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First Edition, 4to, number 33 of 250 copies, 29 facsimiles, orig. boards, head of spine slightly torn, unopened, uncut.
First Edition, 4to, number 33 of 250 copies, 29 facsimiles, orig. boards, lacks back-strip, unopened, uncut.
Sm. folio, First Edition, on laid paper, with title-vignette and 29 full-page facsimiles in the text; original blue-grey boards, backstrip with paper-label lettered in black, uncut, a near fine copy. EDITION LIMITED TO 250 COPIES (THIS COPY NO. 153).
München, Müller, 1921, in-4 grande, br. muta coeva, pp. 34, [2]. Testo tipograficamente curato da Paul Renner. Mancano le tavole di illustrazioni. Lievi tracce d'uso esterne.
This is an about very good hardcover copy with just light wear. Spine faded or sunned, gilt title still there. Gray suede covers generally clean. The front panel has a design by Reznicek which is clean and unblemished. Text in German. Profusely illustrated with 446 text illustrations and 60 tipped in plates including many double-page or folded and some color. 11" high X 8" wide, 487 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
175x250mm. III+117 pages. Soft cover. Cover is torn at corners. Front cover is taped to spine. Cover is partly torn at edges. Cover faded. Spine mostly missing. Pages yellowing. Pages slightly fox-marked. Page edges worn. Inner binding broken - Pages partly loose. in poor condition - no damage to text.
Leipzig, Insel Verlag, 1940, in-16, cartone editoriale, pp. 68. Con 56 esempi di arte tipografica.
In 8 (cm 16 x 24), pp. 314. Illustrazioni nel testo. Legatura editoriale in piena tela (MANCA la sovraccoperta). Conservato sciolto foglietto con errata. Edizione originale in tedesco di questo saggio sull'arte tipografica in cui Paul Renner (18781956), graphic designer e tipografo, raccoglie il ciclo di lezioni tenute ai suoi studenti. Renner descrive il processo tecnico orientato al rigore che lo porto' a creare il Futura, anticipatore dei caratteri tipografici geometrici, uno dei caratteri piu' influenti del modernismo.
4to., Sole Edition, with title and head-text in red and black, and numerous fine full-page facsimiles printed in red and black (a number heightened with colours); original decorative boards, paper label mnounted on upper cover, a near fine copy of an uncommon work. A copy of the original promotional flier, including a fine extract from the Bible in facsimile (printed in colours and heightened with gold), together with the presentation envelope from 'Der Oberbugermeister der Stadt Mainz', is loosely inserted. Published to commemorate the five hundredth anniversary of the famous Bible, this charming work is a valuable introduction to the Gutenbergs and their place in the history of printing and typography.
In 4°, t.t. edit. con custodia, pp. LXII,289,(5), riccamente ill. a col. e b.n.; testo in tedesco, es. allo stato di nuovo.
in-4° piccolo pp. (8)-XVII-578. Tela e oro edit. (con tracce d'uso). Buono l'interno, salvo per timbri alle prime e ultime pp.
RARE FACSIMILE EDITION of one the first known printed Passover Haggadah, printed by Gerschom Kohen probably in 1526 or 1527. Includes a 16-page softcover introduction supplement in German (305x230mm). [FACSIMILE]: 315x240mm. Haggadah unpaginated. Hardcover. Cover rubbed, dirty/slightly stained and curved. Cover upper corners bumped and worn. Cover corners and edges slightly bumped. Spine edges and hinges partly peeling and glued. Supplement title-page fore and bottom edges slightly wrinkled. [SUMMARY]: This rare facsimile edition of possibly the first printed Haggadah is otherwise in good condition.
RARE LIMITED EDITION OF 150 COPIES - COPY No.79 SIGNED BY ARTIST MAX HUNZIKER and printed on special and precious Japanese paper. This book contains the Ring Parable, the famous key scene of Lessing's play "Nathan the Wise". This text is amongst the most important and best known texts of the Age of Enlightenment. The parable is accompanied by two etchings by the Swiss artist Max Hunziker (1901-1976). 205x235mm. Unpaginated. Brown softcover. Cover edges worn and wavy. Hunziker's signature on last page. This beautifully illustrated book is in very good condition.
30x21.5cm. 10+724 pages. Hardcover with dust-jacket. Pen inscription on first whitepage. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
COMPLETE THREE VOLUME SET. RARE second edition of 'Voigt and Günther's Orbis pictus' - the classic illustrated textbook for children in the tradition of Comenius' 'Orbis Pictus'. Contains 90 full-page colored plates. [ALL VOLUMES]: 260x195mm. [148] + [138] + [VI+204] pages & 90 plates. Hardcover rebound with original boards (without the original spine). Gilt volume numbers on spine. Original boards and spine worn and stained. Cover corners and edges, and spine edges bumped and peeling. Few pages/plates slightly dirty. Some pages/plates age-stained. Few pages somewhat worn at corners and/or edges - no damage to text or plates. Pages yellowing and rough-cut. [VOL.I]: Ink inscription on front inner cover. Text page 45/46 edges worn, upper edge taped - NO damage to text. Plates XIII and XVIII mispaginated as nos.VI and VII. [VOL.3]: Puncture-marks on rear cover (not penetrating into inner cover). [SUMMARY]: This extremely rare and beautifully illustrated three volume classic children's textbook is otherwise in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
This is an about very good two volume hardcover set in the original publisher's decorative tan cloth bindings with light wear and an old repair to the rear hinge of volume two, which had started to split, and was glued back in place. Very clean inside and out. The light brown cloth bindings are decorated in black with a German art nouveau design on the front covers and spines. Text in German. Illustrated in color and black & white. 1157 black & white illustrations + 60 color plates. 10" high X 7" wide, 616 pages + ads.
Milano, 1896. Fotografia originale, mm. 116x167. Applicata su cartoncino grigio chiaro. Al verso del cartoncino il timbro Agnelli e il titolo (manoscritto all'epoca).
Milano, 1896. Fotografia originale, mm. 118x169. Applicata su cartoncino grigio chiaro. Al verso del cartoncino il timbro Agnelli e il titolo (manoscritto all'epoca).
In 8, pp. 16 con ill. in b/n. Br. ed. Catalogo illustrato con i vari timbri realizzati da questa tipografia di Brescia.
XIV-54 pagine. In barbe. Invio del traduttore alla pagina bianca. Impresso in 500 esemplari dalla Stamperia Valdonega - Verona - Raffinata edizione curata da Mardesteig e promossa dal presidente della Comit e grande bibliofilo Raffaele Mattioni. Brossura editoriale.
<p>13x19 cm, album, titolo con illustrazione incorniciati al piatto; p. 24 con 12 vignette di Nasica in nero</p>
3 VOLUMI, 8°, RILEGATURA IN TELA ROSSA CON CORNICI A SECCO AI PIATTI E SCRITTE IN ORO "PREMIO" E "OFFERTO DALLA DITTA MAURIZIO ALESSANDRI REGISTRI E TIPOGRAFIA TORINO", TASSELLI IN PELLE CON TITOLI ORO AI DORSI, SEGNI DI COLLA AI DORSI (FORSE DI BANDELLE RIMOSSE), RISGUARDI IN CARTA MARMORIZZATA, PG. 872 (I) - (4) DA 873 A 1538 (II) - (2) DA 1539 A 2162 (2), CIRCA 1000 ILL. B.N. N.T. E XX TAVOLE F.T. (TRE INDICATE F.T. MA N.T.), IMPORTANTE OPERA DI RIFERIMENTO.
3 voll. in-8°, pp. XVI, 2162, 20 tavv. f.t. e 393 illustrazioni n.t., legatura in tela moderna, titolo su tasseloo in oro al dorso. Edizione originale. L'autore fu tra i fondatori della Scuola tipografica torinese e del Museo Nazionale del libro a Torino.
3 spessi voll. in-8° (cm. 21,5x14); pp. XVI, 2162, (1 di errata) a numerazione continua + 20 TAVOLE (tutte numerate; 7 a colori; 3 più volte ripieg.). Con 998 ILLUSTRAZIONI (foto e disegni) b.n. n.t. Testo inquadrato da filetto rosso. In fine, fitta bibliogr. Strumento prezioso. Opera celebre, storicamente insuperata. Edizione originale e unica. Esemplare praticamente introvabile in queste eccezionali condizioni di magazzino tipografico, intonso e ancora a fascicoli sciolti senza fori di cucitura in attesa della legatura.
