6 392 résultats
2667Lausanne, Association suisse des compositeurs à la machine, 1963 ; 8°, Reliure de l'éditeur.
1963111261963 P., Imprimerie Nationale, 1963, fort in 4° broché, non paginé, étui.
11892A Paris, Imprimerie Union, 1979 (VOeux de 1980) in 4 broché d'environ 80 pages non foliotées sous couvertures à rabats
11892A Paris, Imprimerie Union, 1979 (VOeux de 1980) in 4 broché d'environ 80 pages non foliotées sous couvertures à rabats
191896372Paris, Siège du Syndicat, 1918, in-8, 45 pp, Broché, couverture imprimée en rouge et noir sur vert, Catalogue du syndicat patronal des imprimeurs typographes comportant les droits, les devoirs et les lois concernant travailleurs. Taches et accrocs à la couverture. Couverture rigide
1160875197.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781168127112New. unknown
B9781168127112New. unknown
1168127114.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9781168126856New. unknown
1160776482.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1168126851.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1i289Gedruckt im Jahre 1940 in dem das fünfhundertjährige Jubiläum der Erfindung der Buchdruckerkunst durch Johann Gutenberg gefeiert wurde. Erasmusdruck Bln. 1942. 279 S. orig. Ln. quart. etwas fleckig. Schriftmusterbuch. Gestaltet von Heinrich Jost Walter G. Oschilewski Karl Eckhardt unknown
1i294Struttura Materiale e uso dei Caratteri da Stampa. Editrice Raggio Roma 1947. 298 S. mit zahlr. Tafeln. original Leinen. quart. etwas fl. Enciclopedia Poligrafica unknown
0483221546.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1i855Bauersche Gießerei Frankfurt 1913. 104 S. orig. Pbd. quart.-quer. Gutes Exemplar mit Schutzfolie. Zum Andenken an den Künstler Johann Firedrich Anger. Buchdrucker und Schrifterfinder zu Berlin unknown
1984363Paris Typogabor SA. 1984 In-folio - 30x42cm. Broché. 10ff.
Folio (440 x 270 mm), title followed by 111 leaves printed on one side only, 7 leaves with small area excised, 1 leaf torn in half with remaining portion loosely inserted, 1 leaf torn across centre, title-page printed with elaborate wood-engraved decorative border, some light fraying to blank margins of several leaves, orig. half calf, re-cased, title stamped in gilt on upper cover, corners rubbed. Figgins had issued specimens as early as 1792, but these were in small pamphlet form. By the 1820s they were issuing specimens in a 8vo book form, these were followed by quarto specimens in the early 1840s. "The Quarto Specimen Book was supplemented in 1847 by the 'Epitome of Specimens,' which contains a selection of antiques, blacks, and jobbing types, with flowers, borders, and ornaments, the book and news founts being shown in small paragraphs."?Bigmore & Wyman. This book was continually added to until 1871, when it became too large and heavy for the post, thereafter the specimens issued by Figgins were issued in a smaller condensed form. All edition of this folio specimen are rare. Bigmore & Wyman I p. 218; Gray, p. 185.
8vo (230 x 145 mm), title printed within a ornamental border, followed by [32] leaves of types specimens printed on rectos only, two minor worm pinholes, orig. cloth-backed blue card covers, worn, loss to front and rear cover covers. An apparently unrecorded specimen book from this firm of commercial printers. The firm traded from 14 College Hill, Cannon Street, London from c. 1895 to c. 1909, and were formerly connected with the house of Edward Saunders & Son. They specialised in supply banks and commercial houses with all manner of suitable stationery and account-books, all produced by the best and most artistic kind of lithographic and letterpress printing. No other copy located.
2 Vols., in one, small 4to (260 x 160 mm), 103 leaves including title and two advertisement leaves; 22 leaves including title and advert leaf (ornaments numbered 1-103), all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, orig. boards with marbled covers, printed paper title label to spine (rubbed), inner hinges expertly repaired, a very good uncut copy with wide margins. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sole control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Berry & Johnson, p. 45; Mosley, 118 & 119.
Small 4to (250 x 155 mm), title with vignette, 2 ff. adverts, 126 ff. (i.e., 100ff. type specimens, 26 ff. ornaments, numbered 1-130) all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, occasional spotting and turned corners, cont. calf, rubbed, joints cracked, black morocco spine label. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sloe control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Following an introduction, the specimens proceed from Ten line Pica to Diamond: 'the smallest Letter in the World. It gets in considerably more than the famous Dutch Diamond.' There are type in Hebrew and Greek, ornamental, Blacks, Exotics, Ships, Bands, frames, & decorative pieces composed of flowers continuing to a priced section of cast ornaments. This edition not listed by ESTC, Berry & Johnson and Mosley both cite the St. Bride copy only. Berry & Johnson, p. 46; Mosley, 122.
Royal 8vo (245 x 155 mm), title printed within a heavy border of flowers, followed by 115 leaves of specimens printed on one side only, of which two a folding, some occasional offsetting, cont. cloth-backed boards with wine auction sale particulars pasted over boards, manuscript paper spine label, uncut and partial unopened, an attractive copy. Bigmore & Wyman I, p. 243 mentioning only 1816, 1824 & 1827 editions; B&J citing the Oxford copy; Mosley locating four copies with between 91 and 118 leaves (Oxford, Cambridge, V&A, and Columbia University Library); OCLC adds the Huntington and Detroit copies; none added by JISC; not in the British Library or St Brides Catalogue. Berry & Johnson p. 49; Mosley, 135.
Single folio sheet printed on one-side only (450 x 610 mm), folded into 4 sections, specimen sheet reproducing 36 priced ornaments, numbered 72-107, within border of type ornaments, unfortunately one ornament has been excised. Audin, Livrets typographiques des fonderies fran?aises cr??es avant 1800, 178; OCLC locates 2 copies only (Newberry Library and Houghton Library, Harvard).
First edition, 4to, viii, 107, [1]pp., facsimiles, orig. printed wrappers bound-in, contemporary green cloth, signs of a label having been removed from base of spine.
First Edition, 16pp., woodcut frontis., introduction by Frank E. Hopkins followed by specimens of print types including: Caslon Old-Style, Commercial, Modern in various points, with a list of available publication of the Marion Press on inside cover, orig. paper wrappers, title printed on upper cover within a decorative border, uncut. Hopkins tells us in the introduction that "In October, 1896, while employed at the De Vinne Press, New York, I set up in the attic of my house a small hand-press... and named for my daughter, Marion Day... In February, 1898, I left the De Vinne Press, and set up for myself in the printing business... The types shown on the following pages are new, and most of them are in good-sized fonts."
