Chiland, ColetteBiblio.com
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1412902649.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2738131301.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2738124518.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20092-270566839XEditions Hermann 2009. Paperback. New. 321 pages. French language. 8.58x5.91x0.55 inches. Editions Hermann paperback
0717125505.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
mon0003903107Independently published 4/15/2025 12:00:01 A. paperback. Good. 0.7500 8.0300 5.0000. Independently published paperback
198260529s. l.: Editions Unes 1982. Fine. Editions Unes s. l. 1982 12.50 x 15 cm en feuilles First edition one of 101 numbered copies on Ingres paper the only copies after 1 Chiffon and 21 pur fil. Work illustrated with drawings by Colette Deblé. Handsome copy complete with its crystal reproducing the author's identity photograph. Editions Unes unknown
43018l'Inédite In-4 29 cm 140pp. illustr. dessins et photos reliure cart. de l'éditeur unknown
19962092902137704569magazine house 1996. Soft Cover. Fine. Number of pages: 141p Size: 20cm magazine house paperback
21509049like new. unknown
1848663897.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
DADAX1848663897Quercus Publishing 2014-10-02. hardcover. New. 10.13x0.75x11.75. Buy with confidence. Excellent Customer Service & Return policy. Quercus Publishing hardcover
GOR006178863Paperback. Very Good. paperback
2008Q-0760335451Motorbooks 2008-09-08. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Motorbooks hardcover
2008DADAX0760335451Motorbooks 2008-09-08. First Edition. hardcover. New. 9.00x0.75x10.50. Buy with confidence. Excellent Customer Service & Return policy. Motorbooks hardcover
193574179s. l. Paris 1935. Fine. s. l. Paris s. d. circa 1935 17.70 x 22.50 cm 2 pages sur un feuillet Beautiful autograph letter signed by Colette addressed to her friend Bolette Natanson. Two pages written in ink on blue paper. Transverse creases inherent to the folding of the missive. This letter was probably addressed to Bolette following a gift made to her ""old friend"": ""Ah! dangerous Bolette! I can say nothing in front of you. Here are the two charming thick little vessels that emigrate to my home."" This is an opportunity for Colette very pleased with this new gift to humorously devalue the designer's previous works: ""From now on your frames are ugly your mirrors troubled like an honest man's conscience and your butterflies are - horror! - faithful!"" The famous ""butterflies"" naturalized and enclosed in glass frames are visible in several photographs of the writer in her home. Having evolved since her earliest childhood in artistic circles - she is the daughter of Alexandre and niece of Thadée Natanson the creators of the famous Revue Blanche - Bolette Natanson 1892-1936 became friends with Jean Cocteau Raymond Radiguet Georges Auric Jean Hugo and also Colette. Passionate about sewing she left Paris for the United States with Misia Sert great friend of Coco Chanel and was hired by Goodman. With her husband Jean-Charles Moreux they created in 1929 the gallery Les Cadres on boulevard Saint-Honoré and frequented numerous artists and intellectuals. Their success was immediate and they multiplied projects: the creation of the fireplace for Winnaretta de Polignac the decoration of the château de Maulny the arrangement of Baron de Rothschild's private mansion the creation of frames for industrialist Bernard Reichenbach and finally the realization of Colette's beauty institute storefront in 1932. Bolette Natanson also framed the works of her prestigious painter friends: Bonnard Braque Picasso Vuillard Man Ray André Dunoyer de Segonzac etc. Despite this meteoric rise she would end her life in December 1936 a few months after her father's death. unknown
191475220Paris 1914. Fine. Paris 1914 13.60 x 21.20 cm en feuillets Autograph letter signed by Colette addressed to her friend the man of letters and lawyer Adrien Peytel two pages written in black ink in hurried handwriting on a double sheet with L'Eclair newspaper letterhead. A central fold inherent to the folding of the letter for mailing. Fine letter from Colette testimony to the confusion that seized France at the dawn of the Great War: ""Nothing is working. I am stuck here for a piece they are asking me to write."" The writer worries: ""I have no news from Sidi Henry de Jouvenel. I am creating a whole head of worries for myself. I don't know where he is he wrote to me that he was leaving with the 29th for the Somme. Ah! la la la la la la."" ""Colette a entendu sonner le tocsin en Bretagne où elle passait un séjour ensoleillé avec le baron Henry de Jouvenel et leur fille dans sa maison de Rozven. La guerre la surprend en plein bonheur à quarante et un ans. . Son mari appelé dès le 2 août devant rejoindre le 29e régiment d'infanterie à Verdun elle a aussitôt envoyé sa fille à peine âgée d'un an avec sa nurse au château de Castel Novel en Corrèze - chez sa belle-mère. Et elle est rentrée à Paris."" ""Colette heard the tocsin ringing in Brittany where she was spending a sunny stay with Baron Henry de Jouvenel and their daughter in her house at Rozven. The war surprised her in the midst of happiness at forty-one years old. . Her husband called up from August 2nd having to join the 29th infantry regiment at Verdun she immediately sent her daughter barely a year old with her nurse to the château de Castel Novel in Corrèze - to her mother-in-law's. And she returned to Paris."" Dominique Bona Colette et les siennes unknown
193674160Paris 1936. Fine. Paris s. d. 12 mars 1936 17.80 x 22.60 cm 2 pages sur un feuillet Fine autograph letter signed by Colette addressed to her friend Bolette Natanson. Two pages written in ink on blue headed paper from the Marignan building the writer's residence between 1936 and 1938. Transverse folds inherent to the folding of the letter for mailing. Moving letter addressed by Colette to her close friend following the death of her father Alexandre Natanson: "". ce dimanche va être un dimanche bien pénible. Je t'écris à l'heure juste où tu conduis ton père."" ""this Sunday is going to be a very painful Sunday. I am writing to you at the very moment when you are laying your father to rest."" Conscious of the suffering and ""chagrin"" ""grief"" of her ""chère Bolette"" ""dear Bolette"" she affectionately offers her support ""On croit toujours que la pensée qui est une force touche son but aussi bien qu'un message écrit."" ""We always believe that thought which is a force reaches its target as well as a written message."" ending her letter with a very beautiful declaration: ""Beaucoup de visages humains se penchent vers le tien et tu ne les aimes pas tous. Le mien que tu ne verras pas te suit de loin et s'inquiète de toi."" ""Many human faces lean toward yours and you do not love them all. Mine which you will not see follows you from afar and worries about you."" Bolette would commit suicide a few months later. Having evolved since her earliest childhood in artistic circles - she was the daughter of Alexandre and the niece of Thadée Natanson the creators of the famous Revue Blanche - Bolette Natanson 1892-1936 became friends with Jean Cocteau Raymond Radiguet Georges Auric Jean Hugo and also Colette. Passionate about couture she left Paris for the United States with Misia Sert a great friend of Coco Chanel and was hired at Goodman. With her husband Jean-Charles Moreux they created in 1929 the gallery Les Cadres on boulevard Saint-Honoré and frequented numerous artists and intellectuals. Their success was immediate and they multiplied their projects: the creation of the fireplace for Winnaretta de Polignac the decoration of the château de Maulny the arrangement of Baron de Rothschild's private mansion the creation of frames for industrialist Bernard Reichenbach and finally the creation of the storefront for Colette's beauty institute in 1932. Bolette Natanson also framed the works of her prestigious painter friends: Bonnard Braque Picasso Vuillard Man Ray André Dunoyer de Segonzac etc. Despite this meteoric rise she would end her life in December 1936 a few months after her father's death. unknown
193574177s. l. Paris 1935. Fine. s. l. Paris s. d. circa 1935 17.70 x 22.50 cm 2 pages sur un feuillet Fine autograph letter signed by Colette to her friend Bolette Natanson. Two pages written in ink on blue paper. Horizontal folds inherent to the mailing of the letter. As ever protective and maternal with her friend Colette compliments her: ""Comme tu es gentille - comme tu es Bolette"". Nineteen years her senior she praises the youth of ""her child"": ""Tu es ma 'provision d'hiver' la jeunesse dont j'aurai besoin plus tard bien plus encore qu'à présent. Soigne-toi bien ma jeunesse en grange"". Having grown up from early childhood in artistic circlesshe was the daughter of Alexandre and the niece of Thadée Natanson the founders of the celebrated Revue BlancheBolette Natanson 1892-1936 formed friendships with Jean Cocteau Raymond Radiguet Georges Auric Jean Hugo and Colette. Passionate about dressmaking she left Paris for the United States with Misia Sert a close friend of Coco Chanel and was employed at Goodman. With her husband Jean-Charles Moreux they opened in 1929 the gallery Les Cadres on boulevard Saint-Honoré and moved in the company of numerous artists and intellectuals. Their success was immediate and they multiplied commissions: the fireplace for Winnaretta de Polignac the decoration of the Château de Maulny the arrangement of Baron de Rothschilds townhouse the creation of frames for the industrialist Bernard Reichenbach and finally the design of the shopfront for Colettes beauty institute in 1932. Bolette Natanson also framed the works of her distinguished painter friends: Bonnard Braque Picasso Vuillard Man Ray André Dunoyer de Segonzac and others. Despite this dazzling ascent she took her own life in December 1936 a few months after the death of her father. unknown
192075260Marseille 1920. Fine. Marseille s. d. circa 1920 19.80 x 25.20 cm une page sur un feuillet Autograph letter signed by Colette addressed to her friend the man of letters and lawyer Adrien Peytel nine lines written in black ink. Some folding marks inherent to the mailing of the letter. ""And then damn it enough already. Here La Cigale is calling me for tomorrow evening and I haven't stolen it since I accepted and even asked to do the café-concert criticism on the same level as the other."" unknown
100134946Le grand livre du mois. Très Bon Etat de conservation intérieurs propres bonne tenue quelques ternissures circa 1990. in8. Sans date. Reliure editeur. 12 volumes. 12 romans: Gigi; Le blé en herbe; Chérie ; La fin de Chéri; La vagabonde; L'ingénue libertine; Claudine en ménage; Claudine à l'école; Claudine à Paris; La naissance du jour; Claudine s'en va; La retraite sentimentale Les vrilles de la vigne Le grand livre du mois unknown
8554946162.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1949004510Paris: Le Cerde D'Exchanges Artistiques Internationaux 1949. 1st Edition . Hardcover. Near Fine/No Jacket. 4to - over 9¾ - 12" tall. First Edition Le Cercle D'Echanges Artistiques Internationaux Paris France 1949. Published on the occasion of the 2000 anniversary of the founding of Paris. Tan cloth covers. Text is French. Each day of the almanac features a quote by Colette features and illustrations after works by major writers and artists including Cocteau Maurlac Masson and one hundred others. No marks underlining or bookplates. No remainder marks. Spine is tight and crisp. Boards are flat and true and the corners are square. No dust jacket. This collectible " NEAR FINE" condition first edition/first printing copy is protected with a clear polyester archival cover. Beautiful collectible copy. GIFT QUALITY <br/> <br/> Le Cerde D'Exchanges Artistiques Internationaux hardcover
2080607677.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192488118Paris: Flammarion 1924. Fine. Flammarion Paris 1924 11.50 x 18.70 cm relié First edition on deluxe paper one of 100 copies on Holland paper numbered 44. Original wrappers and spine preserved. Half navy morocco binding with corners signed by Alix at the top of the first endpaper. Spine with raised bands decorated with compartments composed of a brown fillet. Spine sunned with rubbing. Separation fillet on boards and corners. Paper perfectly fresh. Fine copy. Beautiful colored armorial bookplate with unidentified arms. Flammarion hardcover
