6 389 résultats
198762172(Dassel, Büttenfabrik Hahnemühle, 1987). 37 S., 1 Bl. Mit 24 teils ganzseitigen Illustr. von Gertraud Brylka-Thieme. Gr.-8vo. Illustr. graublaue OPp. m.goldgeprägtem Rückentitel.
1957951172Dresden: Verlag der Kunst. 1957. Groß-Quart, 34,5 cm. (Kanten leicht berieben, sonst wohlerhalten.) [3 Warenabbildungen] XII, [3], [1 weiße] Seiten. Original-Halbpergamenteinband mit goldgeprägtem Rückentitel und handmarmorierten Deckelbezügen,
1966160672Stuttgart, Impress, 1966. 1. Aufl. 4°, Originalleinenkassette.
196899448HBNeu-Isenburg:, Tiessen, 1968-1989. 6 Bände: ockerfarbenes Vorsatzpapier, schwarze OLnbde. mit schwarzbedrucktem Rückentitelschildchen, 19,5 x 21,5 cm (quer).
200974425Neu-Isenburg: Edition Tiessen (2009). 6 nn. Bll. 4°. Br.
This is a very good softcover copy with just light cover wear. Completely clean inside and out. This is Typophiles Monograph New Series Number 4. Editor's note by Abe Lerner. Essay by Wolfgang Tiessen about his book designs. Illustrated in black & white with examples of Tiessen's work. 9" high X 6" wide, 17 text pages + illustrations. Book designed by Wolfgang Tiessen. This book will be securely packed and shipped with tracking.
198713788o. O. o. V., 1987. 11 S. 4° Quart Brosch.
48pp.geïll.tekst + 48pp.buitentekstills., met afbeeldingen "meest in de oorspronkelijke kleuren naar de oude originelen", gecart.band, stofwikkel (wat roest)
33253Klingspor, Offenbach o.J. Kl.-8°. 26 S. + Tafelanhang. OPpbd. Gutes Exemplar.
1950T931Offenbach, Gebrüder Klingspor, 1950. Gesetzt aus "Gavotte", die nach Zeichnung von Rudo Spemann in der Schriftgießerei Klingspor geschnitten wurde. Schönes Exemplar.
1926T993Offenbach, Gebrüder Klingspor, (1926). Nummer 226 von 400 Exemplaren. Erste Ausgabe. Walter Tiemann zum 50. Geburtstag am 29. Januar 1926 gewidmet. Der Druck in der Tiemann-Fraktur und der Tiemann-Antiqua erfolgte auf Old-Stratford-Bütten. ? Walter Tiemann (1876-1951) war einer der wichtigsten Buch- und Schriftgestalter seiner Zeit. Er trat 1901 mit ersten Arbeiten an die Öffentlichkeit. Bereits 1903 wurde Walter Tiemann als Lehrer an die Akademie für Graphische Künste und Buchgewerbe in Leipzig berufen. 1907 gründete er zusammen mit Poeschel die Janus-Presse. Zwischen 1920 und 1941 war er Direktor der Leipziger Akademie. Vorsätze sowie erste und letzte Seiten vereinzelt gering stockfleckig, sonst sehr sauber und gut erhalten.Lange 47; Halbey 72; Eichhorn 1.40.
195381305Offenbach a.M.: Gebr. Klingspor 1953. . 86 Ss., 1 Bl. Kl.8°. Graublaue Pp. mit goldgeprägt. Rückentitel auf dunkelblauem Grund, Rückenvergold. u. Farbpräg., goldgeprägt. Monogramm 'WT' a.d. Vorderdeckel (Rücken u. Vorderdeckel etw. geblichen). [2 Warenabbildungen]
192899454HBo.O. (Offenbach) o.V. (Klingspor) o.J., [um 1928]. 20 Seiten, OPpbd., 28 x 22 cm. [3 Warenabbildungen]
1961T928O. O., Poescheldruck, (1961). Erste Ausgabe. Den Vortrtag hielt der Rektor der Staatlichen Akademie für graphische Künste und Buchgewerbe zu Leipzig anlässlich seiner letzten Reise durch die Bundesrepublik im Jahr 1950. Tadellos erhalten.
195943763Hamburg : Maximilian-Gesellsch. - Hamburg : [Hauswedell in Komm.] 1959. 360 S. : mit Abb., 1 Titelbild ; 4° gebundene Ausgabe, Leinen, Einband an den Rändern fleckig, sonst Exemplar in gutem Erhaltungszustand
1946T31552Utrecht/Brussel, Het Spectrum 1946 48pp.geïll.tekst + 48pp.buitentekstills., met afbeeldingen "meest in de oorspronkelijke kleuren naar de oude originelen", gecart.band, stofwikkel (wat roest)
pp. xii, 330 + 8 Color plates and 58 illustrations & facsimiles in line & half-tone. Original full cloth binding. Original dust jacket. Fine. The best study of one of America's greatest printing and typographical craftsmen. **PRICE JUST REDUCED! REF4
1883100146163Librairie de Firmin-Didot et Cie 1883 in8. 1883. Relié. Manuel pratique de composition et d'impression typographique écrit par un compositeur typographe expérimenté qui a été réédité pendant près de cinquante ans et est devenu une référence essentielle pour le métier. Il représente l'apogée de la composition manuelle au plomb avant l'avènement des techniques industrielles modernes
25.5X19.5 cm. 64 pages. Hardcover in dust jacket. Spine slightly stained. Else in good condition.
pp. ix, 16. Title page decorated with large red initial. Printed on Van Gelder hand-made paper. Inked ownership of J. F. Oller, 1924, on end paper and slip case. Square 12mo. Original stiff blue wraps, decorated and lettered in green. Original slip case. Fifth edition. Limited Edition of only 925 copies. Nice copy. PRESS/W39
Three Volumes. Portrait frontis. Foxed. Uncut. Top edges gold. 8vo. Original full cloth bindings, lettered and decorated in gold. Hardbound. Worn set. Francis Thompson (1859-1907) was an English poet and ascetic. After attending college, he moved to London to become a writer, became addicted to opium, and was a street vagrant for years. A married couple read his poetry and rescued him, publishing his first book Poems in 1893. Thompson lived as an unbalanced invalid in Wales and at Storrington, but wrote three books of poetry, with other works and essays, before dying of tuberculosis in 1907. SET/W50
18930006882London & Boston: Elkin Mathews / Copeland & Day 1893. First edition. Hardcover. Good. 8vo decorated boards October 1893 Elkin Mathews catalogue at rear tips of spine chipped rebacked with original spine laid down top board bumped front endpaper reattached with archival tape. Ex libris Francis Wilson famed actor and bibliophile. Scarce <br/><br/>One of only 500 copies of the first printing of Thompson's first book. Kraus 5 . " Robert Frost took a book off the shelf in the front sitting room and said 'You should have this.' It was the copy of Francis Thompson's POEMS to which Robert made frequent reference over the years in his readings and lectures - Jack Hagstrom in the Dartmouth College Library Bulletin April l1996." Thompson was a lauded poet clearly with the distinction too of being a nominee as Jack The Ripper ! Co-published by Copeland & Day in its first year of operation. Frontispiece and cover design by Laurence Housman. Elkin Mathews / Copeland & Day hardcover
This is a very good hardcover copy in a very good dust jacket. Completely clean inside and out. Short crease to the margin or edge of about 20 plates, not affecting image. Text in French. Scarce history of Bulgarian graphic art from the middle ages to the modern period. Illustrated in black & white with a number of tipped-in color plates. List of plates identifies each artist, medium, and size.13" high X 10" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1990110102Mainz, Verlag Hermann Schmidt 1990. 1990. 4°, 32 S. Orig.-Karton.
pp. xxi, 650 + Frontis. Thick 8vo. Original full cloth binding. Dust jacket; yellowed st the spine and soiled. Hardbound. Very good. Based on the famous 2nd edition (1874), and newly edited by Marcus McCorison, this is really a wonderful book for any fan of early American Printing. From the DJ: "There are very few books of a historical nature which deserve republication after 160 years of existence. Isaiah Thomass History of Printing in America is one of them. His book is still the beginning point for most investigations into the history of American printing, for he provides the tantalizing clues from which his successors have built there own studies. Further, his personal knowledge of many of the people and events which he describes in a frank and unadorned manner makes excellent and often amusing reading. The History of Printing in America retains the essential beginnings which lead the reader into fascinating byways of American history and the craft which in such large measure perpetuated it." PA53