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pp. viii, 120. 8vo. Original brown cloth binding. The A. S. W.Rosenbach Fellowship in Bibliography. Introduction, by John Alden; Incunabula, by C. F. Buhler; Early English Literature, by J. G. McManaw ay; Early Americana, by L. C. Wroth. First Edition. **PRICE JUST REDUCED REF6
In 8°, br. edit. con ali ill., pp. 385,(7), con 16 tavv. b.n. e a col. f.t.; copia molto buona. (m081)
In 8o, pp. 9, br. Il numeroso elenco degli stampatori con caratteri mobili a Venezia nel XV secolo, suddivisi per l'anno della prima stampa. Con dedica autografa dell'autore. Estratto dal 'Archivio Veneto' tomo XXXIV, parte I, 1887 (551/ BIBLIOGRAFIA - TIPOGRAFIA - VENEZIA)
Placchetta, in -8°, 16 pp. più tre tavole riproducenti caratteri tipografici ebraici e musicali.
This is a very good softcover copy with just light cover wear. Completely clean inside and out. This is a sale catalog for an auction held at Ketterer Kunst in Munich on November 8, 1997. Sale number: 215. The sale consisted of a collection of playing cards, decorated in modernist styles. The collection belonged to Dr. Uwe-Volker Segeth. 121 lots in the sale. All illustrated in color. 11" high X 7" wide. Price estimates for each lot, but no prices realized sheets.
In 8°, br. edit. ill., pp. XLII,393,(9), intonso, riccamente ill. b/n n.t.; coll. "Fondazione Marco Besso. XIV", ottimo es.. (L033/d) (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine)
8vo (230 x 145 mm), title printed within a ornamental border, followed by [32] leaves of types specimens printed on rectos only, two minor worm pinholes, orig. cloth-backed blue card covers, worn, loss to front and rear cover covers. An apparently unrecorded specimen book from this firm of commercial printers. The firm traded from 14 College Hill, Cannon Street, London from c. 1895 to c. 1909, and were formerly connected with the house of Edward Saunders & Son. They specialised in supply banks and commercial houses with all manner of suitable stationery and account-books, all produced by the best and most artistic kind of lithographic and letterpress printing. No other copy located.
Thick 8vo, 24pp., followed by [212] leaves (mostly printed on one side only), a couple of samples excised from to leaves, orig. decorated cloth, gilt, a very good copy. This specimen book presents a fine and extensive example of the period. Provenance: From the library of Ruari McLean with his signature to front-endpaper.
First Edition, 16pp., woodcut frontis., introduction by Frank E. Hopkins followed by specimens of print types including: Caslon Old-Style, Commercial, Modern in various points, with a list of available publication of the Marion Press on inside cover, orig. paper wrappers, title printed on upper cover within a decorative border, uncut. Hopkins tells us in the introduction that "In October, 1896, while employed at the De Vinne Press, New York, I set up in the attic of my house a small hand-press... and named for my daughter, Marion Day... In February, 1898, I left the De Vinne Press, and set up for myself in the printing business... The types shown on the following pages are new, and most of them are in good-sized fonts."
Crown 8vo (246 x 150 mm), ff. 63, tipped-in is a small folio sheet (280 x 213 mm) printed of one side only "Prices of Type and Materials Manufactured and Sold by Stephen Sutton & Co. at the Caxton Letter Foundry...", later quarter red morocco, green boards. A very rare specimen of printing types from this little known foundry. The specimen begins with 34 samples of different size font from "the most modern faces, cut by artists of first-rate skill and acknowledged talent." Then follows 27 priced specimens of "a beautiful and extensive assortment of Stereotype Ornaments." The tipped-in price list is printed in double-column and gives prices for type, wood type, leads' and metal furniture, galleys, brass rule, cases, frames, and furniture. At the foot is a list of "Agents for the Country": Mr. Joseph Graham, 2 Jewry Street, Aldgate; Mr Simmons, Artillery Lane, Bishopsgate Street; Messrs. Renshaw and Kirkman, Budge Row; Messrs. Shepherd and Sutton, Foster Lane. Provenance: From the typographical library of John Lewis (his bookplate) and John Brinkley (his signature). The only other copy recorded is that of The British Library.
Royal 8vo (245 x 155 mm), title printed within a heavy border of flowers, followed by 115 leaves of specimens printed on one side only, of which two a folding, some occasional offsetting, cont. cloth-backed boards with wine auction sale particulars pasted over boards, manuscript paper spine label, uncut and partial unopened, an attractive copy. Bigmore & Wyman I, p. 243 mentioning only 1816, 1824 & 1827 editions; B&J citing the Oxford copy; Mosley locating four copies with between 91 and 118 leaves (Oxford, Cambridge, V&A, and Columbia University Library); OCLC adds the Huntington and Detroit copies; none added by JISC; not in the British Library or St Brides Catalogue. Berry & Johnson p. 49; Mosley, 135.
In 16 (cm 12,5 x 19), pp. (12). Brossura editoriale. Elegante catalogo non datato, ma ascrivibile agli anni Cinquanta/Sessanta, di questa tipografia inglese con esempio di un testo stampati nei caratteri Baskerville, Bembo, Bodoni, Bodoni book, Caslon, Garamond, Plantin, Times New Roman.
IN 4 OBLONG. CART [BAD]. ENV 60 PP. ENV 100 ILL EN NOIR. [MOY]
IN 4 OBLONG. CART [MOY]. ENV 60 PP. ENV 100 ILL EN NOIR. [MOY]
IN 4 OBLONG. CART [MOY]. ENV 60 PP. ENV 100 ILL EN NOIR. [BE]
In 8 (cm 18 x 26), pp. 1148. Lieve danno a pagina 9 per la presenza di un taglio (riparato) e di residui di colla di nastro adesivo (poi rimosso), per il resto ottimo esemplare saldamente legato in piena tela (qualche alone al dorso). Etichetta cartacea applicata al piatto anteriore. Ponderosa pubblicazione, con ricchissimo catalogo e centinaia di esempi di caratteri tipografici e di tipologie di differenti impostazioni grafiche di testi a stampa dell'American Type Founders Company, edito con lo scopo di essere distribuito alle tipografie del Nord America come vademecum, e per questo motivo difficilmente reperibile in tali ottime condizioni di conservazione. Nel 1892, 23 fra le piu' importanti fonderie di caratteri del Nord America si unirono per formare un Consorzio sotto il nome di American Type Founders Company guidato da Linn Benton. Il primo specimen venne pubblicato nel 1895, seguirono poi quelli del 1897 e del 1906, quindi questo del 1923 che fu stampato in 60.000 copie (nostro esemplare non numerato). "In 1923, a visual and functional achievement was carried out by ATF when it published the Type Specimen Book and Catalog 1923. Implemented under the direction of Henry Lewis Bullen, and the collaboration of Morris Fuller Benton and Wadsworth Parker (among the others) this colossal 1148 page book containing typefaces, color layouts, and various detailed examples, became on of the major sources for a visual and practical education for many typographers in America. It guided good sense in typographical usage fo some time" (D. Consuegra, "Classic Typefaces. American Type and Type Designers", 2011).
In 16 (cm 12,5 x 19), pp. 28 con illustrazioni in bianco/nero. Brossura editoriale. Libretto per l'uso degli attacchi e degli accessori per la macchina tipografica Monotype.
Mm 170x245 Brossura cucita di pp. 52 con 11 illustrazioni fuori testo, dedica autografa dell'autore alla copertina, scritta al frontespizio, mende alla testa del dorso, fioriture ai piatti, testo ben fruibile. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
pp. vii, 44. Set up by hand in Goudy Medieval type by Arthur and Edna Rushmore at The Golden Hind Press in Madison, New Jersey. 8vo. Original full cloth binding. Gilt lettered spine. Binding very slightly worn at extremities. Original slip case. Hardbound. Lovely edition of Elizabeth Barrett Browning's poetry. PRESS/W32
96p. Decorated title page engraved by Stephen Gooden. Music and text engraved by Lowe & Brydone with the punches designed at the Oxford University Press. Eighteenth century ornaments engraved in wood by W. M. R. Quick. Printed at the Curwen Press. Uncut and unopened. 4to. Original full vellum binding. Front joint fragile. Loss at tail of spine. Hardbound. Limited Edition. Number 828 of only 875 copies. Selection of the songs sung at the London Pleasure Gardens during the latter half of the eighteenth century. Wonderful cultural record. Handsome copy. **PRICE JUST REDUCED! PRESS/W43
pp. xii, 82 + Tipped on portrait frontis. Title page printed in red and black. Penciled ownership of Claude W. Manney, 1940. Uncut. 8vo. Original cloth backed paper boards, lettered in gold. Hardbound. Binding darkened. Second edition. Limited Edition of only 500 copies. PRESS/W32
64p. Title page printed in red and black with Golden Cockerel vignette. Designed by Moira Gibbings. Music printed in red and black and drawn by Gladys Evans and drawn on wood by W. M. R. Quick. Decorations designed and engraved on wood by Robert Gibbings. Type was composed by A. H. Gibbs & F. Young. Book printed by A. C. Cooper at the Cockerel Press. Uncut. Small 4to. Original vellum backed blue paper binding. Gilt lettered spine. Paper boards darkened at edges. Hardbound. Limited Edition. Number 294 of only 380 copies. Nice copy. **PRICE JUST REDUCED! PRESS/W34
P., Dupont et Lyon, Audin, 1947-1949. Deux volumes in-4 brochés, couvertures à un rabat, 238 et 157 pages. Blason couleur des typographes et un atelier au XV° siècle en hors-texte, 92 et 61 figures dans le texte. Très bon état
135p. Uncut. Bookplate of Henry E. Gerstley engraved by E. B. Bird. 8vo. Original cloth backed paper binding. Spine darkened. Original spine and front cover paper labels. Hardbound. Limited Edition. Number 40 of only 1295 copies of which 1250 are for sale. The type has been destroyed. Signed by the author. Nice copy. PRESS/W32
108p. Title page printed in red and black. Printed on Japan vellum. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover, slightly soiled. Limited Edition of only 425 copies. Third edition. Nice copy. PRESS/W39