1 082 résultats
19261066DG1926 Tusche auf festem Papier, unten links monogrammiert und datiert. 50 x 34 cm.
1908236011908 Encre de Chine et crayon de couleur bleu, légendé sous le dessin, signé en bas à droite, (1908), 19.8 x 15 cm.
16018Dessin à l'encre de Chine, gouache et aquarelle, (1945), 21.5 X 17.5 cm.
273-Wo.J. Aquarell, mit etwas Deckweiß gehöht, über Bleistift, auf cremefarbenem Bütten. 11,4:11 cm. Provenienz: Nachlaß Friedrich Schmöle.
197427861Los Angeles: J.P. Tarcher HAWTHORNE BOOKS 1974 HBDJ 1974 1ST EDITION with #1 Intact Number Line VG-/VG CONDITION 139 pg. 7.5x7.5'' SLIGHTLY WORN ILLUSTRATED BLUE COVER WITH EDGE WEAR & WOMAN CHASING BUNNY ON FRONT DJ slightly chipped worn. Signed by Author. 1st Edition. Hardcover. Very Good/Very Good. Illus. by Frank Page. Los Angeles: J.P. Tarcher HAWTHORNE BOOKS hardcover
1998014728Paris Cercle d'art 1998 In-4 Cartonnage illustré et étui éditeur
192326606<p> Scott Foresman PublIllust K. Ward 1923 HARDBACK NO DUSTJACKET 1923 1ST British EDITION 143 pages. VG/GOOD AS-IS NOJACKET SmallBook is 7-1/4" x 5". Bound in an old DARK GREEN WEBBED Hardcover Binding with gilt-stamped Leather Spine Cvr WITH SMALL Chips tears wear with Bright Gold Gilt Titles on Spine. No other marking in book I see. Pages all attached well to binding. The leather on the spine is slighty deteriorated and cracking with losses to top layer in spots- leather a bit fragile in places. Some fox spotting on the first few and last few leaves of text. Middle pages are clean. Collectible book. Interior nice tight clean Light Fox Thruout. NO Ads in Back. First Edition. Hard Cover. Good/No Jacket.</p> , Scott Foresman Publ,Illust K. Ward hardcover
197785163Dublin Ireland: Dolmen Press 1977. Limited Edition 1/650 copies. Limited edition 1/650 copies. Quarto. Black cloth over boards 10 5/8 in. x 7 1/4 in. with striking painting by Louis le Brocquy of a rook in flight to front board. White lettering to spine. Housed in Black and Red on White dustjacket. 78 pp with red and black lettering to dustjacket spine. <br /> <br /> It is interesting to note that while creating the images for this book the artist le Brocquy was healing from an injury which encased his primary drawing/painting hand in plaster. He writes: "In my present task I have not had the use of my right hand which is immobilised in plaster. With my available left hand I cannot write nor do any precise operation at all. It is encouraging therefore to note that this clumsy left hand produces illustrations as well as paintings which are not less articulate than those formerly made with my right. It would seem to show that no predictable skill whatever is involved and that images emerge not by imnposition on my part but as it were automatically -- jerked into coherence by a series of vaguely directed accidents discovered rather than executed. In illlustrating THE GODODDIN I discovered nothing but rooks. This would be less disconcerting were I preoccupied with Ted Hughes's CROW. As it is I have had to accept their persistent presence in THE GODODDIN as a kind of counterpoint to its own repetitive and compassionate insistence and in renewed irony as a recurrent image of the unscathed victor" "Aneirin the sixth-century Welsh poet is reputed to have been one of a handful of survivors from the battle of Catraeth which inspired his epic poem THE GODODDIN.Desmond O'Grady's belief is that what Aneirin wrote of his war is true of all wars and informs the purpose of his version which is to give a 'reading' of the poem as one way in which it might have been written today."<br /> <br /> Louis le Brocquy executed magnificent brush drawings for Thomas Kinsella's version of the Irish epic THE TAIN.has provided a series of ink paintings to accompany Desmond O'Grady's text. Dolmen Press unknown
154-Do.J. Aquarell und Feder in Grau, auf Bütten, auf alten Sammlungsuntersatz montiert. 5,8:4,3 cm. Verso; Fragment eines Pferdes. Feder in Schwarz.
155-Do.J. Aquarell und Feder in Grau, auf Bütten, auf alten Sammlungsuntersatz montiert. 4,9:4,7 cm.
170-Do.J. Feder und Pinsel in Grau, auf Bütten mit Fragment eines Wasserzeichens. 19,8:17,4 cm. - Horizontale Mittelfalte geglättet.
136-Ho.J. Pastell, auf hellbraunem Bütten, rechts unten signiert?Aryel Peysack?. 37,9:46,8 cm.- Verso an den Rändern Reste alter Montage, die Oberen Ecken mit Papierverlusten.
747-Eo.J. Bleistift, braune und schwarze Kreide, teils laviert und mit Deckweiß gehöht, auf grauem Velin. 38,4:61,6 cm. Zwei vertikale Knickfalten geglättet, mehrere Einrisse sorgfältig restauriert.
1926864DG1926 Tusche auf festem Papier, monogrammiert und datiert. 34 x 20 cm.
1926862DG1926. Tusche auf festem Papier, monogrammiert und datiert. 38 x 22 cm.
1926874DG1926. Tusche auf festem Papier, monogrammiert und datiert. 29 x 18 cm.
19451822DBUm 1945. Bildausschnitt: 20,5 x 32 cm.
19451789DBBlattgrösse: 21 x 26 cm. Um 1945.
1797DBBlattgrösse: 21 x 14,8 cm.
6595CBBlattgrösse: 14,6 x 20,9 cm.
1795DBBlattgrösse: 21 x 14,8 cm.
1910168751910 Encre de Chine, crayon bleu, sur papier cartonné, titré, signé en bas à gauche, s.d. (1910), 27 x 17 cm.
1955170470New York: Universal Attractions 1955. Vintage promotional photograph of Charlie Fuqua's Ink Spots commonly billed as "The Ink Spots" or "The Original Ink Spots" circa 1953-1955. SIGNED by all four band members with an additional inscription by Fuqua: "Best Wishes / To Bob and Kay / It sure was great working with you / The Ink Spots." The members at this juncture of the band's history were Fuqua Harold Jackson Essex Scott and Jimmy Holmes.<br /> <br /> The Ink Spots were formed by Fuqua and Jerry Daniels in the early 1930s in Indianapolis. In 1952 Fuqua left the band and formed his own group also called the Ink Spots. A legal battle ensued since Fuqua co-owned the name with singer Bill Kenny who had joined the original band in 1936. Eventually a court ruled that Fuqua's new group would be named "Charlie Fuqua's New Ink Spots" while Kenny's group would retain the original title. As the photograph on offer shows Fuqua defied the order instead calling his group "The Ink Spots" or "The Original Ink Spots." <br /> <br /> In the 1950s the name fell into widespread use across the US with some variations "The Fabulous Ink Spots" "The Amazing Ink Spots" etc. Some of these groups contained original members but most held no actual ties to the original group. In 1967 a federal judge ruled that the name had become public domain and was free for anyone to use.<br /> <br /> 8 x 10 inches. Good or better moderately toned with a clip at the top left corner see image. Universal Attractions unknown
194228020<p>1942. SIGNED B/W PHOTO 5 X 7 IN. VG Condition This is printed on Fotochrome-x studio paper which establishes some age to the photo. Signed by Author. Unbound. Very Good/No Jacket.</p> paperback
72 pages. Features: Lovely cover illustration of nautical scene by John Phillips; Lovely colour Canada Dry ad; Nostalgic one-page colour-photo Canadian National features roadside view in Jasper, Alberta; Will 'Secret Service' Split the U.N.O.?; Austin F. Cross becomes Ottawa correspondent; Lovely Swift's Premium one-page colour ad features Easter ham; Quink ink colour ad; One-page Canadian Pacific ad features dining car view of east coast lighthouse; London to Rome - photo-illustrated article on the first civilian drive across Europe since the war; The Shortest Week End (fiction); The Next Time You See Paris - photo-illustrated article in the Folies Bergere; Even If Forever (fiction); Operation Muskox - photo-illustrated article on postwar geographical, military and, possibly, political plotting for Canada's north; Goody Rosen - The Kid Who Wouldn't Quit - photo-illustrated article on this Canadian who played for the Brooklyn Dodgers; The Great West Raid (fiction); In the Garden (fiction); Ottawa Roundup; Man of the Month - Charles Luther Burton, C.B.E., President of Robert Simpson Company Limited; Jergens Lotion ad features photo of Virginia Mayo; Arrid ad features photo of Jessica Dragonette; Baby's First Days; Advances in Science; Nice one-page colour Waterman's pen ad features dancing lovelies; Be Nice to Your Nylons; Blue Top Brewing Co. one-page ad features "The Economical Home"; Page of Hollywood fashion patterns; Nice Singer Sewing Macine one-page photo ad; Charming colour ad for Heinz Baby Foods inside back cover shows doctor with stethoscope and infant; One-page TAngee ad features illustration of Mrs. Joseph Cotten; Attractive half page colour Lux and Woodbury ads feature illustrations of Gene Tierney and Marsha Hunt respectively; Colour Ovaltine ad inside back cover with heavy emphasis on nutrition; Nice colour back cover ad for McClary/GSW kitchen applilances features young housewife in blue dress; and more. Clean and unmarked with moderate wear. A quality vintage copy. Book
