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First edition, 4to, [2],90pp., lithographed throughout wove paper watermarked "Whatman 1820", inscribed "E. H. Grimston from his affectionate aunt Harriot Grimston Oct 13th 1840", Edward H. Grimston was the second son of the author, and Harriot her sister-in-law, lithographed portrait frontispiece of the author on india-proof paper, title within decorative border, 9 lithographed plates and plans, one etched plate, 11 lithographed armorials in the margins, some light spotting, contemporary half morocco,upper joint split. "Probably the earliest [British] topographical book with its text lithographed... the most striking feature of the book is the discrepancy between the assurance of the writing of the main text and the naivety of the drawings..."?Twyman, Early Lithographed Books, pp. 179-180. Twyman suggests that Charlotte Grimston (wife of the first earl of Verulam who owned Gorhambury) was responsible for the views and plans, but employed a professional lithographic writer for the text. Martin, Privately Printed Books, pp.342-43.
Napoli, Tipografia Fernandes, 1855, in-16, copertina fittizia, pp. 86, (2).
in-8 (mm 204x145), ff. 4, bella cartonatura decorata settecentesca. Il primo foglio ha una bellissima xilografia a mezza pagina (mm 86x112) raffigurante probabilmente Carlo Magno in trono circondato dai suoi Paladini, il tutto entro bordura geometrica. Varie furono tra XVI e XVII secolo le versioni in versi della saga di Liombruno, alcune analoghe a questa, altre più estese. Questo testimone appartiene alla tradizione di quella in 48 ottave, che si apre con "Signori, intendo che per povertade / molti nel mondo son mal arrivati / hanno perduto la lor libertade / la povertá sí forte gli ha cacciati" e termina con l'ottava che inizia con "E cosí stettero insieme allegramente / infin che visson, con perfetto amore". Ma le varianti testuali sono notevoli rispetto ad altre reperite, non solo per il lessico ma anche per intere frasi sostituite. La probabile prima edizione di questo testo anonimo è del 1525. Esiste anche una versione in prosa di questa fiaba che ha per protagonista un pescatore con vari figli e madonna Aquilina, una fata con poteri magici. Forse l'unico esemplare noto di questa tarda ma preziosa edizione, che reca inusualmente un esplicito colophon sul frontespizio "In Palermo, per Pietro Coppula 1690". Il Coppola ebbe una stamperia prestigiosa e editò alcune tra le più ricche edizioni del Seicento palermitamo; stupisce che si sia dedicato ad imprimere questa effimera edizioncina popolare. Il bellissimo legno copia con fedeltà un'altra xilografia cinquecentesca già apparsa in alcune placchette precedenti, sicuramente ne "le valorose prove segli Arcibravi Paldini" del 1580. In buono stato di conservazione malgrado il margine inferiore sia rifilato, con perdita di mezza riga in A1r e di una intera riga in A8v. Le altre pagine invece sono complete anche del richiamo. L'angolo inferiore esterno di A8r non fu stampato a causa di un foglio piegatosi nel torchio. Sulla prima sguardia timbro della biblioteca del fondatore del British Institute di Firenze, Walter Ashburner (1864-1936), professore ad Oxford e grande bibliofilo. . Sander 3980-3991 descrive alcune edizioni con illustrazioni variate tra Cinquecento e Settecento..
175x250mm. III+117 pages. Soft cover. Cover is torn at corners. Front cover is taped to spine. Cover is partly torn at edges. Cover faded. Spine mostly missing. Pages yellowing. Pages slightly fox-marked. Page edges worn. Inner binding broken - Pages partly loose. in poor condition - no damage to text.
xii + 230 + [6] pp. illustré de figures dans le text et d'une frontispice en couleurs et plusieures planches hors-texte (dont quelques-unes dépliantes et un blason en couleurs), Edition originale de 1894, tirage numéroté de 210 exemplaires: ceci porte le no. 49/210, 26cm., br.orig. (qqs. manques de papier aux bords sans perte de texte, dos renforcé, bien protégée par une couv. de papier cristal), imprimé sur papier de luxe, texte et intérieur frais et en très bon état, rare, G92113
23.5 x 31 cm, 256 pp Numerosei llustrazioni a colori e b/n Questo libro si occupa di caratteri e di tipografìa, dell'evoluzione che la grafìca, e più in generale la comunicazione scritta, ha subìto negli uhimi cento anni. È sato un secolo nel quale un mestiere consolidato nelle sue tradizioni è stato ripetutamente rivoluzionato e messo in discussione da una serie di soettacolan e imprevisti mutamenti tecnologici, dalla composizione meccanizzata di fìne Ottocento alla grafìca compLrterizata dei nostri giorni, Ma anche i movimenti artistici del Novecento hanno giocato un ruolo importante, occupandosi attivamente del disegno e dell'uso dei caratteri, della composizione della pagina e dei criteri di leggibilità di un testo. Innovazione tecnologica e manualità artigianale, sperimentazione formale e recupero dei modelli tradizionali si sono intrecciati, in particolare, nel disegno e nell'uso dei caratteri, cioè delle particelle elementari dell'arte tipografica, Sono essi (e i loro disegnatori) il tema centrale di questo libro, unico nel suo genere anche per la qualità della documentazione iconografìca che Lewis Blackwell ha saputo raccogliere. È un libro prezioso, pensato non soltanto per i grafici e per gli studiosi di comunicazione visiva ma anche pertutti coloro che oggi, grazie alla democratizzazione del desktop publishing, usano e manipolano testi destinati alla stampa o all'animazione su video. Condizioni del volume ottime.
Paris, PUF, 1964. Collection "Que-sais-je ?"". N° 1101. Un volume broché de format petit in 8° de 128 pp. Parfait état.
RARE LIMITED EDITION OF 150 COPIES - COPY No.79 SIGNED BY ARTIST MAX HUNZIKER and printed on special and precious Japanese paper. This book contains the Ring Parable, the famous key scene of Lessing's play "Nathan the Wise". This text is amongst the most important and best known texts of the Age of Enlightenment. The parable is accompanied by two etchings by the Swiss artist Max Hunziker (1901-1976). 205x235mm. Unpaginated. Brown softcover. Cover edges worn and wavy. Hunziker's signature on last page. This beautifully illustrated book is in very good condition.
255 x 170mm (plate size 205 x 135mm), slightly spotted. Henry Lemoine was a well-known character in the book trade. He translated from the German and other Continental languages and wrote occasional verses. He was for some years a bookseller in Bishopsgate Churchyard, in the City of London. Bigmore & Wyman I, p.432.
First Edition, 12mo, 156pp., some light foxing, orig. half calf, rubbed, upper cover detached, uncut. Bigmore & Wyman I, p.431. Lemoine was a translator and compiler for various London publishers. For some time he was also a bookseller in Bishopsgate Churchyard, in the city of London.
Firmin Didot 1883, grand et fort In-8 relié pleine toile noire, couverture contrecollée conservée. XIV + 756 pages + gravures et planches, certaines dépliantes montées sur onglet. Avec un vocabulaire typographique. Exemplaire bien complet. Trés bon état, totalement exempt de rousseurs.
(Codice IN/1833) In 8° X-440 pp. Première édition, complète en 1 vol. Très nombreux exemples de composition et gravures dans le texte, un tableau remplié. Faibles jaunissures/mouillures marginales. Demi toile moderne, très bon état. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
pp. xiv, 87. Title page printed in red and black. Printed by Smith & Sale on Van Gelder paper. Uncut. Inked ownership of L. James, June 7, 1913. Original silk page marker. Small 8vo. Original stiff wraps, decorated and lettered. Yapp fore edges. Binding slightly soiled. Limited Edition of only 925 copies. Old World Series. Nice copy. First Edition. **PRICE JUST REDUCED! PRESS/W39
Pt. In-8, 655p. Orné de nombreuses figures in-texte.
207pp.avec ills., toile, jaquet (qqs.rousseurs), 27.6x22.6cm., bon état
Two Volumes. pp. xxvi, 660 (1) + Collotype Plates, hand colored by Daniel Jacomer. Small folios. Designed, printed, and bound by John Johnson, at the Oxford University Press; set in Monotype Fournier; on William Nash Special paper. Dust jackets slightly soiled. Slipcase is quite broken and worn. Number 413 of an edition limited to only 1500 copies, signed by the artist. A handsomely produced edition. These would make a great gift. W96
Two Volumes. pp. xxvi, 660 (1) + Collotype Plates, hand colored by Daniel Jacomer. Small folios. Designed, printed, and bound by John Johnson, at the Oxford University Press; set in Monotype Fournier; on William Nash Special paper. Slipcase is broken at top. Number 1465 of an edition limited to only 1500 copies, signed by the artist. A handsomely produced edition. It would make a great gift. W37
This is a very good softcover copy in the original publisher's cream colored stiff paper covers, with a color illustration by Mariette Lydis tipped on, and with the clear plastic covers and comb binding intact. Very clean inside, light spotting outside. One photo has some offsetting to the white page opposite, some slight loss of color to the photo.Text in French. This is a program, published by the French magazine, Le Jour. It was issued on the occasion of a ball at the Opera on February 6, 1934. Printed by Draeger Freres, with color drawings by Mariette Lydis, Marie Laurencin, Vertes, Alexieff and Bret Koch among others. Article by Colette on Mariette Lydis. Photographs of movie stars and actresses throughout are printed with a special process, almost like silver or metal sheets. The process is called 'papier metallise'. Stars include Marlene Dietrich, Jean Harlow, Marcelle Chantal, Dolly Davis, among others. One sheet has a textile swatch printed with a light brown woodcut by Guinhald. Advertisements throughout from Paris couture houses, and fashion accessories shops. 10" high X 9" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Placchetta, in -8°, 16 pp. più tre tavole riproducenti caratteri tipografici ebraici e musicali.
In-8 gr., piena pelle coeva (lievi tracce d’uso), titolo oro al piatto e al dorso, pp. (4),100 + 500 ca. non numerate che comprendono la presentazione delle opere stampate da ciascun editore, con numerose illustrazioni nel testo e tavole fuori testo, in bianco e nero e a colori. Interessante documentazione che presenta gli specimens di ciascun editore. In buono stato (good copy).
pp. xiii, 96. Deckle edges. Printed on hand made paper at the Curwen Press. 8vo. Original burlap spine over yellow cloth boards. Original leather spine label, gold lettered. Spine slightly nicked. Hardbound. Limited Edition. Number 644 of 1600 copies of which 550 are for sale in the United States by Random House. Very nice copy of this collection of some of Lawrence's short stories, which published around the time of his death. They include: Love Among the Haystacks; A Prelude; A Lesson on a Tortoise; Lessford's Rabbits; A Modern Lover; and The Fly in the Ointment. First English edition, one of 1600 copies printed at the Curwen Press. Posthumously published selection of stories and sketches which were written in 1912 but not published until 1930. **PRICE JUST REDUCED! PRESS/W43
This is a very good hardcover copy in the original tan cloth elaborately decorated in black with an art nouveau floral design, title in gilt script on the spine. Some wear to spine tips. Very clean inside and out. Text in Dutch. Both the cloth binding and the endpapers with a geometric design in gray and white were designed by J.L.M. Lauweriks. 132 black & white plates, including photographs of modern Dutch interior design and decorative arts with designs by C.A. Lion Cachet, K.P.C.de Bazel, Jan Wils, P. Kramer, H.Th. Wydeveld, J.A. Snellebrand & A. Ebink, J. Crouwel Jr., F. Spanjaard, G.A. Roobol, P. Bromberg, B. Bijvoet & J. Duiker, S. van Ravesteyn, J.B. van Loghem, Corn. van der Sluys, J. Mendes da Costa, Hildo Krop, Theo van Reijn, Th.A. Vos, Herman van Remmen, J. Radecker, W.C. Brouwer, Jansen van Galen, Bieling, H. Vaillant, A. Riemans, Toorop, Thorn Prikker, J.H.E. Schilling, Toon Berg, W. Bogtman, R.N. Roland HolstLeo Visser, Jan Eisenloeffel, Jac A. Jacobs, Jan van Ham, Erich Wichman, Arnold Pipers, E. Siewertz van Reesema, Joan Collette, S.H. de Roos, among many others. Also 2 full-page black & white woodcuts memorializing M. de Klerk and K.P.C. de Bazel. List of illustrations, with designers, media or materials, dates. This yearbook of the modern decorative arts in the Netherlands covers interior architecture, furniture, metalwork, glass, ceramics, lighting designs, textiles, stained glass, and typography. 10" high X 7" wide, 72 text pages + plates and illustrations.This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Mm 170x245 Brossura di pp. 41 con foto applicata in copertina. Timbro "Omaggio dell'Autore". SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
COMPLETE THREE VOLUME SET. RARE second edition of 'Voigt and Günther's Orbis pictus' - the classic illustrated textbook for children in the tradition of Comenius' 'Orbis Pictus'. Contains 90 full-page colored plates. [ALL VOLUMES]: 260x195mm. [148] + [138] + [VI+204] pages & 90 plates. Hardcover rebound with original boards (without the original spine). Gilt volume numbers on spine. Original boards and spine worn and stained. Cover corners and edges, and spine edges bumped and peeling. Few pages/plates slightly dirty. Some pages/plates age-stained. Few pages somewhat worn at corners and/or edges - no damage to text or plates. Pages yellowing and rough-cut. [VOL.I]: Ink inscription on front inner cover. Text page 45/46 edges worn, upper edge taped - NO damage to text. Plates XIII and XVIII mispaginated as nos.VI and VII. [VOL.3]: Puncture-marks on rear cover (not penetrating into inner cover). [SUMMARY]: This extremely rare and beautifully illustrated three volume classic children's textbook is otherwise in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
pp. xxvi, 75. Title page printed in red and black. Deckle edges. Tall 32mo. Original printed wraps decorated in red and black. Home made dust jacket. Inked ownership of Clarie Vallette, March 1904 on inside flap. Nice copy. PRESS/W39