur, titre, date en queue en lettres dorées, dos à 5 nerfs, couvertures imprSemet & Plumelle). Deuxième édition, en partie originale. Bel exemplaire malgré le dos insolé uniformément
192933951Paris: Librairie Plon Chroniques no. 7 1929. 1st Edition. Soft cover. 1st Edition. Soft cover. Claudel Paul. Conversations dans le Loir-et-Cher. Paris Librairie Plon Chroniques no. 7 1929. in-8. 361 p. Broché. Non rogné et non coupé. Dos défraichi. Edition originale de cette piece de théatre 68 pages. Un des 10 ex. Num. sur Japon second papier après 5 ex. Sur Chine Contient en plus du texte de Claudel "Cantique pour Siméon" de T.S. Eliot; Extraits d'un journal" de Charles Du Bos; "Shelley" de Francis Thompson; "Paysages goethéens" de Johnaaes Joergensen. TALVART et PLACE tome 3 p 154. Rare. Librairie Plon, Chroniques no. 7 unknown
195624895Paris: Gallimard 1956. Fine. Gallimard Paris 1956 14 x 21 cm broché First edition one of the numbered copies on alfa paper the only printing with 21 Holland and 70 pur fil copies. The work is illustrated with a frontispiece portrait of P. Claudel by Jean Charlot and a portrait of Jean Racine by Edelinck. Handsome copy. Gallimard unknown
19562393Librairie Gallimard 1956. First Edition one of 3000 on alfa from a total issue of 2291; handsomely bound in 3/4 plum morocco and marbled pastepaper boards spine with gilt lettering marbled endpapers t.e.g. original wrappers and backstrip printed in red and black bound in fine. With frontispiece portrait after a pencil drawing by Jean Charlot and a hors-texte reproduction of a portrait of Racine engraved by Edelinck. [Librairie] Gallimard unknown books
1946473411946 P., Gallimard, NRF, 1946, in 12 cartonnage de l'éditeur, 241 pages.
1949868151949 Paris, Gallimard, NRF, 1949, in 8°, cartonnage crème de l'éditeur d'après la maquette de Paul BONET, 399 pages ; portraits en frontispice.
L13897Nouvelle Revue Française, 1920. In-8 br. Poème de F. Thompson traduit de l'anglais par Paul Claudel et orné de douze gravures sur bois par André Lhote. E.O. ex. non justifié sur vélin pur fil, non coupé.
1926D3782Paris, Plon, 1926 ; in-8, 264 pp., broché. Exemplaire numéroté grandes marges. Édition originale. Très bon état.
200904359Paris, Librairie plon, 1926 ; in-12, 264 pp., broché.
1951RO20123402GALLIMARD. 1951. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Non coupé. 269 pages.. . . . Classification Dewey : 840.091-XX ème siècle
11554Paris, NRF Gallimard, 1949. In-8 broché (dos insolé), 399 pp. Photo de Claudel en noir.
ORD-14766Paris. Gallimard. 1950. In-8 (142 x 224mm) cartonnage orné en couleurs d'après la maquette de Paul Bonet, 399 pages. Edition originale tirée à 1988 exemplaires, celui-ci n°1249, un des 1500 sur alfama. Menus défauts mais assez bel exemplaire.
1915ROD0040906Nouvelle Revue française. 1915. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 240 p., 1 gravure noir et blanc hors texte.. . . . Classification Dewey : 840.091-XX ème siècle
1938ROD0037093Gallimard. 1938. In-8. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 240 pages.. . . . Classification Dewey : 840.091-XX ème siècle
R150085802GALLIMARD .. 1938.. In-12. Broché. Etat passable, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 239 pages. Papier collé sur le dos. Etiquette sur le dos. Tampon sur la 1ère de couverture et sur la page de titre.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
RO20048820NOUVELLE REVUE FRANCAISE. 7ème édition. Non daté. In-12. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 240 pages. Relié pleine toile noire. Titre et filets dorés sur le dos.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1949R320065049GALLIMARD. 1949. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 399 pages - 2 portraits en noir et blanc hors texte + 1 coupure de presse.. . . . Classification Dewey : 846-Lettres, correspondance littéraire
1949R200051957GALLIMARD. 1949. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 397 pages- frontispice en noir et blanc. . . . Classification Dewey : 846-Lettres, correspondance littéraire
1953R150222655GALLIMARD. 30-05-1953. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 399 pages- frontispice en noir et blanc. . . . Classification Dewey : 846-Lettres, correspondance littéraire
1995RO40264148Gallimard. 1995. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 423 pages. Illustré d'une photo et d'une carte en noir et blanc hors texte. Etiquettes de code sur la couverture et en page de titre. Quelques tampons et annotations de bibliothèque.. . . . Classification Dewey : 846-Lettres, correspondance littéraire
1949RO30325901Gallimard/ Nrf. 1949. In-8. Relié. Etat d'usage, Couv. partiel. décollorée, Dos abîmé, Rousseurs. 399 pages. Nombreuses rousseurs sur les tranches et dans le texte. Adhésif au dos. Coins frottés.. . . . Classification Dewey : 846-Lettres, correspondance littéraire
