1 884 résultats
8vo (12 x 17 cm). 147, (1) pp. With woodcut printer's device, 3 stipple-engraved initials, and a woodcut on the last page. Contemporary limp vellum. First Latin edition of this alchemical work, first published in Venice in 1544 as "La Espositione di Geber philosopho". Written in the form of a dialogue, the first part contains a conversation between a certain Demogorgon and Geber (whom Demogorgon addresses as "most learned nephew of Mahomet") about the latter's works. In the second part Demogorgon interviews Raymond Lull about his "Lignum vitae" and the discovery of a remedy to prolong human life. Kopp suspects that the anonymous author Bracesco was a 16th century physician and alchemist from Orzinuovi near Brescia. - Binding a little rubbed, lacking ties. Interior somewhat browned and stained throughout, the first leaves more so. Curiously, the first 26 pages in particular (but also a few later pages) have been mutilated by an early owner, who obscured and excised particular words from the text (apparently mainly concerning the word "vitriolum"); these lacunae have been rebacked with paper and the missing text supplied by the hand of a later owner. Some worming to lower gutter of the first 16 leaves, with slight loss. With contemporary ink marginalia in Latin throughout. Adams J 8. BM-STC French 238. Rosenthal 337. Brüning 247 (all s. v. Geber). Ferguson I, 123. CG XL, 1024. Baudrier III, 46. Palau 143878. Alchemy and the Occult 18.4. Bolton, Select Bibl. of Chemistry, p. 972. OCLC 18153918. For Jabir see GAL I 241; GAL S I 426ff.
8vo. (104) pp. With woodcut printer's device, 94 woodcut illustrations and 4 woodcut portraits of the evangelists. Contemporary full vellum with giltstamped monogramm "JM" to front cover and handwritten spine-title. First printing of 1547, and the first edition to include the medallion portraits of the Evangelists. There were two editions of the "Icones" printed by Frellon in 1547, following the original one of 1538. The 1547 editions are often merely cited as issues, but the text was entirely reset. - An excellent woodcut book featuring 94 highly appealing illustrations, depicting scenes from the Old Testament as well as the Totentanz, likely carried out by Veit Specklin or Hans Lützelburger after drawings by Hans Holbein the Younger (ca. 1497-1543). Each woodcut is accompanied by a Latin text and a French quatrain by Gilles Corrozet (1510-68). With a Latin preface by Nicolas Bourbon (ca. 1503-50), revealing Hans Holbein's name, and a French preface by Corrozet. - Upper board slightly warped. Paper lightly foxed throughout; 2 pages rather browned. 20th century bookplate of K. D. Dahmen mounted to pastedown. A good copy of this masterpiece of early modern book illustration. Adams B 1963. Mortimer (French) 281. Murray 244. Hollstein 14A,100. Baudrier V, 209.
Folio (215 x 310 mm). (14), 18, (6), CXXVI, (4) ff. With 35 woodcuts in the text, initials, and printer's device on recto of final leaf. Contemporary vellum. First edition of Beda's collected writings on historical and astronomical chronology. The section "On the Reckoning of Time" (De temporum ratione) includes an introduction to the traditional ancient and medieval view of the cosmos, including an explanation of how the spherical earth influenced the changing length of daylight, of how the seasonal motion of the sun and moon influenced the changing appearance of the new moon at evening twilight, and a quantitative relation between the changes of the tides at a given place and the daily motion of the moon. "Ce volume contient les principaux traités de l'auteur sur le calendrier" (Houzeau/L.). The woodcut world map on d1, evidently redrawn from those of Petrus de Alliaco and Ambrosius Macrobius (Shirley 12 & 13), shows the four continents of the old world surrounded by water, the southern hemisphere labeled as "nobis incognita frigida". - Very slightly browned; title page shows insignificant fingerstaining; otherwise an excellent copy with a very few contemporary marginalia. VD 16, B 1440. Zinner 1657. Houzeau/L. 1074.
4to (170 x 225 mm). (48), 407, (1) pp. (with blank leaf *4). With woodcut initials and headpieces, 42 engravings (maps and plans) with letterpress captions on versos (bound as double-page plates). Contemporary limp vellum with ms. title to spine, lacking 2 pairs of ties. First edition with Palladio's illustrations. - Italian edition of Caesar's "Commentarii de bello Gallico" and "Commentarii de bello civili", using Francesco Baldelli's twenty-year-old translation, with engraved plates by Andrea Palladio depicting most of Caesar's campaigns, including the famous siege of Alesia. "In the preface, Palladio explains that the illustrations had originated out of a project he had set for his two sons, Orazio and Leonida. Palladio decided to complete the project and publish the illustrations after the death of both his sons ins 1572. Pallado dedicated the book to Giacomo (Jacopo) Buoncompagni, the natural son of Pope Gregory XIII" (Witcombe, Copyright in the Renaissance [Leiden 2004], p. 265). In his introduction, Palladio notes that while fortifications are all very well, a determined army will always overcome them, and it is better to train an army properly along the lines of the Roman army (as Machiavelli had also stated), just as in architecture the Romans had not been surpassed by later generations (cf. J. R. Hale, "Andrea Palladio, Polybius and Julius Caesar", Renaissance War Studies [1983], pp. 471-486). - Binding wrinkled with a few slight spine flaws. Foot of title-page excised (just touching date); a few captions shaved. Provenance: extract from English sale catalogue pasted to front flyleaf. Armorial bookplate of Vice-Admiral Sir Thomas Francis Fremantle (1765-1819), close friend of Admiral Nelson, to pastedown. Latterly in the collection of his descendant Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research (purchased from Pickering & Chatto, 2 August 1901, 12s). Edit 16, CNCE 8188. BM-STC Italian 135. Adams C 86. Mortimer, Harvard Italian 97. Schweiger II.1 55. Thieme/Becker XXVI, 165.
Folio (218 x 304 mm). 101 ff., final blank. With woodcut printer's device at the end and numerous woodcut initials. Modern red morocco, blindstamped to style, with gilt spine and inner dentelle. Marbled endpapers. All edges sprinkled in red. In cloth slipcase. A rare medical compendium drawing strongly on the Arabic physicians who dominated the medieval medical schools of France and Northern Italy, including the author's treatise on fevers (fol. 68 ff.), based on Avicenna, who is variously quoted. Some of the surprisingly modern ailments discussed include tinnitus (fol. 40), diabetes (fol. 61), and manic depression (an extensive chapter, fol. 13-16). This is the third edition of the collection first published thus in 1501 (not counting the only incunabular edition of 1485). "Concoreggio, born in Milan around 1380, was made professor in Bologna in 1404 before teaching at the Universities of Pavia, Florence and (in 1439) Milan. His works are composed after the model of the Arabs, without much personal observation, and were published as a collection after his death in Pavia around the year 1440" (cf. Hirsch). - Some waterstaining to margins (more pronounced near beginning). Bound in a sumptuous modern morocco binding decorated with rollstamps showing Renaissance heads, likely for the 20th-century physician and collector Piergiorgio Borio (his bookplate on the front pastedown). Only 3 copies in Italy (Biblioteca comunale dell'Archiginnasio Bologna; Biblioteca Angelica Roma; Biblioteca Casanatense Roma). Edit 16, CNCE 14741. Durling 1008. Hirsch VI, 645. Sangiorgio, Cenni storici sulle due Università di Pavia e di Milano (1831), p. 57f. Brambilla I, 128. Astruc 211.
Folio (225 x 318 mm). 2 parts in one volume. (36), CXXXIII (but: 134), 106 ff. Later full vellum with old giltstamped red label to spine. The first authoritative work of antiquity on the 'materia medica', the branch of science treating remedial substances, based on the author's first-hand research throughout the Middle East. This is the rare first printing of this edition with the commentary by G. B. Egnatio: the third Latin (altogether the fourth) edition of Dioscorides, the first to contain the translation of Ermolao Barbaro. The appendix contains the first edition ever of "Corollarii", Barbaro's conclusions, sometimes considered a separate work by bibliographers. - "Dioscorides' work is the authoritative source on the materia medica of antiquity. He described over 600 plants and plant principles" (Garrison/M.). "Very little is known about its author [...], except that he was a Cilician Greek who lived in the time of Claudius and Nero, and that he travelled widely in the Middle East, probably as a physician in the Roman army [...] It is no exaggeration to say that from its publication until well into the 17th century [...] all botanical studies were based on this book, and the greater part of any new botanical matter published during the 16th and 17th centuries was in the form of commentary on Dioscorides [...] It is only with the rise of modern scientific botany in the 18th century that his influence began to wane" (PMM). - Occasional light browning with more noticeable brownstaining to final leaves; a few wormholes (some within the text). A small paper flaw to the lower edge of the last few pages. - Provenance: 1) 17th-century ink ownership of Sinobaldi di Verona to title-page; 2) French bookseller Lucien Scheler (1902-99) with his collation mark "Coll. complet / L.S." pencilled to pastedown. Edit 16, CNCE 17255. IA 154.303, 112.852. Bird 669. Panzer VIII, 429, 767. Proctor/Isaac 12338. Wellcome I, 1794. Choulant, Hdb. ält. Med. 80 (erroneously stating "s. l. e. a.") & 82. Durling 1140. Haeser II, 9. Johnston, The Cleveland Herbal, Botanical, and Horticultural Collections (Kent, 1992), no. 28. Not in Adams, Lesky, Osler or Waller. Cf. PMM 20.
Folio (222 x 332 mm). (6), 131 ff., final blank f. With 20 woodcuts in the text. - (Bound with) II: Floridus (Sabinus), Franciscus. Kriegsübung dess fürtrefflichsten und streitbarsten ersten Römischen Kaisers Julii [...]. Strasbourg, Hans Knobloch & Georg Messerschmidt, 1551. (4), 153 ff., final blank f. - (Bound with) III: Stumpf, Johannes. Keyser Heinrychs des vierdten Hertzogen zu Francken und am Rhyn etc. fünfftzigjärige Historia [...]. Zurich, Christoph Froschauer (the Elder), 1556. (10), 134 (instead of 137) ff. With 104 woodcuts in the text. Contemporary blindstamped leather on four raised double bands with two clasps; handwritten title to uppermost spine compartment. Second edition of one of the 16th century's most important treatises on warfare and military history, previously published in 1555. The fine woodcuts are not by Jost Amman, as are those of his well-known and similarly titled "Kriegsbuch", but rather were cut by an unidentified artist after drawings by Virgil Solis. - Bound with this rare and well-preserved work are two other contemporaneous editions of (military) historiography: Heinrich von Eppendorff's German translation of "De C. Iulii Caesaris praestantia" by Franciscus Floridus in a fine Strasbourg impression, and a Swiss chronicle of the times and rule of Emperor Henry IV (1050-1106), characterized by intense conflicts with the Pope (lacking the final three leaves and blank, containing "Ein Sendtbrieff Sant Ulrychen, Graaffen zu Kyburg"). - Slight browning throughout, waterstaining to gutter near the end. Handwritten ownership of N. V. Wernsdorff, dated 1559, on front pastedown, with note about his having passed away in Denmark and a slightly later ownership by Degenhard Grimm. Latterly in the library of the Viennese collector Werner Habel (1939-2015) with his handwritten and stamped ownership, dated 1978, to flyleaf. Binding well preserved with finely roll-tooled designs to covers; both clasps intact. I: VD 16, F 3129. Adams F 1075. Jähns 549. Not in BM-STC German. - II: VD 16, F 1675. Adams F 636. Muller II, 340, 58 & III, 443, 27. Ritter 872. Not in BM-STC German. - III: VD 16, S 9869. BM-STC German 839. Not in Adams.
8vo. 60 ff. With Giunta's device on the title-page (a Florentine lily with the L. A. initials). Later vellum with more recent end leaves. First edition of Jacob Mantino's translation into Latin of the fourth part of the first book of Ibn Sina's Canon of Medicine (original title: al-Qanun fi at-Tibb), divided into 31 chapters. Mantino dedicated it to the Doge of the Venetian Republic, Andrea Gritti (1455-1538). - Jacob Mantino (1490-1549) was a Jewish doctor, rabbi and philosopher. He was born in Spain, but he, his family and the Jewish community in Tortosa were forced to flee after refusing Catholic baptism, as decreed by King Ferdinand II and Queen Isabella I of Spain. Mantino grew up in Italy and studied philosophy and medicine at the universities of Bologna and Padua. Most of his adult life was spent being a doctor to the pope and other prominent members of society like cardinals, bishops and ambassadors in Bologna, Verona, Venice and Rome. He was also involved in the (religious) controversy over Henry VIII's divorce from Catharine of Aragon. In 1549, just before his death, he moved to Damascus as ambassador of Venice. Mantino's intellectual production focused on the translation of scientific works from Hebrew and Arabic into Latin, especially medical and philosophical treatises by leading authors of the medieval period, including Moses ben Maimon (Maimonides), Ibn Rushd (Averroes), and Ibn Sina (Avicenna). - Abu 'Ali al-Husayn Ibn Sina (also known by his Latinized name Avicenna, 980-1037) was one of the most prominent intellectuals of the medieval period and of the Islamic Golden Age. He was a Persian polymath; he wrote works on an incredible wide variety of subjects, including philosophy, medicine, astronomy, geography, psychology, Islamic theology, physics, and even poetry. Ibn Sina is mainly known for his medical encyclopaedia The Canon of Medicine, which became a standard medical text for medical students until the late 17th century. - The present work was printed by one of the most successful and important late 15th and early 16th century Italian publishers, Lucantonio Giunta (1457-1538). He was originally from Florence, but was active in Venice from 1489. He was a member of the Giunta family of printers, publishers and booksellers, who were active throughout Europe. - With owner's inscriptions on the front and back paste-downs and on the title-page, and some marginal annotations in brown ink. The paste-downs are partially covered by the newer, slightly foxed, end leaves. The binding is somewhat stained, light water staining to the first half of the work, small restored tears in the outer margin of leaves d1 and d2 without affecting the text. Otherwise in good condition. Durling 397. Edit 16, CNCE 3543. USTC 811590.
12mo. 418, (42) pp. Contemporary brown morocco with straight and curved fillets stamped in blind and gilt, central medallion with the author's name on both covers, fleur-de-lis stamps to corners and in spine compartments, structured by three raised bands. Edges goffered and gilt. Pretty and scarce edition in miniscule italics, meticulously printed by Gryphius, "l'un des hommes les plus savants de son temps, qui fut le maître de Jean de Tournes et, sans doute aussi, celui de l'imprimeur Estienne Dolet" (Béraldi). - Charmingly bound in full contemporary morocco with the characteristic stamps of Marcantonio Guillery of Rome: a wide band whose two lines variously interlock in the shape of two Cs, sparingly decorated with a variety of small ornaments, encloses a large central compartment neatly filled with tendril designs, at the centre of which an oval cartouche contains the name of the author. Guillery was one of the masters of Roman bookbinding in the mid-16th century; only a small number of his works survive. "He was a son of a French printer, Etienne Guillery of Lunéville, who established himself in Rome at the beginning of the century and married an Italian wife. The date of the son's birth is unknown [...] He bound seventy-one volumes for [Giovanni Battista] Grimaldi, almost half the total extant, but not more than thirty books bound by him are known outside the Apollo and Pegasus collection: a surprisingly small œuvre for a binder of his skill and taste with a working life of over twenty years" (Hobson). - Light foxing to interior. Hinges and spine-ends imperceptibly restored; in immaculate condition. - Provenance: 1) From the library of the famous French collector of fine bindings, Henri Béraldi (1849-1931; cf. Bogeng I, 197f.), with his bookplate to the front pastedown. 2) Acquired at the Béraldi sale (I, 29 May 1934, lot 17) by the French tobacco industrialist and philatelist Maurice Burrus (1882-1959); his bookplate to the front flyleaf and his purchase note on the lower flyleaf. 3) Acquired at the Burrus sale (Paris, 15 Nov. 1971, lot 78) by the French industrialist and philanthropist Paul Louis Weiller (1893-1993). An additional, earlier but unidentified bookplate on the lower pastedown, referencing a Théophile Belin catalogue. Gültlingen, Lyon V, 937. Baudrier, VIII, 205. Schweiger 2.1, 488. Hobson, Apollo and Pegasus, p. 89, no. 11. Not in Adams or BM-STC French. Cf. Hobson/Culot, Italian and French 16th Century Bookbindings, p. 25f.
4to. (8), 434, (2) pp. With woodcut title border by Hans Holbein. - (Bound with) II: The same. [Dikduk de-lishan arami. In hakhasda'ah] Chaldaica grammatica [...]. Ibid., 1527. (8), 212, (4) pp. Both works have woodcut printer's devices at the end. Contemporary blindstamped browns calf with 2 clasps. Sammelband containing two rare works by Münster: the first grammar of Aramaic written in Germany, a principal work, and the first German-produced Aramaic dictionary. "His dictionary [was] adapted from Pagninus's excerpt of Nathan Ben Yehiel's Arukh [...] Münster's most important work [...] was his Aramaic grammar, the first of its kind. The 'Chaldean' element in the Bible has of course long since been recognised, and people like Aurogallus and Fagius had treated the subject earlier in connection with their Hebrew studies. But just as Sanctes Pagninus was the first to exclude deliberately the Aramaic vocabulary from his Hebrew dictionary (1529), so Münster was the first to publish both a grammar and a dictionary devoted solely to Aramaic [...] A special feature of this grammar is the lexicographical introduction to the rabbinical Bible commentaries, with various Latin-Hebrew wordlists of technical terms. Münster also gives examples of the Sephardi and Ashkenazi rabbinical script in woodcut [...] The author compares the Aramaic with Arabic (called by him Saracenica lingua) which he quotes in transcription" (Smitskamp). - Binding restored; endpapers replaced. Obliterated contemp. ownership to t. p.; a few contemp. marginalia near the beginning of the grammar. I: VD 16, M 6657. Burmeister 23. BM-STC German 633. Adams M 1920. Steinschneider 2014, 6. Hieronymus 236 (note). Smitskamp 8d (note). BNHCat M 841. OCLC 13588558. - II: VD 16, M 6648. Burmeister 3 (& p. 11). BM-STC German 632. Adams M 1903. Steinschneider 6591, 6. Smitskamp 8. Leslau 398. BNHCat M 827. OCLC 20468455.
Small 4to (20 x 14 cm). XXXVIII, (2) ff. Title-page with a 4-piece woodcut border (using material from Laurent Hylaire). Modern limp sheepskin parchment. Third edition of a collection of three medical and gastronomical texts by two 15th century Italian physicians. All were published separately for the first time at the end of the 15th century, the first collected edition appeared in 1508. - The first, "Pillarium" by Pantaleone di Confienza, is one of the earliest treatises dealing exclusively with pills as remedies for all kinds of diseases. He treats all kinds of aspects of pills, including their various (natural) substances of pills, their various forms (powders, tablets, tinctures, extracts, etc.), their physiological and pathological effects, the preparation and conservation, etc. - The second, "Summa lacticiniorum", by the same author, is the first treatise specifically devoted to cheese and Dalby calls it a "landmark" in the literary discourse for cheese. "It opens with a general section discussing the nature of milk and the range of products made from its, especially cheese; it outlines the variety of cheeses, relating them to the seasons, the climate, the origin of the milk and the methods of making and maturing. In part two Pantaleone surveys the regional and local cheeses known to him, beginning in his own native norther Italy [...] He continues his cheese itinerary through Savoie and across France [...] He thinks little of German cheese, but considers the English ones that he had seen on sale at Antwerp equal in quality to the best Italian kinds" (Dalby). - The third, a treatise on medical ethics by Gabriele Zerbi (1445-1505), aims to protect the integrity of physicians and the medical profession. - Manuscript notes at the last page and a few pages with some underscoring and other marks. Waterstain throughout at the foot, larger towards the end, and the last leaves with wormholes; a good copy. Baudrier II, 431 & V, 98. Durling 3438. USTC 155658 (9 copies). Cf. Dalby, Cheese: a global history (2009), p. 117; Di Troggio, "Confienza, Pantaleone" in: Treccani Enciclopedia Italiana (online ed.).
4to. (8), 365 [but: 371], (25) pp. Title page printed in red and black. With 67 half-page woodcuts in the text (mostly views of cities) and woodcut printer's device. Contemporary vellum with multiple gilt and blindstamped cover fillets, large gilt lozenge-shaped central compartment with heraldic supralibros bearing the legend "Nicolaus Haunolt Sac[rae] Caes[aris] M[ajesta]tis [...] Secretarius". Corner fleurons; spine sparsely gilt. First edition; reprinted without changes in 1608. "Contains descriptions of Florida, New-France, New-Spain, Nova Galicia, Yucatan, Cuba, Brazil, Peru, etc." (Sabin). Also with views of Constantinople, Jerusalem, Genoa, London, Rostock, Rome, Vienna, Prague, Riga, Zurich, Genf, Bremen, Dresden, Geneva, Lubeck, Cologne, Leipzig, Mainz, Marburg, Munich, Nuremberg, Strasbourg, Trier, Ulm, Venice, Wittenberg and many others. - From the library and with the bookplate of Nicolaus Haunolt, whose biography can be traced up to the year 1586 (cf. Yerasimos, Stephane. Les voyageurs dans l'Empire Ottoman (XIVe-XVIe siécles). Ankara 1991. In: Turkish Biographical Archive G 18, 68). However, other books from the Imperial secretary's library printed as late as 1597 could be established in public and private collections. - Slightly browned throughout; last f. has small section cut out (no loss to text). Title page with ms. ownership of the Piarists' school in Tata near Györ (dated 1767). Very pretty and well-preserved copy in a decorative contemporary binding with interesting provenance. VD 16, R 3024. Adams R 694. Bachmann 14. Muller 1376. Sabin 73000. Alden 595.
4to (142 x 196 mm). 51, (1) ff. Modern half calf using 18th century gilt calf spine and modern marbled boards. Rare second edition of Agostino Ricci's "De motu octavae sphaerae", edited by the French mathematician Oronce Finé, originally published in 1513 by Giolito in Trino. Discussing both spherical geometry and kabbalistic theories, the treatise denies the existence of a ninth heavenly sphere by refusing a presumed oscillation of equinoctials and the connected variation in the ecliptic. Ricci (Ricius) was a disciple of Abraham Zacuto, a Spanish Jew who moved to Portugal after the 1492 expulsion of Jewish people from Spain, and whose perpetual almanac was used for all navigational tables (including Vasco da Gama's ones) from its publication in 1496 until Nunez's tables of 1537. - This edition is an important work also for the history of typography. Colineus was one of the pioneers who introduced Italian Renaissance typography to France. This movement, which established many of the still-present typographical idioms, would culminate in the 1530s with books featuring the Roman types developed by Claude Garamond and other masters. - Issued without the "Epistola" mentioned on the title-page (as explained in the colophon). Annotated throughout in a rather rough contemporary hand with numerous underlinings and manicules. An excellent copy. BM-STC French 376. Adams R 519. Steinschneider 2143ff. Houzeau/Lancaster 2355. Lalande p. 42. NUC pre-1956, NR 0236124. Renouard (Colines), p. 22. BN 151, col. 716. OCLC 31083036.
4to (220 x 150 mm). (4), 95, (13) pp. Half vellum (ca. 1892). First complete edition, in the original Latin, of one of the most famous and longest of De Thou's poems, a didactic verse in about 2780 hexameters devoted to hunting with falcons and other birds of prey, composed in three "libri" and addressed to François, Duke of Alençon, Anjou and Brabant (1555-84), the youngest son of the late King Henri II and Catherine de' Medici, and brother of the reigning King Henri III. It is the first major Latin work on the subject of falconry. Book 1 discusses the various kinds of birds of prey used in falconry and how to choose one, book 2 discusses their care and feeding, training and the practice of hunting with them, and book 3 discusses their medical care. De Thou anonymously published an advance version of books 1 and 2 at Bordeaux in 1582, but his own correspondence indicates that he had only a few copies of that edition printed, primarily to send them to colleagues (including Pierre Pithou, Claude Dupuy and Joseph Scaliger) for their corrections and suggestions. Harvard University has the only known copy of that edition, and De Thou decided not to complete it but instead to make extensive revisions and add the third book for the present edition, beautifully printed by the King’s Printer in Paris. The poem ends on p. 95, with the next page containing an “important” (Harting) note about the various kinds of birds of prey used for falconry and giving their French and Latin names. The last six leaves contain Thou’s 11-page letter to Philippe Huralt (1528-99), French chancellor under King Henri III, on the subject of falconry, and on the last page the corrigenda. Falconry was so popular in France from the reign of François I to that of Louis XIII that it can be considered the national pastime of the French nobility, as well as the prominent clergy, military figures and politicians in that period, 1515-1643. - With a modern armorial bookplate of the Verne d’Orcet family, whose great library on the subject of hunting was begun ca. 1900. Formerly side-stitched through 4 holes, B1 and B4 no longer conjugate but still securely attached, a faint marginal stain in the lower outside corner of the last few leaves and the foot of the title-page slightly thumbed, but still in very good condition and with large margins. The outer free endleaf at front and back slightly browned, but the binding also very good. Adams T 657. Harting 306. Souhart 461. De Smet (ed.), La fauconnerie à la Renaissance: le Hieracosophion, passim (a critical edition and French translation with extensive commentary). De Smet, Thuanus: the making of Jacques-Auguste de Thou, pp. 51-66. French vernacular books 88799. Kinser, Works of Jacques Auguste de Thou (1966), 7 (pp. 205-207). Sotheby’s (Marcel Jeanson coll.) 28 Feb. to 1 March 1987, lot 560. Thiébaud 897. USTC 171837. Cf. Schwerdt, p. 261 (1582 & 1587 eds.).
12mo. (58) ff. Gothic type. With lombards and rubrication throughout. With 36 woodcuts, of which 30 in original hand colour, 3 recurring woodcuts full-page sized (twice in colour). Modern full calf with giltstamped and blindstamped spine. Rare Latin edition of the illustrated devotional prepared by the Dominican friar Bertholdus around 1350. Intended for day-to-day worship, this popular prayer book is divided into 24 parts, each prayer corresponding to an hour of the day, and each concerned with an event in the Life of Christ, commencing with the Annunciation and concluding with the Last Judgement. - The work was first published in German under the title "Zeitglöcklein des Lebens und Leidens Christi"; the first Latin edition appeared in 1488. The present edition is not dated, but VD 16 considers it to be published ca. 1503, Grebe dates it ca. 1507. - 16th century notes in Latin to title-page and last page. - Top margin of fol. e8 reinforced. Last page narrowly cut with slight loss to the handwritten notes. An attractively coloured copy. HC 8930. Goff B-509. GW IV, Sp. 57a. Schramm VIII, 27. Proctor 1482. BMC I, 303. VD 16, B 2190. Grebe (Landen) 29. ISTC ib00509000.
Folio. 5 vols. (22) ff. (last blank), 24 ff., 1226, (2) pp. (6), (11) ff., 1 blank f., 870, (2) pp. (4), 18 ff., 986, (2) pp. (6), 15 ff., 1 blank f., 927, (1) pp. (2), 14 ff., 791, (1) pp. Title-page printed in red and black throughout. Two different printer's devices to title-page and final leaf of each volume. Contemporary blindstamped pigskin over wooden boards; 2 clasps each. Nicolini's rare five-volume collection of Synods, surpassing all previous collections (cf. LThK). - All volumes but the first bear a ms. dedication on the front flyleaf: "Dises Buech ist dem Herrn Spitelmaister unnd seinem Convent zu Memmingen von Herr Jacob Fugger dem Eltern verehrt worden Imm December Ao. 1588"; all volumes are marked on their spines as "Donum generosi dni. Baronus Jacobi Fuggeri" (the original flyleaf of vol. 1 is probably lost). Jacob Fugger (1542-98; after 1560: Herr von Babenhausen, Wellenburg und Boos) was the son of the banker Anton Fugger (nephew and successor of Jacob Fugger "the Wealthy"). He was known as "the Elder" to distinguish him from his like-named nephew (1567-1626) who in 1588 was still a student in Rome and later became Bishop of Constance. - Slight worming throughout, more pronounced in vol. 2 (especially near beginning and end; some loss to text). The splendid, exceptionally well-preserved pigskin bindings (slightly rubbed, back cover of vol. 2 showing minute chafing, otherwise perfect) are probably the work of the Augsburg master Jakob Bitmer (cf. Haebler). Adams C 2773. Edit 16, CNCE 13060. LThK VI, 185. OCLC 6967756. Not in BM-STC Italian. Binding's plate stamps: Haebler I, 55f.: I.B. VI, plates I & II.
(6) Bll., 39 Zeilen. Mit großem Titelholzschnitt. Moderner Halbpergamentband über Marmordeckeln. 4to. Bislang nicht nachgewiesene Inkunabelausgabe der klassischen katholischen Beichtanweisung. Der bemerkenswerte Titelholzschnitt zeigt eine Beichtszene, hinter dem Beichtstuhl ein Teufel, der seinen (im Spruchband gedruckten) Spruch "Cras, cras" ("morgen, morgen") einflüstert. - Diese Schrift, erstmals um 1471 erschienen, erlebte allein in der Inkunabelzeit über 100 bekannte Ausgaben; die vorliegende ist über den Gesamtkatalog der Wiegendrucke nicht ermittelbar. - Der aus Lissabon stammende Dominikaner-, dann Augustiner- und schließlich Benediktinermönch Escobar (um 1367-1430) promovierte 1393 in Wien zum Doktor der Theologie und war später Bischof von Ciudad Rodrigo (1408), Ajaccio (1422) und Titular-Erzbischof von Megara (1428). Der päpstliche "poenitentiarius minor" war einer der am häufigsten gedruckten Autoren des späten 15. Jahrhunderts. - Etwas fleckig und mit kl. Quetschfalten.
4to (152 x 208 mm). 3 volumes. (6), 236 ff. (6), 203 ff. (8), 284 ff. With woodcut printer's device to title-pages. Early 19th century full vellum with giltstamped spines and double labels. All edges gilt and goffered with a floral design. Rare collection of correspondence by significant personalities and rulers, including Andrea Doria, Annibale Caro, Baldassare Castiglione, Bernardo and Pietro Bibiena, Cardinal Bessarion, Lorenzo and Cosimo de' Medici, Pietro Gonzaga, Hieronimo Fracastoro, Giovanni Bembo, Francesco Guiccardini, Emperor Charles V, Pope Clement VII (Giulio de' Medici), etc. Important both as historical and linguistic documents; the definitive edition. - Ruscelli was a prolific and versatile Italian scholar who published on topics ranging from cartography to alchemy. A native of Viterbo, he eventually settled in Venice, where the first edition of "Delle Lettere Di Principi" was published in 1562 in a single volume. The collection demonstrates the rich social context of 16th century Venice, as Ruscelli himself is a classic example of the multidisciplinary Renaissance man. - Light foxing throughout and occasional light soiling or waterstaining. A prettily bound set with 19th century collection stamp to title-pages of vols. 1 and 3. Edit 16, CNCE 16617. Adams L 564. BM-STC Italian 376. Melzi II, 115f. Gamba 1470 ("a very valuable collection").
8vo. (16), 168 (misnumbered: 167) pp. Title-page printed in red and black. With a woodcut in the text. Contemporary limp vellum with ties. All edges red. Very rare first German edition of this collection of alchemical works. The preface ("Typographus lectori") by the Basel printer Peter Perna, who printed the first Latin edition of the "Auriferae artis" in 1572, mentions Geber (Jabir ibn Hayyan), Avicenna (Ibn Sina), Rhases (al-Razi), Arnaldus de Villanova, and Raymond Lull. - The present edition is of special importance for containing the first German printing of Bacon's "Lapidis philosophorum" (pp. 109-168; not present in the Latin edition). Bacon believed that certain alchemical metals, produced under the influence of the stars and planets, were capable of prolonging human life. The book describes the various steps of alchemical art necessary for producing the Philosopher's Stone and for completing the Opus Magnum. The volume also contains the "Satzungen der Goldkunst" ("Propositions of the Art of Gold") and "Turba philosophorum" ("Philosophy of the Art of Gold"). - Binding a little rubbed and rather stained; upper cover warped; light edge damage. Interior somewhat browned and stained throughout with occasional dampstaining in the margins; corners a little buckled. Title-page a little dust-stained and trimmed closely at the upper edge. Wants front free endpaper; corners torn from lower free endpaper. VD 16, A 4356. Kopp II, 344. Brüning 693. Cf. Ferguson I, 405 (1608 reprint). Not in Adams or BM-STC German.
4to. 2 pts in 1 vol. (14), LX, (50) ff. - (Bound after) II: Arator. Arator poeta christianissimus in actus apostoloru[m]. [Leipzig, Melchior Lotter the elder, c. 1512]. 58 (instead of 60) ff. (last blank). - (Bound with) III: Sallustius Crispus, Caius. C. Crispi Salustii bellum Catilinarum. Item. Bellum Iugurthinum eiusdem. Item. Variae rationes ex libris eiusdem historiarum exceptae. Item. C. Crispi Salustii Vita. (Strasbourg, Matthias Schürer, August 1512). XCV (instead of XCIV!) ff. - (Bound with) IV: Vergilius, Polydorus. Proverbiorum liber, quo paroemiae insigniores omiu[m] fere scriptorum luculentissima enarratione explicantur. (Ibid., Nov. 1511). (6), XLVII, (1) ff. (Bound with) - V: The same. De inventoribus rerum libri tres. M. Antonii Sabellici de artium inventoribus ad Bassam carmen elegantissimum. [...] Ex secunda recognitione. (Ibid., June 1512). Contemporary wooden boards with blind-tooled pigskin spine (defective back cover restored). Wants ties. I: Pretty edition by Johann Camers; published only two days after Cuspinianus's (more common) Vienna edition (printed by J. Winterburger). With a dedication by the publishers to Francesco II Sforza, about "ars illa imprimendi". Denis explains the simultaneous publication of two Florus editions in Vienna by a possible quarrel between Camers and Cuspinianus. Slightly browned and fingerstained; numerous marginialia and notes by a contemporary humanist's hand. - II: Second 16th-c. edition. An epic recasting of the Acts of the Apostles, explaining the stories with far-fetched allegories and numerology. First quire misbound (A1, 5, 2, 6); wants ff. A3-4. Waterstained throughout. T. p. and beginning with remargined paper defects; numerous marginialia and notes by a contemporary humanist's hand. - III: Rare Strasbourg edition of Sallust. Before the last leaf (with a brief Life of the author and the imprint), this copy contains an additional leaf from Schürer's 1513 Sallust edition (VD 16, S 1368), with a different Life of Sallust and the imprint of that edition. T. p. somewhat stained; numerous marginalia by a contemporary humanist's hand. - IV: First work of the Italian-English humanist, first printed in 1498: one of the most popular Renaissance collections of proverbs. Somewhat browned and stained; occasional waterstains. Some passages in Greek. - V: Early edition of this oft-printed principal work: a veritable encyclopaedia of humanist memorial culture, treating the origins of philosophy, medicine, astrology, pharmacy, magic, etc. "Remplie de détails et d'anecdotes curieuses" (Caillet III, 675). - Slightly browned and waterstained; last leaf professionally remargined. Altogether a fine sammelband on classical and neo-Latin literature and historiography in a contemporary binding. I: VD 16, F 1685. Denis 55 a, b. Graesse II, 604. BNH F 303, C 157. Not in Adams or BM-STC German. - II: VD 16, A 3185. BM-STC German 39. Not in Adams. - III: VD 16, ZV 13683. Muller II, 184, 87. Ritter 2060. Schmidt 82. Not in Adams or BM-STC German.- IV: VD 16, V 770. Muller II, 181, 61. Ritter 2396. Schmidt 58. Not in Adams or BM-STC German.- V: VD 16, V 745. Adams V 425. Muller II, 184, 90. Ritter 2397. Schmidt 74. Not in BM-STC German.
Crown 16mo in 8s (12 x 8 cm). 229, (11) pp. With a 6-line space (with a printed guide letter) left for a manuscript initial (not filled in) and 2 vine-leaf ornaments, Vervliet 56 & 80. Set in 3 sizes of roman type, the smallest including special pharmacological characters. Modern sheepskin parchment, but with gilt edges perhaps from an earlier binding. Only known copy of the Jean Ruel issue of the very rare second (?) Paris edition of one of the most important early pharmacological books, with about 250 medicinal recipes arranged alphabetically, written by Thibault Lespleigney (1496-1550), apothecary and professor of medicine and pharmacology at Tours, where he first published it as Dispensarium medicinarum in 1538. It inevitably owes something to the ca. 1100 Antidotarium Nicolai, first printed in 1471 and almost the only comprehensive book on the subject when Lespleigney wrote, but it also foreshadows the pharmacopoeias. The term pharmacopoeia (meaning drug-compounding) was coined only in 1561, but is now used to refer to a collection of recipes officially authorized by a government or medical or pharmaceutical association, the first being Valerius Cordus, Dispensatorium (Nürnberg, written in 1542 but published posthumously in 1546). Before that books of recipes by leading pharmacologists served a similar role without any official authorization. Lespleigney's was the most important in France and enormously influential. About 10 editions appeared from 1538 to 1543 in Tours, Lyon, Paris and even Antwerp and Venice. François Chappuys revised, corrected and expanded Lespleigney's text for the second edition (Lyon, 1539), giving it the present title, and nearly all later editions, including the present, follow his revised text. The present edition clearly resembles Arnoul and Charles l'Angelier's 1541 Paris edition in style and layout, but does not follow it line by line. We have not seen the 1540 l'Angelier edition, with the same pagination as 1541, so they may be two issues of a single edition. We have also not seen what may be other issues of the present 1543 Paris edition, reported under various publishers: Jean Foucher, Vivant Gaultherot and Jean du Chemin. All three have the same pagination as the present edition, and at least the Gautherot shares a misprint (p. 206 numbered "209"), the same collation and the same VD16 fingerprint (ame- s,m- g*i* mepr, based on A2r, A6r, A7r and A7v: VD16 fingerprints substitute "*" for "æ"). So we probably have one or two Paris editions in 1540 and 1541 serving as the model for a 1543 Paris edition in four simultaneous issues. The USTC reports 2 copies of the 1540 Paris edition but no other Paris edition or issue. The Bibliotheque Nationale has a copy of the Du Chemin issue of the 1543 Paris edition and notes 2 further copies of the edition, in London (Foucher issue) and Stuttgart (Gaultherot issue). ICCU reports another at the Bibliotheca Comunale Ariostea in Ferrara (Gaultherot issue) and gives its VD16 fingerprint. The Casanata Library in Rome has a copy of the 1541 Paris edition, viewable on Google Books. All editions are very rare: the USTC records 0 to 3 copies for most and more (5 or 7) only for two editions: Venice 1542 and Lyon 1543. After 1543, Lespleigney's work lost popularity, perhaps due to the success of Cordus's 1546 Dispensatorium, but further editions appeared at Lyon under the title Enchiridion from 1546 to 1561, and the only other known Ruel edition appeared at Paris in 1567 (BMC STC French), all still very rare. - The book collates: 16mo: A-P8 = 120 ll., with I1, I3, K1 and K3 missigned K1, K3, L1 and L3 respectively. It is imposed with two 8-leaf quires worked together in each sheet (except that quire P may have been imposed alone, work and turn), so that each pair of consecutive quires contains one watermark divided at the upper fore-edge of leaves 5 and 6 in one quire, and the point-holes fall at the foot of leaves 3 and 4 (on the line where the sheet was divided to make two quires, so half of a point-hole can appear along the edge). Quire B shows a watermark shield (bearing a merchant's mark with some sign or letters above an upside-down 4) topped by a quatrefoil and with a letter or letters(?) below (about 38 x 18 mm, centred in a 21 mm space between chainlines); quires C, E, G, K, L and O show a watermark crown (about 26 x 23 mm) topped by a quatrefoil, with 3 circles in the slightly arched base and letters(?) below (possibly M followed by a curl, or SM), centred on a chainline, with about 22 mm between chainlines. - The fore-edge fold of H5/6 was carelessly opened, so that the upper outside corner of H5 is attached to H6 instead of H5, a couple pages show minor smudges and there is an occasional small marginal stain or tear, but the book is otherwise in very good condition and almost untrimmed, so that the tears that divided the sheets into half-sheets are mostly preserved at the foot (revealing point holes on several leaves) and part of a fore-edge fold survives. The boards are slightly bowed but the binding is also in very good condition. Unique issue of a very rare early edition of a rare but popular and influential pharmacological book of about 250 medicinal recipes: a predecessor of the pharmacopoeias that appeared in and after 1546. Cf. BM-STC French 263 (1576 Ruel ed.). Durling 2801-2803 (Venice 1542, Lyon 1543 & Lyon 1556 eds.). Moreau 1536-40, no. 1863 (1540 Paris ed.). Schelenz, Geschichte der Pharmazie, pp. 437-438 (1538 & 1542 Tours eds.). USTC 147783 (2 copies of 1540 Paris ed.). Dorveaux, Notice sur les vie et les oeuvres de Thibault Lespleigney (1898), pp. 46-48 (1543 Paris ed., Du Chemin issue). Claude Viel, Deux figures du monde pharmaceutique Tourangeau: Thibault Lespleigney et Maurice Javillier, in: Revue d'Histoire de la pharmacie, pp. 239-245, at pp. 243-244 (Tours 1538, Lyon 1539 & Tours 1542 eds.). KVK & WorldCat (4 copies of the 1543 Paris ed.: 2 Gaultherot, 1 Foucher & 1 Du Chemin). Not in Adams; Brunet; Garrison & Morton; Graesse; Heirs of Hippocrates; Honeyman; Norman Library; Osler; Waller; Wellcome Library.
8vo. (86) pp. With woodcut coat of arms (coloured in red and blue) on the title page; several initials and numerous musical notes in the text. Contemporary vellum. Early edition of one of the principal treatises of musical instruction produced in the 16th century, containing a wealth of pioneering theories and practical examples; first published in this form in 1537. It also boasts the first consistently executed example of a canon (still called "fuga"), with references to compositions by Josquin and Walther. - Based on the works of Rhaw and Agricola, Listenius's treatise avails itself of Melanchthon's new educational methods and "became very popular as a school primer in Germany and Austria, and had appeared in more than 40 editions before 1583. The treatise was primarily for teaching singing, and is arranged in a novel manner. Each subject is treated in a series of short, simple rules copiously illustrated with music examples. In the section on mensural music Listenius used the canon [...] for his examples. For the first time, in addition to the traditional terms 'musica theoretica' and 'musica practica', he introduced the term 'musica poetica', by which he meant instruction in composition. The term remained in general use in Germany for over a century" (K. W. Niemöller, New Grove XI, 28). - Contemporary handwritten ownership of "Joannes Thenn S." in a humanist hand on the title page (no relationship could be traced to the Franconian Johann Thenn who had become master of the Salzburg mint in 1500); numerous Latin underlinings and marginalia by the same writer in red and brown ink throughout (covering some 30 pages). Latterly in the library of the French musical scholar Henry Prunières (1861-1942), who in 1920 founded "La Revue Musicale", with his etched bookplate to pastedown. VD 16, L 2026. Eitner VI, 190. RISM (Écrits impr.) 507. Cf. Hirsch I, 322 (1549 ed.); Wolffheim I, 777 (1550 ed.); also Adams and BM-STC German cite only later editions.
ALL PUBLISHED of this abortive yet spectacular attempt at a comprehensive survey of natural history, THE FIRST BOOK ON ZOOLOGY WITH COLOR-PRINTED (as opposed to hand-colored) PLATES. Comprises a general preface describing the entire project (by Dufart), an introduction to this volume (by Manuel), 101 GORGEOUS FULL-PAGE COLOR-PRINTED STIPPLE-ENGRAVED PLATES OF MAMMALS IN EXOTIC LANDSCAPES (usually two scenes per plate, after Deseve and other artists), and descriptive notes on each mammal depicted (by Manuel). 30 pp., 101 plates, 60 pp. Dedicated to Napoleon. Text printed on fine wove paper, plates on very fine, thick wove paper. After the appearance of this volume, the project was suspended because the publishers could not find enough subscribers (there is a list of the 24 who subscribed to this first volume on the back of the half-title). The reasons for this failure are obvious: each volume cost a staggering 60 francs (not including the binding) and the images of the animals, although bright, beautiful, and charming, are not particularly accurate. Large thick 8vo. BOUND IN CONTEMPORARY FULL CRIMSON MOROCCO, WITH ELEGANT GILT DECORATION ON COVERS AND SPINE. All edges gilt. Light wear to extremities of binding, but still very attractive. Internally bright. Two copies in NUC. QuÈrard (La France littÈraire, V, 497) doubts the very existence of this work: "...ne paraÓt avoir ÈtÈ que projetÈ, car on n'en trouve mention nulle autre part que dans le vol. de M. Debray." An extremely rare, unusual, and altogether stunning book.
4to. XL, (1) ff. (several errors in foliation, but complete, lacking only final blank). Decorated initials. 19th century boards (spine repaired). First edition thus of the satires of Persius, published but a month before the death of the editor, Murmellius. The work is preceded by a short biography of Persius, taken from Petrus Crinitus. Finely printed in a small "lettre bâtarde", including some Greek type, with legenda in the margins for the comments, and the main text printed in a slightly larger type, with the lines set widely apart. Georg Kloß copy, with his bookplate on the front pastedown and the relevant catalogue clipping from his sale (described as bound with an additional work) pasted above. The Frankfurt physician Georg Franz Burkhard Kloß (1787-1854) was also a noted historian of freemasonry. His rather notorious sale was held at Sotheby's in London in 1835. This volume contains long 18th c. notations on the title-page about the rarity of this edition as well as a contemporary humanist's extensive marginalia in Latin from fol. C1v to D2r, then again on D5v and D6v (slightly trimmed at rebinding), mostly pertaining to the text, but also to the commentary. These early handwritten annotations were boldly attributed to Melanchthon by Samuel L. Sotheby in his 1835 catalogue of the Kloß library, an unsustainable notion against which the collector himself spoke out clearly (cf. G. Kloß, Ueber Melanchthons angebliche Handschriften, welche in dem Catalogue of the Library of Dr. Kloss verzeichnet sind, in: Serapeum 2 [1841], no. 24, p. 369-377). In his monumental account of Melanchthon research throughout the centuries, Wilhelm Hammer provided similarly critical reviews of Sotheby's relevant publications: "[Wimmelt] von Sach- und Druckfehlern [...] Die hier zusammengestellten 'Privatexemplare' [Melanchthons] entsprechen nicht den Tatsachen [...] Eine höchst unsinnige Veröffentlichung" ("Abounds with factual and setting errors [...] The 'private copies of Melanchthon' here assembled are not in accordance with fact [...] A deeply misguided publication", cf. Die Melanchthonforschung im Wandel der Jahrhunderte 36 [1968], pp. 96 & 110). Subsequently in the collection of Cosmo (Cosmas) Nevill, Esq. of Holt, Leicestershire, with his 19th century engraved bookplate. Nevill would have acquired the book from the Kloß sale. - Some browning and minor dampstains. Pasteboards rubbed, extremeties bumped, spine professionally restored, as is a tear in the title page. Final index leaf H3 repaired by an early owner with loss of text (colophon on verso preserved). A slight wormtrack in top margin of H1 and H2 repaired (with slight text loss to H2). Very rare; only two copies located in North America (at Ann Arbor & Columbia); none in Britain. VD 16, P 1610. Schweiger 708. Panzer VI, 377.270. Moreau/Renouard V, 254. Sotheby's, Catalogue of the Library of Dr. Kloss, of Franckfort a. M., Professor (auction catalogue, London 1835), no. 2507 (this copy: "Melancthon's copy, with marginal notes"). Not in Adams or BM-STC German.
Folio (222 x 320 mm). (4), 253 ff. Title page printed in red and black. With woodcut title border (birds and grapes) by Hans Wechtlin and page-sized woodcut by Urs Graf at the end of preliminary matter. Contemp. blindstamped pigskin. Two clasps. Early edition of this influential collection of Lives of the Saints, first published in Vicenza in 1493. "A very valuable work with a wide circulation. In his arrangement of the various lives he follows the calendar of the Church. The collection [...] went through many editions, the last of which (the eighth) appeared in Venice, 1616" (Cath. Encyclopedia, s.v.). Fine Strasbourg print; Urs Graf's splendid woodcut shows the Ascension of the Christ. - Binding rather severely rubbed. Some worming to beginning and end; occasional brown- and waterstaining. Late 16th-c. ms. ownership and large engr. bookplate to front pastedown. VD 16, P 1881. BM-STC German 644. Adams N 45. Ritter 1856.