16 résultats
1989LFA-126716464Un ouvrage de 96 pages, format 150 x 210 mm, broché couverture couleurs, publié en 1989, Aléas, bon état
1939ABE-151499204914256 PAGES-23 CM X 28,3 CM-CONQUET-LAUNETTE-PELLETAN-ROMAGNOL-TESTARD-BLAIZOT-FERROUD-KIEFFER-MEYNIAL-PIAZZA-"TRES RICHES RELIURES DOREES ET MOSAIQUEES PAR CARAYON, LORTIC, MARIUS MICHEL, NOULHAC, CANAPE, MAYLANDER, MEUNIER,.-PREFACE 4 PAGES PAR HENRI CLOUZOT-PLANCHE COULEURS PLEINE PAGE (GRUEL)-18 PLANCHES NOIR ET BLANC PLEINE PAGE (7 GRUEL, CANAPE, 5 CARAYON, 2 LORTIC, MARIUS-MICHEL, 3 NOULHAC)-RESULTATS EN MARGE-(PRCV4)
197113Paris, Lortic, 1897 in-8, 19 pp., ill. in et h.-t., broché, couverture factice, premier plat d'origine contrecollé. Un feuillet de calque volant.
38893Paris: Librairie Lortic 1897. First edition large 8vo 19 1pp. one of 300 copies printed on vellum paper 2 double-page plates orig. printed wrappers loose. Paris: Librairie Lortic, 1897 hardcover
1902238521902 Paris, A. Durel, (Hélio. Fortier Marotte), 1902. fort In-4,reliure signée en pied, A.MOCARD ?,demi maroquin tabac,dos à nerfs et fleurons dorés; (2)-(172) ff., 4 pp., (1) f. . COMPLET des 172 planches (dont la 132 bis) montées sur onglet, des 2 ff. de titre, des 2 ff. de table, et du feuillet d'errata. Reliures par Chambolle-Duru, Cuzin, Lortic, Marius Michel, Mercier, Meunier, Pétrus Ruban, etc.
950Léopold Carteret, Paris, et Emile Raoust-Leleu, Lille, 1925.
493(Paris, Firmin Didot, 1855.) Petit in-8 (13.9 cm) (2) feuillets, xlvi, (2), 299, 1 pages, illustré de 18 photos originales (frontispice, 6 planches hors-texte, 11 bandeaux photographiques) et 2 cartes doubles lithographiées in fine. Reliure maroquin rouge, dos à nerfs orné de fleurons dorés, plats ornés d'un double filet à froid avec fleurons aux angles et plaque dorée au centre, dentelle intérieure, tranches dorées. (Reliure signée Lortic.). Manque de quelques cm à un coin de la dentelle intérieure du plat arrière, taches claires à la reliure, extrémités légèrement frottées. Ex-libris de Miss V. D. Buddicom, Pembedw. [ Édition de luxe sur papier vélin réglée de filets rouges et contenant des photos. On trouve habituellement cette édition illustrée de gravures, mais certains exemplaires (dont le notre) furent illustrés de photos de tableaux collés dans le texte. À la p. iv de « Au Lecteur », Ambroise Firmin Didot déclare que: « c'est comme adieu à la typographie, si chère en tout temps à notre famille, que nous donnons cette édition d'Horace, » et mentionne: « Pour quelques exemplaires, la photographie, cette merveille de notre siècle, a reproduit les dessins mêmes de M. Barrias ». Cet ouvrage est l'un des premiers livres illustrés par la photographie.] Très rare. Vicaire IV, 167-168. OCLC 458098787. Graesse III, 357. Brunet III, 325; « charmante édition ».
110524Calmann-Lévy, Editeur, 3, rue Auber, 1897, 1 volume in-8 de 202x145 mm environ,faux-titre avec justificatif de tirage au verso, titre avec vignette, 271 pages, 1f. (achevé d'imprimer), 1f.blanc, luxueuse reliure signée Lortic fils (Marcellin, 1852-1928), plein maroquin grenat, dos à nerfs portant titres dorés, coupes dorées, contregardes encadrées de filets et motifs dorés, tranches dorées sur témoins, couvertures conservées. Dos légèrement décoloré. Exemplaire N° 95, un des 100 exemplaires numérotés sur papier de Chine, contenant une couverture illustré d'une sanguine, une vignette de titre et 20 illustrations dans le texte de Gaston Vuillier (dont 5 en pleine page). Bel exemplaire en bon état.
1903Arm3321903 Hommage respectueux à Madame Savard - 28 Mai 1903 - Grand In4 ( 33 x 27 cm ) Maroquin havane , dos à nerfs muet , initiales métalliques dorées en relief AS entremélées au 1er plat , filets et roulettes aux angles , guirlande intérieures , gardes en soie Bordeaux , tranches dorées - coiffes et coins frottés - Reliure signée M. Lortic ( Marcelin fils ainé ) 6 Ouvrage sur Japon entièrement réalisé à la main , calligraphie , dessins et encadrements couleur à la gouache , serpentes de protection . Un bijou pour une famille de bijoutiers ! Page de titre , Illustration allégorique aquarellée 1 page , testimonial 1 page , photographie contre collée 1 page , hommages 4 pages , blasons 2 pages , liste des médaillés d'honneur et liste des retraités 2 pages , liste du personnel de Paris classé par bureaux et ateliers 38 pages , liste du personnel de Guéret 10 pages , liste du personnel de Montignac 5 pages . Les reliures de Marcelin Lortic sont réputées et figurèrent dans nombre de bibliothèques de grands bibliophiles de son temps ( Fléty 115) . Auguste Savard ( 1803/1875) créa son entreprise de bijouterie en 1829 à Ferreux dans l'Aube . Travailleur et ingénieux , il mettra en place des procédés nouveaux qui changeront la vie et le travail des bijoutiers . Il déménagera en 1833 à Paris , puis installera deux autres usines à Guéret et à Montignac . De 1845 à 1850 , Savard applique dans ses ateliers l'estampage par la matrice d'acier qui lui permet de fabriquer des bijoux de qualité tout en économisant de la main d'oeuvre . En 1903 pour le centenaire de sa naissance un hommage lui est rendu . Le graveur René Rozet fait une plaque reproduite et décrite dans cet ouvrage et ses ouvriers rendent hommage à sa femme dans ce magnifique ouvrage unique ou chacun est cité en fonction de son poste de travail .
1903Arm3321903 Hommage respectueux à Madame Savard - 28 Mai 1903 - Grand In4 ( 33 x 27 cm ) Maroquin havane , dos à nerfs muet , initiales métalliques dorées en relief AS entremélées au 1er plat , filets et roulettes aux angles , guirlande intérieures , gardes en soie Bordeaux , tranches dorées - coiffes et coins frottés - Reliure signée M. Lortic ( Marcelin fils ainé ) 6 Ouvrage sur Japon entièrement réalisé à la main , calligraphie , dessins et encadrements couleur à la gouache , serpentes de protection . Un bijou pour une famille de bijoutiers ! Page de titre , Illustration allégorique aquarellée 1 page , testimonial 1 page , photographie contre collée 1 page , hommages 4 pages , blasons 2 pages , liste des médaillés d'honneur et liste des retraités 2 pages , liste du personnel de Paris classé par bureaux et ateliers 38 pages , liste du personnel de Guéret 10 pages , liste du personnel de Montignac 5 pages . Les reliures de Marcelin Lortic sont réputées et figurèrent dans nombre de bibliothèques de grands bibliophiles de son temps ( Fléty 115) . Auguste Savard ( 1803/1875) créa son entreprise de bijouterie en 1829 à Ferreux dans l'Aube . Travailleur et ingénieux , il mettra en place des procédés nouveaux qui changeront la vie et le travail des bijoutiers . Il déménagera en 1833 à Paris , puis installera deux autres usines à Guéret et à Montignac . De 1845 à 1850 , Savard applique dans ses ateliers l'estampage par la matrice d'acier qui lui permet de fabriquer des bijoux de qualité tout en économisant de la main d'oeuvre . En 1903 pour le centenaire de sa naissance un hommage lui est rendu . Le graveur René Rozet fait une plaque reproduite et décrite dans cet ouvrage et ses ouvriers rendent hommage à sa femme dans ce magnifique ouvrage unique ou chacun est cité en fonction de son poste de travail .
18220048021822 Castres, Auger, 1822. Deux volumes in-8 (138 X 222 mm) maroquin rouge, double encadrement de filet à froid sur les plats, dos cinq nerfs, caissons à froid, auteur, titre et tomaison dorés, lieu d'édition et date dorés en queue, coupes et coiffes filetées, large dentelle intérieure, tranches dorées sur marbrure (Lortic). Tome I : XXIV-320-56 pages - Tome II : 368-24 pages.
1646ST20750Leyden: Chez les Elseviers 1646. First Elzevier Edition. 135 x 75 mm. 5 1/4 x 3". 12 p.l. including engraved title 663 9 pp. <br/> ELEGANT DARK BLUE MOROCCO BY LORTIC stamp-signed on front doublure BEAUTIFULLY GILT-TOOLED IN THE STYLE OF THE 17TH-CENTURY BINDER KNOWN AS "LE GASCON" covers with graceful lobed French fillet frame intricately lacy gilt at corners delicately tooled lozenge at center raised bands spine densely gilt in compartments with complex mandorla centerpieces curling tendrils at corners and myriad small tools gilt lettering RED MOROCCO DOUBLURES with very fine lace gilt frame leather hinges marbled endpapers and flyleaves all edges gilt. Engraved title and engraved arms. Verso of front free endpaper with engraved bookplate of Emmanuel Martin see below. Willems 601; Rahir 599; STCN 832762849; USTC 1027902. Half-inch crack to head of front joint minor wear to head of spine corners a little rubbed isolated faint foxing otherwise a fine and pretty copy clean and fresh internally and in a lustrous binding.<br/> <br/> With striking gilt elaboration inside and out this is a beautifully bound and delightful Elzevier edition of Charron's celebrated work "On Wisdom" first printed in 1604. Inspired by the letters of Seneca and Stoic in spirit the work gives a meticulous and reasoned argument for living an austere virtuous and purposeful life in harmony with nature. But Charron's rationalism combined here with a lack of interest in revelation as a source of truth made his work suspect to the theological authorities of his day and he was accused of portraying religion as unnecessary for morality. His attempt to revise the work to satisfy his critics was interrupted by his death. A lawyer before he became a theologian and preacher Charron 1541-1603 desired at age 45 to join a monastic community but was rejected for being too old. Our volume was lavishly bound by Pierre Marcellin Lortic 1822-92 who apprenticed with the Gruel bindery before opening his own workshop in 1844. Over the next 40 years he won numerous awards became a preeminent Parisian binder and was named a Chevalier of the Legion of Honor. Beraldi says of Lortic: "For the decoration of a binding Lortic with real passion conceived the bound book as a jewel: he loved the rich the sumptuous the flamboyant." Beraldi put Lortic in the first rank of gilders even though Pierre did not do the gilding with his own hand. Instead he employed the best doreurs available including Wampflugh Maillard and Domont before his talented son and eventual successor Marcellin took over those responsibilities in the 1870s. Our binding was likely commissioned by the previous owner the formidable French bibliophile Emmanuel Martin 1821-82 whose library was sold in 1877. Our volume is lot #64 in the auction catalogue "Collection de M. Emm. Martin: Livres Rares et Précieux Anciens et Modernes" selling according to a manuscript indication in the margin for 161 francs a very substantial sum representing modern buying power of about $3000. The catalogue description says it is a "charming example" of the rarest Elzevier edition of this work and gives special praise for the "perfectly executed" binding rendered "with the most remarkable finesse" in the style of Le Gascon an artisan active in Paris in the first half of the 17th century and revered as perhaps the outstanding gilder of his day. This is a very great compliment to Lortic and it is not surprising that as the auction catalogue states the present example of his work was featured in the Museum of Ornamental Arts as part of the Art Treasures Exhibition held in Manchester in 1857. Chez les Elseviers unknown
1875ST20760-02Paris: Printed by J. Claye for Glady Frères 1875. No. 8 OF 50 LARGE PAPER COPIES ON PAPIER CHINE from a total edition of 333. 225 x 147 mm. 8 7/8 x 5 7/8". XLIX 3 1-372 4 pp.Preface by Alexandre Dumas fils. <br/> LOVELY DARK BLUE MOROCCO GILT BY MARCELLIN LORTIC stamp-signed on front turn-in his ticket on verso of front free endpaper covers with French fillet border intricate cornerpieces with floral spray and two birds raised bands spine compartments with floral vase sporting two tiny birds at center surrounded by delicately entwined floral vines gilt lettering richly gilt turn-ins with floral vines inhabited by birds marbled endpapers all edges gilt. Original vellum wrappers bound in. Housed in a chamois-lined matching morocco-lipped slipcase. With additional engraved title page four portraits of the author one as called for three added and 34 plates 12 as called for 22 from other editions. With a handwritten note laid in: "With much love & many kind thoughts from your most devoted admirer. V. A. B." Carteret V 160. Board edges bowed slightly inward one added plate mildly browned otherwise AN ESPECIALLY FINE COPY the contents clean and fresh and the binding lustrous and unworn.<br/> <br/> This deluxe Large Paper Copy of a classic French novel is admired for its excellent printing important preface by a celebrated contemporary author and lovely illustrations most of them added from other editions. And our copy is beautifully bound by a distinguished French binder. The tragic tale of a young nobleman and his attractive but mercenary lover Manon was first printed in 1731 as the last volume in "Memoirs and Adventures of a Man of Quality." The book was reissued separately in 1733 and became immediately successful--and censored--due to the illicit love and amoral behavior of the principal characters. It was officially published again 20 years later following many pirated editions having been extensively revised by the author. There has been some speculation that the story is semi-autobiographical with its author usually referred to as Abbé Prévost 1697-1763 having vacillated between religious and military careers suffering at least one unfortunate love affair and for a brief time living in exile. The present edition includes a famous preface by Alexandre Dumas fils that attests to its enduring allure and celebrity. Dumas whose own "La Dame aux Camelias" was influenced by the present novel praises the work while musing on the dangerous intensity of Manon's passion noting that "She can only live in pleasure as fish can only live in water." In addition to the excellent plates by French engraver Leopold Flameng this work has been supplemented with engravings by other noted French illustrators such as Edmond Hédouin and Louis Monzies. Adding to the appeal of this copy is its beautifully preserved binding from an esteemed Parisian workshop. Marcellin Lortic 1852-1928 was trained by his father Pierre 1822-92 one of the great binders of 19th century Paris; the firm was known for their superb interpretations of traditional styles. Flety notes that unlike his father Lortic fils handled all aspects of a binding himself as designer binder and gilder. He was an eccentric workaholic living alone in his workshop and devoting his life to his craft. According to Flety "his bindings appeared in numerous libraries of great collectors of his time" who showed their satisfaction and appreciation with persistent loyalty. Protective of his reputation--and also loathe to work with others--he refused to hire an apprentice/successor choosing instead to sell his equipment and tools when he was no longer able to work. [Printed by J. Claye for] Glady Frères unknown
1896ST16988Paris: Édouard Pelletan 1896. No. 9 OF 25 COPIES from a total run of 350 WITH AN ORIGINAL WATERCOLOR by Georges Bellenger and two extra suites of illustrations signed by E. Froment. 295 x 228 mm. 11 5/8 x 9". 3 p.l. xi 4 16-41 9 pp. 1 leaf blank. French translation by André Bellessort. Prefaced by a letter from Anatole France. <br/> ELEGANT HONEY BROWN MOROCCO GILT BY LORTIC fils covers with Greek key frame central panel enclosed by interlocking frames of brown and gilt rules embellished with gilt volutes and flowers oblique palmette cornerpieces raised bands spine compartments with centerpiece formed by drawer-handle tools and palmettes gilt lettering wide turn-ins with palmette frame purple watered silk endleaves marbled paper flyleaves all edges gilt. Original paper wrappers bound in. Preserved in a calf-lined marbled paper slipcase. Text in two alternating decorative frames tailpiece at end and 12 illustrations three of them full-page by Georges Bellenger engraved by E. Froment this copy with two additional suites of the 15 engravings one on japon one on chine bound at rear and WITH AN ORIGINAL WATERCOLOR of two nymphs tormenting a faun SIGNED BY GEORGES BELLENGER. Parallel text in Greek and French on facing pages. Front flyleaf with engraved armorial bookplate. Carteret IV 377. ◆A couple of tiny dark spots to front board title page with three small spots of foxing but A VERY FINE COPY clean and fresh internally with generous margins the watercolor on bright stock and the binding unworn.<br/> <br/> From one of the leading publishers of luxury editions during what Ray calls "the golden age of bibliophiles" this is an excerpt from the "Idylls" of Theocritus in a binding from an esteemed Parisian workshop. Marcellin Lortic 1852-1928 was trained by his father Pierre 1822-92 one of the great binders of 19th century Paris; the firm was known for their superb interpretations of traditional styles. Flety notes that unlike his father Lortic fils handled all aspects of a binding himself as designer binder and gilder. He was an eccentric workaholic living alone in his workshop and devoting his life to his craft. According to Flety "his bindings appeared in numerous libraries of great collectors of his time" who showed their satisfaction and appreciation with persistent loyalty. Protective of his reputation--and also loathe to work with others--he refused to hire an apprentice/successor choosing instead to sell his equipment and tools when he was no longer able to work. <br /> <br /> Our text follows in the tradition of an ancient Greek poetic form comprising a conversation between two lovers often unsurprisingly with amorous content--in the present case seduction leading to marriage. The style was adopted by and enjoyed a vogue among Symbolist poets like Paul Verlaine in the 19th century. The illustrations--alive with nymphs fauns and other mythological creatures--are the work of Georges Bellenger 1847-1918. He exhibited landscapes and still life paintings in the Paris Salon but was best known for his lithographs. He received a commendation from the Société des Artistes Français in 1889. Édouard Pelletan unknown
15790056161579 Paris, Mamert Patisson, 1579. In-12 (162 X 104 mm) maroquin rouge, plats ornés de deux encadrements de double filet doré, fleurons d'angles et médaillon doré au centre, dos à nerfs filetés or décoré de caissons et fleurons dorés, titre, lieu et date d'édition dorés, coupes et coiffes filetées or, bordure intérieure ornée d'une large dentelle dorée, tranches dorées (Lortic) ; (16) ff., 295 pages, manque le dernier feuillet blanc.
1538ST14933<p>Paris: Jehan Masse Jean Macé 1538. Fourth Edition. 182 x 91 mm. 6 3/8 x 3 3/4". 8 p.l. ccciii 1 blank leaves.Edited by Clément Marot. <br />ELEGANT SCARLET MOROCCO BY LORTIC stamp-signed on front turn-in covers tooled in gilt and blind in a Grolieresque strapwork design raised bands spine compartments with central gilt rose surrounded by blind tooling gilt titling turn-ins richly gilt marbled endpapers all edges gilt. With title page vignette and 49 impressions of 26 CHARMING WOODCUTS in the text. Front pastedown with engraved bookplate of P. Grandsire. Brunet III 1175; Bourdillon "Early Editions of the Roman de la Rose" the "S" version pp. 62-63. ◆Leaves lightly washed and pressed following the bibliophilic fashion at the time of binding occasional mild browning or small marginal stains but still A LOVELY COPY clean and still crisp IN A SPARKLING BINDING.<br /><br />Beautifully bound this is a most attractive copy of the last early edition of this classic of courtly love perhaps the most influential work in Medieval French literature. An allegorical love poem that unfolds as a dream vision the "Romance of the Rose" is the work of two authors Guillaume de Lorris who composed the first 4000 or so lines around 1230 and Jean de Meun who contributed an additional 18000 lines 40 years later. Our version was edited by the poet Clément Marot 1496-1544 to make the language more accessible to 16th century French readers and his efforts contributed to a renewed popularity for the tale. Marot did four recensions of the text; this is the final one. After our printing no other edition appeared until 1735. According to Bourdillon the woodcuts here are copied from the "very pretty" series in the 1529 edition. The scenes are impressive in the level of detail especially considering their diminutive size. Pierre Marcellin Lortic 1822-92 was one of the great binders of 19th century Paris known for his superb interpretations of traditional styles as in the present binding. According to Flety "at once artisan and artiste intelligent and conscientious an expert and a lover of his metier he knew how to give his work the finish the brilliance that very few practitioners of his time could attain." Our copy comes from the library of French bibliophile Paul Grandsire of Nogenten-Bassigny Haute-Marne whose notable collection of French imprints from the 15th to the 18th centuries was sold in 1930. All early versions of the "Romance of the Rose" are sought after and this is especially true of well-preserved copies of those editions with charming illustrations and in fine bindings favored by discriminating bibliophiles.</p> Jehan Masse [Jean Macé]