6 391 résultats
200755176BBLondon, Hyphen Press, 2007. 4°. 335 S. Mit vielen teils farbigen Abbildungen. Originalpappband.
<p>15x20 cm cartoncino piegato a metà con due disegni policromi di Cervellati e lista delle vivande della serata</p>
1964162061964 Edité par Imprimerie Union, Paris, 1964Edition originale illustrée en frontispice d'une gravure originale en couleurs signée de PignonTirage à 333 exemplaires numérotés sur Arches. Cette palquette était envoyée pour les voeux de 1964 bien complete de la carte de voeux bon état.
865Frankfurt, sans date (début XXe siècle), 21 X 30 cm., agrafé, une vingtaine de pages, non paginées. Catalogue présentant les différents effets du caractère d'imprimerie ADASTRA, pour la "publicité chic et distinguée". Textes en allemand ; une double feuille volante précise les cordonnées de l'agent général à Paris et propose des publicités en anglais. Couverture souple un peu frangée, et tachée au dos. Intérieur propre. Rare.
14729Hilversum, 1983. With portrait and plates. 16, 35 pp. 8vo. Cloth. (Supplements to existing handbooks, 1)
14748Amsterdam, 1986. 64 pp. 8vo. Sewn. (Supplements to existing handbooks, 2). Commented bibliography, listing over 400 corrections and additions. Introduction in French and English. Bibliographical details and notes in English.
123156New York: Herald Book and Job Office 97 Nassau Street 1846. Single sheet folio 492 x 628 mm. Printed on recto only title and three columns of verse surrounded by a highly elaborate border composed of printer's ornaments. Very good with old folds slightly toned two 30 mm closed tears to top margin minor loss to right margin at point of fold no loss of image. Together with single issue of the Sacramento Union: Folio 430 x 585 mm 4pp. Very good lightly toned and foxed with evidence of a former binding along left margin. § A New Year's address to the readers of the New York Herald reviewing the events of 1845 in enthusiastic verse the broadsheet is notable for an extraordinarily elaborate decorative border composed primarily of printer's ornaments. The review runs through the highlights of 1845's local national and international events among them the Great Fire of New York the election of Polk and the Irish Potato Famine. Accompanying the broadside is a contemporaneous issue of the Sacramento Union which on its back page bears a similar New Year's address with border composed of printer's ornaments. It is interesting to compare the two both for the news reviewed and for the typographic resources available to the East and West coast printers. Both addresses refer to the imminent statehood of Texas and Oregon; the Sacramento Union alone spends several lines decrying the issue of slavery. Herald Book and Job Office unknown books
199517094AB1995. Den Haag 1995. 118 pages 1 leaf. Original boards. Extensive overview of the work of the Dutch typograpic designer and book-illustrator J. van Krimpen. hardcover
199517094ABDen Haag, 1995. 118 pages, 1 leaf. Original boards.
1984102727Zch., Verlag 3, 1984. (32) S., mit 1 Illustration von Gottfried Honegger und Foto-Illustrationen. Or.kt. mit Schutzumschlag, 8°. Erschienen anlässlich der Ausstellung in der Zentralbibliothek vom 18. März - 13. April 1985. - Gedruckt in 300 Exemplaren für die Freunde von Adolf Hürlimann. Privatdruck. Softcover Gutes Exemplar.
2008C94189Birkhäuser Architecture. As New. 2008. Hardcover. 3764385812 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 460 pages; 430 color 620 b/w illustrations. Description: "Adrian Frutiger first came to the design world's attention in the late 1950s with his design of Univers and the numbering concept behind it. A considerable proportion of his output has also been informed by developments in typesetting technology. In the 1970s he set a standard for signage typefaces with his Alphabet Roissy for the Paris-Roissy airport. Slightly reworked this went on to enjoy great success as a body typeface under the name Frutiger. His machine-readable OCR-B which is used on paying-in slips passports credit cards and as ISBN numbers on books has become an official ISO standard. His sans serif typefaces Avenir and Vectora which appeared at the end of the 1980s stand out because of their exceptional readability and have cemented Frutigers reputation as 'Mr Sans Serif'. The Complete Works is based on interviews and conversations with the designer and on comprehensive research by the editors. Its depth and range make it an indispensable reference work. Completed in the year of Adrian Frutiger's 80th birthday it represents as is his wish his legacy to further generations of type designers and typographers." -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Birkhäuser Architecture hardcover
200894189Birkhäuser Architecture. New. 2008. Hardcover. 3764385812 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 460 pages; 430 color 620 b/w illustrations. Description: "Adrian Frutiger first came to the design world's attention in the late 1950s with his design of Univers and the numbering concept behind it. A considerable proportion of his output has also been informed by developments in typesetting technology. In the 1970s he set a standard for signage typefaces with his Alphabet Roissy for the Paris-Roissy airport. Slightly reworked this went on to enjoy great success as a body typeface under the name Frutiger. His machine-readable OCR-B which is used on paying-in slips passports credit cards and as ISBN numbers on books has become an official ISO standard. His sans serif typefaces Avenir and Vectora which appeared at the end of the 1980s stand out because of their exceptional readability and have cemented Frutigers reputation as 'Mr Sans Serif'. The Complete Works is based on interviews and conversations with the designer and on comprehensive research by the editors. Its depth and range make it an indispensable reference work. Completed in the year of Adrian Frutiger's 80th birthday it represents as is his wish his legacy to further generations of type designers and typographers." Birkhäuser Architecture hardcover
200940782Basel, Birkhäuser, 2009.
2005160669Wiesbaden, Marix, 2005. 1. Aufl. Mit zahlreichen Illustrationen. 269 S. 4°, OKart. mit Schutzumschlag.
This is a very good hardcover copy long ago released from a library, so rebound in black buckram, with title in gilt on the spine, also a number at the base of the spine. NO other library marks or pockets, etc. The title page has a bit of oxidation to the top of the page. This very soft paper typically attracts foxing. Very clean throughout. A few edge tears now closed. The color plates are printed on white glossy sheets and are fine. 36 color plates + 121 black & white illustrations + 27 figures in the text. 11" high X 8" wide, 189 pages + ads. Heavy book, foreign shipping will be extra. This book will be securely packed and shipped with tracking.
Folio (340 x 215 mm), [2], 10pp., printed on bluish paper, stitched as issued. Printed from Phillipps MS. 2670. A printed note in Latin on the final leaf apologises for the numerous for the numerous errors (errata fill all p. 10) caused by the editor not being able to compare proofs with the original, due to absence. Fenwick 112; Holzenberg 392.
pp. xiii, 78. Title page printed in red and black. Deckle edges. Gutters stained. Old Christmas stamp on fly leaf. Tall 32mo. Original printed wraps decorated in red and black, slightly worn at edges. Nice copy. PRESS/W39.
This is ia very good softcover copy with only light wear. Completely clean inside and out (save for a short name to the title-page). Spine not creased, binding firm. A little wear to the right corners and a tiny tear to the back cover top edge. Text in French. This is a survey of political posters and broadsides associated with the Chambre Syndicale in Paris (Confederation Generale du Travaille) from the late 19th century to the 1970's. Illustrated in black & white and color. Also a number of vintage photographs in black & white of workers, street demonstrations, etc. 13 1/2" high X 10 1/2" wide. This book will be securely packed and shipped with tracking.
1987146510o.O., o.A., 1987. 1. Aufl. 47 zum Teil doppelblattgroße graphische Beilagen. 4°, OBrosch. im Pappschuber.
17399Reillanne, 1998. In-8 broché (couv. illustrée) de 231 p. Nombreuses reproductions typographiques et illustrations prédagogiques en noir. Très bon état.
1978110810Bernard Letu éditeur 1978 In-4 broché 26,5 cm sur 20,5. 69 pages. Couverture insolée. Bon état d’occasion.
In folio (49,2×34,5 cm); (66) pp. Brossura editoriale con tavola incisa da Armando Baldinelli al piatto anteriore entro cornice azzurra e la xilografia "Foot-Ball" di Ugo Lucerni al piatto posteriore. Leggere tracce di polvere ai piatti e una macchiolina di acqua al margine alto del piatto anteriore. All'interno in buone condizioni di conservazione. Rarissima opera, due soli esemplari censiti in ICCU, in tiratura di soli 60 esemplari numerati, questa è la copia numero 8, di questa importante opera xilografica. Dedica autografa del celebre artista e studioso dell'arte grafica, fra gli innovatori dell'arte grafica italiana della prima metà del XX° secolo, Cesare Ratta al grande caricaturista Umberto Tirelli. L'opera venne curata dallo stesso Ratta che formava, nella città natale di Bologna, nuove generazioni di incisori. Ratta fu il fondatore della prima cooperativa di muta assistenza dei tipografi ed una delle personalità di punta del movimento tipografico ed incisorio italiano della sua epoca. Personaggio dalle spiccate doti diplomatico fu in contatto con tutti i più grandi artisti della stampa italiana dei suoi tempi che contribuirono a più riprese ad illustrare le sue pubblicazioni. La sezione bolognese della Federazione italiana dei lavoratori del libro lo designa a presiedere la commissione che sta progettando di realizzare una scuola professionale per la città, come già hanno fatto Milano e Torino. È l'inizio di un'avventura difficile ma appassionante, che coinvolge il comune, alcuni industriali del settore e persino un bibliotecario esperto come Albano Sorbelli. Ratta si dà da fare come non mai per reperire fondi e convincere gli scettici, fino a che, dopo cinque anni, nel 1913, la Scuola finalmente apre.Gli insegnanti non hanno titoli accademici, sono semplicemente operai esperti del lavoro, che mettono a disposizione le conoscenze pratiche acquisite negli anni. Ben presto, oltre ai giovani da avviare alla professione, la scuola accoglie, di sera, gli adulti che già lavorano, perché, come scrive Ratta, occorre "integrare e perfezionare l'ordinaria istruzione pratica che l'operaio riceve in officina, insegnandogli quei processi razionali, quelle formule, quelle finezze di lavoro, che nell'affrettata produzione industriale egli non ha agio di imparare" (da Re-R). Nella sua scuola si formarono numerosi artisti. Il raro volume qui presentato si avvale delle incisioni di alcuni dei maestri dell'arte incisoria italiana come Cisari, Bayeli, Remo Branca, Cervellati, Aroldi, Baldinelli, Servolini ed altri. Il volume si avvale di due interessanti scritti dedicati all'arte tipografica ed ai tipografi, scritti da Sam Benelli "Il Canto dei Tipografi" e da Rapisardi "La Stampa". Opera assai rara ed fra le più rare fra gli albi editi da Ratta. Rif. Bibl.: IT\ICCU\UBO\1616059.
1957951172Dresden: Verlag der Kunst. 1957. Groß-Quart, 34,5 cm. (Kanten leicht berieben, sonst wohlerhalten.) [3 Warenabbildungen] XII, [3], [1 weiße] Seiten. Original-Halbpergamenteinband mit goldgeprägtem Rückentitel und handmarmorierten Deckelbezügen,
18905040München, Staegmeyr, o. J. (um 1890). 4° (H 34,5 x B 26,5 cm). Mit 1 Porträtfrontispiz Dürers. 8 S. Text, 45 Tafeln Dürer'scher Randzeichnungen. Illustr. Orig.-Halbleinenband mit Leinenecken, goldgepr. Rückentitel. - Die Zeichnungen Dürers sind Randverzierungen des lateinischen Gebetbuches des Kaisers Maximilian I., das Horarium Maximilianeum, wovon nur zwei Exemplare, ein vollständiges und ein unvollständiges existieren. Einband etwas angeschmutzt und berieben. Buchblock an der rechten oberen Ecke mit durchgehendem Wasserfleck.
39885Lausanne, 1950, 300x215mm, reliure à anneaux.
