7 772 résultats
Folio (440 x 270 mm), title followed by 111 leaves printed on one side only, 7 leaves with small area excised, 1 leaf torn in half with remaining portion loosely inserted, 1 leaf torn across centre, title-page printed with elaborate wood-engraved decorative border, some light fraying to blank margins of several leaves, orig. half calf, re-cased, title stamped in gilt on upper cover, corners rubbed. Figgins had issued specimens as early as 1792, but these were in small pamphlet form. By the 1820s they were issuing specimens in a 8vo book form, these were followed by quarto specimens in the early 1840s. "The Quarto Specimen Book was supplemented in 1847 by the 'Epitome of Specimens,' which contains a selection of antiques, blacks, and jobbing types, with flowers, borders, and ornaments, the book and news founts being shown in small paragraphs."?Bigmore & Wyman. This book was continually added to until 1871, when it became too large and heavy for the post, thereafter the specimens issued by Figgins were issued in a smaller condensed form. All edition of this folio specimen are rare. Bigmore & Wyman I p. 218; Gray, p. 185.
8vo (230 x 145 mm), title printed within a ornamental border, followed by [32] leaves of types specimens printed on rectos only, two minor worm pinholes, orig. cloth-backed blue card covers, worn, loss to front and rear cover covers. An apparently unrecorded specimen book from this firm of commercial printers. The firm traded from 14 College Hill, Cannon Street, London from c. 1895 to c. 1909, and were formerly connected with the house of Edward Saunders & Son. They specialised in supply banks and commercial houses with all manner of suitable stationery and account-books, all produced by the best and most artistic kind of lithographic and letterpress printing. No other copy located.
2 Vols., in one, small 4to (260 x 160 mm), 103 leaves including title and two advertisement leaves; 22 leaves including title and advert leaf (ornaments numbered 1-103), all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, orig. boards with marbled covers, printed paper title label to spine (rubbed), inner hinges expertly repaired, a very good uncut copy with wide margins. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sole control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Berry & Johnson, p. 45; Mosley, 118 & 119.
Small 4to (250 x 155 mm), title with vignette, 2 ff. adverts, 126 ff. (i.e., 100ff. type specimens, 26 ff. ornaments, numbered 1-130) all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, occasional spotting and turned corners, cont. calf, rubbed, joints cracked, black morocco spine label. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sloe control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Following an introduction, the specimens proceed from Ten line Pica to Diamond: 'the smallest Letter in the World. It gets in considerably more than the famous Dutch Diamond.' There are type in Hebrew and Greek, ornamental, Blacks, Exotics, Ships, Bands, frames, & decorative pieces composed of flowers continuing to a priced section of cast ornaments. This edition not listed by ESTC, Berry & Johnson and Mosley both cite the St. Bride copy only. Berry & Johnson, p. 46; Mosley, 122.
Royal 8vo (245 x 155 mm), title printed within a heavy border of flowers, followed by 115 leaves of specimens printed on one side only, of which two a folding, some occasional offsetting, cont. cloth-backed boards with wine auction sale particulars pasted over boards, manuscript paper spine label, uncut and partial unopened, an attractive copy. Bigmore & Wyman I, p. 243 mentioning only 1816, 1824 & 1827 editions; B&J citing the Oxford copy; Mosley locating four copies with between 91 and 118 leaves (Oxford, Cambridge, V&A, and Columbia University Library); OCLC adds the Huntington and Detroit copies; none added by JISC; not in the British Library or St Brides Catalogue. Berry & Johnson p. 49; Mosley, 135.
First edition, 4to, viii, 107, [1]pp., facsimiles, orig. printed wrappers bound-in, contemporary green cloth, signs of a label having been removed from base of spine.
First Edition, 4to, 374pp., frontis., 282 illustrs., orig. cloth. Covers a little-known area of book design and production, including an annotated bibliographical catalogue of over 420 lithographed books.
197480848Londres, Cassell, 1974, in-8°, (8)-209 pp, une carte de l'empire Romain vers 200, généalogie, biblio, index, cart. éditeur, jaquette illustrée, bon état. Texte en anglais
202318529<p>San Francisco: Chronicle Prism 2023. <em><strong>S</strong><strong>igned on the half-title page with a drawing of a heart by founding guitarist Steve Turner of Green River and Mudhoney.</strong></em> First Edition / First Printing. Red orange paper-covered boards. Very fine in a very fine dust jacket.</p> Chronicle Prism, hardcover
Small 8vo, 214, xviipp., orig. lower board only, lacks upper board and spine, a working copy.
1911144541Couverture souple. Broché. 25 x 32 cm. Environ 100 pages. Tache à la couverture.
pp. xi, 268. Decorated title page. Sm. 4to. Original full cloth binding. Original dust jacket. Hardbound. First Printing. Very good copy. NAVAL BOX 2
ff. 360 (of 361) leaves. Lacks folio Fii (but with xerox facsimiles inserted). First signature detached, and somewhat browned. The title is printed in red and black, and has a central woodcut depicting Mount Parnassus, with the Muses, Bacchus and the temples of Delphi and Apollo. On the verso of the title page are the large woodcut arms of George, Duke of Saxony, showing a powerful knight in frontal view. This woodcut is dated 1514 in the banderole at the knight's head. The blank bottom 2.5" of the title have an old repair. Printed with wide margins in the text, and throughout there are marginal and interlinear Latin notes and comments in black ink by at least two sixteenth-century hands. (The manuscript notes here might reward better scholars than we are with interesting revelations). Folio. 330 mm. Highly decorated and tooled half alum tawed vellumized pig skin over oak boards binding. The spine covering is gone, revealing four double cord raised bands, and remains of an early manuscript used as binder's super. Clasps perished but the brass receivers on the front board are present. Johannes Beuschel was a German neo-latin poet and teacher at the Leipzig university. Probably born at Rothenburg ob der Tauber in the 1470's. From 1504 (and many years thereafter) he was a reader/professor of neo-Latin poetry. He probably died in Leipzig in 1522. Other names associated with him are: Erythropolitanus - Rotenburgensis; Johannes Tuberinus; Johannes Beusselius; Johannes Peussel or Pewschel; etc. He should not be confused with the anti-Jewish writer Johannes Matthias Tiberinus [ca. 1420-1500]. This is apparently an issue of one of the so-called lecture printings (Vortrag-Drucke). Used especially in Leipzig and Erfurt, they were issued in very small quantities for use in the university. Their wide margins were provided for just the sort of annotation seen in this example. They were apparently meant mainly for local sale. As a genre they are rather rare. Of this work we can locate no examples in the U.S. and only a few in Europe. Dedicated to George (the Bearded), Duke of Saxony (1471-1539), who became Duke of Saxony in 1500. He developed decided ability as a ruler. Among other actions, he took measures to suppress the robber-knights, and regulated the judicial system by defining and adjusting the jurisdiction of the various law courts. His court was better regulated than that of any other German prince, and he bestowed a paternal care on the University of Leipzig, where a number of reforms were introduced, and Humanism, as opposed to Scholasticism, was encouraged. The most significant era of his life unfolded after the time of this book, during Luther's Reformation. Most of his political measures, stood the test of experience, but in ecclesiastico-political matters he witnessed with sorrow the gradual decline of Catholicism and the spread of Lutheranism within his dominions, in spite of his earnest efforts and forcible prohibition of the new Protestant doctrine. Hardcover. Very Good. RARE. **PRICE JUST REDUCED! Safe ADD1
RARE album of facsimile reproductions from the renowned 'Manual of the Mustard Seed Garden' (Jieziyuan Huazhuan, sometimes known as Jieziyuan Huapu) - a printed manual of Chinese painting compiled during the early-Qing Dynasty, an important early example of color printing. 325x280mm. 17 text pages & 16 full-page plates. Oblong illustrated board Hardcover laid in slipcase. Slipcase stained and worn. Slipcase hinges/spine partly missing. Slipcase edges and corners worn and peeling. Cover age-stained and yellowing. Front cover edges slightly peeled. Inner cover and whitepages age-stained. Previous owner's stamp on slipcase, front whitepage, pages 7 and 9. Pages slightly yellowing and wavy. [SUMMARY]: This rare facsimile reproduction of early Chinese color-prints, of immense interest to historians and lovers of far-eastern art, is otherwise in good condition.
194958506ABBasel, Verlag Birkhäuser, (1949). 4°quer (25x33), 13 S., 1 Bl., 199 S., feinstes geschliffenes Papier, ockerfarb Leineneinband mit Deckel- und Rückentitel, 2. Aufl. minimal angestaubt, Rückentitel etwas berieben, sauber und wohlerhalten,
1928128713Eisenach, Vereinigung Eisenacher Bibliophilen, 1928. 78 S., 1 Bl. Marmorierter Originalpappband (etwas berieben, Rücken verblaßt).
18705La Roche-sur-Yon Imprimerie Centrale de l'Ouest 1922 in 12 1 volume broché, couverture imprimée, 120 pages. On joint une carte de visite de V. Truyts avec la mention manuscrite: "Hommage de l'Auteur". Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1999ABE-6136334309Review London 1999 PERFECT UNREAD SIGNED first edition of this masterly novel. This was signed at the Charleston Festival. A perfect collectable boldly signed on the title page. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. As New/As New. Review London hardcover
1994ABE-6136334306Hamish Hamilton London 1994 Wonderful novel from the great lady and this is a SIGNED unread copy. It was signed at the Charleston Festival. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. 1st Edition. Hardcover. As New/As New. Hamish Hamilton London hardcover
0332033961.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333195540.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
First edition, 8vo (190 x 110 mm), viii, [2], 174pp., errata slip tipped in after page 154, engraved frontis., and folding engraved plate to rear (spotted), page 115/116 with closed tear which has been repaired with archival paper, some light browning, rebound in modern calf calf decorated with astronomical symbols to spine, new endpapers, uncut. Provenance: Presentation inscription to inner gutter margin of title, presented to the Linen Library, Belfast by R. R. Bradshaw, 1889. JISC locates a single copy at Newcastle University Libraries.
32p. + frontis. Wood engraved color frontis, chapter heading and colophon by Mallette Dean. Title page bordered in red. Number 5 of the Colt Press Series of California Classics. Uncut. 8vo. Original cloth backed decorated paper binding. Hardbound. Limited Edition of only 500 copies. Nice copy. PRESS/W32
First edition, 2 vols., xxxii, 383; ix, 670pp., large 8vo, 50 plates, orig. cloth. From the reference library of Prof. T. A. Birrell.