6 391 résultats
First edition, 4to, [2],90pp., lithographed throughout wove paper watermarked "Whatman 1820", inscribed "E. H. Grimston from his affectionate aunt Harriot Grimston Oct 13th 1840", Edward H. Grimston was the second son of the author, and Harriot her sister-in-law, lithographed portrait frontispiece of the author on india-proof paper, title within decorative border, 9 lithographed plates and plans, one etched plate, 11 lithographed armorials in the margins, some light spotting, contemporary half morocco,upper joint split. "Probably the earliest [British] topographical book with its text lithographed... the most striking feature of the book is the discrepancy between the assurance of the writing of the main text and the naivety of the drawings..."?Twyman, Early Lithographed Books, pp. 179-180. Twyman suggests that Charlotte Grimston (wife of the first earl of Verulam who owned Gorhambury) was responsible for the views and plans, but employed a professional lithographic writer for the text. Martin, Privately Printed Books, pp.342-43.
Two Volumes. Illustrated with full page engravings on Japan vellum with text tissue guards. Title pages printed in red and black on Japan vellum. Uncut. Top edges gold. Large 8vo. Original full green buckram bindings. Original paper spine labels. Bindings very slightly worn at edges. Hardbound. Limited Edition. Number 221 of only 1250 copies. Edition de Luxe. Very nice set. SET/W47
193518058New York City NY: Heller-Edwards Typography 1935. Stiff wraps. Good. Publishers binding with metal spine panel black painted with some rusting and limp leatherette boards with "Heller Edwards Typography" and emblem on front cover faded. Included in this binding is first the "Supplement to the Heller-Edwards Type Specimen Book October 15 1935" 12 pages unnumbered a "Type Area Calculator" working with sliding insert insect damage to surface soiling and the main catalogue 144 leaves most one-sided each with a different typeface plus additions 56A 94A 129A 139A 139B. Last leaf is "Trade Customs". Last few pages of the main catalogue are bent with some edge tearing upper right corner and last page has some insect damage. A useful reference for this firm. Stiff wraps. Heller-Edwards Typography unknown books
193518058New York City NY: Heller-Edwards Typography 1935. Stiff wraps. Good. Publishers binding with metal spine panel black painted with some rusting and limp leatherette boards with "Heller Edwards Typography" and emblem on front cover faded. Included in this binding is first the "Supplement to the Heller-Edwards Type Specimen Book October 15 1935" 12 pages unnumbered a "Type Area Calculator" working with sliding insert insect damage to surface soiling and the main catalogue 144 leaves most one-sided each with a different typeface plus additions 56A 94A 129A 139A 139B. Last leaf is "Trade Customs". Last few pages of the main catalogue are bent with some edge tearing upper right corner and last page has some insect damage. A useful reference for this firm. Stiff wraps. Heller-Edwards Typography unknown
IN HEBREW. SIGNED BY AUTHOR. 24.5X17.5 cm. 435 pages. Hardcover. Spine edges slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
340x310mm. 173 pages. Hardcover with dust jacket. Gilt spine. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
(Chicago), 1943, in-8, cop. fittizia, pp. (5). (Estratto con timbro d'appartenenza).
197358888New York: Grolier Club 1973. 8vo. 100 S. Mit 2 Abb. u. 1 Faltkarte von Fritz Kredel gebundene Ausgabe, Leinenband, Exemplar in gutem Erhaltungszustand
8vo., First Edition, with plates, illustrations and maps in the text; green cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper. This copy was formerly in the library of naturalist Joyce Pope, with her pictorial bookplate on front free endpaper and a carbon copy of her typsescript review loosely inserted.
66p. Uncut and unopened. Designed by Laurence C. Woodworth. Printed on handmade Italian paper. Tall 8vo. Original full paper binding, with original paper labels on spine and front cover. Hardbound. Limited Edition of only 225 copies. Very nice copy. PRESS/W33
1991EEzz5808t(London), Thames and Hudson (1991). 4°. 160 S., Text in Engl., überwieg., meist farb. Ill., farb. ill. OBrosch., Umschl. etw. randgegilbt, sonst schönes, ungelesenes Ex.
1991BUBV0250München u. Berlin, Bucher 1991. 4°. 160 S., with 474 illustrations, 101 in full colour. Ill.OKart., tadelloser Zustand.
192587732ABLondon, The Studio, Um 1925. 4°. VIIII, 156 S., sehr viele Abb. OLn. Leicht berieben, Einband etwas fleckig.
28x21.5 cm. 238 pages. Softcover. Spine slightly wrinkled. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
8vo., First Edition thus, with numerous fine typographical illustrations throughout; red cloth, upper board and backstrip blocked and lettered in gilt, gilt top, grey endpapers, grey silk marker, a near fine copy in publisher's board slip-case blocked in gilt. Gill, 285 (recording the original edition).
Together 2 vols., 8vo., First Edition thus, with numerous fine typographical illustrations throughout; full morocco, upper board and backstrip blocked and lettered in gilt, gilt edges, Commentary volume bound in boards with paper label, buckram back, both near fine copies housed in publisher's board slip-case. EDITION LIMITED TO 2750 COPIES. Splendid facsimile of the original edition of 1931. Gill, 285 (recording the original edition).
pp. xiv, 93. Title page printed in red and black. Deckle edges. Top edge gold. Penciled notation. Ownership number stamped on rear end paper. Tall 32mo. Original limp leather binding, decorated and lettered in gold. Loss at edges and spine. PRESS/W39
1969E230New York, The Museum of Graphic Art, (1969). Erste Ausgabe. Gutes Exemplar.
128p. Numerous illustrations, some in color. Neatly printed and illustrated. Large 8vo. Original cloth backed patterned boards binding. Covers very slightly soiled. Gilt lettered spine. Hardbound. Nice copy. This woulkd make a very nice gift. PRESS/W74
1925155743Chicago: Robert O. Ballou Publisher 1925. 16mo pp. 1 2-15 16 original orange wrappers printed in black side stapled. First edition. The subject of eight of the fifteen books is typography all written or introduced by Douglas C. McMurtrie. Covers a bit dusty a nearly fine copy. Scarce. No copies located by OCLC#155743 Robert O. Ballou Publisher unknown books
19810007965San Francisco: The Scowrers & Molly Maguires 1981. First Limited edition. Fine. Small folio iv pages <br/><br/>One of only 150 copies done at the occasion of John Bennett Shaw's Sherlockian Seminar at Stanford University. Merrill's sonnet "A Requiem for 221B" is excellent and truer with each passing day. A keepsake limited to 150 copies hand-set and printed by John Ruyle at the Pequod Press. The Scowrers & Molly Maguires unknown
221p + Portrait frontis. Illustrated with numerous full page drawings. Uncut. Top edge gold. Bookplate of Charles P. Stahr and inked ownership of Ruth Clark Stahr. 8vo. Original full green cloth binding with gold decorated and lettered spine. Small tear at head of spine. Hardbound. Nice copy. Richard Harding Davis (1864-1916)was one of the most active and influential American journalists during the Spanish-American War, and also had great success exploring other topics of the times. SET/W53
1963104132BBLondon, Majesty's Stationery Office, 1963. Gr.8°. 94 S. mit 205 num. Abb. Original-Karton. (=Large Picture Book; 17).
Roy. 8vo., with a portrait frontispiece in photogravure, title in red and black, 49 plates, an endpaper pedigree and an endpaper map, fore-edges lightly spotted; buckram, gilt back, a very good, clean copy in unclipped dustwrapper, the latter lightly soiled and creased (without material loss) at edges
2005185245London: Cassell 2005. 496 S. mit Schriftmustern. Br.
