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This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at the Moore College of Art, Rhode Island School of Design from November 7 to December 17, 1986. Texts by Paul Rand, Armin Hofmann and Kenneth Hiebert. Illustrated in black & white. Checklist of the exhibition. This exhibition of posters included work by Armin Hofmann, Robert Buchler, Andre Gurtler, Emil Ruder, Max Schmid, Wolfgang Weingart, Hans-Ulrich Alleman, Lawrence Bach, Hermann Bausch, Igildo G. Biesele, Sigrid Bovensiepen, Philip Burton, Inge H. Druckrey, Gerhard Forster, Dan Friedman, Steff Geissbuhler, Karl Gerstner, April Greiman, Jorg Hamburger, Kurt Hauert, Kenneth Hiebert, Andreas His, Dorothea Hofmann, Dennis Ichiyama, Werner John, Heinz Krohl, M.S. Kuster, William Longhauser, Manfred Maier, Pierre Mendell, Reinhart Morscher, Fridolin Muller, Peter Olpe, Ruth Pfalzberger, Robert Probst, Klaus Sandforth, Heinz Schenker, Ulrich Schierle, Beat Schifferli, Ursula Schilling-Stolzenburg, Georg Staehelin, Hans Tanner, Peter von Arx, Willi Wermelinger, Gerhild Kahmann Zwimpfer, and Moritz Zwimpfer. Each designer gets one illustration except Armin Hofmann who gets seven. Exhibition checklist. Bibliography. 8" high X 10" wide, 48 pages. This book will be securely packed and shipped with tracking.
Su lettera dattiloscritta, unico foglio, fronte/retro, inviata al Prof. Lipparini di Bologna in merito alla recensione del volume Vergilius Petrarchae Codex Ambrosianus. Carta intestata della Casa editrice libraria Ulrico Hoepli di Milano, ancora nella prima sede in Galleria de-Cristoforis. Datata "Milano, 4 Aprile, 1930". Bel documento, perfettamente conservato in ogni sua parte. \, 1 foglio, in 4°
x + 304pp., 26cm., publisher's hardcover, text clean and bright, good condition, V103000
(ca. 34,3 x 22,5 cm). 1 Blatt. Original-Kartonblatt mit golddekorierter Typografie. Oberer Rand des Blatts etwas fleckig, sonst gut erhalten. Die aufwändige Schriftkunstbeilage zitiert Hitler aus seiner Rede am 1. Mai 1935 mit einem längeren Zitat: "Große Aufgaben sind stets nur von starken Führungen geleitet worden. Allein, die stärkste Führung muß versagen, wenn hinter ihr nicht ein gläubiges, in sich gefestigtes, wahrhaft starkes Volk steht." Das Zitat besitzt insgesamt 15 Zeilen, die schwarze Schrift ist an den Rändern golddekoriert.
(ca. 34,3 x 22,5 cm). 1 Blatt. Original-Kartonblatt mit golddekorierter Typografie. Obere Ecke des Blatts mit leichtem Knick, sonst gut erhalten. Insgesamt guter Zustand. Die aufwändige Schriftkunstbeilage zitiert Hitler aus seiner Reichstagsrede zu Kriegsbeginn mit einem längeren Zitat: "So wie ich selber bereit bin jederzeit mein Leben für mein Volk und für Deutschland einzusetzen, so verlange ich dasselbe auch von jedem anderen! [...]". Das Zitat besitzt insgesamt 15 Zeilen, die schwarze Schrift ist an den Rändern golddekoriert.
8vo, xlii, 308pp., frontis., numerous coloured illustrs., orig. buckram, printed paper label on spine and upper cover, uncut. Jemmy Catnach, the printer, son of John Catnach, printer in Northumberland, and who founded the press, justly earned the distinction of being one of the great pioneers in the cause of promoting cheap literature.
This is a very good hardcover copy in pale green cloth boards with titles in gilt, and a vignette in darker green on the front cover. Top page-edge gilt. Covers a bit toned, spine has a small stain. The black design on the covers is still vivid and the gilt titles still bright. Slight foxing to preliminaries and endpapers. Also a note tipped in to the front endpaper, citing some London auction information from the 1960's and a very faint pencil notation by someone noting that they bought the book in Wimbledon at Lloyd's Bookshop in 1967. Otherwise very clean throughout. Slight lean to book, (but not cocked). Illustrations of late 19th century European and American posters in black & white on every other page. A scarce and important classic survey of the graphic design of the late 19th century poster. 9" high X 6" wide, 367 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Torino, Frassinelli tipografo editore, 1947, in-16, cartonatura edit., pp. 209, [1]. "Collana di opere brevi", XVII. Manca la sovraccoperta.
pp. viii, 60 + Frontis portrait of Botticelli's painting illustrated on Japan vellum. Title page printed in red and black. Uncut. Partially unopened. Tall 32mo. Original printed paper wraps, lettered and decorated in red. Small loss at bottom of front cover. Nice copy. Bishop 316. PRESS/W39
172p. Illustrated. 8vo. Original paper covered boards. Original dust jacket. First edition. Freeman was a publisher in many different parts of the West after the Civil War. **PRICE JUST REDUCED! REF2
In-4° (cm. 31,6x24,6), pp. (20) incluse le copertine illustrate a COLORI; 28 ILLUSTRAZIONI o specimen tipografici e iniziali (tra cui 13 composizioni con ORO e COLORI). Brossura editoriale a graffe. Segnaliamo una co0mmemorazione di Giuseppe DESSì "il nestore dei tipografi sardi". due pagine sull Pressa a platina Victoria, una presentazione del libro "Aversa a Domenico Cimarosa" edito dal tipografo Francesco Giannini di Napoli., una commemorazione del tipografo editore fiorentino Gaspero BARBèRA (del prof. Giuseppe Rigutini) ecc.
66p. Title page bordered in black. Printed by Bruce Rogers for Alfred A. Knopf, at the Press of William Edwin Rudge, Mount Vernon, NY. Uncut. Inked ownership of Clifford J. Oller, May 29, 1944. 8vo. Original cloth backed floral paper binding. Original slightly worn spine label. Edges of paper boards slightly darkened. Hardbound. Limited Edition. Number 638 of only 950 copies. Signed by the author on limitation page. Nice copy. PRESS/W34 x2
This is a very good hardcover copy in a very good dust jacket with some wear around the edges. Completely clean inside and out. Text in English, German and French. 363 black line drawings, facsimiles of old watermarks. 10" high X 8" wide, 103 pages.
This is a fine hardcover copy in a fine dust jacket with no wear at all. Completely clean inside and out. No marks anywhere. Edited by Helms, assisted by Arta Valstar-Verhoff. A major reference on this important De Stijl artist, graphic designer and teacher at the Ulm Hochschule fur Gestaltung. Chronology. Exhibition history. Bibliography. Illustrated in color and black & white. 10" square, 427 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Zweite, vermehrte Auflage. X,224 S. Original Leinwand mit Rücken- und Deckeltitel, Dreikantfarbschnitt. (=Klimsch's Graphische Bibliothek, Band VI). Einband leicht berieben, guter Zustand. Mit Vorwort und Register.
xxviii + 254pp. + 218 illustraties buiten tekst (waaronder enkele uitvouwbare en enkele in kleur), 30cm., linnen uitgeversband, goede staat, N102988
A clean, unmarked book with a tight binding. 6 5/8"w x 9 3/4"h. 278 pages.
22x28.5 cm. 447 pages. Gilt hardcover in dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Library of Applied Design, 1996, In-4 broché. 160 pages. Photos. Texte en anglais. Tèés bon état.
Mm 155x215 Brossura cucita di pp. 317 con 22 illustrazioni in bianco e nero fuori testo, Opera in buone condizioni.
Contains color and b&w plates. 27.5x20cm. 304 pages. Hardcover. Cover edges and corners slightly worn. Pages 305-308 slightly torn. Pages slightly yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Torino, Frassinelli Tipografo Editore, 1947, in-16, cartonatura edit. con sovraccoperta, pp. XIII, [3], 137, [1]. "Collana di opere brevi", XVIII. Perfette condizioni.
ill., br. Dall'italico, o corsivo cancelleresco, si sono originati tutti i corsivi in uso nei paesi occidentali fino ai nostri giorni. Il manuale di Eric Hebborn rinnova in maniera geniale il manuale dell'Arrighi del 1522 ed è il primo trattato moderno di corsivo classico. Dal 2004 è il manuale di riferimento per tutte le scuole di calligrafia italiane. Estremamente semplice e pratico, e interamente scritto nello stesso italico che insegna, è ideale per autodidatti che vogliano rendere elegante la propria grafia e riscoprire il piacere di scrivere a mano. Manoscrivere è come disegnare, dice Hebborn; quando si impara a farlo bene, si ha la soddisfazione di chi crea un'opera d'arte.
n.p. Portrait frontis of Edward Fitzgerald. Printed on the recto throughout. Title page ruled in black and decorated in red. Inked ownership of J. F. Oller, 1924. Printed on Kisogawa hand-made paper. 24mo. Original stiff printed wraps, lacks spine. Limited to only 950 copies. Bishop 172. **PRICE JUST REDUCED! PRESS/W39
61p. + Frontis with tissue guard. Chapter head drawing. Title page printed in red and black. Wide margins. Printed on heavy paper. Uncut. Top edge gold. Marbled endpapers. XLib. Bookplates of W. Emmert Swigart and Juniata College library (withdrawn). Square 8vo. Original vellum like spine over paper boards, gold lettered. Binding soiled and worn. Hardbound. Limited Edition of only 950 copies. PRESS/W33