1 970 résultats
in 4°, elegantissima t.t. edit. con tassello e titoli in oro al dorso, pp. 368, numerosissime ill. n.t., astuccio edit., copia ottima. (m154) (La spedizione standard è SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine)
IN 8°, pp.215. COPERTINA EDITORIALE BLU + SOVRACOPERTINA CON TITOLO. PREFAZIONE DI MARTINO MARDERSTEIG. POSTFAZIONE DI ALESSANDRO OLSCHKI. CON UN APPENDICE DI<BR>JAN TSCHICHOLD DEL 1947 CON FIGURE ED ESEMPI. STATO NUOVO. ID, 6765.
<p>circa. 32 cm, br. edit, p. 59, (1) con 44 ill. nel testo</p>
31p. Title decorated in red. Running title printed in red. Designed and printed by Henry Morris at the Bird & Bull Press. Tall 8vo. Original stitched printed wraps. Limited Edition of only 176 copies. Very nice copy. PRESS/W34
228p. + Frontis. Full page illustrations. Top edge gold. Uncut. 8vo. Original suede backed textured cloth binding. Gilt lettered spine. Spine faded. Boards slightly soiled. Hardbound. Nice copy. PRESS/W32
14p. Original wood engraving "Christus" by Howard Simon. Decorative purple initial. Printed by the Brothers Johnson on Aurelian Paper. Uncut. 8vo. Original vellum style backed paper boards. Original paper label. Binding designed by Ralph Liddy. Spine slightly darkened. Hardbound. Thirty-seventh item in the keepsake series of the American Institute of Graphic Arts. Limited Edition of only 700 copies. Nice copy. PRESS/W32
46p. Title page printed in red and black. Printed on Japan vellum. Stamped ownership of Mrs. Frank T. Griswold. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover. Original floral pattern slip case, with small loss at top and bottom. Limited Edition of only 425 copies. Seventh Edition. Nice copy. PRESS/W39x2
183p. Top edge gold. Uncut. Penciled ownership of B. Blatner, Albany, NY. Age stained. Small 8vo. Original full red cloth binding, gold ruled and lettered. Binding stained. Binding stamped by Boston Bookbinding Company. Hardbound. PRESS/W33 x 2c
310p. Top edge gold. Uncut and unopened. Small hole on front endpaper. Small 8vo. Original full red cloth binding, gold ruled and lettered. Spine faded. Binding stamped by Boston Bookbinding Company. Hardbound. PRESS/W33
171p. Line drawings by John Lawrence. 8vo. Original full pictorial cloth binding. Slipcase. Hardbound. Crisp copy. PRESS/W74
82p. Red chapter headings and initials. Uncut. Bookplate of J. M. Bundscho Typographers, Chicago. 12mo. Original vellum-like backed paper printed boards. Spine darkened. Original slip case, soiled. Nice copy. Very scarce. Fine books from earlier Christmas seasons make great gifts today. CHRISTMAS/W70
Firenze, coi tipi di M. Cellini e C., 1871, in-8, br. edit., pp. 31, [1]. Bernardo Cennini, orafo di fomazione, fu tra i primi tipografi italiani. Ottimo esemplare.
In 32° (cm. 11,5x7,5), pp. (4), 378 + ANTIPORTA incisa in acciaio riproducente la Madonna dei candelieri di Raffaello + unaTAVOLA fuori testo con l'effigie di Sainte Cécile. Superba LEGATURA di gran lusso in pelle color nocciola finemente zigrinata e granulosa,4 nervi prlugati da ornamenti a secco sui piatti, piatti inquadrati da cornice di filetti a secco, titolo oro al dorso, dentelle oro all'interno dei piatti, tagli riccamente dorati e lucenti, sguardie in candida seta cangiante e zigrinata. Nastrino segnalibro, ma staccato. Accuratissima veste tipografica su due colonne (in latino con francese a fronte, nitidissimi e minuscoli caratteri, iniziali grandi e ornate, carta di pregio. Jules DIDOT, della dinastia di prestigiosi fonditori e tipografi, attivi dal primo '700, boulevard d'Enfer (impresso in calce all'ultima pagina). Stranamente, al verso dell'occhiello: "Imprimé chez Bonaventure et Duchessois, 55 , quai des Augustins. Deduciamo che comunque i caratteri tipografici sono quelli dell Fonderie Didot.
In-16 (cm. 18x11,9), pp. 20 + 1 tavola RIPIEGATA fuori testo (scatola di inchiostri a grandezza naturale, b.n.). E con 41 ILLUSTRAZIONIin bianco e nero nel testo (scene di lavoro in tipografia o in ufficio in casa: con relative ISTRUZIONI per l'uso, flaconi di inchiostro: violetto, nero, copiativo, turchino, moderno, dello Stato Civile, scarlatto, "mauve", da timbri (senza olio), di Cina, per segnare la biancheria: ceralacche, ceralacca da pacchi, gomme liquide, cemento ceramico, scatole. Deliziosa brossurina in carta speciale lucida con superba ILLUSTRAZIONE (litografia o serigrafia?) a COLORI al piatto anteriore, e veduta dell'azienda bicolore al piatto posteriore con raffinate cornici ornate lart nouveau. fessura parzoale al dorso, ma bellisiimo esemplare.
cm. 18 x 25,5, 152 pp. con 20 tavv. f.t. Biblioteca di bibliografia italiana 380 gr. 152 p.
Book is brand new and in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 160 pages with many color graphics, plates, posters.
First edition, [2], vi-viii, 815, [1]pp., title page and first leaf of preface loose with blank margins slightly chipped, pages 439-442 loose, numerous illustrs., rebound in buckram, a very good working copy.
28x21.5 cm. 238 pages. Softcover. Spine slightly wrinkled. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
This is a very good hardcover copy in a very good dust jacket with almost no wear. Completely clean inside and out. This is the limited edition reprint of 500 copies. Illustrated in black & white. 11" high X 9" wide, 107 pages.
60 p. Wood engraved color illustrations in text by Edward A. Wilson. Offsetting at the half-title from an old newspaper clipping about the book. 12mo. Top edge gold gilt. Blue vellum binding, lettered in gold on spine. Slipcase shows some wear. Designed by Bruce Rogers. Limited to 1000 copies, SIGNED by the illustrator - Edward A. Wilson (1886-1970). "Joseph Conrad considered (this) his best story .the book is designed with that ultimate refinement and good taste that distinguishes Rogers' work. Its charm is increased by delightful wood-engravings in color done by Edward A. Wilson, the one of the lateenlike rigged vessel on the title page being after a drawing by the incomparable B.R. himself" - From the inserted clipping. BR, Works #409 JUN3 SE1/2
315p. Plus printers and publishers ads. 4to. Original cloth backed paper boards. Worn at extremities. Beautifully printed German letter press. Handsomely illustrated. Pre-World War II issues from this series are very scarce. **PRICE JUST REDUCED REF9
pp. viii, 280 + Color Portrait Frontis by Richard Loethle and drawings by W. A. Dwiggins. Designed by W. A. Dwiggins. Baskerville typeface. Moire silk pastedowns and endpapers. Ribbon bookmark. Sm. 4to. Original full embossed scarlet leather binding, boards decorated with a large letter A in center of an ornate circle of gold. Spine decorated and lettered in gold with raised bands. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A Lovely example, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33
85p + Plus aquatone frontis. Full page plates. Ruled in red throughout. Top edge gold. Inked signature of Fred W. Goudy, 1/11/28, on front endpaper. Uncut. 8vo. Original quarter cloth over paper boards. Gilt lettered spine. Original slip case. Hardbound. Limited Edition of only 1000 copies of which 800 copies are for sale. "The printing of this volume was a project in a course on graphic processes, given in the Fine arts department of New York university, with the cooperation of the American institute of graphic arts. The selection of the subject matter was made by Richard J. Walsh, with the assistance of Guy Holt, who also wrote the introduction. The typography was suggested by Frederic W. Goudy. Nice example. **PRICE JUST REDUCED! PRESS/W32 x 2c
pp. xiii, 365. Illustrated with paintings by Mimi Korach, printed by Crafton Graphic Company; designed by Richard Ellis; set by Wescott & Thomson in Linotype Caledonia on Curtis white wove paper. 4to. 7 1/8 x 10 5/8 inches. Bound by Russell-Rutter Company in full natural buckram printed with a four color panorama of Boston's Beacon Street that takes in both front and back covers and the backstrip. Gilt lettered spine very slightly darkened. Original slip case, slightly sun darkened at fore edges. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the illustrator. Very good copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W97
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 88 p. Müteferrika'dan Birinci Mesrutiyet'e kadar Osmanli Türklerinin bastiklari kitaplar. First and Only Edition. Signed and inscribed by Baysal.
