1 970 résultats
36 p., ill.; 30 cm. Brossura editoriale. Strappo lungo il dorso, copertina un po' polverosa, nel complesso abbastanza buono
(Codice CW/7909) Campionario di carte di alta qualità per grafici e stampatori. Varia scelta, colori e grammature diverse.Contiene 73 campioni. Nel raccoglitore in cartone figurato, con molla metallica a scatto. Come nuovo. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
In 8° grande, pp 223 completamente illustrate a colori. Tela editoriale con sovraccoperta figurata. Innovazione e creatività dell'arte tipografica in un libro assai curato, graficamente superbo. English text. Eccellente esemplare (excellent condition)
<p>14x13 cm. Senza data, firma e numerazione a matita</p>
In-8°, leg. in cart. e sop.c. edit., pp. 156(4). Con molte ill. a col. intercalate nel testo.
25x18 cm. XVII+XVI+464 Pages. Hard cover with dust jacket. Cover and jacket slightly rubbed. Else in Good condition.
48pp.geïll.tekst + 48pp.buitentekstills., met afbeeldingen "meest in de oorspronkelijke kleuren naar de oude originelen", gecart.band, stofwikkel (wat roest)
In-16°, leg. in bross. e sop.c. edit., pp. IX(3)-209(3). Con 56 tavv. in nero f. testo. Mancanze alla sopracopertina. Esemplare leggermente allentato e fiorito. Altre tracce d'uso.
Valencia, Edic. Campgrafic, 2005. 27 p. 8º mayor. Rústica editorial. Muy buen ejemplar.
ill., br. "La forma del libro" è un classico della letteratura tipografica, opera di uno dei più importanti e influenti tipografi del Novecento: Jan Tschichold. Questa nuova edizione è interamente riveduta, sia nel testo, che nelle tavole illustrative, e recupera titolo e struttura della prima edizione (Basilea, 1975): un piccolo formato, quasi manuale tascabile da avere con sé in ogni occasione, e l'eloquente sottotitolo di "venticinque risposte sul libro e la tipografia". Elementi che rivelano immediatamente la natura del testo: una raccolta di brevi saggi che coprono un lungo arco di tempo e nei quali l'Autore ci offre la "summa" della sua esperienza, illustrando in maniera chiara e con stile brillante ogni aspetto della progettazione e dell'impaginazione di un libro, e fornendo a tutti - non solo agli esperti della materia - una serie di nozioni ben argomentate e convincenti. A rendere questo libro speciale sono non solo le pagine più tecniche, ma anche le illuminanti pagine in cui l'Autore riflette sull'esperienza della lettura, un aspetto spesso trascurato, ma che deve essere il fine ultimo del lavoro di un bravo progettista di libri: "servitore leale e sensibile della parola scritta".
A clean, unmarked book with a tight binding. Slight wear to cover. 244 pages of text, plus index. Many b&w illustrations.
pp. x, 219 + frontis. Illustrated with numerous full page drawings. Uncut and unopened. Top edge gold. Bookplate of Charles P. Stahr, a prominent Lancaster County, PA physician in the 1920's. 8vo. Original full green cloth binding with gold decorated and lettered spine. Hardbound. Nice copy. Richard Harding Davis (1864-1916) was a famous American author and journalist. In 1890 he became managing editor of Harper's Weekly and began making trips in its behalf to various parts of the world. As a foreign correspondent he covered all the wars of his day and published several books recording his experiences. His war dispatches were colorful and dramatic. His other writings include some of the best tales to come out of the Edwardian era. This lovely copy would make a fine gift. W53
pp. x, 228 + Frontis. Illustrated with numerous full page drawings. Uncut. Top edge gold. Bookplate of Charles P. Stahr. 8vo. Original full green cloth binding with gold decorated and lettered spine. Hardbound. Nice copy. Richard Harding Davis (1864-1916) was a famous American author and journalist. In 1890 he became managing editor of Harper's Weekly and began making trips in its behalf to various parts of the world. As a foreign correspondent he covered all the wars of his day and published several books recording his experiences. His war dispatches were colorful and dramatic. His other writings include some of the best tales to come out of the Edwardian era. This lovely copy would make a fine gift. W53
pp. xi, 282 + Frontis. Illustrated with numerous full page drawings, photographs and a map. Uncut and unopened. Top edge gold. Bookplate of Charles P. Stahr. 8vo. Original full green cloth binding with gold decorated and lettered spine. Hardbound. Nice copy. Richard Harding Davis (1864-1916) was a famous American author and journalist. In 1890 he became managing editor of Harper's Weekly and began making trips in its behalf to various parts of the world. As a foreign correspondent he covered all the wars of his day and published several books recording his experiences. His war dispatches were colorful and dramatic. His other writings include some of the best tales to come out of the Edwardian era. This lovely copy would make a fine gift. W53
pp. xxi, 650 + Frontis. Thick 8vo. Original full cloth binding. Dust jacket; yellowed st the spine and soiled. Hardbound. Very good. Based on the famous 2nd edition (1874), and newly edited by Marcus McCorison, this is really a wonderful book for any fan of early American Printing. From the DJ: "There are very few books of a historical nature which deserve republication after 160 years of existence. Isaiah Thomass History of Printing in America is one of them. His book is still the beginning point for most investigations into the history of American printing, for he provides the tantalizing clues from which his successors have built there own studies. Further, his personal knowledge of many of the people and events which he describes in a frank and unadorned manner makes excellent and often amusing reading. The History of Printing in America retains the essential beginnings which lead the reader into fascinating byways of American history and the craft which in such large measure perpetuated it." PA53
8vo., First Edition, with title in red and black, 11 tipped-in illustrations in red by Pennell, neat signature on front paste-down, page-edges lightly browning; boards gilt, small tear at extreme head of backstrip, blank lower outer corner removed from one leaf (not affecting text), a good, firm copy in unclipped dustwrapper, the latter browned, frayed at edges and wanting most of backstrip. Pennell's pen drawings first appeared in Devinne's 'Christopher Plantin and the Plantin Museum' published for the Grolier Club in 1888.
8vo., First Edition, with frontispiece, illustrated title, 16plates on 14 and numerous facsimiles (a number full-page) in the text, presentation inscription on front free endpaper; original pictorial wrappers, a near fine copy. Catalogue of the collection of printing specimens and artefacts at the famous Fleet Street pub. Lists 140 items together with essays on The Printed Page by A. Lloyd-Taylor and The Printed Illustration by John Lewis.
[Ancona, Stab. Civelli, 1888], grande foglio in cartoncino di mm. 535x390, impresso in litografia su una sola facciata; testo inserito in ricchissima cornice in cromolitografia blu, rossa, marrone e oro. All'interno della cornice spiccano alcune frasi che magnificano l'arte della tipografia. Perfette condizioni. Antonio Civelli fu celebre editore e tipografo.
Torino, Moisio, 1964, 3 fotografie originali, mm. 180x240 ciascuna. Buone condizioni.
Bibliografia. In ottimo stato 29 immagini fotografiche b.n. di frontespizi, lettere, luoghi
RENNES, Tiré à part de La Nouvelle Revue de Bretagne - 1953 - In-8 - Broché - 4 pages - Très propre, très bon exemplaire Autre exemplaire avec envoi de l'auteur + carte visite : 20 €
(Codice BB/0369) In 4° (28 cm) 208 pp. Prima edsione. Moltissime illustrazioni, a colori e in nero. Cartone editoriale, sovraccoperta. Come nuovo. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
Imola, Cooperativa Tipografica Editoriale “Paolo Galeati” , 1960, 8vo brossura editoriale, pp. 159 con numerose tavole fotografiche fuori testo.
Torino, 1873, 9 Marzo, firma Vittorio Emanuele II, Castagnola, pag. 3
In-8°, pp. 17, copert. edit. Con una tavola (cm. 61x67) fuori testo più volte ripieg. raffigurante "The Oxford specimen of 1757/8 (Actual size). Presented to the Bibliographical Society by Charles Batey. Printer to the University of Oxford".
